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19th & 20th Century Art

Auction Saturday May 30th, 2020 @ noon

 

 

 

1

Sosana Afroyim (1927-2015) Austrian

UNTITLED, 1958, oil painting on canvas, signed and dated lower left, 13 x 21 Ύ”, frame 21 x 29 ½”.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

2

Americana: The Grand Union Flag

Stitched cloth flag reproduction with simulated aging approximately 25 x 39”, frame 31 Ό x 35 ½”. Provenance: Gallery of the Republic stamp of back of frame.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

3

Americana: Texas Troutman Flag

Painted cloth flag reproduction with simulated aging, approximately 25 x 37”, frame 31 Ό x 35 ½”. Provenance: Gallery of the Republic stamp of back of frame.

With ATG tape on perimeter verso becoming visible on recto, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

4

C. Hjalmar Amundsen (1911-2001) New York

FISHING BOATS, oil painting on canvas, signed William Ward Jr a known pseudonym, lower right, 24 x 30 Ό”, frame 33 ½ x 39 ½”.

Surface soiling, lacquer yellowed, stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

5

Anonymous (19th Century)

WOMAN BATHING, oil painting on canvas, 25 x 20”, carved gilded frame 34 x 29 x 3”.

Faint stretcher bar impressions, ingrained surface soiling, some hairline cracks, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

6

Anonymous (19th/20th Century)

FIGURES IN A RURAL SCENE, oil painting on canvas, 13 x 10 ½”, frame 19 ½ x 17 ½”.

Surface soiling, lacquer yellowed, otherwise in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

7

Rahnarvardkar Anoush (1924-1983) Iranian

CASPIAN VILLAGE, oil painting on canvas, signed lower right, 48 x 34”, frame 55 x 40 ½”. Oral provenance: purchased Beeches Little Picture Gallery, Carmel.

Drying cracks, some tiny chips, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

8

Antoyan (20th Century) Armenian American & French Artist Unidentified (mid-20th Century) (two)

Antoyan COUPLE, pastel on paper, signed lower left, sheet 24 Ύ x 16 Ύ”; French Artist CHOUETTE, dry brush on chain laid paper mounted to card, signed and titled and inscribed upper left, 16 x 12 Ύ”, discardable frame 22 x 18” with glass. (2)

Antoyan with unprofessional repaired tear and faint staining and creases lower left, edge wear and perimeter toning, old masking tape remnants perimeter verso with some associated skinning, creases and discoloration; French artist with discoloration and minor silverfish damage, masking tape around perimeter verso; otherwise in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

9

Josef Arentz (1903-1969) Maine

KENNEBUNK MAINE, 1968, signed and dated and titled lower right, artist’s copyright on verso, 24 x 36”, frame 30 x 42”.

Craquelure, small nicks and chips, faint stretcher bar impressions, surface soiling, lacquer yellowed, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

10

Artist Unidentified (20th Century)

PORTRAIT OF AN ASIAN WOMAN, oil painting on canvas, 25 x 24”, frame 32 ½ x 32”.

Ingrained surface soiling, tiny hairline cracks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

11

Artist Unidentified

MUSICIANS, oil painting on panel, signed lower left, 9 ½ x 12”, frame 16 x 18”.

Ingrained surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

12

Artist Unidentified (20th Century) possibly the work of Lamberto Ciavatta

FIGURE ON HORSEBACK, 1959, oil painting on canvas, signed on canvas upper right wrapped around stretcher, face 30 Ύ x 37 Ύ” not including painted wrapped around area, antique frame 40 x 47”.

Canvas has been reduced to fit to frame, drying cracks possibly intentional, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

13

Artist Unidentified (19th/20th Century)

RURAL LANDSCAPE WITH BUILDING, oil painting on canvas, signed lower right, 23 Ύ x 30 Ύ”, frame 31 ½ x 39 x 3”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

14

after John James Audubon (1785-1851) American

WHITE-FRONTED GOOSE, ANSER ALBIFRONS (Pl. CCLXXXVI), 1836 from the Havell edition of The Birds of America, hand-colored engraving printed on Whatman 1836 paper, sheet apparently reduced to 25 Ό x 38 Ό”, paper-backed, frame 33 ½ x 45 ½”.

Colors attenuated, some small edge tears, pale toning and discoloration, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

15

Baccarat Crystal (two)

HARCOURT SINGLE HANDLED PITCHER & WASH BASIN, two modern editions of vintage Baccarat museum pieces, each hallmarked underneath and numbered 15/75, pitcher 11 ½ x 8 x 7”, basin 5” tall, 15” diameter. (2)

Basin with scratches underneath, otherwise both in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

16

Dmitri Baltermants (1912-1990) Russian

KHRUSHCHEV, 1961, gelatin silver print, inscribed and stamped and on verso, 12 x 16 ½”.

Small tear left edge, crinkles and soft handling creases, scuffs, some surface soiling recto and verso, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

Dmitri Baltermants (1912-1990) Russian

THE ANNOUNCEMENT OF THE DEATH OF JOSEF STALIN, DYNAMO FACTORY 1953, gelatin silver print, stamped on verso, 8 ½ x 20”.

Two small edge tears, one with some small loss, soft bend, a few handling creases, toning along right sheet edge, surface with scuffs, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

18

Dmitri Baltermants (1912-1990) Russian

DANCING IS POLITICS TOO – MAO TSE TUNG, BEJING, 1959, gelatin silver print, stamped and inscribed in pen on verso, 18 ½ x 23”, matted.

Small edge tears and nicks around perimeter, surface scuffs and scratches, creases and crinkles, discoloration on verso probably from previous hinges, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

19

Barbizon School (19th Century)

LANDSCAPE, oil painting on canvas, inscribed on verso ‘property of…….’, with name and Los Angeles address, 12 x 18”, frame 19 ½ x 25 ½ x 3 ½”.

In good aged condition.

Auction Estimate $500/2000

Starting Bid $250

 

 

 

20

 

WITHDRAWN

 

 

 

21

Clive Barker (b. 1940) British (two)

THE ILLUSIONS SUITE, 1995, set of twelve prints, each signed and numbered 59/500 in pencil, published by Bess Cutler Gallery, NY, sheets 20 ½ x 14 ½”, with original portfolio jacket; plus an additional incomplete set of ten unsigned prints in portfolio case missing upper right corner flap. (2)

Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

22

Julian Barrow (1939-2013) British

MR. & MRS. JUNIUS MYER SCHINE IN NEW YORK, 1967, oil painting on canvas, signed and dated lower right, 25 x 36”, frame 35 x 46 x 4”. Note: Junius Myer Schine (1890-1971) was a celebrated NY theatre and hotel magnate.

Surface soiling, soiling on verso, small losses to frame, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

23

Jennifer Bender, Gad Ullman, Rafael Rosado (2) & David Weidman (five)

Jennifer Bender ARK OF THE PHOENIX, 2019, acrylic painting on canvas wrapped around board, signed lower right, signed and dated and titled on verso, 30 x 24”; Gad Ullman (1935) Israel, FOUR TIMES HANDS OF MIRIAM, 1968, color screenprint, signed and dated in design, published by Shohar Israel, 29 x 21” including frame with glass; Rafael Rosado BORICUAS AT THE SPACE STATION, 2018; MECHA -REYES MAGOS, 2019, two color prints, each signed and dated and titled and inscribed A/P (artist’s proof) in pencil, each 20 x 26” including frame with plastic sheeting; David Weidman FLOWERS, 196*, color screenprint, signed and dated and titled in design, sight 12 ½ x 16”, frame 21 Ό x 25” with glass. (5)

Ulman with small printer’s creases with associated white lines; Magos with some mild faint cockling; Weidman with pale discoloration in margins at mat; Otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

24

Joseph Hastings Bennett (1889-1969) California

MARINA, oil painting on canvas, signed lower right, 24 x 30, frame 31 ½ x 37 ½”.

Surface soiling, small scratch lower left corner, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Milton Berle Memorabilia

SPIRIT OF LIFE AWARD presented to Milton Berle by Medical Center Aides, City of Hope, November 16th, 1978, designed by Robert Russin, with wood base with placard and Plexiglas cover, retains Southern California Trophy Co. label underneath, overall 22 ½ x 12 x 8”.

Some water damage to wood base, otherwise in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

26

Bettina (20th Century) & Talarico (20th Century) & Alain Bonnefoit (b. 1937) French (three)

Bettina SEATED WOMAN, 1955, oil painting on canvas, signed and dated lower right, 39 x 21”, frame 42 x 24”; Talarico MID EAST MARKET DAY, oil painting on canvas, signed lower right, 36 x 16”, frame 44 ½ x 24 ½”; Alain Bonnefoit REVERIE, color lithograph, signed in pencil, numbered 27/250, printed by American Atelier, published by Circle Fine Arts with their blind stamps lower left, image 22 x 30”, full margins, discardable frame 31 x 39”. (3)

Bettina with surface soiling, some hairline cracks, a few small chips; Talarico with hairline cracks, surface soiling, some spotting on verso; Bonnefoit with hairline scratch near left hip, toning in the margins; Otherwise all in good or apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

27

Karl Biese (1863-1930) German

WINTER SCENE, watercolor on paper or board, signed lower left, sight 11 ½ x 16 ½”, frame 20 ½ x 25 ½” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Essie Bouvier (20th Century) Los Angeles

STANDING FEMALE NUDE WITH ROBE, painted porcelain plaque, signed lower right, 12 x 6”, Plexiglas frame 15 ½ x 9 ½ x 2 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Harry Bowers (b. 1938) California

JANE LOS GATOS, 1970 from SHIRTS I’VE KNOWN 1968-1978, 1978, chromogenic color print, signed and dated and titled and copyrighted in ink, inscribed “proof for 30 x 40”, sheet 24 x 20”.

A few soft handling creases visible on verso in raking light, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

30

Charles Brittin (1928-2011) American (two)

DEMONSTRATION, 1966, two gelatin silver prints, each signed in pencil on verso, 14 x 11” & 11 x 14”. (2)

Kill More with some discoloration upper and lower margins, old glue stains on verso; Spies Are with kink upper center sheet edge, some pale discoloration on verso, crease lower left corner, pinholes at all four corners; both with light surface soiling, otherwise both in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

Bernard Buffet (1928-1999) French

CLOWN, color lithograph, signed in ink, numbered 54/120 in pencil, sheet 28 ½ x 20”, frame 32 x 23 ½” with glass.

Mild toning, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

32

Bernard Buffet (1928-1999) French

CIRCUS PERFORMERS, color lithograph, signed in ink, numbered 40/120 in pencil, sheet 28 ½ x 20”, frame 33 x 24 ½” with glass broken lower left corner.

Mild toning, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

33

Henri Carnier (1800-1868) United Kingdom

VENETIAN SCENE, oil painting on canvas, signed lower right, 7 Ό x 12 ½”, frame 15 ½ x 21 ½ x 3”.

Surface soiling, stretcher bar impressions, a few pinholes, otherwise in good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

34

WITHDRAWN

 

 

 

35

Mario Carreno (1913-1999) Cuban/ Chilean

FRUIT, 1972, graphite and colored pencil drawing on paper, signed and dated lower right and inscribed lower edge, sheet 8 Ό x 11 ½” frame 11 Ύ x 15” with glass. Provenance: Purchased from the Carreno family in Chile by the owner whose father, Mario Santi, was a friend of the artist.

Some discoloration and toning and speckling, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

36

Roland Charles (1939-2000) California

GROOM AT HIS WEDDING, 1987, c-print on Fujichrome paper, signed and dated 1997 and titled and copyrighted on verso, 16 x 20”. Note: Charles was the Founder and executive director of the Black Photographers Association of California and ran the Black Gallery in the Crenshaw district.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

37

Kam Zin Choon (b. 1931) Singapore (four)

MUSICIANS, four gouaches on paper, each signed, one dated 1958, sights 11 Ύ x 8 Ύ” & 12 x 9” (2), three frames 15 Ύ x 19 Ύ” with non-glare glass, one matted unframed. (4)

Unframed piece has masking tape along upper sheet edge verso, remnants of thin scotch tape along perimeter of verso, framed pieces most likely in same condition, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

38

Pierre Christin (b. 1935) French

VIEW OF A CITY, oil painting on Masonite, signed lower right, 21 Ό x 32”, frame 34 x 45 x 5”.

Ingrained surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

39

Antoni Clave (1913-2005) Spanish

RED & BLACK AGAINST WHITE, color etching, signed in pencil, numbered 20/50, plate 15 ½ x 23 Ό”, full margins, frame 20 x 28” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Antoni Clave (1913-2005) Spanish

UNTITLED HAND, color etching, signed in pencil, numbered 6/80, plate 25 ½ x 19 Ύ”, full margins, frame 30 x 24 ½” with glass.

Faint toning in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Antoni Clave (1913-2005) Spanish

UNTITLED DARK GREEN, color etching, signed in pencil, numbered 12/50, plate 19 ½ x 27 Ό”, full margins, frame 23 Ό x 31” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Michael Clegg & Martin Guttman (20th/21st Century) American

LIBRARY & INFORMATION/SCIENCE DICTIONARIES, 1988, color Cibachrome artists laminated between particle board and Plexiglas, 27 x 31 Ύ x 1 Ύ”. Provenance: Margo Leavin Gallery, Los Angeles.

Water damage with associated mildew upper left corner, some surface scuffs and small scratches, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

43

Robert Capa (1913-1954) American Hungarian; WWII War Photographer Unidentified; Photographer Unidentified (three)

Robert Capa SOLDIERS IN PROCESSION, gelatin silver print, embossed signature stamp lower right, 19 x 15 ½”. WWII War Photographer Unidentified UNTITLED, gelatin silver print, signed in ink on verso, 11 ½ x 17 Ύ”; Photographer Unidentified ROAD TO WELLVILLE, 1993, photographic print, signed and dated and titled on verso, 20 x 16”. (3)

Capa with light soiling and discoloration in the margins, soft handling creases, dog-eared upper left corner; WWII with creases and soft creases, old tape stains on verso; Road with cockling, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

44

Alfred Coffey (1859-1950) Australian

MOTU-UTA QUARANTINE 1. AND PILOT BOAT, TAHITI, 1913, oil painting on canvas, signed and dated lower left, titled lower center, 9 Ό x 14”, frame 14 Ό x 19 Ό”.

Surface soiling, pinholes and some wear in four corners, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

45

Alfred Coffey (1859-1950) Australian

NOON TAHITI SHOWING MOOREA ISLAND, 1913, oil painting on canvas, signed and dated and titled lower right, 9 x 14”, frame 12 Ύ x 17 Ύ”.

Scrape lower right at first name, soft impression lower left with some small nicks, surface soiling, faint scrapes upper right, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

46

James Coignard (1925-2008) French

SIX OCCUPANTS (S.302), 1977, color carborundum gravure and a reverse bronze plaque, the carborundum signed in pencil and numbered 69/75, published by Vision Nouvelle, sheet 13 x 10 ½”, plaque 9 Ό x 7”, each framed 15 Ύ x 13” then both frames mounted to Plexiglas box frame 21 ½ x 35 ½ x 3”.

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

James Coignard (1925-2008) French

PORTRAIT DE FEMME (S.300), 1977, color carborundum gravure and a reverse bronze plaque, the carborundum signed in pencil and numbered 50/75, published by Vision Nouvelle, sheet 12 Ύ x 10”, plaque 9 Ό x 7”, each framed 15 Ύ x 13” then both frames mounted to Plexiglas box frame 21 Ό x 35 x 3”.

Pale discoloration in the paper, Plexiglas loss on left side of frame, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Coleman? (20th Century) African American?

ALABAMA, 1971, mixed media on paper, signed and dated lower right, titled on verso, sheet 41 ½ x 29 ½”, frame 45 Ό x 33 Ό”.

Small old hinge glue remnants on verso, soft handling creases, toning at sheet edges, small discoloration spots near sheet edge upper left, otherwise in good studio condition.

Auction Estimate $200/1000

Starting Bid $100

 

 

 

49

Albert Coll (b. 1918) American & others (four)

Albert Coll METRO BELLEVILLE, oil painting on canvas, signed lower left, 25 Ύ x 19 Ύ”, frame 30 x 24 ½”; A. Gordon Vetter FROM THE ARTIST’S WINDOW, 1967, oil painting on panel, signed lower right, 36 x 24”, frame 44 ½ x 32 ½”; French Artist Unidentified LA PLACE DU TERTRE, oil painting on canvas, signed lower right, titled on verso, 25 ½ x 49 ½” with frame; Evargas MARKET PLACE, 1969, oil painting on canvas, signed and dated lower right, 23 x 31”, frame 28 x 36”. (4)

All with surface soiling, Albert Coll with hairline cracks, spotting on verso, canvas slack; A. Gordon Vetter with small repair upper right edge; French Artist  with a small hole upper right corner, craquelure throughout, a few small chips; Evargas with cracking and spiral cracking throughout, small chips,  surface hazing; Otherwise all in good aged or studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

50

Contemporary Artist Unidentified

BLACK HOLE BURST, acrylic painting on canvas, 36 x 36”.

Some surface scuffs lower left, minor edge wear, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

51

Contemporary Artist Unidentified

FAMOUS PEOPLE’S NAMES, acrylic painting on canvas, 36 x 36”.

Minor edge wear, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

52

Contemporary Artist Unidentified (eleven)

REVELATIONS, 2012, eleven of the same color screenprint, nine signed and dated and numbered 2/10 to 10/10, sheets 30 x 22”, comes with two printer’s key-lines for printing the edition. (11)

Some smudges and fingerprints in the margins, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

53

Andrew Cooper (20th Century) California

FOUR MEN IN A FIELD, gelatin silver print, signed and numbered 1/30 in pencil on verso, 16 x 20”. Note: Cooper is a well-respected still photographer for Scorsese, Spielberg & Tarantino, amongst others.

Small pale discoloration spots on verso, mild cockling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

Tom Cramer (b. 1960) Oregon

DREAMS, 2005, oil painting on gilded carved wood relief, signed and dated on verso, 27 ½ x 34 ½ x 2”. Provenance: Mark Woolley Gallery, Portland.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

55

Salvador Dali (1904-1989) Spanish

THE PERSISTENCE OF MEMORY, 1973, French tapestry printed in colors, produced under the direction of the artist, published by Felicie Inc. New York in association with Suzy Langois France, with facsimile signature and numbered 124/500 on the publisher’s and artist’s certificate on verso, 55 x 65 ½”. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

Properly stored for years, in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

56

Jose David (1909-1990) Philippines American

VILLAGE, 1932, oil painting on board, signed and dated lower left, 8 x 16”, frame 13 x 21 Ό”.

Light surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

57

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

58

Alfred Defossez (b. 1932) French

USINE SOUS LE NEIGE, oil painting on canvas, signed upper right, 30 x 40”, frame 36 ½ x 46 ½”. Provenance: Jefferson Gallery, La Jolla, CA.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

59

Kees Van Dongen (1877-1968) The Netherlands

LA RENCONTRE AU BOIS, circa 1950, color lithograph, signed on the stone, numbered 159/290 in pencil, Gil de Gravure blind stamp lower left, 16 x 23 Ό” including frame with glass.

Some discoloration, some toning at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

60

Eyvind Earle (1916-2000) Californian

REACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

Some natural light surface clouding visible at certain angles in raking light, tiny gouge extreme lower right corner, otherwise in good studio condition.

Auction Estimate $8000/12,000

Starting Bid $4000

 

 

 

61

Eyvind Earle (1916-2000) Californian

POT OF GOLD, 1978, oil painting on panel, signed and dated and copyrighted lower right, 28 x 22”, frame 42 x 36”. Provenance: Conacher Gallery, San Francisco.

Imperceivably small professional surface touchup, otherwise in good studio condition, Formica siding coming off frame.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

62

Eyvind Earle (1916-2000) Californian

MORNING BOUQUET, 1974, oil painting on canvas over board, signed lower right and dated lower left, 10 x 8”, frame 22 ½ x 21”. Provenance: Galerie Adrienne, San Francisco, CA.

Tiny edge chip lower left corner, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

63

Eyvind Earle (1916-2000) Californian

BUST OF HORSE, 1987, cast bronze sculpture with green patina, signed and dated and copyrighted and numbered 9/12 lower left, possible foundry mark, 23 x 13 x 7”, weight approximately 40 pounds. Provenance: Galerie Adrienne, San Francisco, CA.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

64

Eyvind Earle (1916-2000) Californian

COASTLINE SB 35, 1999, incised drawing on Claybord, initialed and dated and copyrighted lower right, 14 x 11”, frame 27 x 24”. Oral provenance: purchased from Conacher Gallery, San Francisco.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

65

Eyvind Earle (1916-2000) Californian

COASTLINE SB 66, 1999, incised drawing on Claybord, initialed and dated and copyrighted lower right, 14 x 11”, frame 27 x 24”. Oral provenance: purchased from Conacher Gallery, San Francisco.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

66

Eyvind Earle (1916-2000) Californian

COASTLINE SB 33, 1999, incised drawing on Claybord, initialed and dated and copyrighted lower right, 14 x 11”, frame 27 x 24”. Oral provenance: purchased from Conacher Gallery, San Francisco.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

67

Jean Edelstein (b. 1927) New York California

SACRED DANCE #S-16, 1986, watercolor, color pastel and ink on paper, signed and dated lower right, 7 x 10”, frame 16 ½ x 19 ½”. Provenance: Ruth Bachofner Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

68

Jacob Elshin (1892-1976) Washington (two)

HISTORICAL SCENES, five tempera paintings on card, each signed lower right, 5 ½ x 15 ½”, the first frame 15 x 23 ½” with glass, the second four in one frame 30 x 24” with glass. (2)

Some toning and discoloration, otherwise in apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

69

Francis De Erdely (Ferenc De Erdelyi) (1904-1959) Hungarian Californian

MOTHER & CHILD, ink drawing and wash on paper, signed lower right, sight 32 x 22 ½”, frame 43 x 33” with glass.

A few tiny spots, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

70

Elliott Erwitt (1928) American

SELF-PORTRAIT BEHIND A TELEPHONE POLE, circa 1965, gelatin silver print, signed and titled in ink, 11 x 14”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

71

Elliott Erwitt (1928) American

SELF-PORTRAIT IN A DUMPSTER, gelatin silver print, signed and dedicated in ink, 11 x 14”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

72

Michael Escoffery (20th Century) Jamaican New York

THE SLEEP #1, 1997, pencil and colored pencil drawing on paper, signed and titled lower right, artist’s blind stamp lower left, sight 6 x 10”, frame 17 ½ x 19 ½”. Provenance: artist’s New York Studio label on verso.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

73

European Artist Unidentified (two)

STREET SCENES, two, each an oil painting on paper, each signed and dated? lower right, sights 10 Ό x 17 Ύ”, frames 15 x 23” with glass. (2)

Old masking tape hinges on verso, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

74

Larry Fink (b. 1941) American

AN OFFER FOR THE NEW YEAR, gelatin silver print, signed and titled in green ink, 10 x 8”.

Dog-eared lower left and upper right corners, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

75

Fischer (19th/ 20th Century)

HOUSE BY A LAKE, oil painting on canvas, signed lower left, 22 x 31”, frame 27 ½ x 36 ½”.

Surface soiling, craquelure, stretcher bar impressions, one small and one moderate tear, 3” scrape.

Auction Estimate $200/400

Starting Bid $100

 

 

 

76

French School (20th Century) (two)

SCENES OF PARIS, two, each a watercolor on paper, signed lower right, titled lower left, sight 7 ½ x 9 ½”, frames 13 ½ x 15 ½”. (2)

Both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

77

Raffaele Frigerio 1875-1948) Italy

FRIARS OR MONKS HAVING A PINT, oil painting on canvas over board, signed upper right, 11 x 15”, frame 16 x 20”.

Surface soiling, horizontal scrape lower center, small scrape lower right, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

78

after Paul Gauguin (1848-1903) French

UNTITLED, a pastiche painting on canvas, inscribed P. Gauguin lower left, 19 ½ x 29 ½”, frame 27 ½ x 37 ½ x 3”.

Re-lined, some paint flaking upper area, craquelure, surface soiling, lacquer yellowed, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

79

Francois Gerome (1895-) French

WOMAN WITH DOG IN FRONT OF PLACE DU OPERA, oil painting on canvas, signed lower left, 24 x 30”, frame 30 ½ x 36 ½”.

Surface soiling, drying cracks, stray white paint lower right, soiling on verso, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

80

Francois Gerome (1895-) French

VIEW OF NOTRE DAME FROM ALONG THE SEINE, oil painting on canvas, signed lower right, 24 x 30”, frame 30 ½ x 36 ½”.

Surface soiling recti and verso, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

81

Adriano Giambolini (20th Century) Italian

BUILDINGS IN SUNSET, oil painting on board, apparently signed on label on verso, 23 x 19”, artist’s exhibition tag on verso, frame 27 Ό x 24”.

Surface soiling, stray white speckles lower left, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

82

Silvio Giovenetti (20th Century) Italian American

ABSTRACT, 1974, acid wash on steel, signed and dated lower right, 44 x 40”. Provenance: Swanson Art Gallery LTD; artist’s registration number 00676 on back.

Unobtrusive hairline scratch and some small surface spots lower center, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

83

Daniel Girard (20th Century)

STILL LIFE, oil painting on canvas, signed lower left, 11 x 14”, frame 17 x 20 Ό”.

Surface soiling, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

84

R. C. Gorman (1932-2005) Native American

WOMAN ON MESA, 1987, cast paper, signed and dated and inscribed C.T.P in pencil, with artist’s and another blind stamp, sheet 32 x 35”.

small repaired tear lower left edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

85

Rene Gruau (1909-2004) Italian (two)

FASHION POSES, two color lithographs, each signed in pencil, numbered 281/300 & 287/300, Male with Circle Fine Art blind stamp lower left, inventory labels on verso, images 24 x 18” & 31 Ό x 15 Ό”, sheets 28 x 21 Ό” & 35 ½ x 19 ½”. (2)

Both with soft handling creases, Man with schmutz lower right background image, Woman with small pale stain upper sheet edge, otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

86

Duncan Hannah, David Secon aka De Seco; Brunel De Bost Faris & Artist Unidentified (four)

Duncan Hannah (b. 1952) New York, MODERN NEGRO, 1979, oil painting on canvas, signed and dated and titled on verso, 13 ½ x 10 ½ x 2 ½” including frame, David Secon aka De Seco (20th Century), COMPOSERS, 1962, acrylic painting on thin card, signed and dated lower right, signed and dated and titled and dedicated on verso, card 17 x 14”, frame 18 ½ x 14”; Brunel De Bost Faris (b. 1937) Oklahoma, UNTITLED, 1967, mixed media on Masonite, signed and dated on verso, with slat frame 13 x 11 x 3”; Artist Unidentified PORTRAIT OF A GIRL, oil painting on canvas, signed lower left, 14 ½ x 11 ½” including frame. (4)

Hannah with surface soiling, small chips upper right corner; Secon with toning, smudges, discoloration, old paper tape on perimeter verso; Faris with surface soiling, edge wear lower left corner, possibly element missing upper left, wear to frame; Unidentified with surface soiling; Otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

87

Stanley William Hayter (1901-1988) British

LA NOYER, 1955, color aquatint etching, signed and dated and titled and inscribed Ep EA IX in pencil, image 14 x 19”, apparently with full margins, frame 24 x 27” with glass.

A few speckles, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

88

Ceasar Hernandez (1909-1996) California

AIX FRANCE, watercolor on paper or board, signed and titled lower center, sight 20 ½ x 28 ½”, frame 32 x 40” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

89

David Herskovitz (b. 1925) American & Elizabeth Turner Leigh-Taylor (20th Century) (two)

David Herskovitz MOTHER & CHILD, 1959, pastel on paper, signed and dated upper right, sight 18 Ό x 23 Ύ”, frame 22 ½ x 28” with glass; Elizabeth Turner Leigh-Taylor PENSIVE WOMAN, 1968, pastel and crayon on paper, signed and dated center left, sheet 24 x 23”, frame 26 ½ x 24 Ό” with glass. (2)

Herskovitz with tiny stain left sheet edge, a few soft handling creases upper right; Leigh-Taylor with toning on verso, pale mat staining on recto; Otherwise both in good or apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

90

Sujarit Hirankul (1946-1982) Thailand

FARMERS, 1972, impasto oil painting on canvas, signed and dated lower left, signed and dated on verso, 36 x 17”.

Some surface soiling, some hairline cracks, speckling on verso, otherwise in good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

91

Historical Photographer Unidentified (early 20th Century)

ALICE ROOSEVELT LONGWORTH, gelatin silver print on thin paper, signed in pencil lower right, image 13 x 9”, sheet 15 Ύ x 10 ½”.

Oxidation, cockling, faint staining on recto from old black paper remnants on verso, scuffs, a couple of discoloration spots, otherwise in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

92

Daisy Marguerite Hughes (1882-1968) California Massachusetts

OLD YELLOW HOUSE AT TRURO, MA. (near Provincetown), 1943, oil painting on canvas, signed lower right, titled on verso, 24 x 30”, frame 31 x 37”. Provenance: 4th Annual Exhibition, Artists of Los Angeles and Vicinity, LA Co. Museum, 1943 label.

Several small chips, surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

93

Jazz Artist Unidentified (2) & Merwin Sanders (three)

Jazz Artist MUSICIANS, two, each a color pastel on paper, each signed lower right, 23 x 15 ½” & 22 ½ x 13 ½”, frames 32 ½ x 24 ½” & 31 ½ x 22 ½” with glass; Merwin Sanders FATHER & SON, 1989, color pastel on paper, signed and dated lower right, 25 x 19”, discardable frame 32 x 25” with glass. (3)

One Jazz with some pastel dust on mat: otherwise all in all apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

94

Julian Joseph (1882-1964) New York Connecticut

LANDSCAPE, 1922, oil painting on canvas, signed and dated lower right, 32 x 39 ½”, frame 40 x 48”.

Re-lined, light surface soiling, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

95

Simon Natan Karczwar (1903-1982) Polish Israeli

MUSICIANS, oil painting on canvas, signed lower right, 12 x 10”, frame 16 x 14 x 3”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

96

Alexander Kardin (1917-1976) Austrian

HOUSES WITH RED ROOFS, oil painting on canvas, signed lower left, 24 x 36”, frame 32 x 44”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

97

attributed to Eli Karpel (1916-1998) American

FORM, bronze sculpture with marble base, overall 6 ½ x 6 x 6”.

Some mild tarnish, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

98

Edward J. Kelty (1888-1967) American

RINGLING BROTHERS AND BARNUM & BAILEY COMBINED CIRCUS, LANCASTER PA. MAY 1934, gelatin silver print, stamped “Edward J. Kelty Century Circus Photographer” on verso, 12 x 20 Ό”.

Creases and soft handling creases, surface soiling, scuffs, some edge wear, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

99

Eduardo Kingman (1913-1994) Ecuador American

MOTHER AND CHILD, 1963, dry-brush acrylic painting on paper, signed and dated lower right, sight 34 Ύ x 25 Ό”, frame 44 Ό x 34 ½” with glass.

Possible pale discoloration, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

100

Victor Kinus (b. 1957) Russian

STILL LIFE WITH FLOWERS AND CHERRIES, oil painting on canvas, signed lower right, 23 ½ x 19 Ύ”, frame 31 ½ x 27 Ύ”.

A few stray white specks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

101

Kirchner (mid-Century)

LANDSCAPE, 1956, oil impasto painting on canvas, signed and dated lower right, 24 x 30”, frame 31 x 37”.

Heavy surface soiling, yellowed probably from smoke, hairline cracking throughout, a few tiny miniscule chips, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

102

Hudson Mindell Kitchell (1844-1962) NY, NJ, Rhode Island & 19th Century Watercolor (two)

Hudson Mindell Kitchell LANDSCAPE, oil painting on canvas, signed lower left, 10 x 8”, frame 19 x 17 x 3”; 19th Century Watercolor LANDSCAPE, watercolor on paper mounted to card, inscribed Mamouli Khud Oct. 1876 lower left, paper 12 x 18 Ύ”. (2)

Kitchell with surface soiling, faint stretcher bar impressions, a tiny scrape lower left; 19th Century watercolor with some mat staining at perimeter, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Constantine Kluge (1912-2003) French

RIVER SEINE, oil painting on canvas, signed lower right, 36 x 29”, Wally Findlay 52038 inventory number on verso of frame 44 x 37 x 3”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

104

Mark Kostabi (b. 1960) California New York

NOOSANCE CLAUSE (TURMOIL OF PASSION), 1995, acrylic painting and silver marker on canvas, signed and dated lower center, signed and dated and titled on verso, 16 x 24”, frame 22 x 31”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

105

Marie Laurencin (1883-1956) French & Andrew McClure (two)

Marie Laurencin BUST OF WOMAN (Beauregard), 1925, pencil drawing with faint hand-coloring on paper mounted to card, 5 ½ x 4”, card 12 Ό x 10 ½”. frame 15 x 14” with glass. Provenance: Ester Robles Gallery, Los Angeles; Andrew McClure PORTRAIT OF YOUNG WOMAN, pencil drawing on paper mounted to card, 4 ½ x 3”, retains Burford Gallery Oxon label on back of frame 12 x 10 Ό” with glass. (2)

Laurencin with toning and discoloration spots, four pieces of old masking tape hinges on card; Otherwise both in apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

106

Jesus Leuus (b. 1948) Mexican

FAMILIA, oil painting with sand on Masonite, signed lower right, signed and inscribed on verso, 9 x 12”, frame 14 ½ x 17 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

107

Arnoldo De Lisio (1869-1949) Italian

BATHING BEAUTY, oil painting on canvas, signed lower right, 33 ½ x 23 ½”, frame 42 x 32 x 3”.

Surface soiling, some drying craquelure, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

108

Liverpool School (19th Century)

WALES, 1873, watercolor on paper, dated and possibly initialed lower left, sight 10 Ό x 18”, frame 21 ½ x 28 ½” with glass.

Some mild cockling, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Emil Lugo (1840-1902) German

LIGHTNING STRIKE, 1859, ink and wash on paper mounted to card, signed and dated lower center, sight 13 Ό x 21 ½”, frame 27 x 34” with glass.

Small nicks and scrapes, possibly some repaired tears upper right, some discoloration, otherwise in apparently good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

110

Michelangelo Maestri or studio of (1741-1812) Italy (two)

UNION D’AMORE; AMOR CRUDELE, pair, each a gouache on paper, each titled lower center, each 14 x 20”, frames 18 ½ x 25 x 2 ½” with glass. (2)

Both with some small stains and wear, mainly in the margins, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

111

Antique Maps (two)

BRITANNIA; AMERICAE, two engravings with hand-coloring and center-fold as issued, the first published by Milliaria Gallica, frame 19 Ύ x 25” with glass, the second sight 19 ½ x 23”, frame 28 x 30” with glass. (2)

Both with toning, crinkles, small tears, Americae with some small edge losses, otherwise both in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

112

Marine Artists Unidentified (19th Century) (two)

SHIPS AT SEA, oil painting on canvas, initialed and dated lower left, 10 x 18”, frame 15 ½ x 23 ½”; SHIPS AT DOCK, oil painting on canvas signed and dated lower right, 8 ½ x 13”, frame 12 x 16 ½”. (2)

The first with drying cracks, craquelure, ingrained surface soiling; the second possibly re-lined, surface soiling, some surface wear mainly in the sky, otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

113

Marine School (two)

IN PORT, oil painting on canvas, 10 x 18”, frame 17 x 25 x 3”; AT SEA, oil painting on board, 21 ½ x 25 Ό” framed. (2)

Both with moderate surface soiling, PORT with lacquer yellowed, SEA with dings and dents, otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

114

G. Marton (19th 20th Century)

DRUMMER BOY, cast bronze sculpture, signed G. Marton, with Garanti Au Titre Paris Foundry stamp, 7 ½ x 3 x 2 ½”. From a private collection Westside Los Angeles & Chicago.

Hole in hand and drum for missing appendages, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

115

Victor Matson (1895-1972) Utah California

STORMY SKIES, oil painting on canvas, signed lower right, 20 x 24”, frame 25 ½ x 29 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

116

Joshua Meador (1911-1965) California

SEASCAPE, oil painting on canvas, signed lower left, 20 x 27”, frame 28 ½ x 35 ½”. Provenance: Artist’s label on address on verso.

Surface soiling, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

117

Marco Micheletti (20th Century) Italian & Fashion Photographer Unidentified (two)

Marco Micheletti COUPLE IN BACKSEAT OF CAR, gelatin silver print, inscribed on verso, 14 x 11”; Photographer Unidentified PORTRAIT OF A WOMAN, silver gelatin print, mounted with thermal paper to mat board, 19 Ύ x 15 Ύ”. (2)

Micheletti with a few soft handling creases, some edge wear and a piece of scotch tape on verso; Woman with faint scuffs; Otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

118

Henry Moore (1898-1986) British

SEATED FIGURES, (C.37), 1957, color lithograph, signed in pencil, numbered 51/200, printed by Mourlot Paris, image 21 x 14 Ό”, full margins, frame 31 Ό x 23 ½” with glass.

Toning from sunlight, colors attenuated, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

119

Osamu Morozumi (b. 1949) Japanese

No. 1, woodblock print, signed in pencil, numbered 26/40, image 23 Ύ x 28 Ό”, full margins, frame 34 x 38” with glass.

Pale toning, small surface abrasions in margins, stray brown coloring at center left edge, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

120

Fil Mottola (1915-2008) California

THE ART CLASS, oil painting on Masonite, signed lower left, 36 x 24”.

Surface soiling, some scuffs and scrapes, two small drill holes center left, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

121

Edouard Moyse (1827-1908) French

THE CANTOR, oil painting on canvas mounted to Masonite, initialed lower right, 24 x 15”, frame 26 x 17”. Provenance: Sotheby’s New York, Dec. 14th, 2011.

Some previous hairline cracks, light surface soiling, some in-painting, some surface damage in the background upper right, some scuffs, otherwise in good aged condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

122

Neapolitan School (19th/20th Century) (three)

NAPOLI; ISOLA DI ISCHIA; BAY VIEW, three gouaches on paper, images from 7 ½ x 8 ½” to 3 Ύ x 5 ½”, all with painted boarders, one retains Gideon Gallery Ltd. label, frames from 16 Ύ x 18” to 12 ½ x 14” with glass. (3)

Bay View with soft creases with associated hairline cracks viewed upon close inspection, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

LeRoy Neiman (1921-2012) American

SANDY KOUFAX, color screenprint, signed in pencil by Neiman & Koufax, numbered 344/359, image 32 x 24”, full margins, frame 46 x 36”.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

124

LeRoy Neiman (1921-2012) American

FOX HUNT (K.82), 1974, color screenprint, signed in pencil, numbered 298/300, image 20 Ό x 27”, full margins, frame 31 x 36 ½” with glass.

Pale discoloration, a few speckles in the margins, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

125

LeRoy Neiman (1921-2012) American

TWO TWELVES (K.64), 1973, color screenprint, signed in pencil, numbered 251/300, image 24 x 24”, full margins, frame 35 x 35” with glass broken in corner.

Some toning, natural ink saturation into unprinted areas, handling crease lower left, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

126

LeRoy Neiman (1921-2012) American (two)

BULL FIGHT (K.203), 1973, color lithograph, signed in pencil, numbered 54/200, image 13 ½ x 12”, full margins, frame 14 ½ x 12 Ύ” with glass; THE CAPTAIN (K.201), 1972, color lithograph, signed in pencil, numbered 159/200, image 26 x 13 Ό”, full margins, frame 35 x 22” with glass. (2)

Bull Fight toned, colors slightly attenuated; Captain colors faded; Otherwise both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

127

Armando Garcia Nunez (1883-1965) Mexican & Alexander Canedo (1902-1978) California Mexico (two)

Armando Garcia Nunez STUDY WITH NUDES AND BIRDS; Alexander Canedo ROSES; each a pencil drawing on paper and or card, both signed lower right, Nunez sight 12 Ύ x 8 ½”, frame 19 Ό x 15” with glass; Canedo 19 x 10”. (2)

Nunez in apparently good studio condition; Canedo with perimeter toning and some discoloration lower left corner, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

Old Master Style

GROUP OF MEN, oil painting on canvas, 17 Ύ x 12”, frame 20 x 14 Ό”.

Losses and repairs throughout, surface soiling, lacquer yellowed.

Auction Estimate $100/300

Starting Bid $50

 

 

 

129

Chief Muraina Oyelami (b. 1940) African

OBA’S, 1976, monoprint, signed and dated and titled in pencil, 23 Ύ x 17 Ύ”, frame 31 ½ x 25”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Max Papart (1911-1994) French

PROFILE WITH MOON, color carborundum gravure, signed in pencil, numbered 30/75, sheet 23 x 30 ½”, artist’s blind stamp lower left?, sealed Plexiglas box fame 28 ½ x 36 x 2”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

131

Max Papart (1911-1994) French

UNTITLED, color carborundum gravure and a reverse image bronze plaque, the carborundum signed in pencil and numbered 48/75, sheet 13 x 10”, bronze plaque 9 x 6 Ύ” oval, each framed 15 Ύ x 13” then both frames mounted to Plexiglas box frame 21 ½ x 35 ½ x 3”.

Carborundum with a few specks, some discoloration in upper corners probably from hinges on verso, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

132

Paris Street Scenes Artist Unidentified (two)

VIEW OF PAIRS, 1966, two, each an oil painting on canvas, signed and dated lower right, 12 x 16”, frames 21 x 25”. (2)

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Antonio Pecoraro (b. 1938) New York Italy

FIVE WOMAN, oil painting on canvas, signed lower right, 16 x 12”, frame 24 x 20”.

Surface soiling, some scuffs and surface scrapes, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

134

Antique Persian Mirror

Repousse metalwork recto and verso with enamel remnants, overall 21 ½ x 15 ½”.

Impact dent with associated damage upper left corner and lower right corner, some loss left edge near backside, tarnished.

Auction Estimate $300/600

Starting Bid $150

 

 

 

135

Paul Pritchard (20th Century) California

IMPRESSIONIST BOATS, oil painting on canvas, signed lower left, 25 x 30”, frame 31 x 36”.

Surface soiling, hairline cracks, accretion upper right corner, tiny tear center right, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Gustave Prucha (1875-1952) Austrian American

CHARIOT RACE, oil painting on canvas, signed lower left, 23 x 31”, frame 27 Ό x 35 ½”, Belnord Art Studio New York label on frame verso.

Hairline cracks, stretcher bar impressions, small professional repair patch visible on verso, otherwise in good aged condition with clean surface.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

137

Robert Quijada (20th Century) Mexican American

RED & BLACK CONSTRUCTION #3, 1984, acrylic painted paper collage, possibly signed on verso, 25 x 29”, Plexiglas box frame 29 ½ x 33 ½ x 2”. Provenance: Dubins Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

Joseph Raumann (1908-1999) Hungarian & Woodhouse (mid-20th Century) (two)

Joseph Raumann EUROPEAN CITY SCENE, watercolor and pastel on paper or card, signed lower right, sight 5 x 7”, frame 11 x 13” with glass; Woodhouse BEACHED FISHING BOAT, 1959, oil painting on canvas, signed lower right, signed and dated on verso, 6 ½ x 8 Ύ”, frame 9 ½ x 12”. (2)

Raumann with surface soiling; Woodhouse possibly with some discoloration; Otherwise both in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

139

Arlie Regier (1931-2014) Kansas

HEMISPHERE, 1999, polished stainless steel, signed and dated, 18” diameter, 6” tall, weight approximately 51 pounds. Provenance: Galerie Adrienne, San Francisco, CA.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

140

Jose Del Rio (20th Century) Mexico

BIRD’S EYE, 2009, c-print mounted to foam-core, signed and dated in ink lower right, numbered 2/6 in ink lower left, 46 ½ x 86 Ύ” including frame no glass.

Small scratches and dings, scuffs, some surface water spotting and surface soiling, small air-pockets, adhesive residue lower right corner margin, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Jose Del Rio (20th Century) Mexico

FEATHERS (I), 2010, c-print mounted to foam-core, signed and dated in ink lower right, numbered 2/5 in ink lower left, image 24 ½ x 36 ½”, full margins, frame 32 Ό x 44” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Jose Del Rio (20th Century) Mexico

FEATHERS (II), 2010, c-print mounted to foam-core, signed and dated in ink lower right, numbered 2/5 in ink lower left, image 24 ½ x 36 ½”, full margins, frame 32 Ό x 44” with glass.

Small scrape center right, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Julian Ritter (1909-2000) Hawaii (two)

CLOWNS, a pair, each an oil painting on Masonite, signed lower right, 9 x 12” & 12 x 9”, frames 15 ½ x 18” & 18 x 15 ½”. (2)

Both with surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

144

after David Roberts RA (1796-1864) British

JERICHO, 1839, lithograph with hand-coloring, sheet 13 Ό x 19 ½”, frame 21 ½ x 27 ½” with glass.

Dog-eared corner lower left, some discoloration spots, possibly mounted to card, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

145

Rock n Roll art & others (seven)

Gary Houston WEST COAST DEAD, 2003, color screenprint, signed in pencil and numbered 405/700, sheet 25 Ό x 16 Ό”; C. Martin NASHVILLE PUSSY, CANDY SNATCHERS & THE HOOKERS AT THE TROUBADOUR, 1989, color screenprint, signed in pencil and numbered 125/200, sheet 25 ½ x 15 Ό”; Two Vintage posters: Victor Moscoso MILLER BLUES BAND, 1967, color poster, 20 x 14”, published by Neon Rose; BIG BROTHER & THE HOLDING COMPANY (AOR 2.309), 1967, color poster, 23 x 17 ½”; Two Photographers Unidentified, NUDE WOMAN IN TREE WEARING MASK, gelatin silver print 20 x 16”; COUPLE WITH LIPSTICK, color photograph on Fuji Chrome professional paper 16 x 20; Together with BOBBY KENNEDY Victory Party June 4th Ambassador Hotel, color poster on card, 22 x 14”, probably a modern re-print. (7)

Houston with a few soft handling creases and a couple printer’s creases; Vintage posters with nicks and tears, soiling and creases; first photograph with a few speckles lower margin, second photograph with small wear lower left corner, old glue remnants lower and upper sheet verso; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Carl Sammons (1883-1968) California

THE DESERT, PALM SPRINGS CALIFORNIA, oil painting on canvas, signed lower right, 14 x 20”, frame 17 ½ x 23 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

147

Carl Sammons (1883-1968) California

CALIFORNIA DESERT LANDSCAPE, oil painting on canvas board, signed lower right, 12 x 16”, frame 20 ½ x 25”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

148

Arthur Sarnoff (1912/19-2000) New York

GUARDING THE ROCKIES, oil painting on canvas, signed lower left, signed and titled on verso, 30 x 40” frame 30 x 47”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

Joe Schwartz (1913-2013) New York & Historical Photographer Unidentified (two)

GOSPEL SINGERS FROM ADAM CLAYTON POWELL’S CHURCH IN HARLEM, KINGSBORO HOUSING PROJECT, 1946, gelatin silver print mounted to card, signed and titled on back of card, overall 15 x 19 Ό”; Historical Photographer Unidentified LOUISIANA PROTEST, gelatin silver print, 16 x 20”. (2)

Schwartz with oxidation, some pale stains in sky, some scuffs, old hinges and skinning on back of card; Historical with creases and soft creases; otherwise both good in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Serge Shart (1927-2011) Lebanon

PONT AVEN, 1963, oil painting on canvas, signed and dated lower left, titled on verso, 23 ½ x 29”, frame 31 x 36”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

151

Everett Shinn (1876-1953) Pennsylvania/ New York

THE RESCUE, 1947, watercolor on paper, signed and dated lower right, 19 Ό x 24 Ύ”, frame 26 x 32”. A hardbound catalog of Shinn’s work is currently available from Questroyal Fine Art New York.

Some perimeter brown paper tape remnants recto and verso, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

152

Gib Singleton (1946-2014) New Mexico & a Monstrance Reliquary (two)

Gib Singleton CRUCIFIXION, 2000, cast bronze sculpture, signed and dated and numbered 34/50 on verso, 16 x 8 x 3”; MONSTRANCE RELIQUARY CROSS, cast alloyed metal, 19 x 14 x 1 ½”. (2)

Singleton in good studio condition; Cross with wear, more so on verso than recto.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

153

Harry Craig Smith (1882-1957) California

DESERT LANDSCAPE, oil painting on canvas, signed lower right, 20 Ό x 30”, frame 24 ½ x 34 ½”.

Small tear upper center sky area, surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

M. Soyer (mid-20th Century) (two)

BEACH SCENES, 1949, two, each a watercolor and gouache on paper or card, each signed M. Soyer and dated lower right, each 8 x 6 ½”, frames 13 x 11 ½”. (2)

Both in apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

155

Lucia Stern (1895-1987) Wisconsin

COMPOSITION #1, 1944, mixed media, signed and dated lower right, artist’s label on verso of frame, probably artist’s frame overall 21 ½ x 17 ½” with glass.

Frame with scrapes and nicks and chips, artwork in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

156

Benjamin Strauss & Homer Peyton/ Strauss & Peyton Studio (20th Century) American

DOC BAKER’S REVUE, 1926, gelatin silver print, signed and dated and inscribed, 19 ½ x 15 Ό”.

Some discoloration, soft handling creases, toning and an edge tear along lower sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

Mary Vangie Suina (b. 1959) (Cochiti) Pueblo

STORYTELLER, 1986, painted clay sculpture with twenty children, signed and dated, 11 ½ x 8 x 8”.

Small amount of dust accumulation, in good studio condition.

Auction Estimate $200/600

Starting Bid $100

 

 

 

158

Nicholas Takis (1903-1965) New York

BEACH SCENE, gouache on paper or board, signed lower left, sight 11 ½ x 15 ½”, frame 19 x 23 x 2” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

159

Ukrainian Artist Unidentified (20th Century)

WINTER STORM, 1956, oil painting on canvas, initialed lower right, signed and dated and titled on verso, 31 ½ x 39”, frame 34 x 41 ½”, exhibition label on verso.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

160

Aitor Urdangarin (b. 1969) Spain

PURPLE, acrylic painting on canvas, signed upper right, 16 x 16”, frame 20 x 20 x 2 ½”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

161

Aitor Urdangarin (b. 1969) Spain

PURPLE & YELLOW GREEN, acrylic painting on canvas, signed lower right, 31 Ό x 39 ½ x 2 ½”, frame 36 x 43 ½”.

Some light surface soling, a few light scuffs, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

162

Aitor Urdangarin (b. 1969) Spain

UNTITLED, metal sculpture with marble base, signed on metal rod near base, overall 48 Ό x 21 x 16”.

A few scuffs, a few small chips on marble base at the base, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

163

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Cylinder, color and clear acrylic sculpture, signed and dated 2020, height 4”, diameter 2 Ό.

In good studio condition.

Auction Estimate $150/250

Starting Bid $75

 

 

 

164

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Multi-plane cube, color and clear acrylic sculpture, signed and dated 2020, size 3 x 3”.

Small internal studio spots in the red plane, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Square with rectangular with eight colors, color and clear acrylic sculpture, signed and dated 2020, size 6 x 6 x 1 ½”.

In good studio condition.

Auction Estimate $300/500

Starting Bid $150

 

 

 

166

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Irregular Shape #2, color and clear acrylic sculpture, signed and dated 2020, size 6 Ύ x 11 ½ x 1 Ό”.

In good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

167

C. Watkins (19th/20th Century)

MOONLIGHT, MORET, FRANCE, oil painting on board, signed lower right, 8 Ό x 10 ½”, frame 13 ½ x 16”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

168

La Monte Westmorland (b. 1941) California

JUICY DETAILS INSIDE!, collage on card with pastel, signed center right, 30 x 6”, discardable frame 32 ½ x 8 ½” with glass.

Colors may be attenuated, loose in frame, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

169

Joan Wilkie (20th Century) Australian

NUNS AT THE MUSEUM, oil painting on Masonite, signed lower right, 6 x 16”, frame 11 ½ x 21 ½”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

170

Robert Wyland (b. 1956) California Hawaii

ORCA TRIO, 1986, color offset lithograph with original watercolor remarque, signed in pencil and numbered 448/450, signed by remarque, image 27 x 21”, full margins, Koa wood frame 44 ½ x 38” with glass. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $300/600

Starting Bid $150

 

Use the following links to view lot numbers 1-170

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