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A Gallery Liquidation Auction

Saturday August 25th, 2018 at noon

Paintings, Prints, Sculpture, Photographs & Furniture

Illustration precedes description

 

 

1

Yaacov Agam (b. 1928) Israeli

UNTITLED, multigraph, color screenprinted movable plastic multiple, signed lower right, 17 ¾” x 17 ¾ x 1”.

In good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

2

Yaacov Agam (b. 1928) Israeli

RAINBOW ROMANCE, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 18/99, size 13 ¾ x 13 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

3

Yaacov Agam (b. 1928) Israeli

JEWISH STORY, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 18/25 H.C. (hors commerce), sight 14 x 13 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

Signature slightly attenuated, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

4

Yaacov Agam (b. 1928) Israeli

NINE UP, 1995, Agamograph, lenticular plastic with laminated color screenprint, signed and numbered 59/99 in black ink, with artist’s name, date and copyright stamp on back of frame, 14 x 14”, framed.

Signature and edition number attenuated, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

5

Yaacov Agam (b. 1928) Israeli

END TO END, 1974, color screenprint, signed and numbered 153/180 in white ink, sheet apparently reduced to 28 x 28”, with bright fresh colors.

Mild discoloration on verso, sheet apparently reduced to 28 x 28”, otherwise in good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

6

Arcade Pinball Machine

HARLEY DAVIDSON, Live to Ride, 2nd edition electric pinball machine, overall 75 ½ x 52 x 27 ½”, with keys and adjustable feet.

In good used working condition.

Auction Estimate $1000/1500

Starting bid $500

 

 

 

7

Arcade Pinball Machine

TERMINATOR 3, Rise of the Machines, electric pinball machine, overall 36 x 52 x 27 ½”, with keys and adjustable feet.

In good used working condition.

Auction Estimate $1000/1500

Starting bid $500

 

 

 

8

Arcade Video Game

GALAXY GAMES, 1997, Multi-Game Video System, cocktail cabinet style for two players, games include: Global Domination, Galactic Golf, Battle Bricks, Big Bang Bowling, Astro Hockey, 3-D Tic-Tac-Toe, additional multi-cartridge capabilities for additional games, overall 29 x 43 x 23”, with keys. Note: 185 pounds.

In good used working condition.

Auction Estimate $1000/1500

Starting bid $500

 

 

 

9

Arcade Video Game

RETROCADE CLASSIC EDITION, 2002, four games in one: Centipede, Let’s Go Bowling, Missile Command, & Millipede, overall 73 x 41 x 27”, with keys.

Scratches lower left side, colors slightly attenuated on left side graphic, otherwise in good used working condition.

Auction Estimate $1000/1500

Starting bid $500

 

 

 

10

Charles Arnoldi (b. 1946) California

CA, NY, 1989, acrylic monoprint on paper with rich thick colors, signed and dated and titled in pencil, image 43 ½ x 37”, sheet 54 ½ x 40”, framed.

Small tear and crease upper center edge sheet, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

11

Artist Unidentified

NUNS AT THE BEACH, oil painting on canvas, signed lower left, 18 x 24”, framed.

Discoloration spots on verso, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

12

Artist Unidentified

SEATED FIGURE, carved red Onyx sculpture, signed E.F.? and possibly dated, 20” tall.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

13

Ben Avram (b. 1937) Israel

JERUSALEM, oil painting on canvas, signed lower left, 19 ¾ x 23 ½, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

14

Guillaume Azoulay (b. 1949) Moroccan/ California

HE SHOULD WHINNIE LIKE A HORSE WHO SEES EVIL, 1975, watercolor and ink drawing on paper, signed and dated and titled lower right, image 8 x 9”, full margins, framed with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

Paula Bacinski (b. 1949) Californian

PEAR AND ROSE PAIRED, 2002, oil painting on canvas, signed lower left, signed and dated and titled on verso, 11 x 14”, handsomely framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Samuel Bak (b. 1933) Polish Israeli

UNTITLED, portfolio of eight color and black & white lithographs, each signed in pencil and numbered 74/120, each with blind stamps lower left, images average 9 ¾ x 9 ½”, sheets 16 ¾ x 12 ¾”, with cloth-covered portfolio case.

Minor toning from storage, natural ink saturation on verso, case with some soiling and wear, otherwise in good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

17

Jack Baker (1925-2011) Californian

THE CONSERVATORY, oil painting on canvas, signed lower left, 46 x 34”, framed.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

18

Steve Barton (20th/ 21st Century) Californian

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

Some minor chips in the seams of the frame, otherwise in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

19

Steve Barton (20th/ 21st Century) Californian (two)

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

20

Peter Beckman (20th Century) American

IN BLOOM, acrylic painting on canvas, signed lower right, 30 x 36”, framed.

Discoloration spots on verso, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Gary Benfield (b. 1965) British (three)

CONFIDENCES I & II; CELLO, three color lithographs, each signed lower right, numbered 129/1505, 42/650 & 4/690, the first two sheets 17 ½ x 11 ½”, the third sight 22 ¼ x 16 ½”; All framed with glass.

All in apparently good condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

22

Philippe Bertho (b. 1970) French

TANGO IN A BOX, 2005, color screenprint on board, signed lower right and numbered 65/185 in black ink, size 34 x 34”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

23

Philippe Bertho (b. 1970) French

JE VOLE, 2005, color screenprint on board, signed lower right and numbered 161/185 in black ink, size 34 x 34”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

24

Sami Briss (b. 1930) Romanian/ Israel/ French

JERUSALEM DOVE, gouache on black stock with gold highlight, signed lower left, image 5 ¼ x 5 ½”, full margins, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Fernando Casas (20th Century) Latin American (three)

DON QUIXOTE, 1995, watercolor on paper, sight 10 x 14”; LANDSCAPE WITH BRIDGE, 1970, watercolor on paper, signed and dated lower right, signed lower left, sight 8 ½ x 12”; MARINA, watercolor on paper, signed upper left, sheet 5 x 7”; All framed with glass. (3)

All in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

26

Marc Chagall (1887-1985) Russian/ French

JOSUE ARME PAR L’ETERNEL (S.242) from the Bible, etching with hand-coloring, initialed in pencil, numbered 4/100, plate 11 ¾ x 9”, sheet with large margins 21 x 15 ½” (53.5 x 39cm) framed.

Mild toning in margins, one speck lower left margin, otherwise in apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

27

Marc Chagall (1887-1985) Russian/ French

THE WANDERING MUSICIANS (M.396), 1963, lithograph from Lithographie II, sheet 12 ½ x 9 ½”, handsomely framed. Provenance: Galerie Michael Beverly Hills.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

28

after Marc Chagall (1887-1985) Russian/ French

RAIN, printing plate of a Guggenheim collection painting, copyright 1979 Salant/Helion lower left, sight 25 x 32”, framed.

In apparently good condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

29

Michael Chapman (b. 1957) Californian

STUDY FOR HOUSES IN LONG BEACH, 1996, oil painting on linen, signed and dated and titled on verso, 12 x 18”, framed. Provenance: Long Beach Museum of Art.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

30

Jules Cheret (1836-1933) French (four)

LES MAITRES DE L’AFFICHE Series, four color lithographs, each with signature in design, with blind stamp lower right, all printed by Chaix, Paris, average image 11 x 7 ½”, framed. (4)

Three with some toning, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

31

Jules Cheret (1836-1933) French (four)

LES MAITRES DE L’AFFICHE Series, four color lithographs, each with signature in design, with blind stamp lower right, all printed by Chaix, Paris, average image 11 x 7 ½”, framed. (4)

Two with pale toning, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

32

Lau Chun (b. 1942) Chinese

MARINA, 1981, oil painting on canvas, signed and dated lower right, 18 x 24”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

33

Pinchas Cohen Gan (b. 1942) Israeli

UNTITLED, 1999, acrylic painting with collage on multi-panel canvases, signed and dated lower center, 23 ¾ x 16 x 1 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

34

Contemporary Artist Unidentified (20th Century)

UNTITLED, color screenprint, signed in pencil, numbered 11/250, sheet 30 x 44”, framed.

Very pale discoloration at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

35

Jose Luis Cuevas (1934-2017) Mexican (two)

PELLORIOFES, 1956, lithograph, signed and dated in pencil, numbered 19/20, printed by Tamarind with their blind stamp lower left, overall sheet 10 ½ x 33”; UNTITLED OCTOBER 10th, 1962, lithograph, signed in pencil, numbered 37/100, sheet 16 x 22”; the later framed with glass. (2)

The first with some adhesive residue right sheet edge, pale toning in margins; the second with discoloration from verso showing through to recto except in hinge spots in four corners, otherwise both in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

36

Salvador Dali (1904-1989) Spanish

PERSISTENCE OF MEMORY (74-2A) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 146/150, published by Phyllis Lucas New York, sight 25 ½ x 27 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

37

Salvador Dali (1904-1989) Spanish

VELASQUEZ THE SURRENDER OF BREDA (74-2B) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 37/150, published by Phyllis Lucas New York, sight 24 ¾ x 24 ¾”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

38

Salvador Dali (1904-1989) Spanish

RAPHAEL THE MARRIAGE OF THE VIERGE (74-2C) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 98/150, published by Phyllis Lucas New York, sight 31 ¼ x 18 ½”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

39

Salvador Dali (1904-1989) Spanish

VELASQUEZ LAS MENINAS (74-2D) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 5/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

40

Salvador Dali (1904-1989) Spanish

REMBRANDT SELF PORTRAIT (74-2E) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 123/150, published by Phyllis Lucas New York, sight 29 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

41

Salvador Dali (1904-1989) Spanish

VERMEER THE LETTER (74-2F) From Changes in Great Masterpieces, 1974, color lithograph on Arches paper, signed in pencil, numbered E 76/150, published by Phyllis Lucas New York, sight 31 ¼ x 21 ¼”, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

42

Harold Christopher Davies (1891-1976) California (five)

VARIOUS, 1965-68, five acrylic paintings with gouache and crayon on paper, three signed and dated lower right the other two signed on verso, four with artist’s blind stamp, sheets 18 x 24”. (5)

Smudges and small imperfections, otherwise all in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

43

Harold Christopher Davies (1891-1976) California (three)

UNTITLED, 1962, pastel on paper, signed and dated lower left, artist’s blind stamp lower right, sheet 18 x 24”; UNTITLED, circa 1960, two pastels on paper, both estate stamped on verso, one dated, both with artist’s blind stamp, sheets 23 x 35” & 23 x 32 ½”. (3)

Smudges and speckles and minor imperfections, otherwise all in good studio condition.

Auction Estimate $600/900

Starting bid $300

 

 

 

44

Michel Delacroix (b. 1933) France

PARIS STREET SCENE, color lithograph, signed in pencil, numbered 120/150, published by Lublin, image 19 ¼ x 23”, full margins, framed with glass.

Some mild toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

Sonia Delaunay (1885-1979) French

UNTITLED, color lithograph, signed in pencil, numbered 55/75, image 23 ¼ x 17 ¼”, full margins, framed with glass.

Very pale discoloration, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

46

Andre Derain (1880-1954) French

FIGURE WITH GLASS, gouache on paper, studio stamp lower right, image 6 x 5 5/8”, framed. Provenance: Hammer Galleries, New York.

Extremely pale small discoloration spot in margin, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

47

Max Ernst (1891-1976) German

ECRITURES (S.134D), 1970, color aquatint etching, signed in pencil, number 87/100, plate 7 ½ x 5 ½”, full margins, gold leaf frame with glass.

Some small scattered speckles, otherwise in apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

47 A

Erte (1892-1990) Russian/ French

CABARET (E.109), 1988, cold-painted cast bronze sculpture, signed, numbered 359/375, published by Chalk & Vermilion and Seven Arts, overall 23 ¼ x 15 ½ x 7”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 B

Erte (1892-1990) Russian/ French

VENUS (E.39), 1987, cold-painted cast bronze sculpture, signed, numbered 113/375, published by Chalk & Vermilion and Seven Arts, overall 23 ¾ x 15 x 6”, including marble base.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 C

Erte (1892-1990) Russian/ French

ANGEL (E.55), 1984, cold-painted cast bronze sculpture, signed, numbered AP 16/35, published by Fine Art Association/ JM, overall 13 ½ x 22 x 6”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 D

Erte (1892-1990) Russian/ French

READY FOR THE BALL (E.113), 1990, cold-painted cast bronze sculpture, signed, numbered 366/375, published by Chalk & Vermilion and Seven Arts, overall 18 ½ x 22 x 5”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

 

47 E

Erte (1892-1990) Russian/ French

DUETTO (E.135), 1989, cold-painted cast bronze sculpture, signed, numbered 246/500, published by Seven Arts London, overall 18 x 19 x 7”.

In good condition

Auction Estimate: 1500/2500

Starting bid $750

 

 

48

Erte (1892-1990) Russian/ French

WHITE TIE (E.75), 1990, color screenprint, gold signature stamp, numbered 284/300 in silver ink, printed by Coriander Studio London, image 21 x 15 ½”, full margins, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

49

Erte (1892-1990) Russian/ French

INGENUE (E.87), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered 103/300 in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, image 22 ½ x 13 ¾”, full margins, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

50

Erte (1892-1990) Russian/ French

FLOWER PETAL GOWN (E.84), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered XCIX/CCC (99/300) in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, sheet 38 ¼ x 29 ½”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

51

Erte (1892-1990) Russian/ French

NEW YEARS EVE (E.74), 1990, embossed color screenprint with foil stamping, gold signature stamp, numbered 205/300 in gold ink, published by Chalk Vermilion, printed by Chromacomp New York, sheet 39 x 27”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

52

Tom Everhart (b. 1952) Washington DC

SYNCHRONIZE MY BOOGIE, EVENING, color screenprint, signed in pencil, numbered 248/350, printed by S2 Editions with blind stamp image 22 ½”x 30”, sheet 27 ½ x 34”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

53

Tom Everhart (b. 1952) Washington DC

CALL WAITING (Charlie Brown), color screenprint, signed and numbered 490/500 in black ink, printed by S2 Editions with blind stamp, sheet 22 ½ x 30”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

54

Bruce Everett (b. 1942) Californian

UNTITLED STUDY FOR YERBA BUENA, 1984, oil painting on canvas, signed and dated and titled on verso, 14 x 18”, framed.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

55

Charles Fazzino (b. 1955) New York

TAKE TWO, CALL ME IN THE MORNING, three-dimensional die-cut color screenprint with glitter highlights, signed in pencil, numbered 69/200DX, image 13 ½ x 16 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

56

Charles Fazzino (b. 1955) New York

CHARGING 5TH AVENUE, three-dimensional die-cut color screenprint with glitter highlights, signed in pencil, numbered 33/50, image 3 x 6 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

57

Patricia Fiorent (b. 1973) Sweden

I LOVE YOU SPIDERMAN, 2009, acrylic painting and mixed media on canvas, signed and titled on verso, 74 ¼ x 55 ½”. Provenance: Barrington Gallery London.

Some mild scuffs and scrapes mainly at the edges, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

58

Sam Francis (1923-1994) California

POINTING TO THE FUTURE state II (L.216; SF.248), 1976, very rare progressive proof lithograph, signed in pencil and numbered 1/2 PP (printer’s proof), with state number lower left, sheet 50 x 30”, printed by Serge Lozingot, published by Gemini G.E.L, with blind stamp.

Some pale toning at sheet edges, some printer’s creases and soft handling creases, and a small crease at the lower sheet edge, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

59

Furniture: Craftsman Handmade Benches (two)

A pair of hand-made wood benches made without nails, each stamped underneath, 17 x 60 x 16”. (2)

In good used condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

60

Furniture: Egg Style Chair

A molded fiberglass or plastic base with plush red interior, 48 x 40 x 34”.

Some surface scuffs, small condition issues with soft piping, otherwise in good used condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

61

Furniture: Italian Chess Set

Wood chess table with marble checkered top, chess pieces with fine silver overlay in old-world style figures, hallmarked L. Sopzani and stamped .925 and gold-line, average sizes 6” to 9” tall, table 30 x 39 ½ x 39 ½”, comes with two ornate gold wood chairs with plush leopard pattern cushions. Provenance: Medici Galleria III, Monarch Beach, CA. With paid receipt for $11,852.

One silver knight with re-attached small handle and a gold knight with the same that needs to be re-attached, a gold bishop with a re-attached head, a silver pawn with cracked gun, some other small flaws, otherwise in lightly used condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

62

Furniture: Modern Console

Chrome console with glass top, 29 ¾ x 72 x 19”.

In good used condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

63

Furniture: Modern Consoles (two)

Pair of chrome consoles with glass top, each 29 ½ x 16 x 16”. (2)

Both in good used condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

64

Furniture: Orbital Floor Lamp

Metal floor lamp with color glass flat shades, approximately 70” tall depending on glass shade placement.

In good used condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

65

Furniture: Knoll Style Chaise Lounge

White leather/vinyl chaise lounge, 34 x 64 x 27”, with detachable pillow.

In like-new condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

66

Furniture: Bicycle Table

Four-wheel bicycle table, 28 ½ x 47 ¼ x 41 ¼”.

In good used condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

67

Furniture: Bicycle Table

Two-wheel bicycle table, 29 x 31 ½” diameter.

In good used condition.

Auction Estimate $200/400

Starting bid $100

67 A

Furniture: McDowell Chairs (six)

Set of six chairs with leather arm rests and seats and backs, and all with hallmarks or labels, each 33 x 24 ½ x 20”. (6)

One chair lacking foot cap, wear to leather, otherwise all in good used aged condition.

Auction Estimate $100/200

Starting bid $50

 

 

68

Gab (19th Century) French

LE PATRIE, 1892, color lithograph poster, signed on the stone lower right, sight 47 x 33”, framed with glass.

Some old creases and other slight imperfections associated with age, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

69

Judy Garland Memorabilia

SWEET DANGER, mimeographed music sheet autographed by Judy Garland, sight 12 x 9 ¼”, framed with glass.

Some toning and discoloration, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

70

Moshe Gershuni (1936-2017) Israel

SELF PORTRAIT, 1991, photo-etching, signed and dated in pencil, numbered 4/12, sheet 15 ½ x 11 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

71

David Gilboa (1910-1976) Israeli (two)

LANDSCAPES, two, each a watercolor on paper, signed lower right, sight 9 x 12 ¼”, framed with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

72

Emilio Grau Sala (1911-1975) Spanish

THE AQUARIUM, color lithograph, signed in pencil, numbered 165/220, image 15 x 20”, full margins, framed with glass.

Mild discoloration and debris in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

73

Julian Grau Santos (b. 1937) Spanish

A DAY IN THE SPANISH COUNTRYSIDE, color screenprint on board, signed and numbered 25/300 in brush, 38 x 38”, framed.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

74

Keiff Grediaga (b. 1936) Canadian

SINFONIA A KAFKA, semi polished bronze sculpture with patina, signed and inscribed E/A (artist’s proof), 50” tall.

Some minor surface oxidation, otherwise in good condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

75

Keiff Grediaga (b. 1936) Canadian

FIGURE IN LIGHT, semi polished bronze sculpture with patina, signed and numbered 15/15, height 15 ½” with marble base.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

76

Keiff Grediaga (b. 1936) Canadian

AMOR DE POETA, 1983, acrylic painting on canvas, signed and dated on side, 49” diameter.

Minor surface soiling, speckling on verso, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

77

Keiff Grediaga (b. 1936) Canadian

HEAD OF MAN, cast bronze sculpture, signed and inscribed, 23 ¾” high with 3” granite base. Note: believed to be a unique work.

A few surface scuffs on sculpture, otherwise in good studio condition, some small chips on the base.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

78

Keiff Grediaga (b. 1936) Canadian (four)

UNTITLED, color screenprint with crayon drawing, signed in pencil, numbered 11/50, image 20 ½ x 20 ½”, sheet 30 x 22”; PURPLE IRISES, three of the same, each a color screenprint, two signed in pencil and numbered 15/50 & 16/50 with hand-coloring, sheets 22 ¼ x 30”. (4)

The first with minor discoloration and some old hinges on verso, the unsigned proof with a small tear and some creases, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

79

Harry Guttman (1933-2015) Israeli

JERUSALEM EVENING, color screenprint, signed in pencil, numbered 62/350, image 9 ¾ x 13 ¼”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/300

Starting bid $100

 

 

 

80

Stanley William Hayter (1901-1988) British

LA RAIE, 1958, color etching, signed and dated in pencil, numbered 6/50, image 11 ¾ x 14 ¾”, full margins, framed with glass.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

81

Al Hirschfeld (1903-2003) American

MARIS CALLAS AS AMINA IN LA SONAMBULA, 1981, etching, signed in pencil, numbered 70/150, plate 12 ¾ x 9 ½”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

82

Al Hirschfeld (1903-2003) American

CAROL CHANNING IN HELLO DOLLY, 1977, etching, signed in pencil, numbered 113/150, plate 12 ¾ x 9 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

83

Al Hirschfeld (1903-2003) American

THREE TENORS, lithograph, signed in pencil and inscribed AP (artist’s proof) VI/XXX (6/30), sight 17 x 20”, framed.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

84

Al Hirschfeld (1903-2003) American

GRETA GARBO, 1982, etching, signed in pencil, numbered 176/200, plate 14 x 9 ¾”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

85

Al Hirschfeld (1903-2003) American

BETTE DAVIS, 1979, etching, signed in pencil and inscribed AP (artist’s proof) I/XXX (1/30), plate 12 ½ x 9 ¾”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

86

David Hockney (b. 1937) British

PARADE, 1981, color screenprint poster, sheet 81 x 41, printed and published by Petersburg Press, framed.

Roughness at extreme left sheet edge, small white spots on inside of Plexiglas mainly visible in black areas but not effecting the print, fingerprints on verso, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

87

Douglass Hofmann (b. 1945) American

BIRD OF PARADISE, color digital pigment print on canvas, signed and numbered 255/295 in gold ink, 32 x 40”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

88

Italian School (20th Century) (two)

CITY SCENE; SEASIDE SCENE, two, each an oil painting on board signed lower left or lower right, each 8 ½ x 10 ½”, framed. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

89

Tiefeng Jiang (b. 1938) Chinese

IMPERIAL ZEBRA, 1992, color screenprint, signed and numbered AP (artist’s proof) 48/50 in gold ink, image 36 x 36”, framed. Provenance: Fingerhut Gallery, Laguna Beach.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

90

Tiefeng Jiang (b. 1938) Chinese

HARMONY, 1992, color screenprint, signed and numbered LXIX/LXXV in black ink, image 37 ½ x 33”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

91

Tiefeng Jiang (b. 1938) Chinese

LITTLE HORSES I from Little Horses Suite, 1988, color screenprint on Japanese paper, signed and numbered LXIII/LXXV (63/75) in pencil, image 24 ½ x 25 ¼”, full margins, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

92

Tiefeng Jiang (b. 1938) Chinese

REGAL COUPLE, 1995, color screenprint, signed in ink, numbered 58/300, image 35 ½ x 35 ½”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

93

Michael Kalish (b. 1973) Californian

TIGER, 2005, three-dimensional cut metal and license plates collaged on to painted metal, signed upper left, signed and dated on verso, overall 42 x 42”.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

94

Michael Kalish (b. 1973) Californian

REALIZE, ALI VERSUS JONES, 2010-11, three-dimensional cut metal and license plates collaged on to painted metal, signed upper right, overall 52 x 70 ¼”.

A few stray scuffs, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

95

Michael Kalish (b. 1973) Californian

ROSE, 2009, three-dimensional cut metal and license plates collaged on wood, signed lower right, signed and dedicated on verso, 23 x 20”.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

96

Michael Kalish (b. 1973) Californian

BACH, three-dimensional cut metal and license plates collaged on to painted metal, signed upper right, overall 33 x 33”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

97

Jan Kasprzycki (20th Century) Hawaiian

POPCORN AND RED GINGER, oil painting on grainy panel, signed lower left, 16 x 14”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

98

Steve Kaufman (1960-2010) New York

HOMAGE TO PICASSO (Guernica), color screenprint on canvas, signed and numbered 6/50 in ink on verso, 25 x 48”.

Small tear upper side panel, otherwise in good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

99

Steve Kaufman (1960-2010) New York

ABOUT ME: AN ARTIST & REBEL WITH A CAUSE, color screenprint on canvas, signed in ink lower right, 11 ¼ x 48”, framed.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

100

John Kelly (b.1939) California (two)

TRAIN STATION, pencil drawing on velum, signed upper center, sight 2 ¾” x 4”, framed, Provenance: La Kae Gallery Palm Desert; MOSCOW NIGHT, color screenprint, signed in pencil and inscribed artist’s proof, sheet 31 ¼ x 37 ½”. (2)

First in apparently good studio condition, one print with crease and small discoloration spot upper right margin, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

101

Liudmila Kondakova (b. 1956) Russian

PLACE ST. MICHEL, 2006, color screenprint on panel, signed lower right in silver ink, numbered 179/295, published by Chalk & Vermilion, 24 x 36”, framed. Provenance: Martin Lawrence Galleries.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

102

Anatole Krasyansky (b. 1930) Kiev (three)

MUSICIANS, color screenprint on canvas with hand-drawing in the four corners, signed lower left in ink, numbered 29/160 on verso, 27 x 31 ½”; EUROPEAN VILLAGE, color screenprint, signed in pen and numbered 73/350, sheet 17 ¼ x 24 ½”; HARLEQUIN, color screenprint, signed in pen and numbered 170/350, sheet 11 x 8”; All framed, latter two with glass. (3)

The first with a small scratch and a few small nicks, second with small white hairline crack lower left; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Balthasar Kundert (1892-1985) Swiss

CALIFORNIA LANDSCAPE, oil painting on canvas, signed lower left, 22 x 28”, framed.

Moderate surface soiling, scratch and scuffs lower left, surface discoloration upper center, small scuffs upper right, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

by or after Fernand Leger (1881-1955) French

COUPLE, lithograph, initialed in the design, from the numbered edition of 500, sheet 17 x 11”, framed with glass.

Some discoloration upper center area, some soft handling creases, otherwise in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

105

Jean Lemieu (1946-2011) French Canadian

UN BOL DE CITRONS, watercolor on paper, signed lower right, 3 ¾ x 8”, framed with glass. Provenance: Certificate from artist on verso.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

106

Yitzhak Livneh (b. 1952) Israeli

BLUE BRIDGE, oil painting on canvas, inscribed on stretcher bars, 31 ½ x 35 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

107

Yitzhak Livneh (b. 1952) Israeli

BRIDGE, oil painting on canvas, inscribed on stretcher bars, 19 ¾ x 17 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

108

Lladro porcelain

SAXOPHONE PLAYER, 1995, painted and glazed porcelain by Antonio Ramos, decorated by C. Bauset, hallmarked and stamped underneath, 20” tall, with 2” wood stand, overall 22” tall.

In good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

109

Agueda Lozano (b. 1944) Mexican

UNTITLED (Eclipse), 1994, acrylic painting on canvas, signed and dated lower right, 31 ½ x 31 ½”, framed.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

110

Tiziano Martini (b. 1983) Germany

UNTITLED, 2016, acrylic painting with monotype on primer cotton canvas, with studio footprints on verso, signed and dated on verso, 78 ¾ x 55”, framed. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

111

Peter Max (b. 1937) German/ American

RUNNER, color screenprint, signed in pencil, numbered 52/175, image 17 x 18 ¾”, full margins, framed.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

112

Peter Max (b. 1937) German/ American

RED HAT, 1988, watercolor and color pastel on paper, signed and dated upper right, 6 x 9 ½”, framed.

In apparently good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

113

NO LOT

 

 

 

114

Don McPherson (20th/ 21st Century) California

A GENTLEMAN AFTER TAMARA DE LEMPICKA, acrylic painting on canvas, signed lower left, 82 x 50”.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

115

Richard Merkin (1938-2009) New York

AND WISH THAT YOU WERE THERE AGAIN, color screenprint, signed in pencil, numbered 242/260, image 24 x 36”, full margins, framed.

Mild cockling upper sheet edge, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

116

Andre Michel (b. 1945) French

FRENCH CAFE, oil painting on canvas over board, signed lower left, 21 x 26”, framed.

In good studio condition.

Auction Estimate $100/300

Starting bid $50

 

 

 

117

Joan Miro (1893-1983) Spanish

MARAVILLAS CON VARIACIONES ACROSTICAS Series (C.211; M.1055), 1975, color lithograph on Guarro paper, with printed signature lower right, from an edition of 1500, printed and published by Poligrafa, sheet 19 ½ x 28 ¼”, handsomely framed. Provenance: Galerie Michael.

Soft handling crease lower left, otherwise in apparently good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

118

Joan Miro (1893-1983) Spanish (two)

Joan Miro MIRO OBRA INEDITA RECENT Series (C.95), 1964, color lithograph, signed and dated 1968 and inscribed in blue ink, sheet 12 x 17 ¼”, with printed text on verso; Together with attributed to Marcel Gromaire UNTITLED, etching, numbered 34/200, plate 10 x 8”, full margins, with printed text on verso; Both framed with glass. (2)

Miro colors attenuated, mild toning; Gromaire with mild toning and discoloration, otherwise both in good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

119

Attributed to Joan Miro (1893-1983) Spanish

VOLUME II Series, color lithograph on Arches Script watermarked paper, signed in pencil, inscribed H.C. (hors commerce) aside from the numbered edition of 80 Roman numerals, sheet 17 ¾ x 14 5/8”, framed.

Natural ink saturation on verso from age, some mild toning, old paper hinges on verso, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

120

Henry Moore (1898-1986) British

AUDEN POEMS (C.245, 246, 248, 250, 253, 254, 256, 259, 260, 262, 265-273), 1974, the complete portfolio of eighteen handprinted lithographs, each signed and numbered 51/75 in pencil, sheets 25 3/8 x 20 3/8”, printed and published by Petersburg Press, London, in original red cloth portfolio case.

In good condition.

Auction Estimate $4000/6000

Starting bid $2000

 

 

 

121

Russell Moreton (1929-1994) Californian

MIDNIGHT LIGHTNING, oil painting on Masonite, signed lower left, signed and titled on verso, 20 x 40”, framed. Provenance: Showcase Gallery, Laguna Beach.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

122

Russell Moreton (1929-1994) Californian

JULY MIDNIGHT, oil painting on canvas, signed lower left, signed and titled on verso, 15 x 30”, framed.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

123

Russell Moreton (1929-1994) Californian

SOUTH FORK, oil painting on Masonite, signed lower left, signed and titled on verso, 20 x 16”, framed.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Russell Moreton (1929-1994) Californian

FIRST SNOW, oil painting on Masonite, signed lower left, signed and titled on verso, 16 x 20”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

125

Russell Moreton (1929-1994) Californian (two)

SEASCAPE, oil painting on Masonite, signed lower left, 12 x 16”; SEASCAPE, oil painting on Masonite, 11 x 14”; Both framed. (2)

Both with minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

126

Burton Morris (b. 1964) Pennsylvania

FORCE, 2003, acrylic painting on canvas with gold club extension, initialed lower right, signed, titled and dated on verso, canvas 36 x 48”, with attachable golf club 64 x 48”.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

127

Burton Morris (b. 1964) Pennsylvania

WORLD CUP, acrylic painting on canvas, initialed lower right, signed and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

128

Tadashi Nakayama (b. 1927) Japanese

POPPIES, 1966, color woodblock print, signed and dated and numbered 40/58 in pencil, image 16 ¾ x 9 ¾”, apparently full margins, framed with glass.

Discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

129

LeRoy Neiman (1921-2012) American

REGENT’S PARK (K.II 39), 1984, color screenprint, signed in pencil, numbered 102/300, image 28 x 35”, full margins, framed with glass.

Small stain lower margin, otherwise in apparently good condition.

Auction Estimate $700/900

Starting bid $350

 

 

 

130

LeRoy Neiman (1921-2012) American

FINISH LINE (K. 77), 1974, color screenprint, signed in pencil, numbered 15/300, image 33 x 26 ¼”, sheet 39 ½ x 32 ½”, framed with glass.

Toning and discoloration in unprinted areas and margins, otherwise in good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

131

LeRoy Neiman (1921-2012) American

BJORN BORG (K. 128), 1977, color screenprint, signed in pencil, numbered 196/300, image 23 ½ x 17 ¼”, full margins, framed with glass.

Some discoloration in unprinted areas and margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

132

LeRoy Neiman (1921-2012) American

CHEETAH (K. 284), 1980, etching, signed in pencil, numbered A/P XXXVII/XL (37/40), plate 5 x 12 ½”, with margins, framed.

The extra-large margins reduced for framing otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Leonardo Nierman (b. 1932) Mexican

SPRINGTIME, acrylic painting on Masonite, signed lower left, 35 ½ x 48”, gold leaf frame; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

134

Leonardo Nierman (b. 1932) Mexican

ECLIPSE IN SPRINGTIME, circa 1990, acrylic painting on Masonite, signed lower right, 31 ½ x 23 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

135

Leonardo Nierman (b. 1932) Mexican

FLIGHT, finely woven wool tapestry, signed lower right, weavers mark lower left, 114 x 78”; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish. Provenance: La Kae Galleries, acquired directly from artist.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

136

Leonardo Nierman (b. 1932) Mexican

PRISMATIC CITY, acrylic painting on Masonite, signed lower left, 48 x 35 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

137

Leonardo Nierman (b. 1932) Mexican

BIRD OF PARADISE, acrylic painting on Masonite, signed lower right, 23 ¾ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

138

Leonardo Nierman (b. 1932) Mexican

IMAGINARY CITY, acrylic painting on Masonite, signed lower right, 23 ¾ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

139

Leonardo Nierman (b. 1932) Mexican (two)

UNTITLED, two, each an acrylic painting on Masonite, each signed lower left, 11 ¼ x 15 ¼”, framed. (2)

One with a scrape and small nicks, otherwise both in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

140

Leonardo Nierman (b. 1932) Mexican

GHOST SHIP, acrylic painting on Masonite, signed lower right, 16 x 23 ½”, framed.

Pale discoloration line left side, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

141

Tom Perkinson (b. 1940) New Mexico

BIG CITY LIGHTS, 1988, acrylic painting on canvas, signed and dated lower right, signed and titled on framed verso, 38 x 36” framed.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

142

Tom Perkinson (b. 1940) New Mexico

EVENING LANDSCAPE, 1985, acrylic painting on canvas, signed and dated lower right, 30 ½ x 38”, framed.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

143

Tom Perkinson (b. 1940) New Mexico

BOYS ON THE COLORADO, 1982, acrylic painting on canvas, signed and dated lower right, 18 x 36”, handsomely framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

144

Tom Perkinson (b. 1940) New Mexico

ENCAMPMENT, 1981, color pastel and watercolor on paper, signed and dated lower right, 30 x 40”, handsomely framed.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

145

Tom Perkinson (b. 1940) New Mexico

FLAT LANDS, 1979, color pastel and watercolor on paper, signed and dated lower right, 18 ½ x 29 ½”, titled on frame verso.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

146

Tom Perkinson (b. 1940) New Mexico

TIPI VILLAGE PEOPLE, 1986, color pastel and watercolor on paper, signed and dated lower right, 26 x 19”, signed and titled on frame verso.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

147

Tom Perkinson (b. 1940) New Mexico

STEEP BANK, 1982, color pastel and watercolor on paper, signed and dated lower right, 19 ½ x 13 ½”, signed and titled on frame verso.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

148

Pablo Picasso (1881-1973) Spanish

FEMME VUE DE DOS (B.822), 1956, etching, from a later edition, signed and dated in the plate, image 14 ½ x 10 ¾”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

149

Jan Rauchwerger (b. 1942) Israel

GEFEN (Woman Sleeping), color aquatint etching, signed in pencil, numbered 1/5 AP (artist’s proof), image 9 ¼ x 9 ½”, sheet 17 ¾ x 17 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

150

Jan Rauchwerger (b. 1942) Israel

WOMAN RESTING, 2004, oil painting on canvas board, signed and dated upper right, 13 ¾ x 10”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

151

Curtis Ripley (b. 1949) California/ Texas (three)

#38; #30; #21, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, each signed and dated on the verso, two with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

All in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

152

Curtis Ripley (b. 1949) California/ Texas (three)

#24; #20; #28, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, each signed and dated on the verso, all with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

#24 with handling creases visible lower center verso, two tiny edge tears lower center, #28 with small nick lower right and with two small adhesive spots on verso starting to become visible on recto, otherwise all in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

153

Thomas Ruff (b. 1958) German

NUDE, 2002/2006, c-print, signed and dated and numbered 26/100 in pencil on verso, image 14 ¼ x 8 ¼”, sheet 16 ½ x 11 ¾”, framed. Provenance: Richard Levy Gallery, Albuquerque, NM.

In good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

154

Thomas Ruff (b. 1958) German

WR 30, c-print, signed in pencil on verso, image 8 x 5”, sheet 11 x 8 ½”, framed. Provenance: Richard Levy Gallery, Albuquerque, NM.

In good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

155

David Schneuer (1905-1987) Israel (two)

REDHEAD; UNTITLED, two color screenprints, each signed in pencil, numbered 116/260 & 119/250, images 13 ¼ x 10” & 10 ½ x 8 ½”, both with full margins, framed. (2) Provenance: Michael Hittleman Gallery Los Angeles.

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

156

attributed to Charles Schultz (1922-2000) Californian

PSYCHIATRIST HELP 5 CENTS, THE DOCTOR IS IN, crayon drawing on paper, 33 x 28 ½”, framed.

Ragged upper edge as torn from a large sketch book, folds and creases and smudges and some discoloration, otherwise in apparently generally good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

Adolf Sehring (b. 1930) Russian Virginia

GOAT AND RAM, acrylic painting on canvas, signed lower right, 20 x 20”, artist’s stamp and number 1494 on verso, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Adolf Sehring (b. 1930) Russian Virginia

VARIOUS, six color prints, two with acrylic painted remarques lower right, all signed in pencil, four artist’s proofs, one numbered 10/100, other numbered 150/200, sheets 26 ½ x 32” to 24 ¼ x 27 ¾”, all with blind stamps lower left, three shrink-wrapped.

Some with minor surface soiling and other minor condition issues in margins, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

159

Ben Shahn (1898-1969) American

MENORAH, woven tapestry, signature in design, 85 x 66”.

Small amount of glue remnant on verso near rail, otherwise in good condition.

Auction Estimate $3000/6000

Starting bid $1500

 

 

 

160

Millard Sheets (1907-1989) Californian

THE ISLANDS, 1972, lithograph, signed and dated and titled in pencil, numbered 1/200, printed by Kistler with blind stamp lower left, image 13 ½ x 20 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

Mitsuzo Shimizu (1905-1986) Japanese/ Californian

MISTY MOUNTAIN, oil painting on canvas, signed lower left, artist’s authentication stamp on verso, 20 x 24”, framed.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

162

Victor Shvaiko (b. 1965) Russian

PANTOMINE LUMINEUSES, hand-painted color giclee on canvas, signed and numbered AP 10/20 lower right in black ink, 30 x 24”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

163

Dorothy Spangler (7) & Thomas Leung (2) & another (ten)

Dorothy Spangler VARIOUS, five color screenprints, three images, two duplicates, one with an acrylic painted Maquette lower left, all signed and numbered in pencil, from numbered editions of 275, sheets 45 ¾ x 34”; Together with two Spangler posters and a Schofield poster; Thomas Leung, EFFERVESCENCE, two of the same color screenprints, each signed in pencil, numbered 120/275 & 122/275, images 35 x 26 ½”, sheets 42 x 32. (ten)

Spangler’s with some minor condition issues mainly in the margins, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Thomas Stiltz (b. 1948) Baltimore

PORTRAIT IN RED, color giclee on canvas, signed and numbered AP 11/28 in white ink, 40 x 30”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

165

Thomas Stiltz (b. 1948) Baltimore

SAUTERN AND GRAPES, color giclee on canvas, signed and numbered AP 7/25 in white ink, 30 x 40”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

166

Rufino Tamayo (1899-1991) Mexican

FIGURA EN ROJO, 1989, color Mixografia gravure on handmade paper, signed and numbered 23/100 in white crayon, image 22 ½ x 30 ½”, sheet 28 ½ x 36”, framed.

In apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

167

Rufino Tamayo (1899-1991) Mexican

LUNA Y SOL, 1990, color Mixografia gravure on handmade paper, signed and numbered 24/100 in white crayon, image 34 ½ x 37”, sheet 37 ½ x 39”, framed.

Natural discoloration in margins, otherwise in apparently good condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

168

Shmuel Tepler (1918-1998) Israel

FLOWER VASE, oil painting on canvas board, signed lower left, 9 x 6 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

Tiny stray white marks, otherwise in good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

169

William Thon (1906-2000) New York

OVERGROWN QUARRY, watercolor on paper, signed lower right, sight 19 ½ x 23 ½”, anonymous label on verso, framed with glass.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

170

Anna Ticho (1894-1980) Israel

JERUSALEM, etching, signed in pencil, numbered 15/50, plate 5 x 5 ¾”, full margins, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

Chan Tinyan (b.1942) China Canadian

UNTITLED, watercolor on paper, signed center left, sight 23 ½ x 18”, framed.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

172

Yuri Tremler (b. 1961) Ukraine

COCKTAILS, acrylic painting on canvas, signed lower right, 16 x 16”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

173

Ernst Trova (1927-2009) American

RED MARQUETTE ABSTRACTION VARIATION #38, 1987, polished and painted bronze sculpture with Plexiglas base, monogram stamp underneath, numbered A.P. 6/6 (artist’s proof) and 8 ¼ x 14 ½ x 10 ½”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

174

Ernst Trova (1927-2009) American

FALLING MAN/ PERSPECTIVE SHADOW MAN, 1972, color screenprint, signed in pencil, edition 28/150, sheet 35 x 35”, published by Pace Editions, Inc. New York, framed; Together with TROVA, a hardbound book by Kultermann, published by Abrams, which illustrates this print.

In apparently good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

175

Victor Vasarely (1906-1997) Hungarian

HELIO Series, color screenprint, signed in pencil, numbered 3/9 E.A. (artist’s proof), image 13 x 12”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

176

Victor Vasarely (1906-1997) Hungarian

HELIO Series, color screenprint, signed in pencil, numbered 3/9 E.A. (artist’s proof), image 13 x 12”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

177

Victor Vasarely (1906-1997) Hungarian

HELIO Series, color screenprint, signed in pencil, numbered 3/9 E.A. (artist’s proof), image 13 x 12”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

178

Reynold Weidenaar (1915-1985) American

RESTING IN THE FORREST, 1959, watercolor on paper, signed and dated lower left, sight 21 ½ x 11”, framed with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

179

Hiro Yamagata (b. 1948) Japanese/ American

FIREWORKS, 1982, color screenprint, signed in pencil, numbered X/LXXV (10/75), published by Martin Lawrence Limited Editions with their blind stamp lower left, image 28 x 24”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $100/300

Starting bid $50

 

 

 

180

Francisco Zuniga (1912-1998) Costa Rican

CHAMULAS AZUL (B.60; Z.292), 1981, color lithograph, signed and dated in pencil, numbered 72/75, printed by Mourlot Paris, published by Brewster Editions New York, sheet 22 x 30”, framed.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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