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Illustration precedes description
51
Decorative Art: Coat of Arms
DOMINE DIRIGE NOS (Lord Guide Us), motto of London,
reverse painting on glass, 26 ¾ x 21 ¾”, frame 29 ½ x 24 ¼”.
In apparently good aged condition.
Auction Estimate $100/200
Starting Bid $50
52
Elizabeth Dekker-Duart
(20th Century)
California
TWO BOOT, 1990, acrylic painting on canvas, artist’s
label on verso, 48 x 24”.
A few scuffs, otherwise in good studio condition.
Auction Estimate $200/400
Starting Bid $100
53
Richard Duardo
(1952-2014) California
STANDING NUDE WOMAN, color screenprint, signed in
pencil, numbered 7/15, printed by Aztlan with blind stamp lower left, sheet 50 x
38 ¼”, discardable frame 54 x 42” with Plexiglas.
Soft handling creases, a little schmutz here and there, otherwise in apparently
good condition.
Auction Estimate $200/400
Starting Bid $100
54
Richard Duardo
(1952-2014) California
JAMES BROWN, color screenprint, signed in pencil,
numbered 34/80, printed by Aztlan with blind stamp lower right, sight 35 ¾ x 48
¾”, frame 40 ½ x 53 ½” with non-glare Plexiglas.
Two handling creases on neck with associated white hairline cracks, otherwise in
apparently good condition.
Auction Estimate $200/400
Starting Bid $100
55
Marianne Eigenheer
(b. 1945) Swiss
UNTITLED, 1987, tempera on paper, signed and dated
lower right, 39 ¼ x 29 ¼”, frame 40 x 29 ¾”. Provenance: Holly Solomon Gallery
NYC.
Cockling and soft handling creases, otherwise in apparently good studio
condition.
Auction Estimate $500/1500
Starting Bid $250
56
Frantisek Emler
(1912-1992) Czechoslovakian
VILLAGE SCENE, circa 1938, oil painting on Masonite,
signed lower right and lower left, 14 x 38 ¾”, frame 16 x 41”.
Some of the lacquer yellowed, otherwise in good studio condition.
Auction Estimate $200/400
Starting Bid $100
57
Erte
(1892-1990) Russian
FIRST DRESS from the Twenties Remembered Again
(L.115), 1978, color screenprint, signed in pencil, numbered 283/300, published
by Circle Fine Art, printed by Chicago Serigraphic Workshop with blind stamps
lower left and lower right, image 18 x 15”, full margins, frame 35 ¾ x 31 ¾”.
A few soft handling creases, faint speckles mainly in left margin, otherwise in
apparently good condition.
Auction Estimate $300/600
Starting Bid $150
58
Kenneth L. Euans
(1884-1966) California
RURAL SCENE, 1956, oil painting on Masonite, signed
lower right, 20 x 24”, frame 26 ¾ x 30 ½ x 2 ¾”.
Surface soiling, some of the lacquer yellowed, otherwise in good studio
condition.
Auction Estimate $200/400
Starting Bid $100
59
European Artist Unidentified
(20th Century)
(two)
SHIPWRECK; STORM, each a watercolor and pastel on
paper, the first titled on verso, both inscribed with multi-language poetry? on
back of frames, sheets 17 x 24 ¼”, frames 24 ½ x 31 ¾” with Plexiglas. (2)
The first with a crease lower left corner, tear lower left sheet edge with
associated yellowed scotch tape on verso, small nicks and scrapes, staining on
verso; The second with tears at upper left and upper right corners, a couple of
soft horizontal creases; Otherwise both in good studio condition.
Auction Estimate $400/800
Starting Bid $200
60
Pericle Fazzini
(1913-1987) Italian (four)
SANDY (Sanford Roth), 1954, four ink drawings on
paper, each signed and dated lower right or left, sheets 17 x 12 ½”. Provenance:
Christies, Roma, sale No. 2257, Nov. 22nd. 1993, lot 16. (4)
All with some minor age discoloration, one with small tideline stain upper
right, one with brown water stains and possibly mold stain along upper sheet
edge, otherwise all in good studio condition.
Auction Estimate $1000/1500
Starting Bid $500
61
Max Fernekes
(1905-1984) American
MAN ON RURAL STREET, 1944, watercolor and pastel on
paper or board, signed and dated lower left, 14 x 15”, discardable frame 17 x
18” with glass.
In apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
62
Folk Art
(20th Century)
WHALE AND SHIPS, oil painting on wood plank, 14 ½ x
28”, frame 20 ½ x 34 x 2 ¼”.
Surface soiling, a few scuffs, otherwise in good aged condition.
Auction Estimate $200/400
Starting Bid $100
63
Herbert Wilson Foster
(fl. 1881-1917) British
HOME FROM THE HARVEST FIELD, 1886, oil painting on
canvas, signed lower left, 27 x 38”, frame 36 x 47 ¼ x 5”. Provenance: Galerie
Michael, Beverly Hills. Sold at Bonhams UK 2014 for $6461.
Professionally re-lined, in good aged condition.
Auction Estimate $5000/8000
Starting Bid $2500
64
Jas Fraser
(20th Century) New York
CUTTER SHIP, oil painting on canvas, signed lower
left, 18 ¼ x 28 ¼”, frame 23 x 33”.
Surface soiling, vertical hairline cracks throughout, otherwise in good studio
condition.
Auction Estimate $200/400
Starting Bid $100
65
French Naïve Art
(19th/20th Century)
ABRIL 25 DE, 1918, oil painting on metal, 10 x 14 ¼”,
frame 13 x 17”.
Two holes top center for hanging, a few nicks, some wear, surface soiling, rust,
otherwise in aged condition.
Auction Estimate $200/400
Starting Bid $100
66
Diane Gamboa
(b. 1957) California & 1980’s Artists Collection (nine)
Diane Gamboa
FACE, 1984, color screenprint, signed in pencil, numbered 75/78, Self Help
Graphics stamp on verso, sheet 39 ¾ x 28”;
Peter Tovar
MIND’S EYE I, 1996, lithograph, signed and dated in pencil, numbered 5/26, with
Self Help Graphics blind stamp lower left image 7 ¼ x 37 ¼”, sheet reduced to 11
x 40 ½”;
Skooter
UNTITLED, color screenprint, signed in pencil, numbered 17/100, Aztlan
blind stamp lower left and artist’s (?) blind stamp lower right, sheet 31 ¾ x
23”’;
Kinsey
EXTINGUISH, 1997, color screenprint, signed in pencil and numbered 27/100
and AP (artist’s proof), sheet 24 x 18”;
Rex Ed*** KULTURE DELUXE MAKING POP CULTURE GO BOOM, color
screenprint, signed and numbered 1-100 in pencil, sheet reduced to 23 x 13 ½”;
Artist Unidentified
ACE,
1982, color screenprint, signed and dated and numbered 3/30 in pencil, sheet 22
x 30 ¼”;
Artist Unidentified
(possibly Angel) TWO FIGURES, color screenprint, signed in pencil,
numbered 15/25, image 22 ½ x 17 ½”, sheet 28 ½ x 22 ½”; Artist Unidentified
FACE
WITH CREATURES, color screenprint, sheet 35 x 28 ½”, frame 39 x 33” with
non-glare Plexiglass;
Artist Unidentified
GEOMETRIC BLOND, color
screenprint with hand-painting, signed in pencil and inscribed AP/MP, frame 51 x
36” with non-glare Plexiglas. (9)
Gamboa with several crescent handling creases with white line cracks; Tovar with
some pale staining lower right corner; Skooter with a few soft handling creases,
mainly visible on verso; Kinsey with a few scuffs; Kulture Deluxe with pale
toning, scuffs and scrapes with some minor surface loss; Artist unidentified Ace
with a small scuff lower right corner and a few soft handling creases lower
right corner; Artist Unidentified Two Figures with some sun toning from previous
framing, crease upper left margin, soft handling creases; Geometrid Blond with
soft handling creases and a couple creases with associated white line cracks;
Otherwise all in good condition.
Auction Estimate $300/600
Starting Bid $150
67
Oswald Garside
R.O.A., R.I.
(1879-1942) United Kingdom
WATERFRONT FLATS, watercolor and gouache on card,
signed lower right, 23 x 18”, frame 30 x 25” with glass.
Some edge wear showing, otherwise in apparently good condition.
Auction Estimate $200/400
Starting Bid $100
68
Edwin Allsaints Gates
(1875-1950) Michigan
CLIPPER SHIPS, color pastel on paper or board, signed
lower left, overall 21 x 41” including frame with glass.
Some of the pastel remnants on glass, otherwise in good aged condition.
Auction Estimate $200/400
Starting Bid $100
69
Andrew Gaylard
(b. 1944) New York (two)
TIME, 1988; CAKE DAY, 1988, each a gouache and mixed
media on paper, signed and dated, images 18 ½ x 13 ½” & 18 ¾ x 12 ½”; frames 29
x 37”. (2)
Both in apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
70
Selden Connor Gile
(1877-1947) California
LANDSCAPE, oil painting on canvas, inscribed Selden
Gile in pencil on verso, appears to be old auction chalk marks or inventory
marks and inscribed Selden Gile on back of frame, 17 ¼ x 21 ¼”, frame 22 ½ x 27
x 2”
Light surface soiling, otherwise in good studio condition.
Auction Estimate $10,000/20,000
Starting Bid $5000
71
Sylvia Glass
(20th Century) California
UNTITLED, gouache and mixed media on paper, signed
lower right, 36 ¼ x 36 ¼” including frame.
In apparently good studio condition.
Auction Estimate $100/300
Starting Bid $50
72
Goddard
(20th Century)
SOLDIERS ON HORSEBACK, watercolor and gouache on
board, signed lower right, sight 14 x 38”, frame 21 x 45”.
Light surface soiling, otherwise in apparently good condition.
Auction Estimate $100/200
Starting Bid $50
73
David Lance Goines
(b. 1945) American
(three)
FAUST, 1977; METROPOLIS, 1981; PETER M. LORRE, 1982,
three color lithographs, each signed and dated in pencil, from editions of 300,
sheets average 24 x 18”. (3)
All with faint cockling and some discoloration, otherwise good condition.
Auction Estimate $150/250
Starting Bid $75
74
David Lance Goines
(b. 1945) American
(four)
MORROW, 1976; CARDUCCI & HERMAN LANDSCAPE, 1981;
DOMUS, 1984; GOINGS EXHIBITION POSTER; four color lithographs, the first with
hot foil stamping, each signed and dated in pencil, two numbered 81/300 and one
numbered 118/300, sheets from 24 x 18” to 24 x 12 ¾”. (4)
The first with a few scuffs in the margins; The third with toning and faint
discoloration; The fourth with some toning, cockling and water staining,
otherwise in good condition.
Auction Estimate $150/250
Starting Bid $75
75
Joe Goode
(b. 1937) California (five)
FLOATING CARDS, 1969, five color lithographs, each
signed and dated in pencil and inscribed VIII Roman Numeral, aside from the
numbered edition 98, printed by Mourlot Paris, sheets 22 x 29 ¾”. (5)
Soft handling creases and some small creases, otherwise in good condition.
Auction Estimate $1000/1500
Starting Bid $500
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1-25 26-50 51-75 76-100 101-125 126-150 151-175 176-200
201-225 226-250 251-275 276-300 301-325 326-350 351-375 376-400