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Illustration precedes description

 

The Brentwood Collection

Auction Saturday December 9th @ Noon

 

 

 

1

Cyrus Afsary (b. 1940) Arizona

PORTRAIT OF A RABBI, oil painting on canvas, signed lower left, 24 x 20”, framed.

In good studio condition.

$500/1000

 

 

 

2

Yaccov Agam (b. 1928) Israeli

BIRTH OF A FLAG, 1976, screenprinted plastic construction, signed and dated in ink on the right side, 26 x 19 ½”, published by Transworld Art.

A few small scratches, otherwise in good condition.

$500/1000

 

 

 

3

Yaccov Agam (b. 1928) Israeli

UNTITLED, color screenprint, signed in white pen, Roman numbered CXLI/CLXXX (141/180), image 10 ½ x 11 ½”, sheet 14 ¼ x 15”, framed.

A few white scrapes in the blue margins, otherwise in apparently good condition.

$100/200

 

 

 

4

John Altoon (1925-1969) Californian (three)

UNTITLED, 1966, three color lithographs, each signed in pencil, one inscribed artist’s proof IV, one inscribed color separation proof I-II, one inscribed color separation proof II-II, sheets 29 ¾ x 41 ¼, printed by Gemini G.E.L., with their blind stamp lower right. Illustrated in Los Angeles Prints 1883-1980, LACMA, illustration #88. (3)

Soft handling and printer’s creases, artist’s proof with a small tear left sheet edge, II-II with small stains upper right corner, otherwise all in good condition.

$1000/2000

 

 

 

5

John Altoon (1925-1969) Californian (seventeen)

UNTITLED, 1965, seventeen of the same black state lithographs, each signed in pencil, a trial proof, an artist’s proof, and fifteen from the numbered edition 20, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower right. The color-state illustrated in Tamarind: Twenty-Five Years, 1960-1985, illustration #4. (17)

Trial proof with large printer’s crease left sheet edge and a couple small stains upper sheet edge, some with soft handling creases and or creases, all with some pale discoloration from improper storage, otherwise in good condition.

$3000/5000

 

 

 

6

John Altoon (1925-1969) Californian (nineteen)

UNTITLED, 1965, nineteen of the same lithographs on buff paper, each signed and dated in pencil, numbered 1/20 – 20/20 (missing # 11/20), sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower left. (19)

Some with minor toning at sheet edges, a few with toning on verso, otherwise all in good condition.

$3000/5000

 

 

 

7

John Altoon (1925-1969) Californian (twenty)

UNTITLED, 1965, the entire numbered edition of twenty lithographs, each signed and dated in pencil, numbered 1/20 – 20/20, sheets 22 ¼ x 30”, printed by Kenneth Tyler at Tamarind, with their blind stamps lower right. (20)

Some with soft handling creases and or pale toning and or fingerprints, a few with minor sheet wave upper right sheet edge and or a crease in the lower left corner, one with some small accretions lower sheet edge and one with two small old linen hinges on verso, otherwise all in good condition.

$3000/5000

 

 

 

8

Ture Ander (1881-1959) Sweden

ORCHARD, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

9

Ture Ander (1881-1959) Sweden

FIELD PAST ORCHARD, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

10

Ture Ander (1881-1959) Sweden

BLOOMING TREES, oil painting on board, signed lower right, sight 16 x 20 ¾”, framed.

In apparently good studio condition.

$200/400

 

 

 

11

Jean Arp (1886-1966) Swiss

SOLEIL RECERCLE NO. 17 (A.268), 1962-66, color woodblock print on Japan paper, artist’s blind stamp lower left, numbered 14/40, image 14 x 15”, full margins, framed. Provenance: William Weston Gallery, London.

A small speckle lower sheet edge, otherwise in apparently good condition.

$400/600

 

 

 

12

Artist Unidentified

GATHERING HAY, 1925?, oil painting on canvas, signed and dated, 25 ½ x 30 ½”, label on back of frame.

Surface soiling, 1” tear lower left and 1 ½” tear center right, otherwise in good condition.

$200/400

 

 

 

13

Artist Unidentified (20th/ 21st Century)

MAP, acrylic painting with collage and pastel on paper, signed lower right and inscribed lower left in pencil, image 23 x 23”, full margins, framed with glass.

In apparently good condition.

$100/200

 

 

 

14

Artist (Asian?) Unidentified (20th/ 21st Century)

MISTY LANDSCAPE, watercolor on paper, signed lower right, sight 44 ¼ x 29 ¼”, framed.

In apparently good studio condition.

$200/400

 

 

 

15

Florence Arven (b. 1952) French

JARDIN DANS LE VILLAGE, oil painting on canvas, signed lower right, artist’s address and title on verso, 21 ½ x 25 ½”, framed. Provenance: Wally Findlay Gallery, inventory 88315, Beverly Hills #46.

In good studio condition.

$300/600

 

 

 

16

Darrel Austin (1907-1994) New York

MOTHER & CHILD, 1940, crayon drawing on paper, signed and dated lower right, sight 14 x 10 ¾”, framed with glass. Oral Provenance: Klaus Perls Gallery.

Small stains and discolorations, mild toning, otherwise in apparently good studio condition.

$200/400

 

 

 

17

Will Barnet (1911-2012) New York

DAWN, color lithograph on wove paper, signed in pencil, Roman numbered L/L (50/50), sheet 26 x 19 ¼”, published by Transworld Art with their blind stamp lower left.

A few soft handling creases, slight sheet curvature left margin, otherwise in good condition.

$200/400

 

 

 

18

Henri Bassmadjian (1958-1993) European

LIE TO ME, 1988, gouache, color pastel and graphite on paper, sheet 26 x 19 ¾”, framed with glass.

In apparently good studio condition.

$200/400

 

 

 

19

Romare Bearden (1911-1988) African American

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby’s NYC, sale 7211, October 31st, 1998.

$3000/6000

 

 

 

20

Romare Bearden (1911-1988) African American

MEMORIES (The Train), 1974, color aquatint etching and photo-engraving with hand-coloring, signed and titled in pencil, a proof aside from the numbered edition, plate 17 ¾ x 22”, full margins, framed.

In apparently good condition.

$3000/6000

 

 

 

21

Romare Bearden (1911-1988) African American

SORCERER’S VILLAGE, 1972, color screenprint, signed in pencil, numbered 103/125, image 16 ¼ x 19 ¾”, sheet 20 x 22 ¾”, printed by NYIT print workshop New York with their blind stamp lower right, framed. Provenance: Sotheby’s NYC, sale 7097, March 6th, 1998

 

$3000/6000

 

 

 

22

Romare Bearden (1911-1988) African American

BOPPING AT BIRDLAND/ WALKING PLAYER, 1979, color lithograph, signed in pencil, numbered 27 /175, sheet 33 ½ x 24”, framed.

In apparently good condition.

$1000/2000

 

 

 

23

Romare Bearden (1911-1988) African American

LOUISIANA SERENADE, 1979, color lithograph, signed in pencil, numbered 171/175, sheet 24 ½ x 33 ¾”, framed.

Small soft crease lower sheet edge, otherwise in apparently good condition.

$1000/2000

 

 

 

24

Larry Bell (b. 1939) Californian

UNTITLED, 1989, color etching, signed and dated in pencil, numbered 40/75, sheet 30 x 22”, published by Poligrafa.

In apparently good condition.

$200/400

 

 

 

25

Hans Bellmer (1902-1975) German

LES BAS REYES, color lithograph on Japan paper, signed in pencil, Roman numbered L/L (50/50), image 18 x 18”, full margins, published by Transworld Art with their blind stamp lower left.

Long printer’s crease lower right with just a touch of white-line showing, a few soft handling creases, slight sheet curvature upper edge, otherwise in good condition.

$200/400

 

 

 

26

Cliffton Benjamin (20th/ 21st Century) American (two)

UNTITLED, 1988-89, charcoal and ink wash on paper, reported to be signed on verso, 62 x 60”, framed. Purchased from Pence Gallery; FEET AND FROG, charcoal and ink wash on paper, possibly signed on verso?, 20 x 17”, framed. (2)

Both in apparently good studio condition.

$500/1000

 

 

 

27

Antal Berkes (1874-1938) Hungarian

WINTER SCENE, 1906, oil painting on canvas, signed and dated lower right, 31 ½ x 43 ½”, framed.

Surface soiling, faint stretcher bar impressions, otherwise in good aged condition.

$500/1500

 

 

 

28

Antal Berkes (1874-1938) Hungarian

STREET SCENE, oil painting on canvas, signed lower right, 28 ½ x 37 ½”, framed.

Re-lined, minor surface soiling, otherwise in good aged condition.

$500/1500

 

 

 

29

Tony Berlant (b. 1941) Californian

UNTITLED, 1989, color print on sheet metal, signed and dated in ink, numbered 64/250, sheet 13 x 35”, framed.

Some small scratches and scuffs, otherwise in apparently good condition.

$200/400

 

 

 

30

Fernando Bernardini (b. 1928) Italian

LANDSCAPE, oil painting on canvas board, signed lower right, 15 ¾ x 19 ½”, framed.

Some surface soiling, otherwise in good studio condition.

$200/400

 

 

 

31

Norinne Betjemann (b. 1959) American

ALIGHT, 1990, hand painted silver gelatin emulsion print with gold leaf, signed and dated and titled in pencil, image 55 ½ x 39”, full margins, framed. Commemorating the 90th Anniversary of the Philadelphia Orchestra, commissioned by Lexus for an unpublished poster edition.

In apparently good studio condition.

$300/600

 

 

 

32

Mattia Biagi (b. 1974) Italian

SKULLS SNAKES & FLOWERS, mixed media sculpture, a signature not found, in Plexiglas box overall 12 x 16 ¼ x 12 ¼”.

Light scuffs on box, otherwise in apparently good studio condition.

$1000/2000

 

 

 

33

Mattia Biagi (b. 1974) Italian

PORTRAIT, three-dimensional mixed media over painting on canvas, a signature not found, overall, 40 x 28 x 7”, framed.

In apparently good studio condition.

$1000/2000

 

 

 

34

Don Boulet (20th/ 21st Century) American

ASPEN GLOW, 1989, oil painting on canvas, signed and dated lower left, 30 x 40, framed.

In good studio condition.

$200/400

 

 

 

35

Stanley Boxer (1926-2000) New York

SWAN from Carnival Animals (Tyler 118:SB30), 1979, hand colored aquatint etching, signed and dated in pencil, numbered 17/20, plate 14 ¾ x 16 ½”, sheet 23 x 26”, printed and published by Tyler Graphics with their blind stamp lower right.

In good condition.

$100/200

 

 

 

36

after Georges Braque (1882-1963) French

NATURE MORTE A LA PIPE (Still Life with Pipe), 1959, color aquatint etching, signature in design lower right, image 7 ½ x 18”, sheet 16 ¼ x 26”, Editions C. Guillard, framed.

Some pale discoloration at sheet edge, speck upper left margin, printer’s crease lower right margin, otherwise in apparently good condition.

$200/400

 

 

 

37

Daniel Brice (b. 1961) Californian

LANDSCAPE, 1990, charcoal drawing on paper, signed and dated lower right, sheet 22 x 27” framed. Provenance: Robert Berman Gallery.

In apparently good studio condition.

$200/400

 

 

 

38

Pierre-Marie Brisson (b. 1955) France

PINK LADY, color carborundum gravure, signed in pencil, numbered 20/95, sheet 30 x 22 ¼”, sealed Plexiglas box frame.

In apparently good condition.

$200/400

 

 

 

39

Pierre-Marie Brisson (b. 1955) France

UNTITLED, color carborundum gravure, signed in pencil, numbered 23/60, sheet 29 ½ x 21 ½”, framed.

In apparently good condition.

$200/400

 

 

 

40

Ruth Brockmann (1955-2013) American & another (two)

VISAGE, 1983, fused glass sculpture, signed and dated and copyrighted, 13 ½ x 11 ½”; Artist Unidentified INTERIOR WITH MAN & WOMAN, painted, glazed and pierced earthenware vessel, appears to be initialed G. S. underneath, 13” tall. (2)

Brockmann in good studio condition, the second with light surface soiling and a few tiny chips, otherwise in good condition.

$300/600

 

 

 

41

Alexander Calder (1898-1976) American

UNTITLED, color lithograph on Japan paper, signed in pencil, Roman numbered L/L (50/50), sheet 19 ¾ x 25 ¾”, published by Transworld Art with their blind stamp lower left, framed.

In apparently good condition.

$1000/2000

 

 

 

42

Alexander Calder (1898-1976) American

RED SUN, color lithograph on Arches paper, signed in pencil, numbered 74/175, sheet 22 ¾ x 35 ½”.

A few soft handling creases, old masking tape along upper sheet edge verso and some toning from previous framing, otherwise in good condition.

$500/1500

 

 

 

43

Ellen Cantor (b. 1961) American

PERCEPTION SPACE CADET, 2009, color pigment print, signed and dated and titled on verso, sheet 11 x 14”, framed.

Several Filmoplast hinging strips on verso sheet edge, some handling creases mainly visible at certain angles in raking light, otherwise in good condition.

$200/400

 

 

 

44

Rene Carcan (1925-1993) Belgian

SOLEIL A ORIENT, diptych, color aquatint etching, signed in pencil, numbered 46/99, overall 23 ¼ x 38 ½”, published by Horn Edition New York with their blind stamp lower left, framed.

In apparently good condition

$200/400

 

 

 

45

Roger Chaput (b. 1909) French

YOUNG GIRL WITH FLOWERS, oil painting on canvas, signed lower left, 14 x 10 ¾”, framed. Provenance: Galerie Ferrero, Geneve.

Surface soiling, drying and hairline cracks, otherwise in good studio condition.

$200/400

 

 

 

46

Emily Cheng (20th/ 21st Century) Chinese/ American (5)

FACES, 1999, five color C-prints on Fuji Crystal Archive paper, each signed and dated and inscribed ‘RTP’ (ready to print), images 28 ½ x 19 ¼”, with full margins. (5)

Tiny creases and soft handling creases, otherwise all in good condition.

$400/800

 

 

 

47

Jules Cheret (1836-1933) French

MUSEE-GREVIN (Broido 471; Bargiel; LeMen 608), color lithograph poster, proof before lettering, signature on the stone, sheet 49 x 35”, linen-backed 52 ¾ x 38”.

Some minor age discoloration along left and right extreme sheet edge, otherwise in good condition with bright fresh colors.

$2000/3000

 

 

 

48

Chinese Ceramic

FOO DOG, painted and glazed ceramic roof tile, 11 x 4 ½ x 8 ¾”.

In good condition.

$100/200

 

 

 

49

Edwin Clark (20th Century) American & Alex Stefan (two)

Edwin Clark SUMMER PARK, acrylic painting on paper, signed lower right in pencil, titled lower left, image 12 x 12”; Alex Stefan SUMMER BREEZE, acrylic painting on paper, signed lower right in pencil, titled lower left, image 12 x 12”; Both with full margins and framed with glass. (2)

Both in apparently good studio condition.

$200/400

 

 

 

50

Charles Clement (1889-1972) Swiss

LA FONTAINE AUX ABBESSES, 1957, oil painting on Masonite, signed lower right, signed and dated and titled on verso, 19 ½ x 24”, framed.

In good studio condition.

$500/1000

 

 

 

51

James Coignard (1925-2008) French

TENSION DERIVEE, Triptych, 1987, color carborundum gravure with pochoir on three sheets, signed in pencil, numbered 46/85, overall 26 x 59”, sealed Plexiglas box framed.

In apparently good condition.

$300/600

 

 

 

52

James Coignard (1925-2008) French

ARCHITECTURES: STRUCTURE OUVERTURE (S.507), color carborundum gravure with pencil drawing and painting lower center and collage and string binding, signed in pencil, numbered 24/55, sheet 39 ¼ x 25 ¼”, framed.

In apparently good condition.

$200/400

 

 

 

53

Xavier Cugat (1900-1990) Spanish/ American

FLAMENCO GUITARIST AND DANCER, oil painting on canvas, signed lower right, 24 x 30”, framed.

Miniscule drying cracks, otherwise in good studio condition.

$300/600

 

 

 

54

Salvador Dali (1904-1989) Spanish

HEAVEN CANTO 27 from The Divine Comedy (M.1133) (see Field page 192), color wood engraving on BFK Rives watermarked paper, signed and numbered 68/150 in blue pencil, image 10 x 7”, full margins, framed with glass.

Some pale toning, colors may be attenuated, otherwise in apparently good condition.

$200/400

 

 

 

55

Salvador Dali (1904-1989) Spanish

ROYAL INSECT (F.74-10-Q), 1974, four-part color lithograph, signed in pencil, numbered 54/250, overall 51 x 54”, framed. Note: With signed letter from Albert Field, dated 1974.

Pale toning around perimeter, otherwise in apparently good condition.

$2000/3000

 

 

 

56

Salvador Dali (1904-1989) Spanish

FASHION DESIGNER (F.80-6; M.1577), 1980, color lithograph, signed in pencil, numbered 343/350, signed and dated by Albert Field on the verso, image 22 ½ x 18”, full margins, published by Levine & Levine, framed. This image is on the cover of The Official Catalog of the Graphic Works of Salvador Dali’s by Albert Field.

Some pale toning, colors attenuated, otherwise in apparently good condition.

$800/1200

 

 

 

57

James Denmark (b. 1936) African American

JUMPIN’ & JIVIN’, 1996, color lithograph, signed in pencil, numbered 7/250, image 23 ¼ x 23 ¼”, full margins, Mo Jo Portfolio blind stamp lower left, framed.

In apparently good condition.

$800/1200

 

 

 

58

Neil Diamond signed guitar

The limited edition autographed Gibson Epiphone acoustic guitar, signed and dated 2004 in gold ink, with carrying case.

In good condition.

$300/600

 

 

 

59

William De Leftwich Dodge (1867-1935) American

BRIDE (Woman on Balcony), gouache and mixed media on panel, signed lower right, 23 ½ x 15 ¼”, framed.

Minor surface soiling, hairline cracks, otherwise in good aged condition.

$500/1500

 

 

 

60

George W. Drew (1875-1968) New York

AN OLD OAK, oil painting on canvas, signed lower left, titled and inscribed on artist hand-written label on back, 26 x 32”, framed.

Re-lined, hairline spider-web cracking, otherwise in good studio condition.

$500/1500

 

 

 

61

Jean Edelstein (20th/ 21st Century) New York/ Californian

UNTITLED, 1982, acrylic painting on raw canvas, signed and dated lower right, 55 x 31”, framed.

In good studio condition.

$300/600

 

 

 

62

Ethnic Art: African Art

BIRTHING CHAIR, carved wood chair in two-parts with carved symbols on back, overall 35 x 39 x 19”.

In good aged condition.

$100/200

 

 

 

63

Ethnic Art: African Masks (two)

Two carved and painted wood masks with patina, the larger 15 x 7 x 4 ¾”, the smaller 11 ¾ x 5 x 3”. (2)

The smaller with small loss at rim beneath chin, otherwise both in good aged condition.

$100/200

 

 

 

64

Ethnic Art: Dolls

10 wooden dolls with colorful fabric attire on circular stand, 13 x 13”, with Plexiglass box and base, overall 14 ¼ x 15 ¼ x 15 ¼”.

In good condition.

$100/200

 

 

 

65

Ethnic Art: Mask Collections (eleven)

A collection of eleven wood or papier mache masks including Noh and Kabuki, Indonesian and Mexican, sizes from 10 ½ x 7 ½” to 7 x 6”. (11)

One with overall flaking, others with minor condition issues, otherwise all in good or good aged condition.

$200/400

 

 

 

66

Leonor Fini (1907-1996) Argentinean

DANCE DE VIE IV, 1983, dry-point etching on Chine colle over wove paper, signed in pencil and inscribed E.A. (artist’s proof), image 14 ½ x 11”, full margins, framed.

In apparently good condition.

$200/400

 

 

 

67

Leonor Fini (1907-1996) Argentinean

DANCE DE VIE III, 1983, dry-point etching on Chine colle over wove paper, signed in pencil and inscribed E.A. (artist’s proof), image 14 ½ x 11”, full margins, framed.

Mild cockling, otherwise in apparently good condition.

$200/400

 

 

 

68

Tony Fitpatrick (b. 1958) Chicago

MIAMI RACE DOG, 1990, acrylic painting with pastel and ink drawing on chalkboard, signed and dated on verso, 9 ½ x 12 ½”.

In good studio condition.

$500/1000

 

 

 

69

Tony Fitpatrick (b. 1958) Chicago (two)

THE PIGEON STORY, two of three, each an acrylic painting with pastel and ink drawing on chalkboard, inscribed 1 & 2 on verso, sizes 12 ½ x 9 ½” & 11 ¼ x 5 ½”. (2)

Both in good studio condition.

$500/1000

 

 

 

70

John Folchi (b. 1955) New York (three)

LANDSCAPES, 1996, three oil paintings on canvas board, each signed and dated lower right, 18 x 24”, all framed. (3)

All in apparently good studio condition.

$500/1000

 

 

 

71

Robert Frame (1924-1999) Californian

SUNFLOWERS IN A BROWN VASE, oil painting on canvas, signed lower right, signed and titled on verso, 36 x 40”, in gold-leaf frame. Provenance: George Stern Fine Arts, West Hollywood.

Small area of blistering with small losses upper left and right center, otherwise in good studio condition.

$2000/4000

 

 

 

72

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed in pencil, a proof aside from the numbered edition, sheet 40 x 29”, framed.

In apparently good condition.

$400/800

 

 

 

73

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed in pencil, numbered 73/95, sheet 30 x 22 ¼”, framed.

In apparently good condition.

$300/600

 

 

 

74

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed in pencil, numbered 47/50, plate 20 ½ x 15 ¼”, full margins, framed.

Some pale discoloration in margins, otherwise in apparently good condition.

$200/400

 

 

 

75

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed in pencil, numbered 81/90, plate 23 ¼ x 15 ½”, full margins, framed.

Some pale discoloration in margins, otherwise in apparently good condition.

$200/400

 

 

 

76

Johnny Friedlaender (1912-1992) German

UNTITLED, aquatint etching, signed in pencil and inscribed lower left, probably a working state proof, plate 38 ½ x 28 ¼”, sheet 41 ¼ x 29 ½”, framed.

Creases and small tears in the thin margins, scratches and tears lower left with a small loss with temporary backing lower left margin, otherwise in apparently good condition.

$200/400

 

 

 

77

Furniture: French Style Café Chair

Bentwood café chair with arch supports and finely woven cane seat and brass bolts, 34 ¾” tall, 17 ½” wide.

In good used condition.

$100/200

 

 

 

78

Art glass: Sabateus Pelzzi/ Thomas Morgan

A large glass charger with gold overlay and fret rim-pattern, signed and dated 1995 on verso, 22 ½” diameter & 4” deep, with iron stand.

In apparently good studio condition.

$200/400

 

 

 

79

Jonathan Green (b. 1955) American

BESSIE-MAE, 1995, color lithograph and linocut, signed in pencil, numbered 65/175, image 42 x 31”, full margins, Mo Jo Portfolio blind stamp lower left, framed.

In apparently good condition.

$2000/3000

 

 

 

80

Paul Hagemans (1884-1959) Belgium

LAKESIDE SCENE, oil painting on Masonite, signed lower left, 31 ¾ x 39 ¼”, framed.

Some surface soiling, otherwise in good studio condition.

$1000/2000

 

 

 

81

D. J. Hall (b. 1951) Californian

BIRTHDAY POOL PARTY, MEMORY 2, 1993, gouache on paper, signed and dated in pencil lower right, titled lower left, image 8 x 5 ½”, sheet 20 ¾ x 16”, framed. Provenance: Koplin Gallery, Los Angeles.

In apparently good studio condition.

$200/400

 

 

 

82

D. J. Hall (b. 1951) Californian

BIRTHDAY POOL PARTY, APRIL 1994, gouache on paper, signed and dated in pencil lower right, titled lower left, image 8 x 5 ½”, sheet 20 ¾ x 16”, framed. Provenance: Koplin Gallery, Los Angeles.

In apparently good studio condition.

$200/400

 

 

 

83

John Haskins (b. 1938) British

POLO MATCH, oil painting on canvas, signed lower right, 24 x 30”, framed.

In good studio condition.

$400/800

 

 

 

84

Molly Heizer (b. 1956) Colorado (two)

KACHINA, hand-made painted ceramic figure with removable head with feathers, 17 x 11 x 7”; DOG, hand-made painted ceramic figure, 7 x 5 x 10”; Both signed and inscribed underneath. (2)

Kachina with some natural chips in the white paint on hands and stick, otherwise both in good studio condition.

$200/400

 

 

 

85

David Hockney (b. 1937) British Californian

TWO BOYS AGED 23 AND 24 (H.163) from Illustrations for Fourteen Poems from C. P. Cavafy, 1966, etching, signed in pencil, numbered 31/75, plate 13 ¾ x 8 ¾”, sheet 22 ½ x 15 ½”, framed with glass.

A faint tideline stain in the lower sheet edge, otherwise in apparently good condition.

$1000/2000

 

 

 

86

David Hockney (b. 1937) British Californian

PORTRAIT OF CAVAFY I (H.158) from Illustrations for Fourteen Poems from C. P. Cavafy, 1966, etching, signed in pencil, numbered 31/75, plate 13 ¾ x 8 ¾”, sheet 22 ½ x 15 ½”, framed with glass.

A small speckle upper left, a pale discoloration center right, the edition number erased and rewritten noticeable upon very close inspection, otherwise in apparently good condition.

$1000/2000

 

 

 

87

Monroe Hodder (b. 1953) British/ American

RED TEMPLE & THREE PEARS (II), 1994, oil painting on canvas, signed and dated and titled on verso, 47 ¾ x 47 ¾”.

In good studio condition.

$1000/2000

 

 

 

88

Japanese Prints by Kogyo Tsukioka & Toyohara Kunichika (two)

Kogyo Tsukioka ONE-HUNDRED NOH PLAYS, 1926, color woodblock print, signature and stamps lower left, sight 14 ½ x 19 ½”; Together with Toyohara Kunichika MONKEY HANDLER AND HUGE FOLDING FANS, color woodblock print, signature and stamps lower left and right, sheet 14 x 28”; Both framed with glass. (2)

The second with pale discoloration spots, otherwise both in apparently good condition with strong red color.

$100/200

 

 

 

89

Frank Jason (20th/ 21st Century) American

THE POINTER, oil painting on canvas, signed lower left, 24 x 36”, framed.

In good studio condition.

$200/400

 

 

 

90

Paul Jenkins (1923-2012) New York

UNTITLED, 1973, color lithograph on Japan paper, signed in pencil, Roman numbered L/L (50/50), sheet 26 ½ x 19 ¼”, published by Transworld Art with their blind stamp lower left.

Some small surface losses from silverfish left sheet edge and lower left corner, slight curve to paper lower right, otherwise in good condition.

$200/400

 

 

 

91

J. A. Johnson (20th/ 21st Century)

LANDSCAPE, oil painting on paper, signed lower right, signed and dated and titled on verso, 40 x 30”, framed.

In apparently good studio condition.

$200/400

 

 

 

92

William Keith (1838-1911) Scotland/ Californian

PASTORAL LANDSCAPE, oil painting on wood panel, signed lower right, sight 17 x 24”, framed. Provenance: Art Center La Jolla and La Jolla Museum of Art.

In good aged condition.

$2000/4000

 

 

 

93

Friedrich Wilhelm Kleukens (1878-1956) German

HESSISCHE LANDES AUSSTELLUNG DARMSTADT, 1908, color lithograph poster, signed on the stone lower left, sight 34 ¼ x 22 ¾”, framed.

Small repair lower sheet edge, some creases and crinkles, small nicks and scrapes, otherwise in apparently good condition.

$2000/4000

 

 

 

94

Charles Knecht (b. 1945) New York

CATSKILL REFLECTIONS, 1993, oil painting on canvas, signed lower left, 40 x 30”, framed.

In good studio condition.

$200/400

 

 

 

95

Charles Knecht (b. 1945) New York

OAK CREEK REFLECTIONS, 1992, oil painting on canvas, signed lower right, signed and dated and titled on verso, 24 x 36”, framed.

In good studio condition.

$200/400

 

 

 

96

Wifredo Lam (1902-1982) Cuban

UNTITLED, color etching, signed in pencil, numbered 58/99, plate 12 ¾ x 15 ½”, full margins, framed.

In apparently good condition.

$500/1000

 

 

 

97

Wifredo Lam (1902-1982) Cuban

UNTITLED, color etching, signed in pencil, numbered 79/99, plate 12 ¾ x 15 ½”, full margins, framed.

In apparently good condition.

$500/1000

 

 

 

98

Wifredo Lam (1902-1982) Cuban

UNTITLED, color etching, signed in pencil, numbered 44/99, plate 12 ¾ x 15 ¼”, full margins, framed.

Some soft handling creases in margins, a small discoloration line in upper left margin, otherwise in apparently good condition.

$500/1000

 

 

 

99

Wifredo Lam (1902-1982) Cuban

ARBRE DE PLUMES from Pleni Luna series, 1974, color lithograph, signed in pencil, numbered 204/262, sheet 19 ½ x 25 ½”, full margins, framed.

Small crease upper right corner, otherwise in apparently good condition.

$500/1000

 

 

 

100

Wifredo Lam (1902-1982) Cuban

SOEUR DE LA GAZELLE from Pleni Luna series, 1974, color lithograph, signed in pencil, numbered 204/262, sheet 25 ½ x 19 ½”, full margins, framed.

In apparently good condition.

$500/1000

 

 

 

101

Jacob Lawrence (1917-2000) African American

ON THE WAY, 1990, color screenprint, signed in pencil and inscribed H. C. (hors commerce), aside from the numbered edition of 100, sheet 39 x 29 ¾”, hand-print in a square blind stamp lower right, framed.

A little bit of mild cockling, otherwise in apparently good condition.

$2000/4000

 

 

 

102

Jacob Lawrence (1917-2000) African American

CONFRONTATION AT THE BRIDGE, 1975, color screenprint, signed in pencil and inscribed PP 1/3 (Printer’s Proof), aside from the numbered edition of 175, sheet 19 ½ x 26”, framed.

A few faint small scuffs, otherwise in apparently good condition.

$3000/6000

 

 

 

103

Jacob Lawrence (1917-2000) African American

SUPERMARKET FLORA, 1996, color lithograph, signed and dated in pencil, numbered 71/108, image 30 x 23”, full margins, framed.

In apparently good condition.

$3000/6000

 

 

 

104

Don Lazo (b. 1954) Californian

KROTONY HILL, SEPTEMBER 1997, OJAI, oil painting on canvas, signed lower right, signed and dated and titled on verso, 36 x 36”, framed.

In good studio condition.

$200/400

 

 

 

105

Luc Leestemaker (b. 1957) Netherlands California

TRANSFIGURATIONS, #6, 1998, acrylic painting with cement on canvas, signed and dated and titled on verso, 55 x 55”, framed.

In good studio condition.

$1000/2000

 

 

 

106

Luc Leestemaker (b. 1957) Netherlands California

TRANSFIGURATIONS, #15, 1998, acrylic painting with cement on canvas, initialed lower right, signed and dated and titled on verso, 55 x 55”, framed.

In good studio condition.

$1000/2000

 

 

 

107

Luc Leestemaker (b. 1957) Netherlands California

TRANSFIGURATIONS, #16, 1998, acrylic painting with cement on canvas, initialed lower right, signed and dated and titled on verso, 55 x 55”, framed, with the artist’s label on verso.

Two hairline scuffs left edge, otherwise in good studio condition.

$1000/2000

 

 

 

108

Fernand Leger (1881-1955) French

LA RACINE GRISE, 1945, color lithograph with pochoir on Arches paper, signed in pen, numbered 117/250, image 19 x 25 ¼, sheet 24 ¾ x 37 ¾”, with blind stamp lower right, framed.

Soft handling creases, toning and discoloration spots mainly in margins, otherwise in apparently good condition.

$400/800

 

 

 

109

Fernand Leger (1881-1955) French

LE CYCLISTE, 1948, color lithograph on BFK Rives block letter watermarked paper, signed in pencil, numbered 126/150, sheet 27 x 21 ¾”.

Some soft handling creases, a few surface scuffs, brown masking tape around perimeter verso, some skinning upper left corner verso, otherwise in good condition.

$300/600

 

 

 

110

Richard Lindner (1901-1978) German

WASHINGTON HOLIDAY, color lithograph on Japan paper, signed in pencil, Roman numbered L/L (50/50), sheet 25 ½ x 19 ¾”, published by Transworld Art with their blind stamp lower left, framed.

In apparently good condition.

$300/500

 

 

 

111

Lladro Porcelain

IN THE GONDOLA (L #1350), 1982, painted porcelain with four figures, Francisco Catala sculptor, Julio Ruiz decorator, stamp signed and hallmarked and numbered underneath, 14 x 31 x 6 ½”, with stand and original box.

In good condition.

$500/1000

 

 

 

112

Harry Maas (1906-1982) Dutch

LOESEN DE ZWERFKAT, (Standing Nude), 1965, oil painting on Masonite, signed and dated lower right, titled lower left, 20 x 16 ¼”, framed. Provenance: Roelofs Art Gallery Amsterdam wax sealed label on verso.

Some minor edge-wear from frame, otherwise in good studio condition.

$1000/2000

 

 

 

113

Marino Marini (1901-1980) Italian

SPARTICO (Bizzarria) (G.A.184), 1975, color aquatint etching on Japan paper, signed in pencil, Roman numbered L/L (50/50), image 14 ¼ x 19 ½”, sheet 19 ½ x 26”, printed by Crommelynch and published by Transworld Art with their blind stamps lower left, framed.

Small crease upper right corner, otherwise in apparently good condition.

$300/600

 

 

 

114

Roberto Matta (1911-2002) Chilean

UN SAISON EN ENFER (F.214-223), 1977-1978, the portfolio of ten color aquatint etchings, each signed in pencil and numbered 34/100, sheets 26 x 20”, printed by Georges Visat, published by Ediciones Poligrafa, in linen covered portfolio box with cover sheet and colophon page.

In good condition with bright fresh colors.

$5000/8000

 

 

 

115

Roberto Matta (1911-2002) Chilean

LES OH! TOMOBILES (S.307), 1972, color aquatint etching, signed in pencil, numbered 48/100, plate 16 ¼ x 21 ½”, full margins, framed with glass.

In apparently good condition.

$400/800

 

 

 

116

Thomas McKnight (b. 1941) American

BROOKLYN BRIDGE II, 1981, color screenprint, signed in pencil, inscribed A/P 5/30 (artist’s proof) aside from the numbered edition of 175, image 23 ¾ x 28”, full margins, framed.

A few little printing flaws in bridge tower, some creases upper right corner margin, otherwise in apparently good condition.

$200/400

 

 

 

117

Leo Meiersdorff (1934-1994) New Orleans (six)

NEW ORLEANS CHEFS, 1981, six watercolors on paper, all signed and dated, each 30 x 22”. (6)

All in good studio condition.

$1000/2000

 

 

 

118

Leo Meiersdorff (1934-1994) New Orleans (six)

NEW ORLEANS JAZZ SCENES, 1981, six watercolors, two on paper, three on board, one on paper mounted to board, all signed and dated, five 25 ¾ x 40” to 30 x 40”, one 20 ¼ x 15”. (6)

Three on board with scuffs and edge-wear, one with small impact tear upper sheet edge, one with glue residue on board verso, otherwise all in good studio condition.

$1000/2000

 

 

 

119

Leo Meiersdorff (1934-1994) New Orleans

JAZZ TRIO, 1981, watercolor on paper, signed and dated lower right, sheet 22 ½ x 30”, framed no glass.

Some nicks and scrapes and scratches, otherwise in good studio condition.

$100/200

 

 

 

120

Walter Moras (1854-1925) German

NORTHERN CALIFORNIA LANDSCAPE, oil painting on canvas, signed lower left, 31 ¾ x 47 ½”, framed.

In good studio condition.

$1000/2000

 

 

 

121

Movie Poster (cast signed)

ADAPTATION, autographed one-sheet poster, signatures include Charlie Kaufman, Nicolas Cage, Meryl Street, Spike Jonze, Chris Cooper and Vincent Landay, 40 x 27”, framed with glass.

In apparently good condition.

$200/400

 

 

 

122

David Muench (b. 1936) Santa Barbara (two)

VIEWS OF UTAH & ARIZONA, two color photographs, both signed on the mat, sights 19 x 23” & 23 x 19”, both framed, one with glass. (2)

Both in apparently good condition.

$200/400

 

 

 

123

Don Munz (b. 1931) Californian

MONTEREY COAST, oil painting on canvas, signed lower right, 30 x 40”, framed.

In good studio condition.

$500/1000

 

 

 

124

Don Munz (b. 1931) Californian

LANDSCAPE, oil painting on canvas, signed lower right, 24 x 36”, framed.

A little lacquer mottling, otherwise in good studio condition.

$400/800

 

 

 

125

Rueben Nakian (1897-1986) New York

LEDA & THE SWAN, watercolor and pastel on paper, signed lower left, sheet 20 x 26”, framed.

Crease upper left corner, otherwise in apparently good studio condition.

$500/1000

 

 

 

126

Rueben Nakian (1897-1986) New York (two)

LEDA & THE SWAN; ECSTASY, an aquatint and an etching, both with Chine colle over wove paper, each signed in pencil, the etching inscribed A.P (artist’s proof), plates 13 ¾ x 16 ¾” & 13 ½ x 16 ¾”, both with full margins and framed. (2)

Both in apparently good condition.

$200/400

 

 

 

127

Native American Art: Neil David

SPIRIT GODS IN FOREST, lithograph, signed in pencil, numbered 4/60, sheet 18 x 24”, framed with glass.

In apparently good condition.

$100/200

 

 

 

128

Native American Pottery: Acoma (six)

Six painted ceramics including a snake bowl, dough bowl, wedding jar, clay basket, bird dish and others, all signed, sizes from 9” tall to 1 ½” tall. (6)

Some with minor wear or small chips, otherwise all in good or good aged condition.

$200/400

 

 

 

129

Native American Pottery: Elmer Gates (1929-1990) Arizona

MOJAVE SNAKE JAR, 1975, painted redware pottery, signed and dated and titled underneath, 10 ¼” tall, 6” diameter.

A few tiny blemishes, otherwise in good studio condition.

$300/600

 

 

 

130

Native American Pottery: Maricopa & Hopi (six)

Four painted ceramic vessels, artists include Mary Juan, Rena Kavena, Ramona Ami and Garnet Pavatea, all signed, sizes from 5 ½” to 2 ½” tall; Together with a painted vessel, 2 ½” tall; Together with a ceramic clay basket, 3 ¾” tall including handle. (6)

All in good or good aged condition.

$400/600

 

 

 

131

Native American Pottery: Navajo, Pueblo & others (ten)

Two stone polished ceramics, one signed Lorenzo Spencer; A small painted ceramic vessel signed Joe & Thelma Talachy; A ceramic medicine bowl & small bowl & a seed pot, all signed, from 4 ¼” to 1 ½” tall; Together with three painted ceramics, all signed, from 4 ¾” to 1 ¼” tall; Together with a Papago woven reed basket, 1” tall, 6” diameter. (10)

All in good or good aged condition.

$200/300

 

 

 

132

Native American Pottery: San Juan & Santa Clara & another (six)

Three San Juan ceramics, two signed, from 7 ½ to 2 ½” tall; Together with two Santa Clara ceramics, a 5 ¾” tall signed wedding jar and an 8” diameter bowl with label; Together with a painted ceramic wedding jar with beads, initialed, 5 ¾” tall. (6)

All in good or good aged condition.

$300/400

 

 

 

133

Native American Pottery: Santa Domingo, San Ildefonzo & others (five)

Five painted ceramics bowls and vessels, four signed and one dated, artists include Susana Aguilar and Paulita Pacheco, sizes from 5 ½” to 2 ¾” tall. (5)

All in good or good aged condition.

$300/500

 

 

 

134

Native American Pottery: Tohono O’Odham, Zuni, Sandia & another (six)

Tohono O’Odham painted ceramic canteen, shallow bowl and horned lizard bowl, latter two signed, from 7” to 6” diameters; Together with 6” diameter Zuni bowl with frog and tadpole pattern, signed; Together with a 5” diameter Sandia bowl with traditional pattern, signed; Together with unidentified Native American pot, 5 ½” diameter. (6)

All in good or good aged condition.

$200/400

 

 

 

135

Native American Pottery: Zia (three)

Three large painted ceramic vessels, one signed Sophia Medina, one signed Lois Medina, each approximately 7 ½” tall. (3)

Luis with some small nicks, the unsigned one with surface soiling, otherwise all in good condition.

$400/600

 

 

 

136

Brian Novatny (b. 1964) & Tommy Klingvall (20th/21st Century) (two)

Brian Novatny GIRL IN YELLOW, 2000, watercolor and graphite drawing on paper, initialed and dated lower left, sight 14 ½ x 10 ½”, framed. Oral Provenance: Georges Billes Gallery; Together with Tommy Klingvall CARDINAL RED, 1994, oil painting on canvas, signed and dated and titled on verso, 13 ¾ x 10 ¾”. (2)

Novatny with some minor cockling, Klingvall with some natural drying cracks, otherwise both in apparently good studio condition.

$200/400

 

 

 

137

Brett Osborn (b. 1965) California

BROOK, 2001, oil painting on canvas mounted to board, artist’s label and titled on label verso, 46 x 64”, framed. Provenance: Ruth Bachofner Gallery, Santa Monica.

Small scrape at right edge, some light surface scuffs, otherwise in good studio condition.

$500/1000

 

 

 

138

Max Papart (1911-1994) French (two)

OVAL, color carborundum gravure with collage, signed in pencil, numbered 57/75, image 9 x 6”, sheet 13 x 10”; Together with a bronze of the same image, signature and edition not found (probably on verso), 9 x 6 ¾ x ½”, in two welded brass frames mounted together on one Plexiglas frame, overall 21 ½ x 35 ¼ x 3 ½”. (2)

Both in apparently good condition.

$200/400

 

 

 

139

Christian Peltenburg-Brehneff (b. 1950) Belgian Congo

MALE NUDE, 2000, ink drawing on paper, signed and dated and inscribed lower left, sheet 24 x 18”, framed with glass. Provenance: acquired directly from artist by present owner.

Some minor natural cockling, otherwise in apparently good studio condition.

$200/400

 

 

 

140

after Serge Poliakoff (1906-1969) Russian/ French

UNTITLED, color screenprint on Canson paper, artist’s signature in design lower center, numbered 20/100 in pencil lower left, image 27 x 20 ½”, sheet 31 ½ x 25 ½”.

Curved surface scuff center to right edge mainly visible at certain angles in raking light, overall pale speckling, upper right sheet edge corner trimmed ¼” x 4”, partially mounted to board, masking tape hinges upper sheet edge and upper right and left corners recto, otherwise in apparently good condition.

$100/200

 

 

 

141

Bonnie Posselli (b. 1942) Utah

WOODSHOE LANE (PEOA), oil painting on canvas, signed lower right, 24 x 18”.

Some discoloration speckles on verso, otherwise in good studio condition.

$200/400

 

 

 

142

Raymond Quence (b. 1932) French/ American

CHEMIN CREUX A ST. ENGHEIN, oil painting on canvas, signed lower right, 30 x 25”, framed. Provenance: Wally Findlay Gallery, inventory 73069.

In good studio condition.

$200/400

 

 

 

143

Henry Ranger (1858-1916) New York/ Connecticut

A BARGE ON THE RIVER, 1897, oil painting on canvas wrapped around wood backing, signed lower left, 18 x 25 ½”, framed.

Tiny scrape lower right, otherwise in good aged studio condition.

$2000/4000

 

 

 

144

Julian Ritter (1909-2000) Hawaii

PARADE, oil painting on Masonite, signed lower right, 36 x 48”, framed.

In good studio condition.

$500/1000

 

 

 

145

Julian Ritter (1909-2000) Hawaii

PINK NEGLIGEE WITH CLOWN, oil painting on Masonite, signed lower right, 48 x 30”, framed.

Minor edge-wear from framing, otherwise in good studio condition.

$500/1000

 

 

 

146

Julian Ritter (1909-2000) Hawaii (two)

NUDES, two, each a Conte crayon drawing on paper, one signed lower center, one signed lower right, sights 13 ¾ x 21” & 13 ½ x 21”, both framed with glass. (2)

Vertical piece with natural discoloration from age, otherwise both in apparently good studio condition.

$200/400

 

 

 

147

Julian Ritter (1909-2000) Hawaii (two)

NUDES, two, each a color pastel drawing on paper, one signed lower right, one signed lower center, sheets18 x 28” & 24 x 17”, both framed with glass. (2)

Both in apparently good studio condition.

$200/400

 

 

 

148

Julian Ritter (1909-2000) Hawaii (three)

CLOWNS, oil painting on Masonite, signed lower right 14 x 11”, framed; HOLIDAYS, watercolor and ink on illustration board, signed lower right, 10 x 8 ¼”; Together with a near mint 1966 Southland Artists magazine featuring Julian Ritter, plus articles & exhibition sheets & other ephemera. (3)

In good studio condition.

$100/200

 

 

 

149

Manfred Schwartz (1909-1970) Polish American

BATHERS, oil painting on canvas, 14 x 18”, framed.

Professionally relined, otherwise in good studio condition.

$500/1000

 

 

 

150

Manfred Schwartz (1909-1970) Polish American (four)

VARIOUS, three color lithographs, each signed in pencil, from numbered editions of 50; DANCERS, lithograph, signed and numbered 14/30 in red pencil, average image 14 x 19”, all with full margins and framed. (4)

All in apparently good condition.

$400/800

 

 

 

151

Kenneth Shone (20th Century)

FOX HUNT, oil painting on canvas, signed lower left, 24 x 36”, framed.

In good studio condition.

$100/200

 

 

 

152

Sino-Tibetan Bronze

Bodhisattva & Sakti bronze with dark patina, appraised as 19th Century, 16” tall.

In apparently good aged condition.

$500/1000

 

 

 

153

David Siqueiros (1896-1974) Mexican

TIERRA ROJA, 1969, color lithograph, signed in pencil, numbered 37/300, image 20 x 16”, framed with glass.

Pale toning in margins, otherwise in apparently good condition.

$300/600

 

 

 

154

Emile Stange (late 19th Century) New Jersey

SUMMER AT THE LAKE, oil painting on canvas, signed lower right, 25 x 29 ¾”, framed.

Professionally re-lined, otherwise in good condition.

$500/1500

 

 

 

155

Mary Swanson (20th/ 21st Century)

CORAL, 2000, air-brushed ink drawing on paper, signed and dated and titled in pencil on verso, 12 x 18”, nicely framed with glass.

Some hinge skinning from previous framing on verso, pale toning verso perimeter, otherwise in good studio condition.

$200/400

 

 

 

156

Rufino Tamayo (1899-1991) Mexican

PERSONAGE WITH NET (P.306), 1982, Mixografia gravure on handmade paper, signed in pencil, numbered 49/100, image 31 ¾ x 24”, sheet 34 ½ x 27”, published and printed by Taller De Grafica, Mexicana, framed.

Discoloration at perimeter paper edges, otherwise in apparently good condition.

$2000/4000

 

 

 

157

Rufino Tamayo (1899-1991) Mexican

MUJER (P.80), 1964, lithograph, signed in pencil, numbered 15/20, sheet 22 ¼ x 18 ¼”, printed by Tamarind, framed.

In apparently good condition.

$2000/4000

 

 

 

158

Rufino Tamayo (1899-1991) Mexican

MASCARA ROJA (P.226), 1976, Mixografia gravure on Arches paper, signed in pencil, Roman numbered XXIII/XXXV (23/35), catalogue calls for XX (20) and X (10) Roman numeral editions, aside from the numbered edition of 140, sheet 30 ¾ x 22 ½”, published by Transworld Art New York and printed by Taller De Grafica Mexicana with their blind stamps lower left, framed.

Apparently miss-numbered, two unobtrusive tiny tears upper sheet edge left, otherwise in apparently good condition.

$1500/2500

 

 

 

159

Tanzania Kenya

Carved ebony wood figure representing a medicine man with attachments of fur and other paraphernalia, 16 x 9 ½”.

Some dust accumulation, otherwise in good aged condition.

$400/800

 

 

 

160

Tanzania Makonde (two)

A pair of carved and polished ebony wood “stick figures”, in a Plexiglas box, 15 x 7 ½”. (2)

In good aged condition.

$100/200

 

 

 

161

Tanzania Makonde

Carved and polished ebony wood family grouping, 24” tall, 23 ¼ x 3 ½”.

In good aged condition.

$200/400

 

 

 

162

Charles Jay Taylor (1855-1929) New York

SPRUCE POINT, MAINE, 1925, double-sided oil painting on canvas, signed lower right, 25 x 30 ¼”, old label fragment on back, framed.

Minor lacquer mottling, otherwise in good studio condition.

$1000/2000

 

 

 

163

Manuel Valencia (1856-1935) Californian

LANDSCAPE, oil painting on canvas, signed lower left, 22 ¼ x 32 ¼”, framed.

Professionally restored and re-lined, small chip line upper left, otherwise in good aged condition.

$300/600

 

 

 

164

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, signed in pencil, numbered 131/300, image 25 x 25”, full margins, framed.

In apparently good condition.

$400/800

 

 

 

165

Victor Vasarely (1906-1997) Hungarian

GOLDEN GLOBES, color screenprint on gold foil paper, signed in red pen, numbered 38/150 in black marker, sheet 37 ¼ x 23 ¾”, framed.

Small surface scuffs and scratches, mild cockling, otherwise in apparently good condition.

$300/600

 

 

 

166

Victor Vasarely (1906-1997) Hungarian

CHESS SET, color screenprint, signed in pencil, numbered 216/300, image 27 x 27”, full margins, framed.

Two small accretions and a tiny scrape upper right, two tiny white line crescent creases lower right, otherwise in apparently good condition.

$300/600

 

 

 

167

Victor Vasarely (1906-1997) Hungarian

RED BLUE GREEN GLOBE, color screenprint, signed in pencil, numbered 10/300, image 18 ½ x 18”, full margins, framed.

Soft handling creases and hinge impressions in margins, otherwise in apparently good condition.

$200/400

 

 

 

168

Jean Vollet (b. 1935) French

OLIVERS A TOURETTES, oil painting on canvas, signed lower right, 18 x 25 ½”, framed. Provenance: Wally Findlay Gallery, inventory 84480.

In good studio condition.

$1000/3000

 

 

 

169

Neil Winokur (b. 1945) American

UNTITLED BABY from the Reader’s Digest treasury of Images of Children, 1990, color Cibachrome, possibly signed on verso, edition of 3, sheet 40 x 30”, framed. Provenance: Barbara Toll Fine Arts, NYC; Janet Borden Inc, NYC; Reader’s Digest archive label.

In apparently good studio condition.

$200/400

 

 

 

170

Francisco Zuniga (1912-1998) Costa Rican (ten)

IMPRESSIONS OF EGYPT (B.74-83), 1982, the portfolio of ten color lithographs, each signed in pencil and numbered 26/90, sheets 20 x 14” & 14 x 20”, printed by Mourlot with their blind stamp, published by Brewster Editions, with portfolio jacket and cover folder with colophon page. (10)

In good condition.

$2000/4000

 

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