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Fine Original Prints

May 26th, 2021 Auction, 12pm

 

 

201

Peter Alexander (1939-2020) California

UNTITLED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 18 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

202

Peter Alexander (1939-2020) California

UNTITLED, 1982, aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 22 ½ x 26”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

203

Harold Altman (1924-2003) Pennsylvania

PATH III, color etching, signed and titled and inscribed AP (artist’s proof) in pencil, plate 17 ½ x 19 ¾”, full margins, frame 31 ½ x 33” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

204

Harold Altman (1924-2003) Pennsylvania

TWO TREES II, color lithograph, signed and titled and inscribed AP (artist’s proof) in pencil, image 18 ½ x 26 ½”, full margins, frame 33 x 40 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Possibly some toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

205

Harold Altman (1924-2003) Pennsylvania

LE GRAND BASSIN, LUXEMBOURG, color lithograph, signed and titled and numbered 66/285 in pencil, printed by Mourlot with blind stamp lower left, image 18 x 26 ¼”, full margins, frame 32 x 40” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

206

Harold Altman (1924-2003) Pennsylvania

TEN FIGURES, color etching, signed and inscribed AP (artist’s proof) in pencil, plate 19 ½ x 23 ¾”, full margins, frame 33 ½ x 37 ½” with glass.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

207

Sunol Alvar (b. 1935) Spanish (two)

STILL LIFE; TWO PERSONAGES, two color lithographs, the first signed and inscribed eprevue d’artiste (artist’s proof) in white crayon, the second signed and numbered 139/260 in black crayon, sheets 19 ½ x 27 ¼” & 21 x 27 ¼”. (2)

Still Life with two small white line creases upper right corner, Personages with sun staining, both toned on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

208

Irving Amen (1918-2011) New York (7), Ira Moskowitz 1912-2001) Poland (5) & after Mane Katz (5) (seventeen)

Irving Amen VARIOUS, four color woodblock prints and three etchings, each signed in pencil and from numbered editions or artist’s proofs, sheets 25 x 19” to 10 ¾ x 13”; Ira Moskowitz VARIOUS, five color lithographs, each signed and numbered edition 275 in pencil, sheets 16 ½ x 21 ½”; after Mane Katz VARIOUS, one full sheet and four trimmed prints on versos of text pages from Douze Lithographies, 1966, sheets 27 ½ x 20 ½” to 13 x 10”. (17)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

209

American Printmakers (20th Century) (approximately thirty-five)

A collection of lithographs, etchings and screenprints, all but two signed, most numbered in pencil, various sizes, largest sheet 23 x 31 ½” to 7 ¾ x 6 ¾”. Artists include Charles Klabunde, Joan Binkoff (4), Wade Reynolds (2), Martin Tobias (2), Mcguiness (4), Vigil, George Crionas (2), and others. (35)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

210

Amos Amit (b. 1945) Israel (four)

JOSEPH, color screenprint, signed and numbered 46/250 in pencil, image 32 x 24”, sheet 35 ½ x 28 ¼”; CREATION, 1980, color screenprint, signed and numbered 53/250 in pencil, image 23 ¼ x 30 ¼”, sheet 31 x 36”; FISH MARKET, 1981, color screenprint, signed and dated and numbered 26/250 in pencil, image 22 ½ x 32 ½”, sheet 29 x 37 ½”; JERUSALEM, 1981, color screenprint, signed and dated and numbered 29/295 in pencil, image 26 x 32”, sheet 29 x 35 ½”. (4)

Joseph with rough sheet edge lower left; first three with old masking tape hinge stains upper sheet edges; Otherwise all in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

211

Chuck Arnoldi (b. 1974) California

UNTITLED BLACK & RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 x 17 ¼”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

212

Chuck Arnoldi (b. 1974) California

UNTITLED CROSS-HATCH WITH GREEN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 22 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

213

Artist Unidentified (20th Century)

FORTY-FIVE, embossed color lithograph, inscribed “forty-five” in pencil lower left, sheet sight 17 x 17”, framed 25 x 25” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

214

Artist Unidentified (20th Century)

BLUE & RED CIRCLES, color screenprint, signed and numbered 56/100 in pencil, sight 25 x 25”, frame 32 ½ x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

215

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 11/99 in pencil, plate 13 ½ x 9”, full margins, frame 28 ¼ x 23 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

216

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 20/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 ¼ x 26 ¼” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

217

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 24/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 ¼ x 26 ¼” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

218

Auction Catalogs (thirty-five)

Prints & Posters & Photographs, a collection of thirty-five Sotheby’s, Christie’s, Bonhams & Swann illustrated auction catalogs from 1981-2020, weight 41 lbs. (35)

Overall in good used condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

219

after John James Audubon (1785-1851) American

WHITE-FRONTED GOOSE, ANSER ALBIFRONS (Pl. CCLXXXVI), 1836 from the Havell edition of The Birds of America, hand-colored engraving printed on Whatman 1836 paper, sheet apparently reduced to 25 ¼ x 38 ¼, paper-backed, frame 33 ½ x 45 ½.

Colors attenuated, some small edge tears, pale toning and discoloration, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

220

after John James Audubon (1785-1851) American

OLIVE SIDED FLYCATCHER, from Birds of America, plate 174, 1833, hand-colored engraving, etching and aquatint by Robert Havell, plate 19 ½ x 12 ¼” sight 20 x 12 ¾”, frame 40 x 27” with glass.

Some discoloration and a few speckles, otherwise in apparently good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

221

Arie Azene (b. 1934) German/ Israel (six)

COUCH AND CHAIR, hand-colored lithograph, signed and numbered 12/80 in pencil, sheet 22 ¼ x 30”; THREE INTERIORS WITH CHAIRS, color lithograph, signed and numbered 177/240 in pencil, sheet 27 x 19”; TWO BEDROOM INTERIORS, color lithograph, signed and numbered 119/240 in pencil, sheet 27 ½ x 19 ½”; VIEW OF THE CITY, color lithograph, signed and numbered 76/250in pencil, sheet 19 ½ x 27 ½”; Family Album Series (The Girls), color lithograph, signed and numbered 14/42 in pencil, Burston Graphic Centre blind stamp, sheet 19 ¾ x 25 ¾”; Family Album Series (Spiral Bound), color lithograph, signed and numbered 3/60 in pencil, Burston Graphic Centre blind stamp, sheet 22 ¼ x 30”. (6)

The last with pale discoloration at sheet edges, otherwise in good condition, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

222

Nozio Azuma (1928-2004) New York Japan

IMAGE G, color screenprint, signed and titled and numbered 50/85 in pencil, image 18 x 18”, full margins, frame 28 x 27 ¾” with glass.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

223

Nozio Azuma (1928-2004) New York Japan

IMAGE G (II), color screenprint, signed and titled and numbered 51/85 in pencil, image 18 x 18”, full margins, frame 28 ½ x 28 ¼” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

224

Will Barnet (1919-2012) American

THE BLUE ROBE (C.144), 1971, color aquatint etching, signed and titled in pencil, a fine proof before the numbered edition of 225, published by Associated American Artists, with certificate, printed by Deli Sacilotto, plate 12 ¼ x 13 ¼”, sheet 23 ½ x 28 ½”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

225

Joe Black (b. 1973) British

SORRY, color giclee with acrylic spray paint, signed in pencil and inscribed A.P. (artist proof) in pencil, sheet 27 ¼ x 19 ¼”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

Use the following links to view lot numbers 201-370

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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