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Paul Coady, Yale Udoff, & Gaby Stuart estates
Illustration precedes description
101
Ronald Kullaway
(b. 1933) Maine
STUDY FOR CAMMILLE,
watercolor on paper, signed lower right, sight 6 ½ x 9”, framed with glass. From
the collection of Yale Udoff.
In apparently good studio condition.
Auction Estimate $200/300
Starting bid $100
102
Ronald Kullaway
(b. 1933) Maine
LANDSCAPE, oil painting on
board, signed upper left, 8 ½ x 6 ½”, framed. From the collection of Yale Udoff.
In apparently good studio condition.
Auction Estimate $300/600
Starting bid $150
103
Christopher Lane
(b. 1937) New York
LINEAGE Series #4, 1996,
incised slate with gold leaf and gouache, signed and dated and inscribed on
verso, 11 ¾ x 11 ¾”. From the collection of Gaby Stuart. Provenance: Kiyo
Higashi.
In apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
104
William Lane
(b. 1936) Californian
MISCELANEA STUDY #2, 1999,
gouache and collage on paper, possibly signed on verso, 7 x 9 ½”, artist’s label
on verso, framed. From the collection of Gaby Stuart. Provenance: The Living
Room Special Projects in Contemporary Art, Santa Monica.
In apparently good condition.
Auction Estimate $200/400
Starting Bid $100
105
Tad Lauritzen Wright
(b. 1972) Texas
ODALISQUE #10, 2002, mixed
media on woven linen and canvas, signed and titled on verso, 14 ½ x 20 ¾”,
framed. Provenance: David Lusk Gallery, Memphis, Tennessee.
In good studio condition.
Auction Estimate $500/1000
Starting bid $250
106
Rico LeBrun
(1900-1964) California
TINY MASK, circa 1963, cast
bronze sculpture, numbered 16/48 underneath, on wood stand. From the collection
of Gaby Stuart. Provenance: Koplin Gallery, Los Angeles.
A couple of tiny nicks on the wood stand, otherwise in good condition.
Auction Estimate $400/800
Starting bid $200
107
Robert Lopez
(20th/ 21st Century)
(four)
ROBERT DUNCAN; BLANCHE AND
D. HOWARD; TIN ANGEL TABLES; TIN ANGEL, SF, four gelatin silver prints, Tin
Angeles mounted to card and signed on card, images 7 x 4 ¾ x to 5 ½ x 4 ½”, all
framed with glass, with a signed hand-written note from artist to Gaby. From the
collection of Gaby Stuart. (4)
A few soft handling creases, Blanche with mild oxidation, otherwise all in
apparently good condition.
Auction Estimate $200/400
Starting Bid $100
108
Jose Lozano
(b. 1959) California
BLUE AND GREEN ETHNIC
DRESS, 2000, acrylic painting with graphite on paper, signed and dated and
titled on back of frame, sight 12 ½ x 6 ½”. From the collection of Gaby Stuart.
Provenance: Patricia Correia Gallery, Santa Monica.
In apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
109
Martin Lubner
(b. 1929) California
TENNIS BALL, 2004-05, oil
painting on canvas, signed and dated and titled on verso, 6 x 6”. From the
collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot
Station, Santa Monica.
In apparently good condition.
Auction Estimate $100/200
Starting Bid $50
110
Martin Lubner
(b. 1929) California (two)
RESTING WOMAN, 1967,
PORTRAIT OF A MAN, circa 1967, two graphite drawings with wash on paper, first
initialed and dated lower right, the second signed and dedicated, sights 10 ¾ x
10 ¾” & 15 x 13”, both framed with glass. From the collection of Yale Udoff. (2)
Both with some vertical creases and pale discoloration at mat, otherwise in
apparently good studio condition.
Auction Estimate $200/400
Starting bid $100
111
Chris Madans
(20th/ 21st Century) Californian
(two)
DISMANTLING THE FANTASY
(Chasing Rene Magritte), 2009; TRUST IN THE PROCESS, 2006, two, found objects
assemblage in box constructions, both signed and dated and titled on verso, 10 ½
x 9 x 6 ¾” & 9 x 11 x 6 ½”. From the collection of Gaby Stuart. Provenance: FIG
(First Independent Gallery), Bergamot Station, Santa Monica. (2)
Both in apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
112
Peter Max
(b. 1937) German/ American
MICKEY MOUSE, 1995, acrylic
painting over color screenprint on canvas, signed upper right, artist’s stamp
and studio number 24188 on verso, 16 x 14”, framed.
In apparently good studio condition.
Auction Estimate $2000/4000
Starting bid $1000
113
Peter Max
(b. 1937) German/ American
LIBERTY HEAD, VIRGINIA FILM
FESTIVAL #82, acrylic painting over color print, signed lower left, 33 x 27”,
framed.
Crease upper left corner, otherwise in apparently good studio condition.
Auction Estimate $2000/4000
Starting bid $1000
114
Peter Max
(b. 1937) German/ American
PROFILE #2 from Roseville
Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30”, framed,
studio number 11982.
In apparently good studio condition.
Auction Estimate $3000/6000
Starting Bid $1500
115
Peter Max
(b. 1937) German/ American
WALKING IN THE REEDS,
acrylic painting over color print, signed upper right, sight 17 x 23 ½”, framed.
In apparently good condition.
Auction Estimate $1000/2000
Starting Bid $500
116
Dan McCleary
(b. 1952) Californian
MICHAEL ABATEMARCO, 1985,
oil painting on canvas, signed and dated and titled on verso, 14 x 12”, framed.
From the collection of Yale Udoff. Provenance: Newspace, Los Angeles.
In good studio condition.
Auction Estimate $500/1000
Starting bid $250
117
Dan McCleary
(b. 1952) Californian
ALISON FLESCH #2, 1988, oil
painting on canvas, signed and dated and titled on verso, 16 x 14”, framed. From
the collection of Yale Udoff.
Faint stretcher bar impressions, otherwise in good studio condition.
Auction Estimate $500/1000
Starting bid $250
118
Dan McCleary
(b. 1952) Californian
PEAR, 2017, etching, signed
in pencil, numbered 13/25, image 8 ½ x 7”, sheet 13 x 10”, framed with glass.
Provenance: courtesy of the artist. Proceeds to benefit the Samburu Project’s
mission to provide access to clean water in Samburu, Kenya.
In apparently good studio condition.
Auction Estimate $200/400
Starting bid $100
119
John Millei
(b. 1958) Californian
DEAR DOCTOR #5, 1994, color
monoprint, signed and dated lower right, titled lower left, Cirrus blind stamp
lower left, sheet 42 x 29 ½”. From the collection of Paul J. Coady.
In apparently good studio condition.
Auction Estimate $200/400
Starting Bid $100
120
Jim Morphesis
(b. 1948) Californian
ICARUS FIGURE, 1992, oil,
charcoal and collage on wood panel, signed lower left, 30 ½ x 18”. Artist’s or
gallery label on verso. From the collection of Paul J. Coady.
In good studio condition.
Auction Estimate $500/1500
Starting bid $250
121
Richard Allen Morris
(b. 1933) Californian
BLUE THEATRE, 1978, acrylic
painting on paper, signed and dated lower right, 5 x 7”, framed. From the
collection of Gaby Stuart. Provenance: R. B. Stevenson Gallery, La Jolla.
In apparently good studio condition.
Auction Estimate $400/800
Starting bid $200
122
Robert Motherwell
(1915-1991) New York
AUSTRALIAN STONE (B.314),
1984, color aquatint etching with chine colle, signed in pencil and numbered
28/52 upper right, image 17 ½ x 23 ½”, sheet 24 ½ x 30”, framed.
Some pale discoloration and speckles in margins, otherwise in apparently good
condition.
Auction Estimate $6000/9000
Starting Bid $3000
123
Leonardo Nierman
(b. 1932) Mexican
MOMENT OF CREATION, acrylic
painting on Masonite, signed lower left, titled on verso, 48 x 72”, framed.
Provenance: Merrill Chase Chicago.
Surface soiling and some yellowing from cigarette smoke, some faint surface
scuffs, otherwise in good studio condition.
Auction Estimate $2000/4000
Starting bid $1000
124
Leonardo Nierman
(b. 1932) Mexican
PREHISTORIC DREAM, oil
painting on Masonite, signed lower right, titled on verso, 48 x 35 ¼”, framed.
In good studio condition.
Auction Estimate $2000/4000
Starting Bid $1000
125
Leonardo Nierman
(b. 1932) Mexican
UNTITLED, c. 1965, acrylic
painting on Masonite, signed lower left, 10 x 5 ¾”, framed.
In good studio condition.
Auction Estimate $200/400
Starting Bid $100
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1-25 26-50 51-75 76-100 101-125 126-150 151-175 176-200
201-225 226-250 251-275 276-300 301-325 326-350 351-375 376-400
401-425 426-450 451-475 476-500