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Fine Original Prints

May 26th, 2021 Auction, 12pm

 

 

 

276

Greg Gronowski (20th Century)

MORE LIFE I, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

277

Greg Gronowski (20th Century)

MORE LIFE II, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

278

Greg Gronowski (20th Century)

ILLUMINATI I, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

279

Greg Gronowski (20th Century)

ILLUMINATI II, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 Ύ x 26 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

280

Bracha Guy (b. 1948) Israel (five)

FLOWER LANDSCAPE, color etching probably with hand-coloring, signed in pencil, sheet 11 Ύ x 31 ½”; TWO BIRDS WITH TWO FLOWERS, aquatint etching, signed in pencil, sheet 30 x 11”; UNTITLED PURPLE, color aquatint etching, signed in pencil, sheet 25 ½ x 16”; VASE WITH FLOWERS, etching, signed in pencil, sheet 23 Ύ x 15 Ύ”; SEATED FIGURE LOWER CENTER, two-plate hand-colored etching, signed and numbered 1/1 in pencil, sheet 22 x 15”. (5)

The first with discoloration spots lower margin; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

281

Ardyn Halter (b. 1956) British/ Israel; Nahum Gilboa (1917-1976) Bulgaria/ Israel (two)

Ardyn Halter WADI ARA, 1995, color screenprint, signed and numbered 8/95 in pencil, sheet 23 Ύ x 28”; Nahum Gilboa JERUSALEM, color screenprint, signed and numbered 152/275 in pencil, sheet 15 ½ x 24”. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

282

Arnold Hoffman Jr. (1915-1991) New York

END TO END #2, color lithograph, signed and titled and numbered 11/40 in pencil, sight 21 Ό x 28 ½”, frame 31 x 38” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

283

Arnold Hoffman Jr. (1915-1991) American

THE PLACE, color screenprint, signed and titled and inscribed A/P III/VI (artist’s proof 3/6) in pencil, image 28 Ό x 22 Ό”, full margins, frame 38 ½ x 32” with glass.

Probably with some toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

284

Gordon House (1932-2004) Welsh

DIAL SET FIVE, 1966, color lithograph, signed and titled and numbered 12/70 in pencil, image 20 Ό x 20 ½”, full margins, frame 29 x 29 Ό” with glass.

An ½” scrape lower right and a few small nicks probably from previous glass breakage, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

285

Gordon House (1932-2004) Welsh

SERIES 40, 1965, color lithograph, signed and titled and numbered 17/50 in pencil, image 15 Ύ x 15 Ύ”, full margins, frame 24 ½ x 24 ½” with glass.

Some pale discoloration spots, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

286

Louis Icart (1888-1950) French

FORSYTHIA (H.295), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 x 14 ½”, full margins, oval frame 23 Ύ x 19 Ό”.

Margins have been trimmed to accommodate oval frame, colors look fresh, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

287

Louis Icart (1888-1950) French

EARLY HARVEST (H.210), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 ½ x 14 Ύ”, full margins, oval frame 23 ½ x 19 ½”.

Margins have been trimmed to accommodate oval frame, toning and discoloration, colors attenuated, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

288

Masuo Ikeda (1934-1997) Japanese

I AM WAITING (I Am Waiting for You), 1966, color aquatint and drypoint etching, signed and dated and numbered 22/50 in pencil, plate 13 x 12”, sheet 22 Ό x 15”.

Some extremely pale toning, two small masking tape hinges upper corner recto, otherwise in good condition with strong color and line quality.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

289

Max Kahn (1902-2005) Illinois

PASSAGE TO THE SEA, color lithograph or monoprint, signed and titled and numbered 2/2 in pencil, sight 15 ½ x 20”, frame 28 x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

290

Olivia Kahn (b. 1920) New York

DUBROVNIK #7, 1975, color screenprint, signed and dated and titled and numbered 7/36 in pencil, sight 22 x 16 Ύ”, frame 34 Ύ x 29 ½” with glass.

A few soft handling creases, stray ink in the margins, possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

291

Olivia Kahn (b. 1920) New York

DUBROVNIK #2, 1979, color screenprint, signed and dated and titled and numbered 28/30 in pencil, sight 22 x 15 ½”, frame 34 ½ x 28” with glass.

Possibly some pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

292

Olivia Kahn (b. 1920) New York

EVENING, 1974, color screenprint, signed and dated and titled and numbered 35/35 in pencil, sight 16 x 23 ½”, frame 29 x 36” with glass.

Probably toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

293

Olivia Kahn (b. 1920) New York

EMBLEMATIC #3, 1974, color screenprint, signed and dated and titled and numbered 6/28 in pencil, sight 16 ½ x 23 ½”, frame 29 Ό x 36 ½” with glass.

Possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

294

Ann Marie Karlson (b. 1952) California (two)

OUR FATHER & HER HIGHNESS, 1996, two color iris prints, each signed and dated and titled and inscribed AP (artist’s proof) in pencil, aside from the numbered editions, printed by Muse X, images 32 ½ x 29 ½”, with full margins, in good condition. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $20

 

 

 

295

Luigi Kasimir (1881-1962) Austrian American

CATHEDRAL PARK, color aquatint etching, estate signed in pencil, plate 13 x 8 ½”, full margins, frame 20 ½ x 16”.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

296

Alex Katz (b. 1927) New York

THE EMPEROR JONES (Kate), 2006, color screenprint, signed and numbered 26/60 in pencil, printed by Brand X Edition Inc. New York, published by Wooster Group.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

297

Kaoru Kawana (1916-1965) Japanese (2) & another (three)

BIRD; ROOSTER, two color woodblock prints, both with artist’s signature stamp, images 9 Ό x 15”, full margins, frames 15 ½ x 21 ½” with glass; Together with a small framed color print of mice in a pepper. (3)

Rooster with water staining and old masking tape residue on verso; Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

298

Willi Kissmer (1951-2018) German

NUDE TORSO, color mezzotint, signed and numbered 230/250 in pencil, image 27 Ό x 7 Ύ”, sheet 36 x 15 ½”.

A few creases and soft handling creases in the margins, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

299

Fumio Kitaoka (1918-2007) Japanese

ROOFTOPS COAST VILLAGE SCENE, 1958, color woodblock print, signed and dated and numbered 16/30 in pencil, image 14 x 21 Ό”, full margins, frame 24 Ύ x 31” with glass.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

300

Kathe Kollwitz (1867-1945) German

MOTHER WITH CHILD IN ARMS, restrike etching, with Von Der Becke stamp lower right, plate 7 ½ x 5” full margins, discardable frame 17 ½ x 15” with glass. Provenance: Associated American Artist editions.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

Use the following links to view lot numbers 201-370

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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