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Illustration precedes description

 

The Anne Cole Estate Beverly Hills

Auction May 6th, 2017

  

 

 

201

Victor Vasarely (1906-1997) Hungarian

GESTALD-SIN, 1983, screenprint on card mounted to vacuform plastic, signed in pencil and numbered 65/93 on label on verso, with certificate from Foundation Vasarely, white paint speckling, some surface staining visible at certain angles, a couple of small discoloration spots, otherwise in good condition.  $300/600

 

 

 

202

Vasa (b. 1933) Yugoslavian/ Californian

SPHERE, 2008, multi-colored laminated Lucite sculpture, signed and dated, 6” diameter, some scuffs and scratches, otherwise in good studio condition.  $800/1200

 

 

 

203

Claude Venard (1913-1999) French

LES TOITS DE PARIS SOUS LE SACRE-COEUR, 1959, impasto oil painting on canvas, signed lower right, 39 ½ x 39 ½”, framed, a few hairline cracks, minor surface soiling, otherwise in good studio condition. Provenance: A signed photo-certificate by Felix Vercel of Galerie Felix Vercel.  $5000/10,000

 

 

 

204

Stephen Verona (b. 1940) New York

CARNIVALE CANDY, color pigment print on Epson paper, signed in black marker lower right and numbered 1/75, artist’s blind stamp lower right, sheet 19 x 13”, in good condition.  $200/400

 

 

 

205

Robert Walker (b.1942) Californian

UNTITLED, acrylic painted wire construction, a signature not found, 33 x 33 x 7”, a few inconspicuous minor losses, otherwise in apparently good studio condition.  $1000/2000

 

 

 

206

Abraham Walkowitz (1880-1965) Russian/ New York

FIGURE RHYTHM, 1920, watercolor on paper, signed lower right, image 20 ¼ x 15 ½”, margins, framed, mild toning in margins from mat, otherwise in apparently good studio condition. Provenance: Zabriskie Gallery, New York; Gallery Reese Palley, Atlantic City; Herbert Palmer & Company, Beverly Hills; Exhibited: Utah Museum of Fine Art and Edwin A. Ulrich Museum of Art, Wichita State University, artist retrospective.  $800/1200

 

 

 

207

Andy Warhol (1928-1987) New York

ABSOLUTE, 1985, color poster, printed signature upper right, image 42 x 34”, full margins, framed, some minor cockling, some tiny speckles in margins, otherwise in apparently good condition. Apparently produced as a corporate gift in an edition of approximately 50 for Carillon executives, Absolut Vodka’s distributor.  $500/1000

 

 

 

208

Albert Wein (1915-1991) American

MOTHER & CHILD, carved marble sculpture, a signature not found, 19 x 24 x 17”, resting on 2 ½ x 21 ½ x 13” marble base, small repair on backside of child’s right foot at base, a few possibly studio filled dimples, uneven lacquer finish, appears to have repair to the child’s extended arm at the wrist (possibly studio) otherwise in good studio condition.    $5000/10,000

 

 

 

209

Albert Wessels (1938-2010) & Hjalmar Schreuder (two)

Albert Wessels CHICKENS, oil painting on canvas, signed lower right, 9 ¾ x 12”; Together with Hjalmar Schreuder FLEMISH TOWNSHIP, oil painting on board, 10 x 12”, Provenance: Gallery Elizabeth, Seattle; both framed and in good studio condition. (2)  $200/300

 

 

 

210

Paul Wunderlich (1927-2010), Valerio Adami (b. 1935) & Pierre Marie Brisson (b. 1955) (three)

Paul Wunderlich PROFILE OF A WOMAN, peach and yellow states; Valerio Adami SEATED MAN WITH FIGURINE, three color lithographs, each signed in pencil and numbered editions of 10,000, sheets 16 ½ x 11 ¾”, Adami with some small discoloration spots in margins, otherwise all in good condition; Together with Pierre Marie Brisson TITLED, 1980, mixed media on paper, signed lower right, signed and dated and titled on verso, 12 ½ x 9 ½”, in good studio condition. (3)  $200/400

 

 

 

211

Yamin Young (b. 1959) Chinese

SIRENS, triptych color screenprint, signed in pencil, numbered 88/275, each panel 33 x 17”, overall 33 x 51”, framed, in apparently good condition.  $200/400

 

 

 

212

Yamin Young (b. 1959) Chinese

FLAME, color screenprint on rice paper, signed in pencil, numbered 106/175, image 34 x 34”, sheet 38 x 38”, framed, creases in margins and sheet edges from lengthy storage, otherwise in apparently good condition.  $200/400

 

 

 

213

Zhou Ling (b. 1941) Chinese

WOMAN WITH PANTHER & OCELOT, color screenprint, signed in pencil, numbered 245/300, image 26 ½ x 37”, full margins, published by Gregory Editions, printed by Soma Fine Art Press, framed, with very mild cockling, otherwise in apparently good condition.  $200/400

 

 

 

214

Zhou Ling (b. 1941) Chinese

WOMAN WITH BIRDS, color screenprint, signed in pencil, numbered 238/300, image 30 x 31”, full margins, published by Gregory Editions, printed by Soma Fine Art Press, framed, with very mild cockling, otherwise in apparently good condition.  $200/400

 

 

 

215

Xiaogang Zhu (b. 1954) Chinese/ Washington

MORNING BRIDGE, 1999, watercolor on paper, signed and dated lower left, with character stamp lower right, sight 14 x 20”, framed with glass, in apparently good studio condition.  $400/800

 

 

 

216

Francisco Zuniga (1912-1998) Costa Rican

LA COMIDA (B.51), 1980, color lithograph, signed in pencil, numbered 94/125, sight 24 x 33 ½”, printed by Kyron and published by Brewster Editions New York, framed, in apparently good condition.  $1000/2000

 

 

 

217

Ehrman Zvi (1903-1993) Israeli & another (two)

SAFED, watercolor on paper, signed lower left, sight 18 ¾ x 12 ¾”, framed with glass, in apparently good studio condition; Together with Israeli Artist Unidentified OLD QUARTER, woodcut print, signed and numbered 57/60 in pencil, image 18 ¼ x 12 ½”, full margins, mild toning and discoloration; both framed with glass and otherwise in apparently good condition. (2)  $100/200

 

Use the following links to view lot numbers 1-217

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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