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Illustration precedes description

California & International Collection

Auction September 9th 2017

 

 

 

201

Beka Svirava (b. 1948) Georgian

ROOFTOPS IN THE WINTER, 2014, oil painting on canvas, signed lower right and dated lower left, signed and dated and titled on verso, 31 ½ x 39 ½”.

In good studio condition.

$200/400

 

 

 

202

Joe Tilson (b. 1928) UK American

CLIP-O-MATIC, 1967, color screenprint with acetate overlay, signed and dated in pencil and numbered 2/70, sheet 28 x 20”.

Surface accretions on acetate, acetate sheet needs to be realigned, old hinges and plastic tape and some skinning on verso, otherwise in good condition.

$400/800

 

 

 

203

Theo Tobiasse (1927-2012) Israel

JE SUIS LA FUNAMBULE J’UNE ETRANGE HISTOIRE, color pastel on handmade embossed paper, signed upper left, titled lower right, 19 ¾ x 12 ¾”, framed. Provenance: Nahan Galleries New Orleans.

In apparently good studio condition.

$3000/6000

 

 

 

204

Koka Tskhvediani (20th/ 21st Century) Georgian

CHILL OUT, 2011, mixed media painting on burlap, signed lower left, signed and dated on verso, 27 ¾ x 35”, framed.

In good studio condition.

$300/600

 

 

 

205

Koka Tskhvediani (20th/ 21st Century) Georgian

TITLED, 2012, mixed media painting on card board, signed lower left, signed and dated and titled on verso, 27 ½ x 39”, framed.

In good studio condition.

$300/600

 

 

 

206

J. Parker Valentine (b. 1980) Texan

UNTITLED, 2009, graphite drawing on composite hard board, initialed and dated on verso, 41 ¾ x 34”.

In good studio condition.

$200/400

 

 

 

207

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, signed in pencil, numbered 211/300, image 17 ½ x 17 ½”, full margins, framed.

In apparently good condition.

$200/400

 

 

 

208

Victor Vasarely (1906-1997) Hungarian

KEZDI GA, color screenprint, signed in pencil, numbered 197/250, image 20 x 20”, full margins, framed.

In apparently good condition.

$300/600

 

 

 

209

Vida (20th Century)

BOY FISHING, cast bronze sculpture with patina, signed and numbered 1/10, height 14 ¾”, with ½” tall marble base (lacking one mounting screw).

Break in fishing rod at hand but sustainable, scattered white spots, otherwise in good condition.

$100/200

 

 

 

210

Jacques Villon (1875-1963) French

UNTITLED, color lithograph, signed in pencil, image 4 ½ x 3 ½”, full margins, framed with glass.

In apparently good condition.

$100/200

 

 

 

211

after Maurice De Vlaminck (1876-1958) French

VILLAGE SOUS LE NEIGE, c.1950, color heliography by Guy Spitzer with blind stamp lower left, signed in pen by Vlaminck, numbered 224/400 in pencil, image 24 ¼ x 30 ¼”, full margins, framed with glass.

Minor cockling, small faint toning in margins, crease upper left margin slightly extending into image, otherwise in apparently good condition.

$500/1000

 

 

 

212

William Weege (b. 1935) American

MILDRED, 1972, color screenprint, signed and dated pencil, titled and inscribed A/P (artist’s proof), sheet 21 x 17”.

Printer’s ink and smudges in margin, otherwise in good condition.

$100/200

 

 

 

213

Ulfert S. Wilke (1907-1987) American

ONE, TWO & MORE, 1960, loose-leaf portfolio, twenty-three collotypes, from a limited edition of 400, sheets 19 ¾ x 14 ½”, with cover page and text page and backboard insert, with portfolio case.

Twenty-two prints in good condition, the twenty-third print with toning on verso from backboard, cover with toning from case. The case with soiling from age and improper storage.

$400/800

 

 

 

214

Bob Willoughby (1927-2009) Californian

AUDREY HEPBURN 1953 GETTING INTO CAR AT PARAMOUNT, gelatin silver print, signed and dated 1995 and titled and inscribed Private copy not for reproduction and the photographer’s address on verso, 12 x 9 ¼”. Provenance: Fahey Klein Gallery Los Angeles.

Small kink lower left, some minor edge wear, otherwise in good studio condition

$500/1000

 

 

 

215

Bob Willoughby (1927-2009) Californian

MARILYN MONROE 1960 ON THE SET OF ‘LET’S MAKE LOVE’, gelatin silver print, signed and dated 1997 and titled and inscribed Private copy not for reproduction and the photographer’s address on verso, 9 ¼ x 12”. Provenance: Fahey Klein Gallery Los Angeles.

In good studio condition.

$500/1000

 

 

 

216

W. Yates (19th Century)

LANDSCAPE, oil painting on canvas mounted to board, signed lower left, 14 x 21”, framed.

Surface scrape in sky area, uneven mounting lines visible at certain angles in raking light, otherwise in good aged condition.

$200/400

 

 

 

217

Yekuana Crafts Venezuelan (9) & Tutsi (ten)

Eight hand-woven reed and twig baskets with animal or geometric or bird designs, two with lids (one with detached twine handle), another with rope for carrying, sizes from 27” to 5” tall; A hand-woven reed serving tray 16 ¾” diameter; Together with a hand-woven Tutsi lidded basket with geometric pattern, 12 ¾” tall including lid. (10)

Otherwise noted all in good condition.

$500/1000

 

 

 

218

George Yepes (20th/ 21st Century) Latin American

LA SERENADE, acrylic painting on color giclée, signed and inscribed A/P (artist’s proof) in gold pen, 30 x 20”, in ornate framed.

In apparently good studio condition.

$200/400

 

 

 

 

219

Francisco Zuniga (1912-1998) Costa Rican

CAMPERINA CON REBOZZO, 1978, color pastel drawing on color paper, signed and dated lower right, 19 ½ x 27 ¾”, framed. Provenance: Tasende Gallery, La Jolla; Exhibited: Santa Barbara Museum of Art; Exhibited Tucson Museum of Art.

In apparently good studio condition.

$2000/4000

 

Use the following links to view lot numbers 1-219

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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