Clark's Fine Art Gallery & Auctioneers Inc.

 

American & European Collections

Auction Saturday February 22nd, 2020 @ noon

 

 

 

1

Egon Adler (1892-1963) Czechoslovakian

STILL LIFE, 1942, gouache on paper, signed and dated lower left, sight 20 x 15”, frame 25 ½ x 20 ½” with glass. Provenance: Antal Fine Art, Los Angeles.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

2

Yaacov Agam (b. 1928) Israel

UNTITLED, color screenprint, signed in pencil, numbered 107/180, image 17 ¾ x 28 ¼”, full margins, frame 30 x 40 ¾” with glass.

Light scuffs and scratches lower right, long indentation line upper left, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

3

Raul Anguiano (1915-2006) Mexican

ALFARERA INCLINADA, 1972, color pastel, signed and dated lower right, signed and dated and titled on back of frame, sight 19 ½ x 25 ½”, frame 25 ¾ x 31 ¾” with glass. Provenance: partial Merkup Mexico City label on back.

Some pale toning at perimeter at mat, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

4

Nobuyishi Araki (b. 1940) Japanese

LIPS, gelatin silver print, signed and annotated in marker left side, image 8 ½ x 11 ½”, sheet 12 x 15”, frame 14 x 17” with glass.

Double sided ATG tape hinges upper left and right verso, otherwise in good condition

Auction Estimate $500/1500

Starting Bid $250

 

 

 

5

Artist Unidentified (20th Century)

COUNTRYSIDE RESTAURANT, oil painting on canvas, signed lower right, 27 ½ x 39”, frame 35 x 41 x 3 ¼”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

6

Artist Unidentified (20th Century)

THE CONVERSATION, color pencil drawing on paper, signed or inscribed Rome or Rone 975 in pencil lower right, sight 12 ¼ x 9 ¾”, frame 20 x 17” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

7

Artist Unidentified (20th Century)

UNTITLED, 1985, lithograph, signed and dated and dedicated in pencil, sheet 19 ¾ x 25 ¾”, frame 22 ½ x 28 ½”.

A few soft handling creases, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

8

Artist Unidentified (20th Century) Colorado

UNTITLED, color collage, signed EB in pencil lower right, sight 10 ½ x 10”, frame 21 ¼ x 19 ½” with glass.

Minor condition issues possibly good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

9

Artists Unidentified (mid-20th Century) (two)

OX CART, oil painting on canvas, signed lower right, 12 x 15 ½”, frame 17 x 20”; PORTRAIT OF MILITARY MAN, oil painting on canvas board, inscribed Troy 51’ lower right and Cummings on verso, 24 x 18”, frame 28 ½ x 23”. (2)

The first with a tear lower right at wheel, ingrained surface soiling, stretcher bar impressions and hairline cracks; The second with surface soiling, small chips and scuffs, small hole and abrasion top center, otherwise both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

10

Kyoko (Foley) Asano (b. 1933) Japanese/ American

SHADOW # 5, SHADOW SERIES B, 1977, acrylic painting on canvas, signed and dated and titled on verso, 60 ½ x 66”.

Small nick upper right corner, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

11

Goran Augustson (1936-2012) Finnish

SILVERY TIME, 1986, color screenprint, signed and dated and inscribed TPLA 1/15 in pencil, image 15 x 15 ¾”, full margins, frame 22 ¼ x 22 ½” with glass.

Hairline scuffs and scratches, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

12

Jozef Bakos (1891-1977) New York/ Mexico (two)

BURROS; LITTLE CHILD, each a watercolor on paper, signed lower right, sights 6 ½ x 8 ½”, frames 13 x 15” with glass. (2)

Both with pale discoloration at mat, otherwise both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

13

Mark Beam (b. 1957) California

HULA-HOOP COW, 1994, acrylic painted and lacquer papier mache sculpture, signed and dated lower right, overall 64 x 30 x 36”.

Lacquer yellowed, apparently the utters and ears have been replaced, some punctures and dents and cuts and scrapes and surface losses, hoop is dried out, otherwise in reasonably weathered condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

14

Hans Bellmer (1902-1975) German

UNTITLED EROTICA, etching on Japan paper, signed in pencil, numbered 55/100, plate 12 ½ x 9 ½”, sheet 22 ½ x 15 ¼”, frame 31 x 23” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

Hans Bellmer (1902-1975) German

THE BENCH, 1972, etching, signed in pencil, numbered 18/100, plate 15 ½ x 13”, full margins, frame 30 ¼ x 25 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Hans Bellmer (1902-1975) German

UNTITLED, etching on brown paper, signed and numbered XI/XXX (11/30) in pencil, plate 15 ½ x 11 ¾”, full margins, frame 34 ½ x 22 ½” with glass.

Small pale discoloration extreme lower left margin, apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

17

Honora Berg (1897-1985) New York/ California

UNTITLED, oil painting with collage on card, a signature not found, artist’s name inscribed on verso, 38 ½ x 26”, frame 40 ¼ x 28 ½” with glass. Provenance: Antal Fine Art, Los Angeles.

Some edge wear, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

18

Rebecca (Becky) Berman (20th Century) American

UNTITLED, oil painting on panel, signed lower right, sight 7 ¾ x 4 ½”, with selected vintage frame 19 x 14 ½ x 2 ¼” with glass.

In apparently good studio condition

Auction Estimate $100/200

Starting Bid $50

 

 

 

19

Julie Blackmon (b. 1966) Missouri

FAMILY PORTRAIT, 2007, color pigment print, signed and dated and titled and numbered 7/25 in ink lower right, image 22 x 22”, full margins, frame 31 x 31”.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

20

Irving Block (1910-1986) (6) & Charles Surendorf (1906-1979) California (1) (seven)

Irving Block VARIOUS, five, three watercolors and two pen and ink drawings on paper, and an artist’s invitation, five signed, the smallest watercolor not signed, sizes from 6 ½ x 4 ½” to 3 x 3”; Charles Surendorf NUDE #9, wood-engraving on thin paper with cream paper backing, signed in pencil, image 8 x 12”, sheet 9 ½ 13 ¾”, artist hinged to card with inscribed and dated 1969 on back, card 9 ½ x 13 ¾”. (7)

One Block with paper-taped corners, Surendorf with small artist mounted scotch tape strips in the four corners, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Don Bluth Animation Productions (five)

THE SECRET OF NIMH, 1982, five hand-painted animation cels, one signed by Don Bluth, another dedicated by Don Bluth, John Pomeroy (animator) and Gary Goldman (producer), all with Don Bluth Production seals, average sight 8 ½ x 11”, average frame size 16 ½ x 18 ½” with glass. (5)

All in apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

22

Istivan Boldizsar (1897-1984) Hungarian

A SUMMER VIEW, 1938, oil painting on canvas, signed and dated lower left, 38 ¼ x 28 ¼”, frame 45 ½ x 35 ½”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

23

Istivan Boldizsar (1897-1984) Hungarian

BOUQUET IN THE WINDOW, oil painting on canvas, signed lower right, 35 x 29”, frame 39 ½ x 33 ½”.

Canvas with some thin spots viewable with backlight, with some associated small losses, craquelure, otherwise good aged condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

24

Istivan Boldizsar (1897-1984) Hungarian

MARINA, 1965, oil painting on canvas, signed and dated lower right, 27 ½ x 35 ½”, frame 37 x 47”.

A couple of small unobtrusive chips, minor surface soiling, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

25

Ferenc Bordas (1911-1982) Hungarian & Yona (two)

Ferenc Bordas HEAD OF YOUNG GIRL, 1970, oil painting on Masonite, signed and dated lower right, framed 9 ½ x 9”; Yona YOUNG GIRL WITH HAT, oil painting with gold leaf on Masonite, signed lower right, 12 x 9”, frame 18 x 15” with glass. (2)

Bordas with surface soiling and cracks lower left corner, otherwise both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

26

Laszlo Bornemisza (1910/1916-1995) Hungarian (two)

YOUNG GIRL IN RED STRIPED DRESS; SURREAL CITYSCAPE; two oil paintings and mixed media on board, the first with impasto, each signed, sights 6 x 5 ½”, frames 11 ¾ x 11”. (2)

Both with hairline cracks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

27

Laszlo Bornemisza (1910/1916-1995) Hungarian

PEOPLE OUTSIDE TOWN, oil painting with gold leaf on Masonite, signed lower left, 6 x 8”, frame 11 x 13” with glass.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Laszlo Bornemisza (1910/1916-1995) Hungarian

ROOF TOPS, oil painting on canvas, signed lower right, 20 x 24”, frame 27 x 31 ½”.

Some drying cracks, some hairline cracks, some yellowing in lacquer, surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

29

Laszlo Bornemisza (1910/1916-1995) Hungarian

THE RIDE, oil painting with gold leaf on canvas, signed upper right, with a circular stamp on verso, 35 ½ x 23 ½”, frame 37 x 25”.

Losses at perimeter, hairline cracks, stretcher bar impressions, some small chips, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

30

Laszlo Bornemisza (1910/1916-1995) Hungarian

YELLOW SUN, oil painting on Masonite, signed lower left, 12 x 16”, frame 18 x 22”.

Some yellowing in lacquer, surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

31

Laszlo Bornemisza (1910/1916-1995) Hungarian

CHILD WITH HAT, oil painting on Masonite, signed lower left, 16 x 12”, frame 22 x 18”.

Some yellowing in lacquer, some flaking in bird’s head lower left, some surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

32

Laszlo Bornemisza (1910/1916-1995) Hungarian

RAINBOW oil painting and gold leaf on panel, signed lower right, 12 x 16”, frame 14 x 18”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

33

Laszlo Bornemisza (1910/1916-1995) Hungarian

MOUNTAIN, oil painting and gold leaf on panel, signed lower right, 19 ¾ x 13 ¾”, frame 24 ¾ x 18 ¾”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

34

Ray Bradbury (1920-2012) American (3) John Updike (1) (four)

TO IRELAND…, 1983, three of the same poem, each letterpress on paper, all signed and dated in ink, one with character face drawing, sheets approximately 14 ¾ x 10 ¼”; John Updike A PEAR LIKE A POTATO, 1986, letterpress and offset lithograph illustrations by Irving Block, signed in ink and numbered B, from the edition of 126, printed by Santa Susana Press, sheet 22 x 14 ¼”. (4)

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

35

Karen Brock Studio (20th Century) Oregon

FEATHERED MASK, in Plexiglas box, with studio tag on verso, overall 24 x 27 x 5”.

Some minor scuffs to box, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

36

Attributed to Karen Brock Studio (20th Century) Oregon

PEACOCK FEATHERED MASK, in Plexiglas box, overall 20 ½ x 27 ½ x 4”

A few small scrapes to box, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

37

Attributed to Karen Brock Studio (20th Century) Oregon (three)

RIBBON & FEATHER MASK, in Plexiglas box, overall 38 x 22 x 7”; BLUE MASK, mixed media in Plexiglas box, overall 15 ½ x 15 ½ x 3”; EXOTIC FAN, feather, leather and beads and mixed media, with velveteen wall mount for display, overall 32 x 19 x 4”. (3)

The first with two small cracks in Plexi upper left; The second with a few loose beads; The third with some erosion to the features mainly visible on backside: Otherwise all in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

38

William Brun (20th Century) American

HOMAGE TO ARTISTS, 1990, acrylic painting on canvas, signed and dated lower right, 40 x 72”, frame 42 x 74 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

39

Hans Burkhardt (1904-1994) Swiss/ American

THE COUPLE, 1989, color pastel on paper, signed and dated lower center right, sight 19 ½ x 15”, frame 27 x 22 ½” with glass.

Fingerprints lower left, discoloration at perimeter at mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Hans Burkhardt (1904-1994) Swiss/ American

WOMAN AND FISH, 1978, color pastel on paper, signed and dated lower right, 24 ¾ x 18 ¾” including frame with glass.

Smudges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Hans Burkhardt (1904-1994) Swiss/ American (eight)

VARIOUS, 1971-1991, eight, each a linoleum cut print, each signed and dated in pencil, various editions numbers, all with artist’s blind stamp, sheets 15 x 20 ½” to 4 ¼ x 7”. (8)

Two with toning, others with some minor condition issues, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Hans Burkhardt (1904-1994) Swiss/ American (four)

VARIOUS, 1970-1976, four, each a color linoleum cut print, each signed and dated and numbered in pencil, from numbered editions of 5 to 30, all with artist’s blind stamp, sheets 26 x 17 ¾” to 13 x 20”. (4)

One with toning, others with some minor condition issues, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

43

Hans Burkhardt (1904-1994) Swiss/ American (three)

VARIOUS, 1972-1974, three, each a color linoleum cut print, each signed and dated and numbered 4/4, 3/8, 4/10 in pencil, one dedicated, all with artist’s blind stamp, sheets 18 x 20 ¼” to 15 ½ x 23 ½”. (3)

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

44

Albert Buscaglia (1938-2015) Texas, Jeanne Jo L’Heureux & Jan Hoffman (three)

Albert Buscaglia UNTITLED watercolor and ink drawing collage on paper, signed lower right, 6 ¾ x 10”, frame 19 x 23” with glass; Jeanne Jo L’Heureux (b. 1947) INCLEN #12, 1990, oil painting on gesso coated paper, possibly signed on verso, 7 x 8”, frame 17 ¼ x 18 ¼” with glass; Jan Hoffman MOVEMENTS, circa 1965, ink drawing on paper, signed lower center right, 9 x 12”, frame 21 ½ x 26” with glass. Provenance: Antal Fine Art, Los Angeles. (3)

Hoffman with slight perimeter toning, otherwise all in apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

45

Gerard Cabus (b. 1928) French

NATURE MORTE, 1967, oil painting on canvas, signed and dated upper left, signed and dated and titled on verso, 29 x 36 ¼”.

Minor edge wear, minor surface soiling, some hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

46

Peter Calaboyias (b. 1940) Greek

UNTITLED, oil painting on canvas, signed upper right, overall 33 ¼ x 31” with slat frame.

A few scuffs, otherwise in good studio condition.

Auction Estimate $150/250

Starting Bid $75

  

 

47

 

No Lot

  

 

48

California Artist Unidentified (19th/20th Century)

STILL LIFE WITH CHRYSANTHEMUMS, oil painting on oval canvas, signed C. Billey? and dated 19*6 lower right, 24 x 29”, frame 27 x 33”, with Bluebird Gallery, Laguna Beach labels on verso.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

49

John Carter (1748-1817) England

ANCIENT ARCHITECTURE OF ENGLAND, Part 1, 1806, hardbound book with leather and marbleized cover, with approximately 120 etchings, most if not all initials and dated in the plate, printed by W. Bulmer and Co., Cleveland-Row, St. James.

Some areas if mildew mainly towards the end of book, mild to moderate foxing scattered throughout, some mild toning at edges, slight bend on corners and some wear at top and bottom of cover, otherwise in good used aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

50

Robert Chapman (b. 1948) Kansas/ California

BAY OF CANNES, pigmented and highlighted cast paper, signed lower right, titled lower left, 36 x 66”, frame 43 ½ x 71 ½”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

51

Constantine Cherkas (1919-2011) Russian/ California

TABLE STILL LIFE, oil painting on canvas, signed lower left, 28 x 34”.

Minor edge wear, minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

52

Chinese Ceramic

WARRIOR, painted black ceramic statue with removeable head, overall 36 ¾ x 15 x 16 ¾”, approximate weight 110 lbs. Proceeds to benefit the Canine Adoption & Rescue League Ventura.

Small unobtrusive chip on inside collar, some surface soiling from outdoor exposure, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

53

John Christopherson (1921-1996) England

RIVERSIDE CHIMNEY, GREENWICH, 1970, oil painting on board, initialed lower right, inscribed on verso, 17 ¾ x 12 ¼”, frame 22 x 17”. Provenance: England & Co., London.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

54

Antoni Clave (1913-2005) Spanish

RED & BLACK AGAINST WHITE, color etching, signed in pencil, numbered 20/50, plate 15 ½ x 23 ¼”, full margins, frame 20 x 28” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

55

Antoni Clave (1913-2005) Spanish

UNTITLED HAND, color etching, signed in pencil, numbered 6/80, plate 25 ½ x 19 ¾”, full margins, frame 30 x 24 ½” with glass.

Faint toning in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

Antoni Clave (1913-2005) Spanish

UNTITLED DARK GREEN, color etching, signed in pencil, numbered 12/50, plate 19 ½ x 27 ¼”, full margins, frame 23 ¼ x 31” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

57

Contemporary Artist Unidentified

WHITE ON WHITE, 2003, acrylic painting on canvas, signed and dated on verso, 34 ¾ x 34 ¾”.

A few small scuffs, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

58

Contemporary Artist Unidentified

KETCHUP & MUSTARD, oil painting on wood panel, signed lower right, 15 x 16”, frame 24 x 24”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

59

Contemporary Artist Unidentified

GRU, 1999, mixed media resin polymer on board, inscribed Gru and signed and dated 1999 on verso, frame 61 x 40 ¾ x 3”.

Some small nicks, dings and scratches, a few hairline cracks, some white water spots mainly on upper right side, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

60

Contemporary Artist Unidentified

FAUX PLASTIC #1, 2012, acrylic painting on canvas wrapped in high quality clear plastic, signed and dated and titled on verso, possibly the work of Doug Edge, overall 31 x 41 ½” including frame.

A few scuffs and scratches, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

61

Contemporary Artist Unidentified

FIGURE ON HORSE WITH DOG, 1997, watercolor on paper, signed and dated right side, sight 20 x 28”, gold leaf frame 32 x 41”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

62

Contemporary Artist Unidentified

FIGURE WITH DOG NEAR ROCKS, watercolor on paper, signed lower right, sight 17 x 23”, gold leaf frame 29 x 34 ½”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

63

Contemporary Artist Unidentified purported to be a Laguna Beach Artist

FLOWER POWER, acrylic painted metal VW Bus front end and wood construction, illegibly signed lower right, overall 72 x 72 x 18”, weight approximately 200 pounds.

Some weathering from covered patio display, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

64

Joe Corso (20th Century) Long Beach

PRIVATE MEADOW, 1984, color lithograph, signed in pencil, numbered 51/60, sheet 22 ¼ x 30”, frame 34 ½ x 42 ½ x 2”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

65

Steven Criqui (1964-2007) American

UNTITLED, 1998, oil painting on wood panel, signed and dated and inscribed on verso, 15 x 16 ½”, frame 16 ¼ x 17 ¼”.

A few small scuffs, small accretion lower right, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

66

Carlos Cuellar (b. 1943) Mexico & Angela Bing Jansen (b. 1929) New York (two)

Carlos Cuellar HOMBRE EN LA CORREL, 1967, etching, signed and numbered 15/15 and titled in pencil, plate 19 ¼ x 14 ½”, full margins, frame 28 x 22 ½” with glass; Angela Bing Jansen BOX, 1978, etching, signed and dated and titled in pencil, numbered 4/15, plate 8 ¾ x 12”, sheet 15 ¼ x 22 ¼”, frame 18 x 24” with glass. (2)

Both with some discoloration in margins, otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

67

Salvador Dali (1904-1989) Spanish

NUDES (F.70-8-E pg. 158), 1970, color lithograph on BFK Rives paper, signed in pencil, numbered 101/120, sheet 22 x 30”, frame 28 x 36” with glass.

Soft handling creases, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

68

Richard D’amore (1940-2006) American

NUDE WOMAN IN MEADOW, 1968, black and white photographic print on paper, signed and dated lower right in ink and pencil, image 17 x 13”, sheet 20 x 16”, frame 26 ½ x 22 ½”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

69

Olivia de Berardinis (b. 1948) Californian

TWO CAT WOMEN, color print, signed in pencil and inscribed HC 20/50 (hors commerce), published by Robert Bane with blind stamps lower left, sight 25 ½ x 28 ½”, frame 37 ¾ x 40 ¾”; Together with approximately three-hundred & fifty collector cards, each 3 ½ x 2 ½”, three encased in plastic and signed by the model and one of the three signed by the artist too.

Frame smudges lower sheet edge, otherwise in apparently good condition; cards in good used condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

70

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

71

Gilbert Ernest DiCicco (1943-2019) Santa Barbara & J. Weisman (20th Century) (two)

Gilbert Ernest DiCicco COURTYARD, watercolor on paper, signed lower right, sight 6 ¾ x 9 ½”, frame 16 x 18 ¼”; J. Weisman (20th Century) LAKESIDE VIEW, 1933, watercolor on paper, signed and dated lower right, sight 7 ½ x 9 ½”, frame 15 x 16 ½”. (2)

Both in apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

72

Walt Disney Company

MICKEY MOUSE, leaded stained glass, Walt Disney copyright etched lower left, 16 ½ x 11 ½”, frame 19 ½ x 14 ½”.

Frame worn, otherwise in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

73

Jean Dufy (1888-1964) French

CIRCUS MUSICIANS, watercolor and gouache chain laid Canson & Montgolfier Ingres paper with watermarks, signed lower right, sheet 23 ¼ x 17 ¾”, frame 32 ¼ x 27 x 2 ¾”. Hand-written Galeria Bank Houston label and inscribed NY 2163 on back of frame. Private Collection Palos Verdes Estates California by inheritance.

Some small brown spots on verso one forming a small hole unobtrusively visible on recto when looked for, another spot with thinning, brown paper tape at three edges verso the forth sheet edge possibly slightly reduced?, a few small dimples, otherwise in good condition.

Auction Estimate $10,000/20,000

Starting Bid $5000

 

 

 

74

Amaranth Ehrenhalt (b. 1928) French/ California

TITLED, 2000, watercolor on paper, signed and titled and dated lower left, sheet 30 ½ x 22”, frame 38 ½ x 30 ¼”.

A few creases lower right, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

75

European Artist Unidentified (20th Century)

NOCTURNE ON BRIDGE, watercolor on paper, signed lower right, sight 20 x 16”, frame 29 x 25” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

76

European Artist Unidentified (20th Century)

WINTER LANDSCAPE, color pastel on paper, signed and dated lower right, sight 23 x 18 ½”, frame 30 ½ x 26”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

77

Charles Fazzino (b. 1955) New York

FROM FISHES TO KNISHES, 1994, multi-layer 3-D cutout color screenprint with glitter highlights, signed and titled and numbered 161/450 in pencil, published by Museum Editions with their certificate on back, framed 37 x 46”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

78

Charles Fazzino (b. 1955) New York

REMEMBERING 70’s TV, 1994, multi-layer color 3-D monoprint with glitter highlights, signed and titled and inscribed “Monoprint Light Blue 1-5”, published by Museum Editions with their certificate on back, framed 34 ½ x 41”.

One of the characters with small studio tear on cheek, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

79

Pedro Friedeberg (b. 1936) Mexican

PRUEBA DE ESTADO, 1973, color screenprint on hand-cut paper, signed and dated in pencil, printed by Kryon with blind stamp lower right, sheet 20 ½ x 20 ½”, discardable frame 29 ¾ x 29 ¾” with double glass.

Four small ATG tape hinges on verso, some schmutz or white dust on inside, otherwise in good condition.

Auction Estimate $500/700

Starting Bid $250

 

 

 

80

Pedro Friedeberg (b. 1936) Mexican

EXPLICACIONES DE CASANOVA A KAFKA LA VIDA INTIMA DE UN COBARDE 1972, color screenprint, signed and dated and numbered 16/50 in pencil, image 19 ½ x 19 ½”, full margins, frame 25 ¾ x 25 ¾”.

In apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

81

Pedro Friedeberg (b. 1936) Mexican

CIUDAD DE UN MILLON CON VEINTICINCA HUEVOS DUROS, 1972, color screenprint, signed and dated in pencil, numbered X/L (10/50), image 19 ¾ x 19 ¾”, sheet 21 ¾ x 21 ¾”, frame 25 ¾ x 25 ¾” with glass.

Extremely pale toning and printer’s scuffs in margins, cockling, some old masking tape residue verso sheet edges, otherwise in good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

82

Pavel Gagarin (1885-1980) Russian Federation

RED TREE, 1940, oil painting on canvas, signed and dated lower left, 40 x 55 ½”, frame 45 ½ x 61”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

83

Lajos Gimes (1886-1945) Hungarian

A SPRING LANDSCAPE, 1918, gouache painting on paper mounted to card, signed and dated lower left, sight 19 x 25”, frame 26 ½ x 32 ½ x 2 ¾”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

84

Gorby (20th Century) Hungarian?

STILL LIFE WITH FLOWERS, gouache on buff paper, signed lower right, sight 17 ½ x 13 ½”, frame 22 ½ x 18 ½” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

85

Gorby (20th Century) Hungarian?

FLORAL STILL LIFE watercolor on paper mounted to paper, signed lower right, image 17 ¾ x 12 ½”, frame 25 ¼ x 21 ¼” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

86

Gorby (20th Century) Hungarian?

BATHERS, oil painting on canvas, signed on verso, 25 x 30 ½”, frame x 28 ¼ x 33 ¼”.

Stretcher bar impressions, hairline cracks, soft impressions, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

87

R. C. Gorman (1931-2005) Native American

STRIPED BLANKET (A. p.182), 1981, first state, color lithograph, signed in pencil, numbered 95/250, artist and Houston Publishers blind stamps, sheet 30 x 22 ½”, frame 42 x 34”.

A couple of soft hinge impressions, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

88

Robert Graham (1938-2008) Californian

FRIEZE FIGURE (STANDING WOMAN), cast bronze sculpture with black patina, artist’s initial stamp on platform, overall 58 ¼”, figure 15” tall. Provenance: acquired directly from the artist by the present owner.

Small white scuff on left cheek bone, otherwise in good studio condition.

Auction Estimate $25,000/35,000

Starting Bid $15000

 

 

 

89

Paul Grimm (1891-1974) California

NATURES SHOW, oil painting on Masonite, signed lower right, 18 x 24”, frame 24 ¾ x 30 ¾”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

90

R. Gutierrez (20th Century) & Contemporary Artist Unidentified (two)

R. Gutierrez HOME, 2003, oil painting on canvas, signed and dated lower left, 9 x 12”, frame 15 ½ x 18 ½ x 3”; Contemporary Artist Unidentified UNTITLED, baked enamel on thin sheet metal, 4 ½ x 4 ½”, Plexiglas box frame 6 ¾ x 6 ¾”. (2)

The first in good studio condition, the second in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

91

Haitian Art (20th Century)

HERZULIE DANTOR, HEART FLAG, beads, sequins and mixed media, 32 x 32 ¼”, frame 37 ½ x 37 ¼”, weight 26 pound.

In apparently good condition aside from some possible small losses.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Haitian Art (20th Century)

HERZULIE DANTOR, HEART FLAG, beads, sequins and mixed media, sight 27 ¼ x 25”, frame 36 x 34”.

Drooping in frame, some colors possibly faded, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

93

Marlene Healey (b. 1952) British/ American

WILD FLOWER, acrylic painting on canvas, signed lower right, 70 x 65”, frame 73 x 68”.

Some small scuffs and scrapes, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

94

Hoehn (20th Century) (six)

UNTITLED WOMEN, 1977-78, six gelatin silver prints mounted to paper or card, each signed and dated and inscribed a/p (artist’s proof) in pencil on the paper or card, images from 8 ½ x 6 ¼” to 5 x 3 7/8”, frames from 21 ¼ x 17 ¼” to 15 ¼ x 12 ¼” with glass. (6)

All in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

95

Ken Hori (20th Century) American

CURVE BALL, laminated wood sculpture, a signature not found, 127” length. Oral provenance: Klein Gallery, Chicago.

Some wear and surface blemishes, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

Hungarian Artist Unidentified (20th Century)

WOMAN WITH DOVE, watercolor and color pencil on paper or board, signed Koly** S*** lower right, sight 17 x 11 ½”, frame 28 x 21 with glass.

Some faint speckling, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

97

Louis Icart (1888-1958) French

FAVORITE (H.451), 1936, color etching, signed in pencil, artist’s windmill blind stamp lower left, copyright upper right, 14 ¾” diameter, full margins, frame 29 x 29” with glass.

Small ding in margins upper left, soft handling creases, some small discoloring in the margins, otherwise in apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

98

Louis Icart (1888-1958) French

THIEVES (H.280), 1926, color etching, signed in pencil, artist’s windmill blind stamp and inscribed Epreuve d’Artiste (artist’s proof) in pencil lower left, image 16 ½ x 12”, unevenly trimmed sheet 21 ½ x 16 ¼”, frame 25 x 20” with glass.

Margins glue to mat on recto, unable to verify tagline purportedly upper left, toning in margins at mat, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

99

Louis Icart (1888-1958) French

SLEEPING BEAUTY (H.323), 1927, color etching, signed in pencil, artist’s windmill blind stamp lower left, copyright upper right, tagline upper left, oval 18 ¼ x 14 ½”, full margins, frame 23 x 27” with glass.

Colors faded, mild discoloration in margins, margins unevenly trimmed into oval, with approximately 2” to 3” of margin all around, rector of margins glued to mat, paper loss near upper left sheet edge recto, toning and discoloration on verso, small traces of silverfish damage.

Auction Estimate $200/400

Starting Bid $100

 

 

 

100

Ray Jacobs (1928-2010) Californian

SHELF, cut-wood construction, 23 x 25 ½ x 12 ¼”, with two additional polished stones.

Dust accumulation, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

101

Emmet Kelly (1898-1979) American

TWO CLOWNS, 1968, oil painting on Masonite, signed and dated center left, 24 x 18”, frame 27 ¼ x 21 ¼”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

102

Vilem Kriz (1921-1994) Czech

HAND IN CAGE, 1962, bromoil gelatin silver print, signed and dated in ink over pencil signature, sight 13 x 10 ¼”, frames 26 ½ x 20 ½”.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

103

Vilem Kriz (1921-1994) Czech (two)

HIDDEN FACES, 1966; 1970, two bromoil gelatin silver prints, each signed and dated in ink, sights 13 x 10 ½”, frames 22 x 18” with glass. (2)

Both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

104

Vilem Kriz (1921-1994) Czech (two)

CITY SCENE WITH LAMP 1947; DOLL, 1946, two bromoil gelatin silver prints, each signed and dated in ink, sights 13 ¼ x 10 ¼”, frames 21 ½ x 17 ¼” with glass. (2)

Both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

105

Kurt Larisch (1913-2009) Austrian/ Mexican

VUELTA ESPACE, 1973, acrylic painting on canvas with wire attachment, signed and dated lower right, 35 ½ x 35 ½”, frame 41 ½ x 41 ½”. Provenance: Galeria Merkup AC, Mexico.

Small tear upper left, hairline and spider-web cracks, some surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

106

Charles Levier (1920-2003) French California

STILL LIFE ON YELLOW TABLECLOTH, oil painting on canvas, signed lower right, signed and inscribed on verso, 30 x 24”, frame 31 ¼ x 25 ¼”.

Small chips upper edge, surface soiling, hairline cracks, two tiny chips, otherwise in good aged studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

107

Ernst Louizor (1938-2100) Haitian

SCENE FROM DAILY LIFE, oil painting on canvas, signed lower right, overall 10 ¼ x 24 ¼” including frame.

Surface soiling, a few hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

108

Daniel Machuca (b. 1938) Mexico & another (two)

PEOPLE SITTING AND STANDING, acrylic and crayon on paper or board, signed lower right, image 19 ½ x 31 ½”, frame 24 x 35 ½” with glass; Artist Unidentified LA FIESTA, 1971, color etching with hand-coloring, signed and dated and titled and numbered 6/50 in pencil, image 19 ½ x 19 ¾”, sheet trimmed to 24 ¼ x 23 ¼”, frame 26 x 26” with glass. (2)

Machuca with some surface rubs in margins, the second with some discoloration in margins, old scotch tapes stains verso in margin areas, otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Istvan Macsai (1922-2005) Hungarian

STILL LIFE, oil painting on canvas, signed lower left, 31 ½ x 24”, frame 39 x 31 ¼”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

110

Giorgy Marcell (1900 -  ) Hungarian

MUSICIANS, 1971, oil painting on canvas, signed and dated lower left, 47 ½ x 34 ½” including thin frame

Canvas slack, drying craquelure in some of the browns, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

111

Giorgy Marcell (1900 -  ) Hungarian

FISH SELLER, 1969, oil painting on burlap, signed and dated lower left, 23 x 19”, frame 31 x 27 x 2 ¾”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

112

Giorgy Marcell (1900 -  ) Hungarian

GIRL WITH FLOWERS, 1972, oil painting on canvas, signed and dated lower left, 39 x 31”, frame 41 x 33”.

Drying cracks in yellow, hairline cracks lower left, surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

113

Vitek Marcinkiewicz (b. 1957) Lithuanian

KONGO II, 2005, graphite drawing on paper, signed and dated on verso, 27 ½ x 39 ¼”, frame 30 ¼ x 42 ¼”.

In apparently good studio condition

Auction Estimate $300/600

Starting Bid $150

 

 

 

114

Paul Maxwell (1925-2015) Texas/ California

698, 1980, pigmented cast paper multiple, signed lower right, numbered 14/150 lower left, 41 x 61” including Plexiglas frame.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

115

Leo Meiersdorff (1934-1994) New Orleans

NEW ORLEANS JAZZ CLUB, 1990, watercolor on paper, signed and dated upper left, sight 21 ½ x 19 ½”.

In apparently good studio condition shrink-wrapped.

Auction Estimate $200/400

Starting Bid $100

 

 

 

116

Leo Meiersdorff (1934-1994) New Orleans

NEW ORLEANS JAZZ MUSICIANS, 1990, watercolor on paper, signed and dated lower right, 22 x 30”.

In apparently good studio condition shrink-wrapped.

Auction Estimate $200/400

Starting Bid $100

 

 

 

117

Leo Meiersdorff (1934-1994) New Orleans

BIG JAZZ PARTY, 1990, watercolor on paper, signed and dated lower right, sight 21 ½ x 29 ½”.

In apparently good studio condition shrink-wrapped.

Auction Estimate $200/400

Starting Bid $100

 

 

 

118

after Meissonier & a Portrait miniature (two)

after Meissonier BON VIN, enamel on copper, inscriptions in design, 4 ¾ x 6 ¾”, frame 12 ¼ x 14 ¼”, with antique label on verso; Portrait miniature of BURDET STRYKER, 1769-1825, with original frame 3” diameter, signed or initialed lower left, framed with glass 11 ½ x 10”. (2)

Both apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

119

Mid-Century Artist Unidentified (20th Century) American

UNTITLED GEOMETRIC, 1958, graphite and white highlight drawing on buff paper, initial and dated lower right, sight 14 ½ x 9 ½”, frame 18 x 13” with glass.

Some discoloration or paper speckles, otherwise in apparently good studio condition

Auction Estimate $100/200

Starting Bid $50

 

 

 

120

Pierre Moberg (b. 1911) France

A PARISIAN VIEW, oil painting on canvas, signed lower right, sight 25 ¼ x 19 ¼”, frame 32 ¾ x 26 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

C. Pal Molnar (1894-1981) Hungarian

BATHING BEAUTY, oil painting on Masonite, signed lower right, 15 x 10”, frame 20 x 14 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

122

C. Pal Molnar (1894-1981) Hungarian

SLEEPING BEAUTY, oil painting on metal, signed center left, 16 x 24”, frame 23 x 31”.

A few small nicks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

123

Manuel Hernandez Mompo (1927-1992) Spain

FIESTA EN EL CAMPO, 1972, oil painting on linen, signed and dated lower right, titled on verso, 21 ¾ x 18 ¼”, frame 22 ¼ x 18 ¾”. Provenance: Ruth Schaffner Gallery, Santa Barbara.

In good apparently studio condition

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

124

Donna Nakao (20th/ 21st Century) American (eight)

VARIOUS, 1975-76, a collection of eight gelatin silver prints, images 6 ¾ x 9 ½”, artist’s mounted to card, each signed and dated in pencil lower right on card, frames 13 x 17” with glass. Exhibited at Frederick S. Wight Gallery, UCLA, 1977. (8)

All in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

125

Native American Crafts

Woven and dyed lidded hexagonal reed basket with handle, 3 ½ x 6 ¼ x 6 ¼”.

Colors faded, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

126

Laszlo Neogrady (1896-1962) Hungarian

WINTER LANDSCAPE, oil painting on canvas, signed lower left, 16 x 20”, with illegible stamp on verso, frame 22 x 26”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

127

Neon Art

SUPERMAN, blue, red and light blue neon on black Plexiglas mount, 63 x 36 ¼ x 5, with two ballasts with two three-prong plugs.

Some smudges and scuffs on Plexiglas, otherwise in good working order.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

128

Philippe Noyer (1917-1985) French

GIRL NEXT TO A CHIMPANZEE, 1961, oil painting on canvas, signed and dated lower right, 32 x 25 ¾”.

Scuffs, small scrapes and nicks, canvas slack, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

129

Geraldine Naomi Heib aka Jerry O’Day (1912-1986) California

DILEMMA, oil painting with watercolor on paper, signed lower right, sheet 14 x 9 ½”, frame 27 x 23” with glass. Provenance: Antal Fine Art, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Philip Pearlstein (b. 1924) American

NUDE ON DAHOMEY STOOL, 1976, aquatint etching, signed and dated and titled and numbered 43/70 in pencil, plate 23 ½ x 19 ¾”, full margins, frame 33 x 28 ¼” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

131

 

No lot

 

 

132

Tom Pergola (20th/ 21st Century) American

APPLE OF YOUR EYES, acrylic and mixed media sculpture, signed lower right in marker, titled and inscribed 27 on verso in marker, overall 12 x 12 ¾ x 6”.

Dust accumulation, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Tom Pergola (20th/ 21st Century) American

LET’S PARTY, acrylic and mixed media sculpture, signed lower right in marker, titled and inscribed W41 on verso in marker, overall 23 ¾ x 20 x 7 ½”.

Dust accumulation, a couple of small cracks, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Tom Pergola (20th/ 21st Century) American

SOAP FAN, acrylic and mixed media sculpture, signed lower right in marker, titled on verso in marker, overall 26 x 17 x 8 ½”.

Dust accumulation, some wear on corner of Cracker Jacks box, some cracks and associated losses, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

135

Photography Portfolio

TWENTY TWENTY, 1985, the complete portfolio, artists include Ellen Brooks, Jo Ann Callis, John Divola, Robbert Flick, Patrick Nagatani and many others, each signed except the William Doherty with his artist stamp, portfolio numbered 10/58, sheets 20 x 16” in original sleeves in original portfolio case with mounted metal placard. A collaborative project by Graham Howe and Jack Butler generated by the UCLA Grunwald Center for the Graphic Arts exhibition Celebrating Two Decades of Photography, prepared for Judith and Milton Stark in recognition of the Stark scholarship fund, by the Dean of UCLA, Robert Gray.

Scuffs and wear to portfolio case, otherwise all in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

136

Photographer Unidentified (20th Century)

UNTITLED, c-print mounted to card, frame 31 x 31”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

137

Pablo Picasso (1881-1973) Spanish

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾”.

Some light scratches on verso, otherwise in good studio condition.

Auction Estimate $10,000/15,000

Starting Bid $5000

 

 

 

138

No Lot

 

 

 

 

 

 

 

139

Stan Poray (1888-1948) Polish/ American

ETERNAL DREAM, oil painting on canvas mounted to panel by the artist, signed lower left, signed and titled on verso, 24 x 21 ½”, frame 34 x 31 ½”.

Surface soiling, a few small nicks, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

140

Gerald David Rahm (b. 1951) California

STILL LIFE, color pastel on paper or card, signed lower right, sight 11 x 19”, frame 17 x 25” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

141

Gerald David Rahm (b. 1951) California

WHITE AND FUCHSIA BOUQUET, color pastel on paper or card, signed lower right, sight 14 x 18”, frame 22 x 26”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Gerald David Rahm (b. 1951) California

JERRY’S PLACE, color pastel on paper or card, signed lower right, sight 13 ½ x 17 ½”, frame 22 x 26” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Ron Rencher (b. 1952) Utah

LIGHT AND SHADOW ON TOROWEEP, 2006, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso of frame, Gold River Gallery stamp on frame verso, 22 x 28”, frame 29 x 35 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

144

Gladys Lloyd Robinson (1895-1971) New York California

UNTITLED LANDSCAPE, oil painting on canvas, signed lower right, 30 x 24”, frame 39 ½ x 33 ½”.

Hairline cracks, surface soiling, impact dent on verso causing cracks on recto with paint nearly chipping off, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

145

Gladys Lloyd Robinson (1895-1971) New York California

COURTYARD, oil painting on canvas, signed lower left, 24 x 30”, frame 28 x 33 ½ x 3 ¼”.

Light surface soiling and a few scuffs, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

146

Gladys Lloyd Robinson (1895-1971) New York California

INTERIOR WITH POTS AND CHAIRS, oil painting on canvas, signed lower left, 24 x 30”, frame 28 x 33 ½ x 3 ¼”.

Some hairline cracks, a small unobtrusive chip, lacquer partially yellowed, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

147

Norman Rockwell (1894-1978) American

SPRING from Puppy Love Portfolio, 1975, color lithograph on Japan paper, signed and inscribed A/P (artist’s proof) aside from the numbered edition 200, sight 19 x 18”, frame 28 ½ x 27 ½” with glass.

Two small rub spots in center background, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

148

Norman Rockwell (1894-1978) American

SHUFFLETON’S BARBERSHOP, color collotype, signed in pencil, numbered 136/200, image 28 x 26 ¼”, frame 36 ½ x 34 ½” with glass.

A few speckles in the margins, old masking tape stains on sheet edges verso, sheet reduced to 34 x 29”, upper sheet edge with 1” fold for framing, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

Rosenthal Selb Bavaria Porcelain Figurine by Constantine Holzer-Defanti (1881-1951)

KOREAN DANCER, 1910, painted, gilded and glazed porcelain statue, hallmarked, stamped and signed underneath, 16 x 7 x 4”.

Slight wear on gilding, otherwise in good condition

Auction Estimate $500/1500

Starting Bid $250

 

 

 

150

Rosenthal Selb Bavaria Porcelain Figurine by Constantine Holzer-Defanti (1881-1951)

DANCING MUSICIAN, painted, gilded and glazed porcelain statue, hallmarked, stamped and signed underneath, 14 x 6 ½” x 4 ½”.

Slight wear on gilding, otherwise in good condition

Auction Estimate $500/1500

Starting Bid $250

 

 

 

151

Anne Rothenstein (b. 1949) England

SEATED WOMEN WITH GLOVES, 1998, oil painting on canvas, initialed lower left, 18 x 14”, frame 24 ¼ x 20 ½”. Provenance: England & Co., London.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

152

Arthur Secunda (b. 1927) California

THE FRAMER FRAMED (Jerry Solomon), 1977, collaged paper and photograph, signed and dated and titled and dedicated in pen, 21 x 26”, frame 23 ¼ x 28 ¼”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Everett Shinn (1876-1953) Pennsylvania/ New York

THE RESCUE, 1947, watercolor on paper, signed and dated lower right, 19 ¼ x 24 ¾”, frame 26 x 32”. A hardbound catalog of Shinn’s work is currently available from Questroyal Fine Art New York.

Some perimeter brown paper tape remnants recto and verso, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

154

Anna Silver (20th Century) Michigan/ California

Painted and glazed ceramic double handled green vessel, 10 ¾ x 19 ¾ x 13”. “Silver Splendor”, a career retrospective of the artist was on display at the American Museum of Ceramic Art March 9th to August 25th, 2019.

A couple of tiny touch-ups on gold rim, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

155

Regine Renchen Simenon (1900-1985) Belgium/ Arizona & Michel G. Gilbert (1914-1973) French/ New York (two)

Regine Renchen Simenon STILL LIFE, oil painting on paper mounted to canvas, signed and inscribed along lower edge, 12 x 19”, frame 18 ½ x 25 ¼”; Michel G. Gilbert STILL LIFE WITH FLOWERS, 1948, oil painting on canvas board, signed and dated lower right, 16 x 12”, frame 23 x 19 x 3”. Provenance: Antal Fine Art, Los Angeles. (2)

Both with some light surface soiling, Otherwise both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

156

Dunnieghe Slawson (20th/ 21st Century) California

UNTITLED, sculpture made of bees wax, gauze, plaster and pearl-type beads on base, a signature not found, 13 ¾ x 11 x 11”, with Plexiglas presentation stand, overall 56 x 14 ½ x 14 ½”, along with a signed note of appreciate from the artist.

Small natural separation where mounted to post, a few scuffs on base, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

Herbert Luther Smith (1809-1869) British

UNTITLED, watercolor and color pencil on paper or card, signed and dated lower right, oval 16 x 13 ¼”, frame 28 x 25”.

A few small speckles, otherwise apparently in good studio condition

Auction Estimate $400/800

Starting Bid $200

 

 

 

158

Steiner (20th Century)

UNTITLED, three colored glass elements attached to a ½” thick clear glass panel mounted to wood and metal rod base, signed on panel lower right, overall 61 x 18 x 14”. Proceeds to benefit the Canine Adoption & Rescue League Ventura.

One of the glass elements with unobtrusive chip on tip, lacking Formica siding on base, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

159

Alec Stern (1904-1994) California & another (three)

Alec Stern CAMPANILI UC BERKELEY, 1947; STRIKE AT SUTTER’S FORT; two etchings, each signed in pencil, plates 13 x 8 ½” & 8 ¾ x 12 ¾”, both with full margins, frames 19 x 14” & 15 x 19”, both with glass; Artist Unidentified CASTLE VIEW, etching, signed and titled and numbered 7/50 in pencil, plate 11 ¾ x 9 ¼”, sheet unevenly trimmed to 14 ¼ x 11 ¼”. (3)

Sterns with some toning; Unidentified artist with edges unevenly trimmed, some speckling, toning in margins; Otherwise all in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

160

Inez Storer (b. 1933) California

ENVELOPE SERIES HOUR, 1977, mixed media with collage and graphite on paper, signed and dated and titled in pencil, sheet 30 x 22 ¼”, frame 33 ¼ x 30 ½”.

A few soft creases upper and lower right corners, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

S. K. Tackmier (20th Century) Portland Oregon

UNTITLED, mixed media collage with feather, photographs, newspaper and string on recto and sheet music on verso, a signature not found, with artist’s label on verso, overall 30 ½ x 26”, with artist’s selected frame? 33 ½ x 29” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

P. R. Taggart, Thomas Fortune Chino & Steve Wilden (three)

P. R. Taggart THE OLD FARM, watercolor on paper, signed lower right, sight 13 ¼ x 20 ¼”, frame 23 ¾ x 37” with glass; Thomas Fortune Chino (1914-2006) FARMLAND, 1938, gouache on paper, signed and dated lower right, sight 14 ¼ x 18 ¼”, frame 19 ¼ x 24” with glass; Steve Wilden FISHING CABINS, MONTEREY, watercolor on paper, signed lower right, sight 13 ¾ x 19 ¾”, frame 22 ½ x 28” with glass. Provenance: Antal Fine Art, Los Angeles. (3)

Taggart with some pale discoloration upper left corner; Wilden with some toning; Otherwise all in apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

163

Betty Turnbull (1924-2010) Laguna Beach

WOMAN WEARING A FLOWERED HAT, watercolor on paper, signed lower right, 24 x 18”, frame 32 ¼ x 26 ¼” with glass.

Small tear center right sheet edge, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Various Artists (20th Century) (four)

LANDSCAPES, four watercolors on paper or card, signed Amos Hardy, B. Carlisle, P. Buckens Jr., M. Gahley, all framed with glass from 9 ½ x 22” & 17 x 20”. (4)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Various Artists (20th Century) (six)

Artist Unidentified TWO PEASANT WOMEN, oil painting on paper, signed lower right, sight 19 ½ x 27 ½”, frame 29 ¼ x 37 ½”; Artist Unidentified CIRCUS SCENE, 1966, ink drawing on paper or card, signed or inscribed and dated lower left, sight 8 x 11 ½”, frame 14 ½ x 18” with glass; Artist Unidentified HUNTERS & MUSICIANS, 1968, two wood engravings, each signed in pencil, one dated and inscribed, one stamped 20/50, both frames 17 x 13” with glass; Artist Unidentified COUPLE, lithograph, signed and inscribed in pencil, image 21 x 15”, full margins, frame 30 ½ x 23 ½” with glass; Potter ALONE & FREE, oil painting on board, signed lower right, sight 15 ½ x 19 ½”, frame 23 ½ x 27” with glass. (6)

The first with moderate flaking throughout with loss; the third and forth with a few white blemishes; Potter with faint scuffs near mat; otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

166

after Rene Vincent (1879-1936) French

PORTO-RAMOS PINTO, color poster, signed in the design, image 18 ½ x 13 ¼”, sheet 20 x 14 ¾”, linen-backed 22 x 16 ½”, in handsome gold leaf frame 31 ½ x 26 ½”.

Faint scuffs and hairline scratches, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

167

after Andy Warhol

MARILYN, color print, handsome gold leaf finger-jointed frame 38 x 38”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

168

June Wayne (1918-2011) Californian

THE SHELF, 1967, lithograph, signed and dated and titled in pencil, numbered 11/25, printed and published by Tamarind with blind stamps, sheet 24 x 18 ½”.

Two small glassine hinges on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

169

June Wayne (1918-2011) Californian

LEMMINGS NIGHTS (T.2238), 1968, color lithograph, signed and dated and titled in pencil and inscribed Hill Impression, aside from the numbered edition of 20, printed and published by Tamarind with blind stamps, sheet 21 ¾ x 28”. Note: Mr. & Mrs. James Hill of Glendale, CA were personal friends and benefactors of June Wayne. She often printed impressions just for them and inscribed them as “Hill Impression”.

Three small glassine hinges on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

170

June Wayne (1918-2011) Californian

PROMENADE, 1958, etching, signed and dated and titled in pencil, numbered 2/12, with blind stamp lower left, image 11 ½ x 9”, sheet 18 ½ x 15”.

Two small glassine hinges on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

June Wayne (1918-2011) Californian

PLUS CA CHANGE (T.2197), 1968, lithograph, signed and dated and titled in pencil and inscribed Hill Impression, aside from the numbered edition of 20, printed and published by Tamarind with blind stamps, sheet 23 x 29 ¼”. Note: Mr. & Mrs. James Hill of Glendale, CA were personal friends and benefactors of June Wayne. She often printed impressions just for them and inscribed them as “Hill Impression”.

Three small glassine hinges on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

172

Robert Wood (1926-1999) California

DESERT VISTA, oil painting on canvas, signed lower right, signed and with artist’s stamp and copyright and thumb print on verso, 18 x 24”, frame 26 x 32”.

Light surface soiling, pale staining on verso, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

173

Albert Young (20th Century) American

UNTITLED, metal and glass sculpture with copper wire, a signature not found, overall 52 x 18 x 11” approximate weight 162 lbs. Proceeds to benefit the Canine Adoption & Rescue League Ventura.

Some scuffs and small scrapes, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

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