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Illustration precedes description

 

The Brentwood Collection

Auction Saturday December 9th @ Noon

 

 

 

1

Cyrus Afsary (b. 1940) Arizona

PORTRAIT OF A RABBI, oil painting on canvas, signed lower left, 24 x 20”, framed.

In good studio condition.

$500/1000

 

 

 

2

Yaccov Agam (b. 1928) Israeli

BIRTH OF A FLAG, 1976, screenprinted plastic construction, signed and dated in ink on the right side, 26 x 19 ½”, published by Transworld Art.

A few small scratches, otherwise in good condition.

$500/1000

 

 

 

3

Yaccov Agam (b. 1928) Israeli

UNTITLED, color screenprint, signed in white pen, Roman numbered CXLI/CLXXX (141/180), image 10 ½ x 11 ½”, sheet 14 ¼ x 15”, framed.

A few white scrapes in the blue margins, otherwise in apparently good condition.

$100/200

 

 

 

4

John Altoon (1925-1969) Californian (three)

UNTITLED, 1966, three color lithographs, each signed in pencil, one inscribed artist’s proof IV, one inscribed color separation proof I-II, one inscribed color separation proof II-II, sheets 29 ¾ x 41 ¼, printed by Gemini G.E.L., with their blind stamp lower right. Illustrated in Los Angeles Prints 1883-1980, LACMA, illustration #88. (3)

Soft handling and printer’s creases, artist’s proof with a small tear left sheet edge, II-II with small stains upper right corner, otherwise all in good condition.

$1000/2000

 

 

 

5

John Altoon (1925-1969) Californian (seventeen)

UNTITLED, 1965, seventeen of the same black state lithographs, each signed in pencil, a trial proof, an artist’s proof, and fifteen from the numbered edition 20, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower right. The color-state illustrated in Tamarind: Twenty-Five Years, 1960-1985, illustration #4. (17)

Trial proof with large printer’s crease left sheet edge and a couple small stains upper sheet edge, some with soft handling creases and or creases, all with some pale discoloration from improper storage, otherwise in good condition.

$3000/5000

 

 

 

6

John Altoon (1925-1969) Californian (nineteen)

UNTITLED, 1965, nineteen of the same lithographs on buff paper, each signed and dated in pencil, numbered 1/20 – 20/20 (missing # 11/20), sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower left. (19)

Some with minor toning at sheet edges, a few with toning on verso, otherwise all in good condition.

$3000/5000

 

 

 

7

John Altoon (1925-1969) Californian (twenty)

UNTITLED, 1965, the entire numbered edition of twenty lithographs, each signed and dated in pencil, numbered 1/20 – 20/20, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower right. (20)

Some with soft handling creases and or pale toning and or fingerprints, a few with minor sheet wave upper right sheet edge and or a crease in the lower left corner, one with some small accretions lower sheet edge and one with two small old linen hinges on verso, otherwise all in good condition.

$3000/5000

 

 

 

8

Ture Ander (1881-1959) Sweden

ORCHARD, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

9

Ture Ander (1881-1959) Sweden

FIELD PAST ORCHARD, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

10

Ture Ander (1881-1959) Sweden

BLOOMING TREES, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

11

Jean Arp (1886-1966) Swiss

SOLEIL RECERCLE NO. 17 (A.268), 1962-66, color woodblock print on Japan paper, artist’s blind stamp lower left, numbered 14/40, image 14 x 15”, full margins, framed. Provenance: William Weston Gallery, London.

A small speckle lower sheet edge, otherwise in apparently good condition.

$400/600

 

 

 

12

Artist Unidentified

GATHERING HAY, 1925?, oil painting on canvas, signed and dated, 25 ½ x 30 ½”, label on back of frame.

Surface soiling, 1” tear lower left and 1 ½” tear center right, otherwise in good condition.

$200/400

 

 

 

13

Artist Unidentified (20th/ 21st Century)

MAP, acrylic painting with collage and pastel on paper, signed lower right and inscribed lower left in pencil, image 23 x 23”, full margins, framed with glass.

In apparently good condition.

$100/200

 

 

 

14

Artist (Asian?) Unidentified (20th/ 21st Century)

MISTY LANDSCAPE, watercolor on paper, signed lower right, sight 44 ¼ x 29 ¼”, framed.

In apparently good studio condition.

$200/400

 

 

 

15

Florence Arven (b. 1952) French

JARDIN DANS LE VILLAGE, oil painting on canvas, signed lower right, artist’s address and title on verso, 21 ½ x 25 ½”, framed. Provenance: Wally Findlay Gallery, inventory 88315, Beverly Hills #46.

In good studio condition.

$300/600

 

 

 

16

Darrel Austin (1907-1994) New York

MOTHER & CHILD, 1940, crayon drawing on paper, signed and dated lower right, sight 14 x 10 ¾”, framed with glass. Oral Provenance: Klaus Perls Gallery.

Small stains and discolorations, mild toning, otherwise in apparently good studio condition.

$200/400

 

 

 

17

Will Barnet (1911-2012) New York

DAWN, color lithograph on wove paper, signed in pencil, Roman numbered L/L (50/50), sheet 26 x 19 ¼”, published by Transworld Art with their blind stamp lower left.

A few soft handling creases, slight sheet curvature left margin, otherwise in good condition.

$200/400

 

 

 

18

Henri Bassmadjian (1958-1993) European

LIE TO ME, 1988, gouache, color pastel and graphite on paper, sheet 26 x 19 ¾”, framed with glass.

In apparently good studio condition.

$200/400

 

 

 

19

Romare Bearden (1911-1988) African American

 

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby’s NYC, sale 7211, October 31st, 1998.

$3000/6000

 

 

 

20

Romare Bearden (1911-1988) African American

MEMORIES (The Train), 1974, color aquatint etching and photo-engraving with hand-coloring, signed and titled in pencil, a proof aside from the numbered edition, plate 17 ¾ x 22”, full margins, framed.

In apparently good condition.

$3000/6000

 

 

 

21

Romare Bearden (1911-1988) African American

SORCERER’S VILLAGE, 1972, color screenprint, signed in pencil, numbered 103/125, image 16 ¼ x 19 ¾”, sheet 20 x 22 ¾”, printed by NYIT print workshop New York with their blind stamp lower right, framed. Provenance: Sotheby’s NYC, sale 7097, March 6th, 1998.

$3000/6000

 

 

 

22

Romare Bearden (1911-1988) African American

BOPPING AT BIRDLAND/ WALKING PLAYER, 1979, color lithograph, signed in pencil, numbered 27 /175, sheet 33 ½ x 24”, framed.

In apparently good condition.

$1000/2000

 

 

 

23

Romare Bearden (1911-1988) African American

LOUISIANA SERENADE, 1979, color lithograph, signed in pencil, numbered 171/175, sheet 24 ½ x 33 ¾”, framed.

Small soft crease lower sheet edge, otherwise in apparently good condition.

$1000/2000

 

 

 

24

Larry Bell (b. 1939) Californian

UNTITLED, 1989, color etching, signed and dated in pencil, numbered 40/75, sheet 30 x 22”, published by Poligrafa.

In apparently good condition.

$200/400

 

 

 

25

Hans Bellmer (1902-1975) German

LES BAS REYES, color lithograph on Japan paper, signed in pencil, Roman numbered L/L (50/50), image 18 x 18”, full margins, published by Transworld Art with their blind stamp lower left.

Long printer’s crease lower right with just a touch of white-line showing, a few soft handling creases, slight sheet curvature upper edge, otherwise in good condition.

$200/400

Use the following links to view lot numbers 1-170

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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