Clark's Fine Art Gallery & Auctioneers Inc.

Contact    Consignments    Past Sales    Catalog    Index    Bids    

 

Paul Coady, Yale Udoff, & Gaby Stuart estates

 Saturday December 1st, 2018 at noon

Illustration precedes description

 

 

 

101

Ronald Kullaway (b. 1933) Maine

STUDY FOR CAMMILLE, watercolor on paper, signed lower right, sight 6 ½ x 9”, framed with glass. From the collection of Yale Udoff.

In apparently good studio condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

102

Ronald Kullaway (b. 1933) Maine

LANDSCAPE, oil painting on board, signed upper left, 8 ½ x 6 ½”, framed. From the collection of Yale Udoff.

In apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

103

Christopher Lane (b. 1937) New York

LINEAGE Series #4, 1996, incised slate with gold leaf and gouache, signed and dated and inscribed on verso, 11 ¾ x 11 ¾”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

William Lane (b. 1936) Californian

MISCELANEA STUDY #2, 1999, gouache and collage on paper, possibly signed on verso, 7 x 9 ½”, artist’s label on verso, framed. From the collection of Gaby Stuart. Provenance: The Living Room Special Projects in Contemporary Art, Santa Monica.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

105

Tad Lauritzen Wright (b. 1972) Texas

ODALISQUE #10, 2002, mixed media on woven linen and canvas, signed and titled on verso, 14 ½ x 20 ¾”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

106

Rico LeBrun (1900-1964) California

TINY MASK, circa 1963, cast bronze sculpture, numbered 16/48 underneath, on wood stand. From the collection of Gaby Stuart. Provenance: Koplin Gallery, Los Angeles.

A couple of tiny nicks on the wood stand, otherwise in good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

107

Robert Lopez (20th/ 21st Century) (four)

ROBERT DUNCAN; BLANCHE AND D. HOWARD; TIN ANGEL TABLES; TIN ANGEL, SF, four gelatin silver prints, Tin Angeles mounted to card and signed on card, images 7 x 4 ¾ x to 5 ½ x 4 ½”, all framed with glass, with a signed hand-written note from artist to Gaby. From the collection of Gaby Stuart. (4)

A few soft handling creases, Blanche with mild oxidation, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

108

Jose Lozano (b. 1959) California

BLUE AND GREEN ETHNIC DRESS, 2000, acrylic painting with graphite on paper, signed and dated and titled on back of frame, sight 12 ½ x 6 ½”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Martin Lubner (b. 1929) California

TENNIS BALL, 2004-05, oil painting on canvas, signed and dated and titled on verso, 6 x 6”. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

110

Martin Lubner (b. 1929) California (two)

RESTING WOMAN, 1967, PORTRAIT OF A MAN, circa 1967, two graphite drawings with wash on paper, first initialed and dated lower right, the second signed and dedicated, sights 10 ¾ x 10 ¾” & 15 x 13”, both framed with glass. From the collection of Yale Udoff. (2)

Both with some vertical creases and pale discoloration at mat, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

111

Chris Madans (20th/ 21st Century) Californian (two)

DISMANTLING THE FANTASY (Chasing Rene Magritte), 2009; TRUST IN THE PROCESS, 2006, two, found objects assemblage in box constructions, both signed and dated and titled on verso, 10 ½ x 9 x 6 ¾” & 9 x 11 x 6 ½”. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Peter Max (b. 1937) German/ American

MICKEY MOUSE, 1995, acrylic painting over color screenprint on canvas, signed upper right, artist’s stamp and studio number 24188 on verso, 16 x 14”, framed.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

113

Peter Max (b. 1937) German/ American

LIBERTY HEAD, VIRGINIA FILM FESTIVAL #82, acrylic painting over color print, signed lower left, 33 x 27”, framed.

Crease upper left corner, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

114

Peter Max (b. 1937) German/ American

PROFILE #2 from Roseville Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30”, framed, studio number 11982.

In apparently good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

115

Peter Max (b. 1937) German/ American

WALKING IN THE REEDS, acrylic painting over color print, signed upper right, sight 17 x 23 ½”, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

116

Dan McCleary (b. 1952) Californian

MICHAEL ABATEMARCO, 1985, oil painting on canvas, signed and dated and titled on verso, 14 x 12”, framed. From the collection of Yale Udoff. Provenance: Newspace, Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

117

Dan McCleary (b. 1952) Californian

ALISON FLESCH #2, 1988, oil painting on canvas, signed and dated and titled on verso, 16 x 14”, framed. From the collection of Yale Udoff.

Faint stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

118

Dan McCleary (b. 1952) Californian

PEAR, 2017, etching, signed in pencil, numbered 13/25, image 8 ½ x 7”, sheet 13 x 10”, framed with glass. Provenance: courtesy of the artist. Proceeds to benefit the Samburu Project’s mission to provide access to clean water in Samburu, Kenya.

In apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

119

John Millei (b. 1958) Californian

DEAR DOCTOR #5, 1994, color monoprint, signed and dated lower right, titled lower left, Cirrus blind stamp lower left, sheet 42 x 29 ½”. From the collection of Paul J. Coady.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

120

Jim Morphesis (b. 1948) Californian

ICARUS FIGURE, 1992, oil, charcoal and collage on wood panel, signed lower left, 30 ½ x 18”. Artist’s or gallery label on verso. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

121

Richard Allen Morris (b. 1933) Californian

BLUE THEATRE, 1978, acrylic painting on paper, signed and dated lower right, 5 x 7”, framed. From the collection of Gaby Stuart. Provenance: R. B. Stevenson Gallery, La Jolla.

In apparently good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

122

Robert Motherwell (1915-1991) New York

AUSTRALIAN STONE (B.314), 1984, color aquatint etching with chine colle, signed in pencil and numbered 28/52 upper right, image 17 ½ x 23 ½”, sheet 24 ½ x 30”, framed.

Some pale discoloration and speckles in margins, otherwise in apparently good condition.

Auction Estimate $6000/9000

Starting Bid $3000

 

 

 

123

Leonardo Nierman (b. 1932) Mexican

MOMENT OF CREATION, acrylic painting on Masonite, signed lower left, titled on verso, 48 x 72”, framed. Provenance: Merrill Chase Chicago.

Surface soiling and some yellowing from cigarette smoke, some faint surface scuffs, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

124

Leonardo Nierman (b. 1932) Mexican

PREHISTORIC DREAM, oil painting on Masonite, signed lower right, titled on verso, 48 x 35 ¼”, framed.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

125

Leonardo Nierman (b. 1932) Mexican

UNTITLED, c. 1965, acrylic painting on Masonite, signed lower left, 10 x 5 ¾”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

Home    Results    Index    Addendum