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19th - 20th Century Art

Auction Saturday July 25th, 2020 @ noon

Illustration precedes description

 

 

 

101

Constantine Kluge (1912-2003) Latvian French

FLOWER MARKET, oil painting on canvas, signed lower right, 21 Ό x 25 ½”, frame 29 Ό x 33 ½”.

Surface soiling, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

102

Ernest Kolbe (1874-1945) German

GARDEN TEA, oil painting on board, signed lower left, 19 ½ x 27 ½”, frame 27 x 35”.

Surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

103

Nicholas Krushenick (1929-1999) New York

LINCOLN CENTER, 1968, color screenprint on canvas, signed and dated and numbered in pencil on verso, published by List Art for the Lincoln Center, sheet 72 ½ x 42”, Plexiglas frame 73 ½ x 42 ½”. Note: can be rolled for shipping.

Some staining and discoloration at upper sheet edge recto and verso, small spots lower right margin, slightly uneven extreme right edge margin, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

Nicholas Krushenick (1929-1999) New York

FAIRFAX AND MUSTARD, 1965, color screenprint, signed and dated and numbered 18/100 in pencil, sheet 32 x 24”, frame 33 x 25” with glass.

Cockling, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Charles Lawford (1874-1947) California

NEAR THE PORT, watercolor on paper, signed lower left, sight 17 x 21 Ό”, frame 29 x 32” with glass.

In apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

106

Julio Le Parc (b. 1928) Argentinean (three)

LA LONGUE MARCHE Series, 1975, three color screenprints, each signed and numbered 78/200 in pencil, published by Denise Rene Editions with blind stamps lower left, sheets 29 ½ x 29 ½”, each in Plexiglas box frames overall 29 Ύ x 29 Ύ”. (3)

Sheets toned recto and verso, natural ink saturation in paper, small white spots resting on the surfaces of the prints on the inside of Plexiglas frames, one of the frames with losses to its lower siding; Otherwise all in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

107

Jesus Leuus (1948-2008) Mexican

COMPOSITION, 1967, oil painting with sand on Masonite, signed and dated lower right, titled on verso, 12 x 12”, frame 18 x 18 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

108

Leslie Lew (b. 1953) American

TRUE LOVE, painted cast paper multiple, signed and numbered 41/300 in pencil, sheet 40 x 30”, frame 50 ½ x 40 ½”.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

109

William Longstaff; Alberto Trevisan; P. Mainardi (three)

William Francis Longstaff (1879-1953) Australian, EUROPEAN STREET SCENE EVENING, watercolor on paper, signed lower right, sheet 7 ½ x 7 ½”; Alberto Trevisan (1919-1978) Italian, VENICE AT NIGHT, watercolor on paper, signed lower right, framed 8 x 14 Ό” with glass; P. Mainardi (19th Century), FISHING BOATS. watercolor on paper, signed lower right, 5 ½ x 8 Ό”, frame 11 x 13” with glass. (3)

Longstaff with moderate perimeter toning from previous framing, pinholes, toning on verso, paper tape at perimeter verso; Mainardi with discoloration mainly at edges; Otherwise all is good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

Maximilien Luce (1858-1941) French

WORKERS, 1908, oil painting on card, signed in pencil lower right, dated and inscribed on verso, 12 Ό x 9 Ό”, frame 18 x 15”.

Repair upper right corner visible on verso, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

111

Warren Mansfield (20th Century) California

SEASCAPE AT DUSK, oil painting on canvas panel, signed lower left, 12 x 16”, frame 15 ½ x 20 ½”.

Surface soiling, a few tiny chips, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Manuel Marin (1942-2007) Spanish

UNTITLED, painted metal mobile, signed, 65 x 59”.

Some small paint chips, otherwise in good condition.

Auction Estimate $4000/6000

Starting Bid $2000

 

 

 

113

Peter Max (b. 1937) German American

JFK QUAD, color screenprint, signed and numbered 180/495 in white pencil, sight 39 x 31”, frame 51 ½ x 44”.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

114

Dennis Mukai (b. 1956) Japanese American

DIANA, 1987, color screenprint, signed and numbered 283/325 in pencil, published by Mirage Editions blind stamp lower left, image 32 Ό x 24 ½”, frame 46 x 27” with glass.

Some colors attenuated, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

115

Dennis Mukai (b. 1956) Japanese American (four)

ORIGAMI, set of four computer prints, each signed in pencil, images 11 x 11”, full margins, frames 24 x 24”. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

116

Takashi Murakami (b. 1963) Japanese

MR. WINK, 2000, plastic multiple sculpture, 10” tall, with detachable stand and two-part base, produced for the Peter Norton Christmas Project, lacking music CD.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

117

Guiseppi Napoli (1925-1967) New York & others (nine)

Guiseppi Napoli UNTITLED, color pastel on paper, signed upper right, sight 13 ½ x 16 Ό”, frame 19 ½ x 22 Ό” with glass; Al Copely UNTITLED, 1960, watercolor on paper or board, signed and dated lower left, sight 10 Ό x 9 Ό”, frame 16 ½ x 15 ½” with glass; A. Lynch UNTITLED, 1959, color pastel on paper, signed and dated lower right, sight 9 ½ x 7 ½”, frame 14 ½ x 12 ½” with glass; Joe Lin UNTITLED PURPLE, 1979, watercolor on card, signed and dated lower right, 9 ½ x 10 Ύ”, frame 16 x 17 Ό” with glass; Fields UNTITLED, color tissue collage on board, signed lower right, 16 ½ x 26”; Jan Hoffman UNTITLED, airbrush on crumpled paper, appears to be signed on frame verso, sight 8 x 10”, frame 12 ½ x 15 Ύ” no glass; Artist Unidentified UNTITLED ABSTRACT, gouache on paper or card, possibly signed center right, sight 3 ½ x 8 Ύ”, frame 10 x 15” with glass; Navarro UNTITLED, 1963, acrylic painting on board, signed and dated lower right, 8 ½ x 12 Ύ”; Gayle Anderson MISTED MOUNTAIN KONA COAST, watercolor on card, apparently signed on verso of frame along with Kona-Mini Gallery label, 3 ½ x 7 Ό”, frame 12 ½ x 12 Ό” with glass. (9)

Lynch with some toning and small holes and losses, Hoffman with some discoloration, Navarro with surface soiling, some edge wear and a few scrapes, otherwise all in apparently good studio or aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

118

Leroy Neiman (1921-2012) American

COUGAR (KIII.12), 1991, color screenprint, signed in pencil, numbered 133/250, image 19 ½ x 30”, full margins, frame 31 x 41”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

119

Leroy Neiman (1921-2012) American

WINTER OLYMPIC SKATING, LAKE PLACID, 1980 (K.161), 1978, color screenprint, signed and numbered 266/300 in pencil, printed by Styria with blind stamp lower left, image 42 x 21”, full margins, discardable frame 51 Ύ x 29 Ύ” with no glass.

Ink saturation and toning in unprinted areas and around perimeter of image, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

120

R. Kenton Nelson (b. 1954) California

PRESERVING LIFE, 2006, color lithograph, signed and dated and numbered 10/100 in pencil, created especially for the Frostig Center, printer’s seashell blind stamp lower left, image 17 x 12”, sheet 20 x 15”, frame 22 ½ x 17 ½”.

Fingerprint and some pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

121

Jeannie O’Connor (20th Century) California (two)

VENETIANO; ITALY, one painted film and one color giclee, the first signed and dated, sight 18 Ό x 18 Ό”, frame 31 x 31”; giclee sight 24 x 24”, frame 34 ½ x 34 ½”. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Jeannie O’Connor (20th Century) California

FUNDAMENTES, 2005, color digital print, signed and dated and titled and numbered 1/20 in ink, sight 30 x 44”, frame 44 x 58”.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

123

Chris Ofili (b. 1968) African American

NUDE, 2013, etching, signed and dated and numbered 8/55 in pencil, plate 11 Ύ x 9”, sheet 17 ½ x 14 ½”, frame 20 x 17”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

124

Catherine Opie (b. 1961) California

CRENSHAW HIGH SCHOOL MARCHING BAND, 2007, color archive digital print, signed in pencil and numbered 72/120, published by LACMA, image 15 x 19”, full margins, frame 27 ½ x 33 ½”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

125

Douglass Parshall (1899-1990) California

RUINED WHARF, oil painting on canvas board, signed lower right, artist’s stamp lower left, signed and titled and inscribed on verso, 20 x 30”, frame 22 ½ x 32 ½”.

Board slightly concave, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

Use the following links to view lot numbers 1-170

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

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