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Contemporary, Modern & Southwestern Art Auction

February 23rd, 2019, noon 

 

1

Nobuyoshi Araki (b. 1940) Japanese

FLOWERS #4, circa 1990, original Fuji crystal print mounted to Centrex, sheet 38 x 48”, a proof from an unrealized edition, frame 39 x 49 x 2”.

Small nicks and scratches, fingerprints and smudges, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

2

Charles Arnoldi (b. 1946) California

AGNES, 2004, acrylic painting on four attached canvases, signed and dated and titled on verso, 76 x 84”. Canvas fabricated by Lucius Hudson Inc with their stamp on the verso. Provenance: Modernism San Francisco, Charles Arnoldi New Work, September/October 2005.

In good studio condition.

Auction Estimate $15,000/25,000

Starting Bid $7500

 

 

 

3

Artist Unidentified (20th Century)

UNTITLED, acrylic painting on canvas, stamped Lucius and character stamp on stretcher, 48 x 60”, frame 49 ½ x 61 ½ x 2 ¾”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

4

Artist Unidentified (20th Century)

UNTITLED, 1988, oil painting on canvas, signed and dated lower right, canvas 48 x 38”, frame 48 ½ x 38 ½”.

Hairline cracks and stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

5

Artist Unidentified (20th Century) American

CARNIVAL KIDS, acrylic painting on canvas, signed lower right, 36 x 48”.

Minor surface soiling and edge wear, otherwise good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

6

Artist Unidentified (20th Century) American

EXPOSED AT THE THRESHOLD, 1991, diptych, oil painting on canvas, signed and dated and titled on verso, each panel 55 x 70”, overall 110 x 70”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

7

Artist Unidentified (20th Century)

UNTITLED TRAIN TRACKS, oil painting on paper, 25 x 20”, frame 35 ¾ x 31 ¼” lacking glass. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $200/400

Starting Bid $250

 

 

 

8

Richard Gentry Ayer (1909-1967) California

UNTITLED, oil painting on canvas, signed on verso, artist’s wife’s label on verso, 37 x 31 x 2 ¼” with frame.

Hairline cracks and some surface soiling, discoloration on verso, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

9

Micha Bar-Am (b. 1930) Israeli (ten)

PORTFOLIO, 1981, portfolio of ten gelatin silver prints, each signed and numbered 68/300 in pen, sheets 20 x 16”, each with slip-jackets, with portfolio case and colophon page. Provenance: Michael Hittleman Gallery Los Angeles. (10)

Sheets with slight curve at long sides from being stored, otherwise in good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

10

Romare Bearden (1911-1988) American

THE LANTERN, 1979, color lithograph, printed signature, inscribed AP (artist’s proof) in pencil, aside from the pencil signed edition of 175 published by London Arts, image 23 ¾ x 15 ½”, sheet 28 ½ x 20”, frame 40 x 31 ¼”. Certificate on back from the Great Dane Collection.

Crinkle in mat upper right, apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

11

Joseph Begay (b. 1964) Navajo

HAND WITH RATTLE, 2013, carved alabaster sculpture mounted to stone base, signed and dated, overall 20 ½ x 9 x 9 ¾”, weight 45 pounds. Provenance: Acquired directly from the artist by the present owner.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

12

Harry Benally (20th Century) Navajo

LOVE FOREVER, PINE LADY, 2010, carved wood sculpture, signed and dated and titled, 43 x 21 x 16”, massive weight.

Some minor stress cracks, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

13

Tony Berlant (b. 1941) California

UNTITLED, 1989, color print on sheet metal, signed and dated in ink, numbered 59/250, sheet 13 x 35”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

14

Milton Bond (1918-2010) New York

LET IT SNOW, 1984, reverse oil painting on glass, signed lower left, signed and dated and titled on back of frame, 9 ¼ x 11 ¼”, frame 12 ¼ x 14 ¼”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

15

Robert Brackman (1898-1980) New York

NUDE FEMALE, color pastel on colored paper, signed lower right, sight 19 x 24”, frame 32 x 35 ¼ x 1 ¼” with glass.

Old tape and some discoloration upper sheet edge, crease upper right corner, a few hairline scuffs, speckles in mat, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Iona Rozeal Brown (b. 1966) Washington DC/ African/ American

UNTITLED II, 2002, color screenprint, signed in pencil, numbered 35/35, printed by Mueller Studios New York, published by MS Editions, image 30 x 22 ¼”, full margins, frame 36 ¾ x 29 ¼”. Provenance: Michael Steinberg Fine Art, New York.

In apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

17

David Bungay (b. 1933) Californian

BULL ELK (Wapiti), 1984, acrylic painting on canvas, signed and dated lower left, signed and dated and titled on verso, in hoof-design frame overall 61 ½ x 71”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

18

Herbert Busemann (1905-1994) Utah

EXCITEMENT, 1974, oil painting on Masonite, titled and dated, 30 ¾ x 36 ¼” including discardable frame.

Scratches in background upper left and lower left, a few scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

19

Byron Galvez (1941-2009) Mexican

LA MASCARA, 1990, color acrylograph on hand-made paper, signed and dated lower right, numbered 41/250, Fingerhut Group publishers stamp on verso, 33 ½ x 43 ½”.

Small tears at perimeter, some skinning on verso from previous hinging, scattered speckles on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

20

Suzanne Caporael (b. 1949) New York/ California

PORTRAIT OF VIRI, 1982, egg tempera on paper, signature not found, possibly on verso?, 40 x 35”, heavy frame 49 ¼ x 44 x 2” with glass. From the collection of Paul J. Coady. Provenance: Irit Krygier Contemporary Arts, Los Angeles; Exhibited at Santa Barbara Museum of Art, California Viewpoint, April – June 1986, lender Jan Turner.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

21

Tom Cies (b. 1951) California

BOUNCERS, 1989, cast and welded bronze and steel sculpture, monogramed on base, one torso inscribed ES on verso, overall 26 ¼ x 15 ½ x 11”.

With natural rust, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

22

Nurit David (b. 1952) Israeli

NAPLES STUDIO, 2009, lightfast markers and color pencils on paper, signed and dated lower left, sheet 16 ½ x 23 ¼”, frame 23 ¾ x 30 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

Some small creases and soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

23

Dora De Larios (b. 1933) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 11/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Some pale toning along lower sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

24

Denise De La Rue (b. 1972) Mexico

ANTONIO FERNANDEZ PINEDA MADRID SPAIN, 2006, color light-jet print, signed, dated, titled and numbered 3/3 on verso, 56 ¾ x 35 ¼”, frame 58 x 36 x 2 ½”. Provenance: Gagosian Gallery, Beverly Hills.

In apparently good condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

25

Laddie John Dill (b. 1943) Californian

UNTITLED, color pigmented cement with glass on plywood, 42 x 84 x 2 ½”, with Lucius Hudson stamp on verso, unidirectional, weight approximately 128 pounds.

A small unobtrusive color touch up at left edge, otherwise in good studio condition and appears to have never been installed before.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

26

Dominique B. (20th Century) (two)

THE WARRIORS, 2005, two painted and glazed ceramic plaques, each signed Dominique B. and dated on verso, 15 x 13” & 15 x 11 ¼”. (2)

Each with a hairline studio crack top center, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

27

Erte (1892-1990) Russian/ French

MASQUERADE (E.119), 1990, cold-painted cast bronze sculpture, signed, numbered 362/375, published by Chalk & Vermilion and Seven Arts, overall 19 ¾ x 9 x 6”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

28

Erte (1892-1990) Russian/ French

MELISANDE (E.148), 1990, cold-painted cast bronze sculpture, signed, numbered 272/375, published by Chalk & Vermilion and Seven Arts, overall 18 x 15 ½ x 9 ½”.

Minor wear in end of left gold sleeve, otherwise in good condition.

Auction Estimate $2000/3000

Starting Bid $750

 

 

 

29

Erte (1892-1990) Russian/ French

SOLEIL DE NUIT (E.149), 1990, cold-painted cast bronze sculpture, signed, numbered 356/375, published by Chalk & Vermilion and Seven Arts, overall 19 ½ x 13 x 7 ½”.

Small rub spot left soldier, some wear top right soldier from accessory rope, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

30

Erte (1892-1990) Russian/ French

ALPHABET LADY (E.185), 1990, cold-painted cast bronze sculpture, signed, numbered 367/375, published by Chalk & Vermilion and Seven Arts, overall 19 x 10 x 7 ½”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

31

Erte (1892-1990) Russian/ French

FOLIES BERGERE (E.187), 1990, cold-painted cast bronze sculpture, signed, numbered 336/375, published by Chalk & Vermilion and Seven Arts, overall 18 ¼ x 11 ¾ x 9 ¼”.

Tiny blemish on underside of front plume, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

32

Erte (1892-1990) Russian/ French

RUE DE LA PAIX (E.192), 1987, cold-painted cast bronze sculpture, signed, numbered 239/375, published by Chalk & Vermilion and Seven Arts, overall 14 x 7 ½ x 5”.

In good condition.

Auction Estimate $1000/2000

Starting Bid $750

 

 

 

33

Erte (1892-1990) Russian/ French

LA PLUME (L.61), 1980, cold-painted cast bronze sculpture, signed, numbered 89/250, published by RKP Intl. Corp, overall 15 ½ x 9 x 5 ¼”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

34

Erte (1892-1990) Russian/ French

WOMAN & SATYR (L.72), 1986, cold-painted cast bronze sculpture, signed, numbered AP (artist’s proof) 7/37, published by Fine Arts Acquisition, overall 16 x 7 x 6”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

35

Erte (1892-1990) Russian/ French

AMANTS (L.116), 1980, cold-painted cast bronze sculpture, signed, numbered 47/300, published by Fine Arts Acquisition, overall 19 x 8 ¼ x 8 ½”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

36

Erte (1892-1990) Russian/ French

CORNUCOPIA (E.107), 1990, cold-painted cast bronze sculpture, signed, numbered 12/375, published by Chalk & Vermilion and Seven Arts, overall 19 ¾ x 18 x 8”.

In good condition.

Auction Estimate $2000/3000

Starting Bid $750

 

 

 

37

Jim Evans aka Taz (b. 1950) California (two)

SAW, SAW V, two color screenprint posters, both signed in pencil, one numbered 5/15, each from an edition of 30, images 24 x 18 ¼” & 24 x 18”, frames 27 x 21 ½ x 1” & 27 ¾ x 21 ½ x 1 ¼”. Made for Lionsgate Films in associated with the Saw campaign. (2)

Saw with printer’s creases, the second with bug debris, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

38

Ted Faiers (1908-1985) Tennessee (two)

THE END OF THE HUNT, 1976, woodcut, signed in pencil, numbered 3/25, image 16 ½ x 8 ½”; THE HONEYCOMBED HEART, 1980, embossed woodcut, signed and dated and titled and numbered 4/50 in pencil, image 10 ¼ x 7 ¼”; both with full margins. (2)

Both with soft and printer’s creases, Heart with speckles and some discoloration, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Manuel Felguerez (b. 1928) Mexican

MOTHER AND CHILD WITH FRUIT BOWL, painted and burnished blackware ceramic, signed on foot, 15 x 6 ½ x 10 ¼” including loose bowl and fruit.

Small scuffs and scratches, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Edward Fitzgerald (20th Century) American

YOUR AD HERE, 1973, oil painting on canvas, initialed and dated lower right, signed and titled on verso, 16 x 22 ¼”, frame 17 ½ x 23 ½ x 1 ¾”.

Some minor surface soiling, some small nicks and a scrape, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Neil Folberg (b. 1950) Israeli

ANCIENT OLIVE PRESS, gelatin silver print, signed and numbered 3/49 in pencil, image 9 x 11 ½”, full margins, frame 16 ½ x 19”. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

42

Denis Fremond (b. 1950) French

THE ACTORS, oil painting on canvas, signed lower right, 32 x 39 ½”, with Galerie D’Art J.C. ROBERT, Honfleur France label, frame 35 x 42 ½ x 1 ½”.

A few miniscule white specks, otherwise in good studio condition,

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

43

Furniture (19th/ 20th Century)

Spanish Colonial style asymmetrical wood console with four top drawers and two double-door compartments each with one removable shelf, painted brass hardware, 34 ½ x 63 ½ x 16 ¼”.

Rear legs slightly truncated (by design?), otherwise in apparently good used antique condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

44

Furniture (19th/ 20th Century)

Spanish Colonial style painted wood hall mirror with bench compartment, 86 ¾ x 32 ¾ x 15”.

With two tiny worm or drill holes in the columns midway up, otherwise in apparently good used antique condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

45

Helen Rebekah Garber (b. 1976) American

SHELVES/SELVES I (After Mondrian), 2014, acrylic painting on burlap over canvas, signed and dated on verso, 60 x 48”. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

46

Moshe Gershuni (1936-2017) Israel

UNTITLED, 1994, triptych, three etchings on three sheets, each signed and dated and numbered 11/12 on verso, each sheet 11 ½ x 8 ½”, Israeli blind stamp lower right, all in one frame 18 ½ x 33 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

Paul Gorka (b. 1931) Pennsylvania/ New York

BOOKS & EGGS, oil painting on canvas, signed lower right, 36 x 48”, frame 37 ½ x 49 ¼”.

Some hazing, small chips along left side, a few small scuffs and scrapes, staining on verso, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Balcomb Greene (1904-1990) New York

DARK BLUE SEA, 1966, oil painting on canvas, signed lower center, 56 x 50”, frame 57 ½ x 51 ½”. Provenance: Adele Bednarz Galleries Los Angeles, price tag $3000.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

49

Robert Hansen (b. 1924) California

FIGURES AND HORSES, oil painting on canvas, 40 x 24”. Provenance: NoHo Modern, Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

50

Ed Hart (20th Century) Californian

FIGURE WITH RAISED ARMS, cut and doweled laminated wood sculpture, signed underneath wood base, 53” tall including 14” diameter base.

Natural stress crack lower center, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

51

Ed Hart (20th Century) Californian

TOO TALL, cut and doweled laminated wood sculpture, signed on stainless steel base, 97 x 16 x 16” including base.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

52

Ed Hart (20th Century) Californian

DANCERS TWO, cut and doweled laminated wood sculpture, signed on stainless steel base, 73 ½ x 33 x 15” including base.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

53

Ed Hart (20th Century) Californian

THIS WAY, cut and doweled laminated wood sculpture, signed on stainless steel base, 83 x 32 x 13” including base.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

54

Al Hirschfeld (1903-2003) American

JOHN WAYNE, etching, signed in pencil and inscribed AP XXVI/XXX (artist’s proof 26/30), blind stamp lower right, plate 12 ½ x 9 ¾”, sheet 20 ¼ x 15”.

A few soft handling creases in the lower margins, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

55

Al Hirschfeld (1903-2003) American (two)

JUDY GARLAND, 1975, etching, signed in pencil and inscribed AP II/XXX (artist’s proof 2/30), with artist's stamp on verso and blind stamp lower right, plate 15 ½ x 11 ¾”, sheet 22 ¼ x 15”; LA BOHEME: LUCIANO PAVAROTTI AND TENATA SCOTTO, etching, signed in pencil and inscribed AP XI/XX (artist’s proof 11/20), blind stamp lower right, plate 14 ¼ x 17 ½”, sheet 21 ½ x 24 ½”. (2)

The first in good condition; the second with some soft handling creases and crinkles in the margins, some pale discoloration at sheet edge, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

56

Al Hirschfeld (1903-2003) American

LENA HORNE, 1982, etching, signed in pencil, numbered 55/200, blind stamp lower right, plate 12 ¾ x 9 ¾”, sheet 20 ¼ x 15”.

A few soft handling creases in margins, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

57

Al Hirschfeld (1903-2003) American

JANE FONDA (Spider Woman), 1975, etching, signed in pencil and inscribed AP VII/XV (artist’s proof 7/15), blind stamp lower right, plate 10 ¾ x 8 ¾”, sheet 18 ¼ x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

58

Al Hirschfeld (1903-2003) American

LUCILLE BALL, 1975, color etching, signed in pencil and inscribed AP III/XV (artist’s proof 3/15), plate 14 ½ x 11 ¼”, sheet 22 ½ x 17 ¾”.

A few soft handling creases in margins, one little speckle lower sheet edge, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

59

Al Hirschfeld (1903-2003) American

RINGO STARR IN THE MAGIC CHRISTIAN, 1975, color etching, signed in pencil, numbered 27/150, blind stamp lower right, plate 9 ¾” diameter, sheet 18 ¼ x 15”.

A few soft handling creases in margins, some discoloration lower right corner, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

60

John Hultberg (1922-2005) Californian/ New York

UNTITLED DRIVING, color lithograph, signed in pencil and inscribed Presentation Proof for Bertha Levinson, Tamarind blind stamp lower left, sheet 22 ¼ x 30”, discardable frame 30 ¼ x 38” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

61

John Hunter (b. 1934) Californian

AS WE GO THROUGH THE YEARS 1967-1968, oil painting on canvas, signed lower right, titled on verso, 48 x 48”, remnants of gallery label on verso, frame 49 ¼ x 49 ¼”. From the collection of Yale Udoff.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

62

Modern Indian Art Collection: Gulam Rasool Santosh, Jyoti Bhatt, Krishna Kanwal, Prabhakar Barwe, Shami Mendiratta & Artists Unidentified (eleven)

Gulam Rasool Santosh (1929-1997), UNTITLED, 1973, oil stick drawing on paper, signed and dated in pen lower left, sight 4 ¾ x 6 ¾”, sealed in mat; Jyoti Bhatt (b. 1934), AKRITI, 1968, etching with hand-coloring, signed and dated and titled in pencil, sheet 7 ¾ x 5 ½”; Krishna Kanwal (1910-1993), UNTITLED, etching, signed in pencil and inscribed in pen, plate 5 ¼ x 3 ¼”, full margins; Prabhakar Barwe (1936-1996), SHEEP, gallery announcement, signed on verso, sight 4 ¾ x 6 ¾”, sealed in mat; Shami Mendiratta (or Shanmmi Mendhiratta), FISH, two oil paintings on folding photo album cards, both signed and dated 94 and 7 ¾ x 9 ¾” closed; UNTITLED, 1996, ink drawing on card, signed and dated lower right, 13 ¾ x 17 ¾”; Artists Unidentified UNTITLED, one blue ink drawing and one black marker drawing, each signed, the first dated 66’, sights 8 ¾ x 10 ¾” & 8 ½ x 10 ¼”, both sealed in mat; Artists Unidentified, color pastel on a Gallery Chanakya announcement, signed and dated December 1972, sight 7 ¼ x 7”, matted; UNTITLED, poem by Santo Datta with photo collage sight 6 ½ x 6 ¼”; both sealed in mat;. Provenance: from the personal collection of Shami Mendiratta. (11)

Bhatt with a few speckles and masking tapes hinges on verso, Kanwal with some discoloration and speckles, mainly in margins, otherwise all in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

63

Ynez Johnston (b. 1920) California

THE FOSSIL NARCISSUS, 1969, acrylic painted carved wood relief, signed and dated and titled on verso, 18 x 17 ½ x 1 ¼”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

64

Martin Kane (b. 1958) British

MELANCHOLY, 1990, oil painting on canvas, signed lower left, 20 x 30”, frame 27 x 37 x 2”. From the collection of Yale Udoff. Provenance: Thumb Gallery, London.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

65

Steve Kaufman (1960-2010) New York

MARILYN CHANEL, color screenprint on canvas, signed and inscribed 22/50 AP (artist’s proof) in ink on verso, 30 x 30.

Small surface scrapes, hairline cracks, two vertical printing flaw lines lower center, some, surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

66

Steve Kaufman (1960-2010) New York

DALI’S THE TEMPTATION OF ST. ANTHONY, acrylic and color screenprint on canvas, inscribed lower right “Best wishes, stevekaufman.com”, 10 ¾ x 15”.

Stretcher bar impressions, canvas slack upper left edge, hairline cracks, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

67

Michael Kenna (b. 1953) British

SWINGS, CATSKILL MOUNTAINS, NEW YORK, 1977, gelatin silver print artist mounted to card, signed and dated in pencil on the card, artist’s stamp on verso, printed 1981, image 5 ¾ x 9”, card 20 x 16”, frame 21 x 16 ¾”.

In good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

68

Michael Kenna (b. 1953) British

ILE DE LA CITE PARIS, FRANCE, 1992, gelatin silver print artist mounted to card, signed and dated and numbered 36/45 in pencil on the card, artist’s stamp and signed in pencil on verso, printed in 1996, image 8 x 7 ½”, card 20 x 16”, frame 21 x 16 ¾”.

In good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

69

Michael Kenna (b. 1953) British

PONT LOUIS PHILLIPE, PARIS, FRANCE, 1992, gelatin silver print artist mounted to card, signed and numbered 31/45 in pencil on the card, artist’s stamp and signed in pencil on verso, printed 1995, image 7 ¾ x 7 ¼”, card 20 x 16”, frame 21 x 16 ¾”.

In good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

70

David LaChapelle (b. 1963) New York (eight)

Angela Jolie as Laura Croft the Tomb Raider, eight original color transparencies, each with title and credit stickers, each 4 x 5”. (8)

All in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

71

Stewart Le Conte (1891-1990) Utah

WEST KAYSVILLE, 1967, oil painting on paper laid on to board, signed lower right, titled and dated on verso, 5 ½ x 7 ¼”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

72

Irina Sung Lee (20th Century)

EXTERIOR, circa 1978, oil painting on canvas, signed and dated lower left, 36 x 24”, frame 37 x 25 x 1 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

73

Yitzhak Livneh (b. 1952) Israeli

BLUE BRIDGE, oil painting on canvas, inscribed on stretcher bars, 31 ½ x 35 ½”, frame 33 x 36 ¾ x 1 ¾”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

74

Yitzhak Livneh (b. 1952) Israeli

STREET LIGHT, oil painting on canvas, signed on verso, 26 ½ x 15 ¾”, frame 27 ¾ x 21”. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

75

Jim McCabe (20th Century) American

UNTITLED STREET SCENE, acrylic painting on canvas, artist’s name inscribed on verso signed?, 48 x 60”.

Minor surface soiling, some perimeter edge wear, a scratch lower center edge, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

76

Jim McCabe (20th Century) American

UNTITLED HIGHWAY SOLDIERS, acrylic painting on canvas, signed and inscribed 93-02 lower right, 48 x 90”.

Mild surface soiling, perimeter edge wear, a few small scrapes, small circular hairline crack, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

77

Thomas McKnight (b. 1941) New York

GULFSTREAM (McK. 101), color screenprint, signed in pencil, numbered 198/200 in Roman numerals, image 22 ¼ x 44 ¾”, full margins, white-gold leaf frame 36 x 60 ¼ x 1”.

Two hairline ink cracks upper left, repetitive skipping line indentation with minor loss spot and three small dents all upper right area, a few other small unobtrusive scrapes, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

78

Gladys Medina (b. 1943) Venezuela

UNTITLED, mixed media painting with sand and gold leaf on stitched canvas, 32 ¼ x 32 ¼”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

79

Gladys Medina (b. 1943) Venezuela

UNTITLED, mixed media painting with sand and gold leaf on stitched canvas, 32 ¼ x 32 ¼”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

80

Gladys Medina (b. 1943) Venezuela

TITLED, oil painting on canvas, faintly signed and titled and inscribed on verso, 46 x 60”.

Overall craquelure, small scuffs and nicks, scrapes and chips, stretcher bar impressions, surface soiling, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

81

John Miller (20th 21st Century) American

BLUE PLATE SPECIAL: COKE GLASS WITH STRAW, BURGER, MUSTARD BOTTLE, & FRIES, 2008, hand-blow clear, colored and frosted glass sculptures, coke glass signed and dated, 15 ¾” tall not including the straw, burger 9 ½” tall and approximately 11” diameter, mustard 20 ¾” tall, fries average 7-8” each. Note: approximate weighs: Hamburger 23 pounds, coke glass 16 pounds. Provenance: Russeek Gallery, NYC, with certificate.

Straw with tiny inclusion in glass, hamburger with some minor unobtrusive losses to extended lettuce leaves, otherwise in good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

82

Moche ceramic Northern Peru (500 AD)

Stirrup-Spout painted rectangular shaped ceramic vessel with bird and snake and human head motif, 8 ½ x 4 ½ x 4 ¼”. Provenance: Arte Textile invoice for $2000. dated August 15th 2004.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

83

Yoshitomo Nara (b. 1959) Japanese (two)

SOLID FIST; WELCOME GIRL, 2017, a pair of seven-ply wood skateboard decks, each with artist’s name in design, stamped MoMA and stickered Made in Canada underneath, each 31 ¾” x 8”. (2)

Both in like new condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

84

Arthur Osver (1912-2006) New York/ Chicago

SKYWAY, 1952, oil painting on canvas, signed and dated and titled on verso, 40 x 30”, frame 55 ½ x 45 ½ x 1 ¼”.

Chips lower center left, a few small tears, scuffs, canvas tearing from stretcher bar lower right corner, small scuffs scrapes and scratches, hairline and drying cracks, some minor surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

85

Oyster Pirates: Shawn Webber, Jason Wheatley, & Sri Whipple (20th/21st Century) American

PANDORA’S PLIGHT, oil painting on canvas, signatures not found, inscribed “Some Pandora” on verso, 48 x 72”, gallery tag identifying artists on verso. Original provenance: Varnish Fine Art, San Francisco.

Artist’s repair lower left, a few hairline scratches, otherwise in good studio condition.

Auction Estimate $6000/8000

Starting Bid $3000

 

 

 

86

David Palmer (20th/ 21st Century) California

HYBRID, 2013, oil painting on canvas over wood, signed and dated and titled on verso, 36 x 24”.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

87

David Palmer (20th/ 21st Century) California

WALKABOUT #2, 2010, acrylic painting on canvas over wood, signed and dated and titled on verso, 48 x 48”.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $750

 

 

 

88

Tom Perkinson (b. 1940) New Mexico

RACING, 1981, watercolor with acrylic and color pastel, signed and dated lower right, 28 x 38 ½”, with linen liner display frame with Plexiglas 29 ½ x 40”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

89

Tom Perkinson (b. 1940) New Mexico

PLAINS INDIAN CAMP, 1982, watercolor with acrylic and color pastel, signed and dated lower right, 28 x 38 ½”, with linen liner display frame with Plexiglas 29 ½ x 40”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

90

Tom Perkinson (b. 1940) New Mexico

IMPRESSIONISTIC LANDSCAPE, 1983, acrylic painting on canvas, signed and dated lower right, 24 x 40”, with linen liner display frame 25 ½ x 41 ½”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

91

Tom Perkinson (b. 1940) New Mexico

ADOBE VILLAGE, 1982, acrylic painting on Masonite, signed and dated lower right, 24 x 36”, with linen liner display frame 25 ½ x 37 ½”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

92

Tom Perkinson (b. 1940) New Mexico

PREPARE FOR THE ATTACK, 1982, watercolor with acrylic and color pastel, signed and dated lower right, signed and titled on frame verso, 28 ½ x 38 ½”, with linen liner display frame with Plexiglas 30 x 40”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

93

Louis Peyrat (1911-2001) French

PARIS MONTMARTRE, PLACE DES ABBESSES, oil painting on canvas, signed lower right, titled and inscribed on verso, 24 x 30”, frame 30 x 36 x 2 ¾”. Provenance: Wally Findlay Gallery inventory #S81043.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

94

Louis Peyrat (1911-2001) French

VIEUX CHATEAU, oil painting on canvas, signed lower right, titled on verso, 30 x 24”, frame 37 ½ x 31 ½ x 2 ¾”. Provenance: Wally Findlay Gallery inventory #S82489.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

95

Louis Peyrat (1911-2001) French

PARIS MONTMARTRE, RUE LEPIC, oil painting on canvas, signed lower right, titled and inscribed on verso, 24 x 36”, frame 29 x 41 x 2”. Provenance: Wally Findlay Gallery inventory #S85650.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

96

Photographer Unidentified & Alexander Gore (b. 1958) Russian (two)

Photographer Unidentified OLD WOMAN GATHERING WOOD, gelatin silver print, signed in red lower right, number 11/50, inscribed PR 22085-1 on verso, image 14 x 17 ½”, sheet 18 x 19 ½”, frame 22 ½ x 26 ½ x 1”; Alexander Gore UNTITLED FIGURE, oil painting and mixed media on paper over canvas signed lower center, overall 12 x 8 ½”, frame 20 ¾ x 17 x ¾”. (2)

The first with debris on mat only, both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

97

Pablo Picasso (1881-1973) Spanish

GOAT’S HEAD IN PROFILE (AR.146), 1952, painted and glazed ceramic platter, from the edition of 250, Madoura stamp on verso,12 ¾ x 20 ½ x 2”.

Broken in several places and reattached, some small losses at breaks with some visible glue. Others in good condition have sold as high as $18,000. at auction in recent years.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

98

Frank Ramme (20th Century) American

SEPHARDIC CLOVER & JIMPSON WEEK, 2007, oil and acrylic painting, signed and dated and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

99

Frank Ramme (20th Century) American

DECLINE OF THE MILK MAID’S STOOL, 2006, oil and acrylic painting, signed and dated and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

100

Ellie Riley (20th Century) California

TERRA COTTA, 2002, powder coated metal sculpture, signed and dated, 16 ½ x 23 x 16”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

101

Ellie Riley (20th Century) California (three)

YELLOW TRIPTYCH, 2000, the set of three powder coated metal wall sculptures, each signed and dated and titled on verso, 27 x 16 x 1 ½”, 26 x 17 ½ x 1 ½” & 26 x 20 x 1 ½”. (3)

All in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

102

Ellie Riley (20th Century) California

LANDMARK, powder coated metal sculpture, signed and dated and titled, 14 x 16 x 16”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Ellie Riley (20th Century) California

WIND CLOUDS, 1998, brushed and polished steel wall sculpture, signed, dated, titled and inscribed 1/19 M-98-036 on verso, 24 ¼ x 29 x 1 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

Ellie Riley (20th Century) California

TACTILE VISIONS - SUN RAYS, 2005, acrylic painting on canvas with metal overlay, signed and dated and titled on verso, 48 ½ x 36 ½” x 2 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

105

Ellie Riley (20th Century) California

TACTILE VISIONS - ANGEL, 2005, acrylic painting on canvas with metal overlay, signed and dated and titled on verso, 48 ½ x 36 ½” x 2 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

106

Ellie Riley (20th Century) California

RAZ MATAZ, 2005, triptych, acrylic painting with glass on three canvases, each signed and dated and titled on verso, each panel 40 x 30”, overall 40 x 90”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

107

Leopold Rivers (1852-1905) British

COUNTRY SCENE, 1896, oil painting on canvas, signed and dated lower center, canvas 40 ¼ x 30”, frame 47 ¼ x 37 x 2 ½”. Provenance: Anderson Gallery, Beverly Hills.

Faint minimized craquelure, a tiny professionally repaired patch on verso not visible from recto, stretcher bar impressions, otherwise in good condition with a fresh clean surface.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

108

Roman Romanyshyn (b. 1957) Ukrainian (four)

FOUR SEASONS, 2001, four color etchings, each signed and dated and numbered 8/30 or 9/30 in pencil, sheets 9 ¾ x 9”, all with full margins, each frame 12 x 11 ¼”. From the collection of Gaby Stuart. Provenance: Koplin Gallery, Los Angeles. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

G. H. Rothe (1935-2007) German/ American

BACHELORS (R.77), 1981, color mezzotint, signed in pencil, numbered 7/100, plate 13 ¾ x 10 ¾”, full margins, frame 25 ½ x 22 ½ x 1 ¾” with glass.

Colors possibly attenuated, some pale toning in margins at the mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

G. H. Rothe (1935-2007) German/ American

CORAL CORRAL (R.128), 1979, color mezzotint, signed in pencil, numbered 108/150, plate 11 ½ x 35 ¼”, full margins, frame 22 ½ x 46 x 1 ½” with glass.

Colors possibly attenuated, some toning mainly in the margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

111

G. H. Rothe (1935-2007) German/ American

THE CHASE (R.76), 1981, color mezzotint, signed in pencil and inscribed AP (artist’s proof), plate 23 ¾ x 35 ¼”, full margins, frame 35 ½ x 46 ½ x 2” with glass.

Colors possibly attenuated, some toning in margins, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

112

Greg Schad (20th Century) American

UNTITLED, sculpture with a 1” thick clear and colored glass slab with incised patterns and appliques, with stylized L shaped brushed steel support and metal legs, a signature not found, 92 x 25 x 16 ½” secured to 33 x 22 ½ x ½” painted steel plate base, weight 200-300 lbs. Provenance: Margaret Berman Linda Davis Gallery, Scottsdale.

Some minor rust, otherwise in good studio condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

113

Kenny Scharf (b. 1958) California/ New York

UNTITLED, 2012, acrylic painting on wood panel, signed and dated lower center, 48 x 84”.

Some scuffs and scrapes and nicks and chips, otherwise in good production condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

114

Rocky Schenck (b. 1955) Texas

ENDLESS, 2004, toned gelatin silver print, signed and titled and numbered 1/8 lower right, 30 x 44”, frame 35 x 49 ¼” with glass. Provenance: Paul Kopeikin Gallery.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

115

Rudolf Schwarzkogler (1940-1969) Austrian

HEAD, 1965, gelatin silver print 15 ½ x 11 ½”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

116

Rudolf Schwarzkogler (1940-1969) Austrian

HANDS, 1965, gelatin silver print 15 ½ x 11 ½”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

117

Rudolf Schwarzkogler (1940-1969) Austrian

KNIFE, 1965, gelatin silver print 15 ½ x 11 ½”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

118

Burton Silverman (b. 1928) New York

IRISH SHAWL, charcoal drawing on paper, signed lower right, sight 9 x 13”, partial Kenmore Gallery Philadelphia label on back, frame 16 ¼ x 20 ¼ x 1” with glass.

Pale discoloration at mat, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

119

Jared Small (b. 1980) American

STUDIES UNTITLED GRAY (Horse), 2011, oil painting on Masonite, signed on verso, 12 x 12”. Provenance: David Lusk Gallery, Memphis, Tennessee.

Some wear in corner, mild surface soiling, a few surface scuffs, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

120

Southwestern Art: Artist Unidentified (20th Century)

Painted gourd with elaborate beadwork, metal studs and hanging stone, stamped DES, 10” tall, 15” diameter.

Some fading, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

121

Southwestern Art: Salvador Baca, Baudel Lopez, Jesus Lozano, Ramon Villa (20th Century) Mata Ortiz (four)

Salvador Baca painted and incised blackware ceramic vessel with tradition motif, signed underneath, 4 ¼” tall, 6” diameter; Baudel Lopez painted and incised ceramic vessel with tradition motif, signed underneath, 10 ½” tall, 8” diameter; Jesus Lozano painted blackware ceramic vessel with tradition motif, signed underneath, 5” tall, 6” diameter; Ramon Villa painted ceramic vessel with tradition motif, signed underneath, 5 ½” tall, 6” diameter. (4)

Lopez with chip underneath rim, otherwise all good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Southwestern Art: Helen Bird (20th Century) Santo Domingo

Painted ceramic vessel with tradition motif, signed and inscribed Kewa underneath, 8” tall, 9” diameter.

Some paint loss at rim, a few scuffs and scratches, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

Southwestern Art: Cesar Bugarini (20th Century) Mata Ortiz

Painted ceramic vessel with flared opening and rounded bottom with tradition motif, signed underneath, 17” tall, 15” diameter.

A few minor scuffs, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Southwestern Art: Lisa Danielle (20th Century) Arizona

MARIAN & JULIAN’S MASTERPIECE, oil painting on Masonite, signed lower right, 9 x 12”, frame 16 ½ x 9 ¾”. Provenance: Artist’s label on verso.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

125

Southwestern Art: Decorative Ladder (20th Century)

A five-rung wood ladder of sanded logs with leather strapping and turquoise insets, overall 97 x 24 x 4”, not climbing.

Some natural cracks and splits in wood, otherwise in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

126

Southwestern Art: Teresa Jaquez (20th Century) Mata Ortiz, Acoma Pottery & another (six)

Teresa Jaquez, three painted ceramic vessels with tradition motifs, each signed underneath, each 3 ¾” tall, 4 ¼” wide; Acoma Pottery, two painted ceramic vessels with tradition motifs, both inscribed Acoma underneath, bowl 3” tall, 3 ½” wide, ball 3 ½” tall, 3” diameter; Another a painted ceramic with tradition motif, 4 ½” tall, 5” diameter. (6)

One with surface soiling, ball with a few nicks, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

127

Southwestern Art: Jemez Storytellers (20th Century) (five)

Painted ceramic with four babies, signed V. Lucero underneath, 5 x 3 ½ x 5 ½”, Four painted ceramics, three initialed GB with three to four babies each, one initialed ML with eight babies, sizes from 3 ¾ x 2 ¾ x 4” to 4 x 2 ½ x 2 ½”. (5)

All in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

128

Southwestern Art: Jemez Storyteller, Sabaquie (Jemez), Lupe Lucero (San Felipe) (three)

Jemez Storyteller, painted ceramic with over thirty babies, initialed underneath, 9 ¼ x 5 ½ x 7”; Sabaquie STORYTELLER, painted ceramic with eight babies, signed underneath, 8 ½ x 3 ½ x 5”; Lupe Lucero, STORYTELLER, painted ceramic with six babies, signed underneath, 7 ½ x 5 ½ x 6”. (3)

All in good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

129

Southwestern Art: Cheyenne Jim (b. 1957) Navajo Nation

STORYTELLER, painted ceramic with five babies, feathers, turquoise and metal, signed underneath, 14 x 6 x 7 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Southwestern Art: Cheyenne Jim (b. 1957) Navajo Nation (9) & Potter unidentified (11) (two)

Cheyenne Jim NATIVITY SCENE, nine painted ceramic with leather, turquoise and metal, each signed, sizes from 19 x 6 x 6” to 3 ¼ x 8 x 5 ½”; Potter Unidentified NATIVITY SCENE, eleven painted ceramic figures, tallest figure 6”, in Plexiglas case, overall 7 x 18 x 18”. (2)

The second with some minor scuffs and donkey with re-attached ears, otherwise all in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

131

Southwestern Art: Joseph & Nona Latoma (20th Century) San Felipe Pueblo

Painted ceramic vessel with wide opening and traditional motif, with character mark and date 2009 underneath, 12” tall, 8 ½” diameter.

Some small stains, minor wear, otherwise in good studio condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

132

Southwestern Art: Ophelia S. Leon (b. 1966) Acoma

Painted ceramic vessel with tradition motif, signed underneath, 14” tall, 15” diameter.

A few paint fleabites, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Southwestern Art: Louis & Nadine Mansfield (b. 1967 & b. 1968) Acoma

MARRIAGE POT, painted ceramic vessel with traditional motif, signed underneath, 18 ½” tall including handle, 12” diameter.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Southwestern Art: Native American Drum, Northern Plains (19th Century)

Ceremonial Drum, circa 1890, made of wood and rawhide, 3” deep, 15” diameter.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

135

Southwestern Art: Mary Janice Ortiz (20th Century) Cochiti Pueblo

Painted ceramic vessel with animal motif, signed underneath, 8 ½” tall, 7 ½” diameter. Provenance: Santa Fe Crafts, Pasadena.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Southwestern Art: Reyes Panama-(b. 1961) Jemez Pueblo

STORYTELLER, painted ceramic with reed and wood, signed underneath, 14 x 8 ½ x 12”, in Plexiglas box measuring 16 x 12 x 15 ¼”.

Two small blisters and hairline cracks on back, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Southwestern Art: Rose Pecos-Sun Rhodes (b. 1956) Jemez Pueblo

STORYTELLER, small painted ceramic, signed underneath, 2 ½ x 3 x 3 ¼”.

A few small scuffs, otherwise in good studio condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

138

Southwestern Art: Rose Pecos-Sun Rhodes (b. 1956) Jemez Pueblo

STORYTELLER, a large painted ceramic, signed underneath, ceramic 12 x 10 x 10 ½”, in Plexiglas case 15 ¼ x 15 ¼ x 12 ½”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

139

Southwestern Art: Noe Quezada (20th Century) Mata Ortiz

Painted ceramic vessel with saw-patterned rim and traditional motif, signed underneath, 11 ½” tall, 9 ½” diameter.

A few surface scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Southwestern Art: Juan Sandoval & Ann Graffy both (20th Century) Taos (6) (seven)

Juan Sandoval SINGING, a painted and semi-glazed ceramic, signed underneath, 5 ½ x 2 x 2 ½”; Ann Graffy SINGERS, six painted and semi-glazed ceramics, each signed and dated 95’ underneath, each 4 ½ x 1 ½ x 1 ¼”. (7)

All in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

141

Southwestern Art: Robert Shields (b. 1951) California/ Arizona

COYOTE TRICKSTER, 2002, incised and painted wood or composite, signed and dated in marker, 42 x 30 x 22”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

142

Southwestern Art: Robert Shields Design (b. 1951) California/ Arizona

HORSE, polychrome composite sculpture, artist’s stamp underneath, 15 ½ x 7 x 18 ½”.

In good studio condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

143

Southwestern Art: Goyo Silveira (20th Century) Mata Ortiz Casa Grande

Painted and burnished ceramic vessel with wide opening and traditional motif, signed underneath, 14” tall, 13” diameter.

Small scuffs and scratches, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

144

Southwestern Art: Thomas Tenorio (b. 1963) Santa Domingo

Painted ceramic vessel with traditional motif, signed, dated 2007 and inscribed Kewa underneath, 11” tall, 8” diameter.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

145

Southwestern Art: Thomas Tenorio (b. 1963) Santa Domingo

Painted ceramic vessel with traditional motif, signed underneath, 15” tall, 16” diameter.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

146

Southwestern Art: Robert Dale Tsosie (b. 1960) Navajo

UNTITLED, 2015, black stone sculpture, signed and dated, 19 x 5 ½ x 4 ½” mounted to a 1 ¾” tall 7” diameter black stone base, overall 21 ¾” tall.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

147

Southwestern Art: Kathleen Wall (20th Century) Jemez Pueblo

KOSHARE EATING WATERMELON, three-part painted ceramic figure with reed hair, signed underneath, overall 27 x 8 x 12 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

148

Southwestern Art: White Swan aka Dolly Joe Navasie, Christina Acosta, Enrique Pedregon, E. Concho (four)

White Swan Dolly Joe Navasie (b. 1964) Hopi, painted ceramic vessel with tradition motif, signed underneath, 3 ¾” tall, 4” diameter; Christina Acosta (20th Century) WEDDING JAR, painted ceramic vessel with tradition motif, signed underneath, 6” tall, 5 x 4 ½”; Enrique Pedregon (20th Century) Mata Ortiz, painted ceramic vessel with tradition motif, signed underneath, 5 ¾” tall, 5 ½” diameter; E. Concho (20th Century) Acoma, QUAIL painted ceramic with tradition motif, signed underneath, 4 x 3 ½ x 3”. (4)

All in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

149

Sylvester Stallone (b. 1946) New York

RAMBO, spray paint through metal stencil on paper, signed in pencil, from the edition of 25, sheet 40 x 26”, frame 41 ¼ x 27 ¼ x 1” with glass. Made for Lionsgate Films in associated with the Rambo campaign.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Juliette Steele (1900-1980) Californian

UNTITLED, oil painting on Masonite, signed lower right, 22 x 27 ¾”, frame 23 x 29”.

Faint scuff lower right, hairline indentation scratch upper right, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

151

Jan Stussy (1921-1990) California (three)

EUROPA & THE DOG, two acrylic paintings over lithograph, each signed lower center; Together with the lithograph, signed in pencil and inscribed Printer’s Proof for L. R., with Kistler blind stamp lower left, sheets 26 x 20”. (3)

All in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

152

Jan Stussy (1921-1990) California (eleven)

LANDSCAPES, eleven lithographs, three images, each signed in pencil, nine from numbered editions of 10, one inscribed PC, all with Kistler blind stamp, sheets: four at 19 x 23” seven at 16 x 23”. (11)

One with noticeable and three with minor toning, some soft handling creases, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Jan Stussy (1921-1990) California

EUROPA & THE BULL (3); STILL LIFE (3); UPSIDE DOWN MAN (2), eight lithographs, each signed in pencil and from the numbered edition 10, all with Kistler blind stamp, sheets 13 x 17 ¼”. (8)

One Europa with small stain on verso, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

Jan Stussy (1921-1990) California (seven)

Six landscapes and a botanical scene, seven lithographs, each signed in pencil, five printer’s proofs, one in color and inscribed unique print for L. R. with another image printed on the verso, one numbered 8/47, all with Kistler blind stamp sheets 20 x 26”. (7)

All in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

155

Bonnie Sucec (b. 1942) Utah

UNINHIBITED, 1989, gouache on thin black paper, signed and dated lower left, 30 x 44 ½”. Provenance: Phillips Gallery, Salt Lake City.

1 ½” tear lower center with masking tape on verso, crinkle with small associated pigment loss lower left sheet edge, artist’s repaired? corner upper right, otherwise good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

156

Alexey Titarenko (b. 1962) Russian

UNTITLED WOMAN SITTING ON ROAD, ST. PETERSBURG, 1999, gelatin silver print, signed and numbered 1/15 on verso, sight 14 ¼ x 14”, frame 25 ¼ x 25 ½ x 2”. Provenance: Apex Fine Art, Los Angeles.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

157

Alexey Titarenko (b. 1962) Russian

UNTITLED WINDOW / SNOW, ST. PETERSBURG, 1999, gelatin silver print, signed and numbered 2/15 on verso, sight 14 ¼ x 14”, frame 25 ¼ x 25 ½ x 2”. Provenance: Apex Fine Art, Los Angeles.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Gustave Torres (b. 1967) Mexican American

FERTILIDAD, cast bronze sculpture with blue green patina, signed and numbered 6/10 on lower side, 22” tall with round marble base.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

159

Yuri Tremler (b. 1961) Ukraine

COCKTAILS, acrylic painting on canvas, signed lower right, 16 x 16”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

160

Aviva Uri (1922-1989) Israeli & Joshua Neustein (b. 1940) New York (two)

Aviva Uri UNTITLED, 1976, color lithograph, signed and dated in pencil numbered 77/82, sheet 29 ½ x 22 ½”, frame 30 ¼ x 23 ¼”; Joshua Neustein SHEET OF PAPER 70 x 50 cm FOLDED TWICE, lithograph, signed and numbered 64/80 in red ink, sheet 27 x 20”, frame 28 ¼ x 20 ¼”. Provenance for both: Michael Hittleman Gallery Los Angeles. (2)

Uri with two faint hinge impressions upper area, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

Viggo Vake (b. 1970) California

CAR, 2018, extensive ink marker drawing on plastic car and two plastic figures, each signed and dated underneath, 4 ¼ x 17 ¼ x 7 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

Viggo Vake (b. 1970) California

ICE CREAM CONE MAN, 2016, acrylic and color pencil and watercolor on paper, signed lower right, 30 ½ x 23”, frame 36 ¾ x 29”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

163

Viggo Vake (b. 1970) California

SHOWA(NO)KODOMO, 2001, acrylic painting on canvas, signed and dated and titled on verso, 60 x 72”.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

164

Rossmary Valverde (b. 1969) Peru

DANCING IN THE STREET, acrylic painting on canvas, signed lower right, 48 x 36 x 2 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Rik Van Bentum (1936-1994) Dutch

CLEOPATRA & CAESAR, 1991, acrylic painting and mixed media on paper, signed and dated lower right, 22 x 28”, frame 23 x 29” with glass. From the collection of Gaby Stuart.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

166

Beth Van Hoesen (1926-2010) California

RAG DOLL, 1995, color etching, signed and titled in pencil, numbered 13/25, image 10 x 7 ¼”, full margins, frame 15 ½ x 11”. From the collection of Gaby Stuart.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

167

Joan Vaupen (20th Century) California

SEATED WOMAN, 1997, acrylic painting on canvas, signed and dated lower right, 36 x 24”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

168

Peter Voulkos (1924-2002) Californian

THE OAKLAND MUSEUM, 1969, plastic and metal relief, signature in design, from the edition of 500, size 27 ½ x 20”.

Some discoloration and tarnish in gold background, some light scuffs and scratches in blue area, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

169

Joan Worth (1934-2006) California

UNTITLED WITH BLUE ANIMAL, 1980, acrylic painting on canvas, signed and dated on verso, overall 48 ¼ x 48 ¼” framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

170

Joan Worth (1934-2006) California

UNTITLED, 1980, acrylic painting on canvas, signed and dated on verso, overall 48 ¼ x 48 ¼” framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

171

Noriko Yamamoto (b. 1929) Californian

UNTITLED (Airplane), oil painting on canvas, signed and inscribed on verso, 39 x 50”.

Small scrape upper right center, hairline cracks, some scuffs and surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

172

Asaf Ben Zvi (b. 1953) Israeli

REMAINDER, oil painting on canvas, signed on verso?, 13 ¼ x 13 ¼”, frame 14 ¾ x 14 3/4 x 2 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

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