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The Screenwriter's Collection
Saturday July 21st, 2018 at noon
Illustration precedes description
101
Jack Levine
(1915-2010) New York
THE GENERAL, aquatint and etching, signed in pencil, numbered 19/100, plate 14 ¾
x 17 ½”, full margins, framed with glass.
Pale toning, otherwise in
apparently good condition.
Auction Estimate $200/400
Starting Bid $100
102
Pamela Levy
(1949-2005) American/ Israeli
DRESSING FIGURE, oil
painting on canvas, signed lower left, 15 x 11 ½”, framed. Provenance: Michael
Hittleman Gallery Los Angeles.
In good studio condition.
Auction Estimate $500/1000
Starting Bid $250
103
Roy Lichtenstein
(1923-1997 New York
PAPER PLATE (C.3.45), 1969,
color screenprint on paper plate, signed in pen, published by Bert Stern for On
1st, New York, 10 ¼” diameter, framed.
Colors attenuated, mild
toning, otherwise in good condition.
Auction Estimate $500/1500
Starting Bid $250
104
Roy Lichtenstein
(1923-1997 New York
SURREALISTIC PAINTINGS,
1978, Ace Gallery color poster, signed in marker lower right, sheet
approximately 60 x 44”, framed.
Creases, white line creases
and soft handling creases, minor debris in frame, otherwise in apparently good
condition.
Auction Estimate $500/1000
Starting Bid $250
105
Richard Lindner
(1901-1978) New York
PAIRS REVIEW, 1972, color
lithograph, signed in pencil, numbered 68/100, published by the Paris Review,
sheet 28 ½ x 20 ½”, framed with glass.
Tiny printer’s ink marks in
margins, otherwise in apparently good condition.
Auction Estimate $200/400
Starting Bid $100
106
attributed to George Luks (1867-1933)
New York
SEASCAPE, MONHEGAN, oil painting on canvas mounted to board, appears to be
signed or initialed lower right, 8 x 10”, framed. Provenance: Mirell Gallery,
Miami, purchased in 1966.
Ingrained surface soiling,
varnish yellowed, otherwise in apparently good aged condition.
Auction Estimate $2000/4000
Starting Bid $1000
107
attributed to George Luks (1867-1933)
New York
PROUT’S NECK MAINE, watercolor on paper, with sketch on verso, signed lower
right, sight 9 x 12”, framed with glass. Provenance: Mirell Gallery, Miami,
purchased in 1966.
Discoloration and speckles,
rub spot in lower sky, otherwise in apparently good studio condition.
Auction Estimate $1000/2000
Starting Bid $500
108
Jack Madson
(b. 1927) Californian
UNTITLED, 1987, color pastel
on paper, signed and dated lower right, 30 x 21 ½”, framed.
In apparently good studio
condition.
Auction Estimate $100/200
Starting Bid $50
109
Marisol Escobar
(1930-2016) Venezuelan
UNTITLED, 1961, lithograph,
signed in pencil, numbered 22/85, sight 13 x 9”, framed with glass.
Pale toning, otherwise in
apparently good condition.
Auction Estimate $200/400
Starting Bid $100
110
after Edmond Massicotte (1876-1930)
Canadian
L’ANGELUS, 1935, bronze bas relief, inscribed H.C. Lamb lower right, dated lower
left, 10 ½ x 14”.
Some tarnishing and minor
surface soiling, otherwise in good studio condition.
Auction Estimate $100/200
Starting Bid $50
111
Andre Masson
(1896-1987) French
FEMME, circa 1960, aquatint
etching on Japan paper, signed in pencil, numbered 7/20, image 5 ½ x 4”, full
margins, framed.
In apparently good
condition.
Auction Estimate $200/400
Starting Bid $100
112
Roberto Matta
(1911-2002) Chilean
ONZE FORMES DU DOUTE (S.40),
1959, color lithograph, signed in pencil, numbered 89/100, printed by Editions
Moderna Museet for the Retrospective of Matta in Stockholm, sheet 35 ¼ x 26 ¼”,
framed with glass.
Some discoloration at sheet
edges, otherwise in apparently good condition.
Auction Estimate $400/800
Starting Bid $200
113
Peter Max
(b. 1937) German/ American
SUPERBOWL XXVIII 1994,
acrylic painting and collage on paper stock, original artwork for the official
Superbowl XXVIII poster, signed and dated 94’, sight 34 ¼ x 26 ½”, framed.
Superbowl XXVIII featured the Dallas Cowboys versus the Denver Broncos in
Atlanta, player depicted John Elway.
In apparently good studio
condition.
Auction Estimate $2000/4000
Starting Bid $1000
114
Peter Max
(b. 1937) German/ American
UNTITLED, 1983, color
lithograph, signed and dated and inscribed A/P (artist’s proof) in color pencil,
sheet 22 x 30”, Artist’s blind stamp lower left, framed with glass.
True colors under the mat ¼”
around the perimeter, viewable colors faded to form a different color palette of
it’s own, otherwise in good condition.
Auction Estimate $200/400
Starting Bid $100
115
Peter Max
(b. 1937) German &
Salvador Dali (1904-1989) Spanish
Peter Max
LOOKING TO THE LEFT, 1996, acrylic painting with
color print, signed lower center, 8 x 7 ½”;
Salvador Dali SIXTH HEAVEN OF JUPITER, Heaven Canto 20 (F.pg.197), color
wood engraving, signed in the design, plate 9 ½ x 6 ¾”, full margins, Estrada
blind stamp lower right margin; Both framed, the latter with glass. (2)
Both in apparently good
condition.
Auction Estimate $300/600
Starting Bid $150
116
Paul Maxwell
(b. 1925) California
DARK FIELD, 1983, acrylic painting on canvas wrapped around panel with
fabricated metal foot and crown, signed and dated lower right, signed and dated
and titled on verso, 34 ½ x 24”, framed.
Some small scratches in
metal, tiny white spot lower left, otherwise in apparently good studio
condition.
Auction Estimate $500/1000
Starting Bid $250
117
Paul Maxwell
(b. 1925) California
FOCUS, 1984, acrylic painting on canvas wrapped around panel with fabricated
metal foot and crown, signed and dated lower right, signed and dated and titled
on verso, 39 x 48”, framed.
Tiny white scratch lower
left, some small scratches in the metal, otherwise in good studio condition.
Auction Estimate $800/1200
Starting Bid $400
118
Jay McCafferty
(b. 1948) Californian (three)
A LONG MEDITATION #64, 2006,
burned and manipulated paper collage, signed and dated and titled on verso, 24 x
24”; UNTITLED, two manipulated sheets of paper, each 26 x 14”, possibly a
diptych. (3)
All in apparently good
studio condition.
Auction Estimate $400/800
Starting Bid $200
119
Ludwig Meidner
(1884-1966) German
DOPPELBILDNIS MIT JOHANNES R. BECHER, 1921, etching, signed in pencil, from the
edition of 50, plate 8 x 6 ¼”, full margins, framed with glass.
Scattered pale foxing,
otherwise in apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
120
Manuel Mendive
(b. 1944) Afro-Cuban
HOMBRE CON PARHARO, 1997, cast bronze sculpture with patina, signed at base,
numbered 2/7, size 21 ½ x 11 ¾ x 5 ½”, published by Joan Guaita Edicions and
illustrated in Escultures al Castell catalogue.
In good studio condition.
Auction Estimate $4000/8000
Starting Bid $2000
121
Mexican Masks
(four)
Three JAGUARS and a LONG
NOSE Festival Figure, four carved and painted wood masks, approximately 7 x 7 x
6”. (4)
Some wear, overall in good
aged condition.
Auction Estimate $200/400
Starting Bid $100
122
Gustavo Perez Monzon
(b. 1956) Cuban
NUMEROLOGY, 1982, mixed media on thin card, signed and dated lower right,
inscribed on verso, 16 ½ x 16 ½”.
Small minor wear at some of
the sheet edges, adhered to cardboard backing along two spots, otherwise in good
studio condition.
Auction Estimate $800/1200
Starting Bid $400
123
attributed to Alfred Morang
(1901-1958) American (two)
MORNING FRESHNESS, circa 1934, gouache on card, initialed lower right, 9 ¾ x
11”; LANDSCAPE, gouache on paper, sight 6 x 9”; Both framed with glass. (2)
First with some hairline
line cracks and creases, colors attenuated, otherwise both in apparently good
studio condition.
Auction Estimate $500/1500
Starting Bid $250
124
Marcel Mouly
(1918-2008) French &
Thomas Kinkade (1958-2012) American
(two)
Marcel Mouly
L’ESCALE, 2004, color lithograph, signed in
pencil, numbered 214/300, image 22 ½ x 28 ½”, full margins;
Thomas Kinkade THE END OF A PERFECT
DAY III, color print on canvas with hand-highlighting by skilled artisan with
supervision by Kinkade, initialed by artisan and numbered lower right, 24 ½ x
36”, with studio stamp on verso; Both framed. (2)
Mouly with a few soft
handling creases in margins, Kinkade with faint stretcher bar impressions, minor
surface soiling and speckles on verso, otherwise both in apparently good
condition.
Auction Estimate $200/400
Starting Bid $100
125
Michal Na’Aman
(b. 1951) Israeli
TREE OF LIFE, GOLDEN SHOWER,
1994, oil painting on canvas, signed and dated on verso, 9 ¾ x 11 ¾”, framed.
Provenance: Michael Hittleman Gallery Los Angeles.
In good studio condition.
Auction Estimate $1000/2000
Starting Bid $500
Use the following links to view lot numbers 1-180
1-25 26-50 51-75 76-100 101-125 126-150 151-175 176-200
201-225 226-250 251-275 276-300 301-325 326-350 351-375 376-400
401-425 426-450 451-475 476-500