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The Screenwriter's Collection

Saturday July 21st, 2018 at noon

Illustration precedes description

 

 

 

101

Jack Levine (1915-2010) New York

THE GENERAL, aquatint and etching, signed in pencil, numbered 19/100, plate 14 ¾ x 17 ½”, full margins, framed with glass.

Pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

102

Pamela Levy (1949-2005) American/ Israeli

DRESSING FIGURE, oil painting on canvas, signed lower left, 15 x 11 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

103

Roy Lichtenstein (1923-1997 New York

PAPER PLATE (C.3.45), 1969, color screenprint on paper plate, signed in pen, published by Bert Stern for On 1st, New York, 10 ¼” diameter, framed.

Colors attenuated, mild toning, otherwise in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

104

Roy Lichtenstein (1923-1997 New York

SURREALISTIC PAINTINGS, 1978, Ace Gallery color poster, signed in marker lower right, sheet approximately 60 x 44”, framed.

Creases, white line creases and soft handling creases, minor debris in frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

105

Richard Lindner (1901-1978) New York

PAIRS REVIEW, 1972, color lithograph, signed in pencil, numbered 68/100, published by the Paris Review, sheet 28 ½ x 20 ½”, framed with glass.

Tiny printer’s ink marks in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

106

attributed to George Luks (1867-1933) New York

SEASCAPE, MONHEGAN, oil painting on canvas mounted to board, appears to be signed or initialed lower right, 8 x 10”, framed. Provenance: Mirell Gallery, Miami, purchased in 1966.

Ingrained surface soiling, varnish yellowed, otherwise in apparently good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

107

attributed to George Luks (1867-1933) New York

PROUT’S NECK MAINE, watercolor on paper, with sketch on verso, signed lower right, sight 9 x 12”, framed with glass. Provenance: Mirell Gallery, Miami, purchased in 1966.

Discoloration and speckles, rub spot in lower sky, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

108

Jack Madson (b. 1927) Californian

UNTITLED, 1987, color pastel on paper, signed and dated lower right, 30 x 21 ½”, framed.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

109

Marisol Escobar (1930-2016) Venezuelan

UNTITLED, 1961, lithograph, signed in pencil, numbered 22/85, sight 13 x 9”, framed with glass.

Pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

110

after Edmond Massicotte (1876-1930) Canadian

L’ANGELUS, 1935, bronze bas relief, inscribed H.C. Lamb lower right, dated lower left, 10 ½ x 14”.

Some tarnishing and minor surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

111

Andre Masson (1896-1987) French

FEMME, circa 1960, aquatint etching on Japan paper, signed in pencil, numbered 7/20, image 5 ½ x 4”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Roberto Matta (1911-2002) Chilean

ONZE FORMES DU DOUTE (S.40), 1959, color lithograph, signed in pencil, numbered 89/100, printed by Editions Moderna Museet for the Retrospective of Matta in Stockholm, sheet 35 ¼ x 26 ¼”, framed with glass.

Some discoloration at sheet edges, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

113

Peter Max (b. 1937) German/ American

SUPERBOWL XXVIII 1994, acrylic painting and collage on paper stock, original artwork for the official Superbowl XXVIII poster, signed and dated 94’, sight 34 ¼ x 26 ½”, framed. Superbowl XXVIII featured the Dallas Cowboys versus the Denver Broncos in Atlanta, player depicted John Elway.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

114

Peter Max (b. 1937) German/ American

UNTITLED, 1983, color lithograph, signed and dated and inscribed A/P (artist’s proof) in color pencil, sheet 22 x 30”, Artist’s blind stamp lower left, framed with glass.

True colors under the mat ¼” around the perimeter, viewable colors faded to form a different color palette of it’s own, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

115

Peter Max (b. 1937) German & Salvador Dali (1904-1989) Spanish

Peter Max LOOKING TO THE LEFT, 1996, acrylic painting with color print, signed lower center, 8 x 7 ½”; Salvador Dali SIXTH HEAVEN OF JUPITER, Heaven Canto 20 (F.pg.197), color wood engraving, signed in the design, plate 9 ½ x 6 ¾”, full margins, Estrada blind stamp lower right margin; Both framed, the latter with glass. (2)

Both in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

116

Paul Maxwell (b. 1925) California

DARK FIELD, 1983, acrylic painting on canvas wrapped around panel with fabricated metal foot and crown, signed and dated lower right, signed and dated and titled on verso, 34 ½ x 24”, framed.

Some small scratches in metal, tiny white spot lower left, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

117

Paul Maxwell (b. 1925) California

FOCUS, 1984, acrylic painting on canvas wrapped around panel with fabricated metal foot and crown, signed and dated lower right, signed and dated and titled on verso, 39 x 48”, framed.

Tiny white scratch lower left, some small scratches in the metal, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

118

Jay McCafferty (b. 1948) Californian (three)

A LONG MEDITATION #64, 2006, burned and manipulated paper collage, signed and dated and titled on verso, 24 x 24”; UNTITLED, two manipulated sheets of paper, each 26 x 14”, possibly a diptych. (3)

All in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

119

Ludwig Meidner (1884-1966) German

DOPPELBILDNIS MIT JOHANNES R. BECHER, 1921, etching, signed in pencil, from the edition of 50, plate 8 x 6 ¼”, full margins, framed with glass.

Scattered pale foxing, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

120

Manuel Mendive (b. 1944) Afro-Cuban

HOMBRE CON PARHARO, 1997, cast bronze sculpture with patina, signed at base, numbered 2/7, size 21 ½ x 11 ¾ x 5 ½”, published by Joan Guaita Edicions and illustrated in Escultures al Castell catalogue.

In good studio condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

121

Mexican Masks (four)

Three JAGUARS and a LONG NOSE Festival Figure, four carved and painted wood masks, approximately 7 x 7 x 6”. (4)

Some wear, overall in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

122

Gustavo Perez Monzon (b. 1956) Cuban

NUMEROLOGY, 1982, mixed media on thin card, signed and dated lower right, inscribed on verso, 16 ½ x 16 ½”.

Small minor wear at some of the sheet edges, adhered to cardboard backing along two spots, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

123

attributed to Alfred Morang (1901-1958) American (two)

MORNING FRESHNESS, circa 1934, gouache on card, initialed lower right, 9 ¾ x 11”; LANDSCAPE, gouache on paper, sight 6 x 9”; Both framed with glass. (2)

First with some hairline line cracks and creases, colors attenuated, otherwise both in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

124

Marcel Mouly (1918-2008) French & Thomas Kinkade (1958-2012) American (two)

Marcel Mouly L’ESCALE, 2004, color lithograph, signed in pencil, numbered 214/300, image 22 ½ x 28 ½”, full margins; Thomas Kinkade THE END OF A PERFECT DAY III, color print on canvas with hand-highlighting by skilled artisan with supervision by Kinkade, initialed by artisan and numbered lower right, 24 ½ x 36”, with studio stamp on verso; Both framed. (2)

Mouly with a few soft handling creases in margins, Kinkade with faint stretcher bar impressions, minor surface soiling and speckles on verso, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

125

Michal Na’Aman (b. 1951) Israeli

TREE OF LIFE, GOLDEN SHOWER, 1994, oil painting on canvas, signed and dated on verso, 9 ¾ x 11 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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