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Dr. G & the Kaufman Collection

Auction Saturday September 22nd 2018 at noon

 

 

 

1

Yaacov Agam (b. 1928) Israeli

USA DOUBLE RAINBOW, 1995, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 32/99, size 14 x 14”, overall 24 x 24” in artist’s frame with artist’s copyright on frame verso.

Some small nicks to frame, otherwise in good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

2

Yaacov Agam (b. 1928) Israeli

YELLOW MAZE, 1995, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 19/99, size 14 x 14”, overall 24 x 24” in artist’s frame with artist’s copyright on frame verso.

Signature and numbering faint, some small nicks to frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

3

Yaacov Agam (b. 1928) Israeli

ANCIENT BATTLE, 1995, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 56/99, size 14 x 14”, overall 24 x 24” in artist’s frame with artist’s copyright on frame verso.

Some small nick to frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

4

Yaacov Agam (b. 1928) Israeli

THE BLESSING, color screenprint, signed in pencil, numbered 46/70, image 27 ¼ x 33 ½”, sheet 30 x 42”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

5

Nobuyoshi Araki (b. 1940) Japanese

FLOWERS #1, circa 1990, original Fuji crystal print mounted to Centrex, sheet 38 x 48”, a proof from an unrealized edition, framed.

Some small stains and rub marks with some loss lower left, dust accumulation, otherwise in good condition.

Auction Estimate $3000/5000

Starting bid $1500

 

 

 

6

Nobuyoshi Araki (b. 1940) Japanese

FLOWERS #4, circa 1990, original Fuji crystal print mounted to Centrex, sheet 38 x 48”, a proof from an unrealized edition, framed.

Small nicks and scratches, fingerprints and smudges, otherwise in good condition.

Auction Estimate $3000/5000

Starting bid $1500

 

 

 

7

Steve Barton (20th/ 21st Century) Californian

TRUE TREASURE, 2002, color giclee with extensive acrylic painting, signed and numbered 156/295 lower left, printed by Talon Graphics, with artist’s wavy wooden frame with copyright branding, overall 39 x 49”, with artist’ certificate.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

8

Steve Barton (20th/ 21st Century) Californian

NORTH SHORE CALLING, 2003, color giclee with extensive acrylic painting, signed and numbered 13/245 lower left, printed by Talon Graphics, with artist’s wavy wooden frame with copyright branding, overall 39 x 49”, with artist’ certificate.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

9

Fletcher Benton (b. 1931) Californian

VALLEY FALL, circa 1960, oil painting on canvas, 48 x 48 ½”, framed. Provenance: Gump’s Gallery, San Francisco.

Cracking throughout with small associated losses, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

10

Henrietta Berk (20th Century) American (two)

WHEAT; LEANING, two, each an oil painting on canvas, each signed lower right, 6 x 6” & 8 x 8”, framed. Provenance: The Carter Gallery, LA. (2)

Both with surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

11

Ruth Bernhard (1905-2006) German/ American

TWO FORMS, 1963, gelatin silver print mounted to card, signed in pencil on card lower right, image 13 ½ x 10 ¼”, framed. Original provenance: Peter Fetterman Gallery, Los Angeles, with charity label on verso.

In apparently good condition.

Auction Estimate $3000/6000

Starting bid $1500

 

 

 

12

George Boys (1930-2014) South African

VELD FORM, acrylic painting on Masonite, signed lower right, signed and titled on verso, 39 x 39”, framed.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

13

Mr. Brainwash (b. 1966) French

LIFE IS BEAUTIFUL, 2011, acrylic and spray paint over color screenprint, signed lower right center, signed and dated and titled on verso, 37 ½ x 49”, framed.

Tiny studio flaw in background, otherwise in apparently good studio condition.

Auction Estimate $4000/8000

Starting bid $2000

 

 

 

14

Georges Braque (1882-1963) French

BLUE FLOWERS #44 from Si Je Mourais La-Bas, (V. 181), 1962, color woodblock print, signed in pencil, numbered V/X (5/10 Roman numerals), sheet 18 ½ x 14 ¼”, framed with glass.

Pale toning at perimeter, a few speckles, otherwise in apparently good condition.

Auction Estimate $2000/3000

Starting bid $1000

 

 

 

15

Sami Briss (b. 1930) Romanian/ Israel/ French

GIRL AND BIRD, 1974, oil painting with gold left on board, signed lower left, 8 ½ x 8 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Romero Britto (b. 1963) Brazilian

DANCING COUPLE, color screenprint with glitter, signed in pencil, numbered 11/300, image 28 ¾ x 36”, artist’s blind stamp lower left, full margins, framed.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

17

Guy Buffet (b. 1943) French

SHEEPHERDER, 1984, color screenprint, signed in pencil, numbered 235/295, published by Martin Lawrence Editions with their blind stamp lower left, image 23 ¾ x 32”, full margins, framed.

In apparently good condition.

Auction Estimate $100/200

Starting bid $50

 

 

 

18

Jorge Gonzalez Camarena (1908-1980) Mexican

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51”, signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original television series and many other shows including Mission Impossible and Mannix. Sold by Clark’s in 2004 to the present owner. Accompanied by a book on the artist with many illustrations including the same model as depicted in this painting.

Some natural hairline cracking, otherwise in good studio condition. The book with tattered binding and water damaged.

Auction Estimate $30,000/60,000

Starting bid $15,000

 

 

 

19

Marc Chagall (1887-1985) French

L’ABRE FLEURI (M. 915), color lithograph, signed in pencil, numbered 81/100, sight 12 ¾ x 20”, framed. Provenance: Bowles/Hopkins Gallery, San Francisco.

In apparently good condition.

Auction Estimate $2500/3500

Starting bid $1250

 

 

 

20

after Marc Chagall (1887-1985) French

LA RUCHE ET MONTPARNASSE, 1978, Charles Sorlier color lithograph poster for Musee Jacquemart-Andre, printed by Mourlot, sheet 29 x 21 ¼”, text matted over, framed.

 

Hinge tape along bottom sheet edge verso, some pale discoloration and erased framer’s notes on recto, some mild cockling, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

21

Jules Cheret (1836-1933) French

MUSEE GREVIN (B.471), 1900, color lithograph, proof before poster lettering, signed and dated on the stone lower right, 48 x 35”, linen-back, custom Capitol Arts frame.

Some old printer’s creases in the background, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

22

James Coignard (1925-2008) French

LE COUPLE Y L’OISEAU, c. 1959, oil painting on canvas, 28 ½ x 23 ½”, signed lower center, titled and signed on verso, framed.

Light surface soiling, some perimeter wear from framing, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

23

Vladamir Cora (b. 1951) Mexican

PROFILE IN BLUE AND GREEN, 2002, oil painting on board, 12 ½ x 10 ½”, signed and dated lower center, framed.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

24

Vladamir Cora (b. 1951) Mexican

PROFILE IN YELLOW AND RED, 2002, oil painting on board, 13 ¾ x 10 ¾”, signed and dated lower center, framed.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

25

Marjorie Cox (b. 1959) Australia

JUNDA, color screenprint, signed in pencil, numbered 38/86, image 15 x 23”, full margins, framed.

In apparently good studio condition.

Auction Estimate $100/200

Starting bid $50

 

 

 

26

CRASH aka John Matos (b. 1961) New York

DICK TRACY I, 1988, watercolor on paper, signed and dated lower left, sheet 41 ¼ x 29 ½”, framed. Provenance: Martin Lawrence Galleries.

In apparently good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

27

Salvador Dali (1904-1989) Spanish

LADY BLUE (F.79-10), 1979, color lithograph on Japan paper, signed in pencil, number XII/C (12/100), published printed by Levine & Levine, with DalArt blind stamp lower left, image 23 x 17”, full margins. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

28

Salvador Dali (1904-1989) Spanish

DREAMS OF A HORSEMAN (F.79-14), color lithograph on Japan paper, signed in pencil, numbered AP 69/75 (artist’s proof), published by Levine & Levine, with DalArt blind stamp lower left, image 23 x 16”, full margins. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

Small crease and mild edge wear lower left corner, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

29

Salvador Dali (1904-1989) Spanish

QUEST from History of Don Quixote of La Mancha (F.80-1-E), 1980, color aquatint etching, signed in pencil, numbered 202/300, published by Levine & Levine New York, with the Dalart and copyright blind stamps lower right, image 15 ½ x 17 ½”, full margins, framed. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

 

Pale toning and soft handling creases in margins, mild cockling, toning on verso, tideline stain on mat only, otherwise in good condition.

Auction Estimate $500/800

Starting bid $250

 

 

 

30

Salvador Dali (1904-1989) Spanish

ROYAL INSECT (F.74-10-Q), 1974, four-part color lithograph, signed in pencil, numbered 220/250, overall 59 ¾ x 63 ½” including frame. Bruce Hochman OS has kindly confirmed the authenticity of this lot.

In apparently good condition.

Auction Estimate $800/1200

Starting bid $400

 

 

 

31

Devon aka Devon Almarinez (20th/ 21st Century) California

MARILYN CHANEL, collage assemblage with screenprinted interior of Plexiglas frame, edition limited to unique impressions, signed on verso, 48 x 40 x 5”. Provenance: Barrington Gallery of London, NYC.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

32

Devon aka Devon Almarinez (20th/ 21st Century) California

AUDREY HEPBURN, collage assemblage with screenprinted interior of Plexiglas frame, edition limited to unique impressions, signed on verso, 48 x 40 x 5 ¼”. Provenance: Barrington Gallery of London, NYC.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

33

Robert Deyber (b. 1955) American

QUEEN OF HEARTS, mixed media and color Giclee on canvas, signed lower right, 46 x 36”, framed. Provenance: Martin Lawrence Galleries.

In good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

34

Robert Deyber (b. 1955) American

PRINCESS OF STARS II, mixed media and color giclee on canvas, signed lower right, 46 x 36”, framed. Provenance: Martin Lawrence Galleries.

Small scuff in upper right corner, otherwise in good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

35

Diego (Mid-20th Century)

MINIATURE RAIL RODD, 1951, oil painting with sand on Masonite, signed and dated lower center, titled on verso, 24 x 20”, framed.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Juana Elana Diz (b. 1928) Argentina

CARA NORTENA, 1964, oil painting on canvas, signed lower right, 23 ¾ x 19 ¾”, signed and dated and titled on verso, framed.

A few tiny surface scrapes, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

37

Max Ernst (1891-1976) German

ECRITURES (S.134D), 1970, color aquatint etching, signed in pencil, number 87/100, plate 7 ½ x 5 ½”, full margins, gold leaf frame with glass.

Some small scattered speckles, otherwise in apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

38

Erte (1892-1990) Russian/ French

LES HEURES SE SUIVANT, 1935, gouache on paper, artist’s stamp lower right, titled and dated on verso in ink, 10 ¾ x 10 ¾”, framed. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

39

Erte (1892-1990) Russian/ French

FLOWER PETAL GOWN (E.142), 1990, cold-painted cast bronze sculpture, signed, numbered 113/375, published by Chalk & Vermilion and Seven Arts, overall 19 ¾ x 8 x 6 ½”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

40

Erte (1892-1990) Russian/ French

FIRE DANCER (E.166), 1990, cold-painted cast bronze sculpture, signed, numbered 374/375, published by Chalk & Vermilion and Seven Arts, overall 23 ½ x 10 ½ x 6 ½”.

Some small spots on the legs, otherwise in good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

41

Erte (1892-1990) Russian/ French

CAFÉ SOCIETY (E.111), 1990, cold-painted cast bronze sculpture, signed, numbered 357/375, published by Chalk & Vermilion and Seven Arts, overall 22 x 13 x 10”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

42

Erte (1892-1990) Russian/ French

ERMINE BROCADE (E.116), 1990, cold-painted cast bronze sculpture, signed, numbered 367/375, published by Chalk & Vermilion and Seven Arts, 21 ½ x 18 ¼ x 9”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

43

Erte (1892-1990) Russian

PEACE (L.122), 1984, cold-painted cast bronze sculpture, signed, numbered 487/500, published by Art Renaissance, overall 27 x 11 ¾ x 3 ½”.

Slightly tacky surface soiling, otherwise in good condition.

Auction Estimate $1500/2500

Starting bid $750

 

 

 

44

Erte (1892-1990) Russian/ French

ERMINE BROCADE (L.205), embossed color screenprint with foil stamping on black paper, signed numbered 100/300 in gold pencil, image 27 x 24”, large margins, framed.

In apparently good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

45

Erte (1892-1990) Russian/ French

FAUBOURG ST. HONORE (L.214), embossed color screenprint with foil stamping, signed in pencil, numbered CXCIV/CCL (194/250), image 31 ½ x 24 ¼”, framed.

A few soft handling creases visible at certain angels in raking light, otherwise in apparently good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

46

Erte (1892-1990) Russian/ French

THE ANGEL (L.29), color screenprint on black paper, signed and numbered LXXXIII/CL (83/150) in gold pencil, sight 24 ½ x 37”, framed.

In apparently good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

47

Erte (1892-1990) Russian/ French

THE TRAPEZE (L.168), color screenprint signed in pencil, numbered 213/300, image 21 ½ x 16 ½”, full margins, framed.

Discoloration in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

48

Brad Faine (b. 1945) British

EYE OF THE BEHOLDER, 2016, color pigment print on canvas, signed and dated and titled on verso, 43 x 43”, framed, with ID chart. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $50

 

 

 

49

Charles Fazzino (b. 1955) New York

I’LL SEE YA IN COURT, three-dimensional die-cut color screenprint with glitter highlights, signed in pencil, numbered 295/300, image 30 ¼ x 23 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

50

Charles Fazzino (b. 1955) New York

GO DOGER BLUE, 2005, three-dimensional die-cut color screenprint with glitter highlights, signed in pencil, numbered 14/150, published by Museum Editions Ltd, Major League Baseball holographic sticker lower left, image 12 x 9”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

51

Pierre Fix-Masseau (1905-1994) French

RANDALL, 1929, color lithograph poster, 63 ½ x 47 ¼”, Jombart Fres Imp., Paris, signed and dated in stone upper right, linen backed, bright fresh colors, a fine example of a very rare poster from the year of the great Stock Market crash, framed. Condition A.

With minor discoloration near the letter F in the yellow background, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

52

Chung Ray Fong (b. 1933) Chinese

UNTITLED, 1970, ink and watercolor and gouache on paper mounted to silk, image 22 ½ x 22”, with scroll margins 31 x 24 ½”, signed lower right. Originally from the estate of MM Shino Galley Los Angeles.

Some fraying in the silk margins, otherwise in good studio condition.

Auction Estimate $3000/6000

Starting bid $1500

 

 

 

53

Chung Ray Fong (b. 1933) Chinese

UNTITLED, 1971, ink and watercolor and gouache on paper mounted to silk, image 34 ¾ x 21 ¼”, with scroll margins 39 ¾ x 26 ½”, signed lower right. Originally from the estate of MM Shino Galley Los Angeles.

Some crinkling and toning in the silk margins, scattered foxing on the verso, otherwise in good studio condition.

Auction Estimate $4000/8000

Starting bid $2000

 

 

 

54

Jeff Gambill (20th / 21st Century) American

TWO CHICKENS & A DUCK, 1981, acrylic painting with collage on canvas, signed and dated and titled on verso, 49 ½ x 60”.

Surface soiling, discoloration on verso, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

55

Helen Rebekah Garber (b. 1976) American

SHELVES/SELVES I (After Mondrian), 2014, acrylic painting on burlap over canvas, signed and dated on verso, 60 x 48”. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

56

Michael Godard (b.1960) California

SEVEN HEAVENLY CHARDS, color giclee on canvas, signed and numbered 52/400 in gold ink lower right, with artist’s certificate, 27 x 40”, framed.

In good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

57

Michael Godard (b.1960) California

SEVEN HEAVENLY ZINS, color giclee on canvas, signed and numbered 75/400 in gold ink lower right, with artist’s certificate, 27 x 40”, framed.

In good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

58

Darren Goins (b. 1984) California

UNTITLED (Fried Eggs & Gnocchi) acrylic and urethane and rubber on etched acrylic panel, a signature not found, 64 x 48 ¼”, framed. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

59

Patricia Govezensky (b. 1961) Israel

WOMAN AT COUNTRY TABLE, watercolor on paper, in extensively acrylic painted frame, signed lower left, overall 29 x 25 x 2”.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

60

Keiff Grediaga (b. 1936) Canadian

AMOR DE POETA, 1983, acrylic painting on canvas, signed and dated on side, 49” diameter.

Minor surface soiling, speckling on verso, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

61

Robert W. Hansen (b. 1924) Californian

MAN-MEN #80, 1960, oil painting on board, 36 x 72”, signed and dated lower left, framed. Provenance: Comara Gallery; Pasadena Art Museum; From the collection of Great Western Bank & Lytton Savings.

Hairline cracks, surface soiling, otherwise in good studio condition.

Auction Estimate $800/1200

Starting bid $400

 

 

 

62

Ed Heck (20th 21st Century American

THE FISH IN THE RED SWEATER, 2012, acrylic painting on canvas, signed lower right, signed and titled and dated on verso, 36 x 36”.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

63

Al Hirschfeld (1903-2003) American

SAMMY DAVIS JR., etching, signed in pencil and inscribed AP XII/XV (artist’s proof 12/15), plate 13 ¾ x 11 ¾”, sheet 20 x 16”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

64

Al Hirschfeld (1903-2003) American

GEORGE BURNS, 1982, etching, signed in pencil, numbered 112/200, plate 12 ¾ x 9 ¾”, sheet 20 ¼ x 15”.

A few soft handling creases visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

65

Al Hirschfeld (1903-2003) American

CHICAGO (Guitarist), lithograph on buff paper, signed in pencil and inscribed AP III/XV (artist’s proof 3/15), printed by Ettinger with blind stamp lower left, sheet 23 x 16”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

66

Al Hirschfeld (1903-2003) American

GEORGE AND IRA GERSHWIN, 1981, etching, signed in pencil and inscribed AP XII/XX (artist’s proof 12/20), sheet 19 ½ x 23”.

A few soft creases visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

67

Al Hirschfeld (1903-2003) American

HUMPHREY BOGART AND INGRID BERGMAN IN CASABLANCA, 1995, etching, signed in pencil, numbered XXXVIII/L (38/50), sheet 19 x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

68

Al Hirschfeld (1903-2003) American

NEIL YOUNG, lithograph, signed in pencil and inscribed AP 3/25 (artist’s proof), sheet 22 x 19”.

A few soft creases visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

69

Al Hirschfeld (1903-2003) American

MARLON BRANDO, 1996, etching, signed in pencil, numbered 16/160, plate 12 ½ x 9 ¼”, sheet 19 x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

70

Al Hirschfeld (1903-2003) American

BOB HOPE, 1983, etching, signed in pencil, numbered 15/200, plate 12 ¾ x 9 ¾”, sheet 20 ¼ x 15”.

A soft vertical crease, mainly visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

71

Robert Indiana (1928-2018) New York (portfolio of thirty)

THE AMERICAN DREAM, 1997, the complete bound volume of 30 color screenprints, of which six are unbound prints each signed and numbered 230/395 in pencil, numbered 230/395 in pencil on the title page, published by MFA Contemporary Atelier, with the accompanying artist signed and numbered certificate of authenticity, black leather binding, overall 22 ¼ x 17 ¼”.

In good condition.

Auction Estimate $3000/6000

Starting bid $1500

 

 

 

72

James Jarvaise (b. 1931) Californian

BOY SLEEPING AT TABLE, 1962, oil painting on canvas, signed and dated lower right, dedicated on verso, 28 ¾ x 28 ¾”, framed, Provenance: Felix Landau Gallery, Los Angeles.

Flaking and chipping mainly in upper green area, craquelure and feather cracking, natural drying cracks in some colors, slight warping, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

73

Tiefeng Jiang (b. 1938) Chinese

BLACK ELEPHANT, color screenprint, signed lower right, numbered 247/300, published by Fingerhut Group, 53 x 40 ½”, framed.

In good condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

74

Tiefeng Jiang (b. 1938) Chinese

WHITE TIGERS, color screenprint on canvas, signed lower right, published by Fingerhut Group, 36 x 36”, framed.

In good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

75

Tiefeng Jiang (b. 1938) Chinese

FREEDOM from The Life Suite (Zebra), color screenprint, signed in pen, artist’s proof numbered AP 31/50, published by Fingerhut Group, sheet 24 x 12”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

76

Chuck Jones (1912-2002) California

AU JOURD UN HOMME VINCENT, gouache and ink drawing on old stained cardboard, titled and inscribed at bottom, in artist made frame, overall 17 x 14 ½”. Provenance: Acquired directly from artist by present owner.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

77

Chuck Jones (1912-2002) California

SEATED WOMAN, 1968, gouache on used cardboard, signed “Jones Montgomery Flagg” and dated lower right, 20 x 16”, framed with glass. Provenance: acquired directly from artist by present owner.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

78

Chuck Jones (1912-2002) California

PORTRAIT, ink drawing on paper, signed lower right, 16 x 13”, framed with glass. Provenance: Acquired directly from artist by present owner.

Some creases and soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

79

Michael Kalish (b. 1973) Californian

BEETHOVEN, three-dimensional cut metal and license plates collaged on to painted metal, signed upper left, overall 33 x 33 ½”.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

80

Michael Kalish (b. 1973) Californian

EINSTEIN, three-dimensional cut metal and license plates collaged on to painted metal, signed upper right, overall 42 x 42 ¼”.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

81

Melaine Taylor Kent (20th Century) Californian

THE FLINTSTONES, 1998, color screenprint, signed in pencil by the artist and William Hanna and Joseph Barbera, numbered 560/600, image 24 ¾ x 33 ¼”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

82

Rene Lalonde (b. 1950) Canadian

MARBLE MAGIC, 2015, acrylic painting on canvas, signed lower center, signed and titled and dated on verso, framed. Provenance: Martin Lawrence Galleries.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

83

Lois Lane (b. 1948) Philadelphia

UNTITLED, 1980, Crayola and collage on paper, 17 ½ x 20 ½”, framed with glass. Provenance: Larry Gagosian Gallery, Los Angles; Willard Gallery, NYC.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

84

Fernand Leger (1881-1955) French

ACROBATS WITH HOOP from Cirque, 1950, color lithograph, from the edition of 300, printed by Mourlot, published by Teriade Paris, sheet 16 x 12”, framed with glass. Provenance: Galerie Michael, Beverly Hills.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

85

Jesus Leuus (b. 1949) Mexican

LOVERS, 1969, oil painting with sand on panel, 36 x 23 ½”, signed and dated lower right, framed.

Light surface scuffs and surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

86

Agueda Lozano (b. 1944) Mexican

UNTITLED (Eclipse), 1994, acrylic painting on canvas, signed and dated lower right, 31 ½ x 31 ½”, framed.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

87

Ricardo Martinez (b. 1918) Mexican

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8”, framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

In good studio condition.

Auction Estimate $10,000/20,000

Starting bid $5000

 

 

 

88

Peter Max (b. 1937) German/ American

LIBERTY HEAD II ON BLEND, acrylic painting over color print, signed lower left, sight 9 ½ x 7 ½”, framed.

In apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

89

Peter Max (b. 1937) German/ American

ZERO ON YELLOW, 1984, color lithograph, signed in color pencil, numbered. 225/300, artist’s blind stamp lower left, image 26 x 20”, full margins, framed.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

90

Jose Maria Mijares Fernandez (1921-2004) Cuban Florida

UNTITLED, acrylic painting on canvas, signed lower right, 10 x 8”, vague gallery annotation on verso, framed.

In good studio condition.

Auction Estimate $500/1500

Starting bid $250

 

 

 

91

Joan Miro (1893-1983) Spanish

L’ELOGE DE LA MAIN (D.658), color aquatint etching, signed in pencil, numbered 15/50, sheet 26 x 20 ½”, framed.

Hinge to rag board with ATG tape at six small points at the sheet edges on verso, otherwise in apparently good condition.

Auction Estimate $3000/5000

Starting bid $1500

 

 

 

92

Rachel Monosov (b. 1987) Russian/ Israeli

NO NEWS TO BROADCAST FROM THE MIDDLE EAST TODAY. LET’S LISTEN TO THE SEA SHELLS AND RELAX, 2015, diptych, inkjet print, signed in pen on the certificate from Catinca Tabacaru Gallery, overall 12 x 36”, framed.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

93

Burton Morris (b. 1964) Pennsylvania

CHAPLIN, acrylic painting on canvas, signed lower left, signed and titled on verso, 40 x 30”.

Small stray white paint spot upper left, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

94

Burton Morris (b. 1964) Pennsylvania

MASQUERADE, 2005, acrylic painting with glitter on canvas, signed lower right, signed and titled and dated on verso, 48 x 60”.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

95

Anthony Murphy (b. 1956) French

AVENUE OF TREES, ARZENS, 1998, oil painting on canvas, 20 x 25 ½”, signed and dated lower right, framed. Original provenance: Jernigan Wicker Fine Arts; with Delf Cadres D’Art & Butterfield & Butterfields labels on verso.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

96

Patrick Nagel (1945-1984) Californian

LUCKY STRIKE (N. page 79), 1983, acrylic painting on Strathmore board, hand signed and with decal date lower right, with Dumas 1984 copyright stamp on verso and two stickers: PN-392 & 3007, image 13 ¾ x 24”, board 20 x 30”, framed with glass. Nagel did three paintings for a Lucky Strike ad campaign in Spain. Purchased from Galerie Michael, Beverly Hills with the inventory number PN 392 on frame verso. Provenance: Certificate from Jennifer Dumas.

Some discoloration in margins and on verso of board, otherwise in good studio production condition.

Auction Estimate $10,000/20,000

Starting bid $5000

 

 

 

97

Patrick Nagel (1945-1984) Californian

COUPLE WITH YELLOW SPORTSCAR, 1984, acrylic painting on board, with Dumas 1984 copyright stamp on verso and two stickers: PN-395 & 1043, image 11 ½ x 17 ¼”, board 20 x 29 ½”, framed with glass. Purchased from Galerie Michael, Beverly Hills with the inventory number PN 395 on frame verso.  Provenance: Certificate from Jennifer Dumas of the Estate of Patrick Nagel.

Some discoloration in margins and on verso of board, otherwise in good studio production condition.

Auction Estimate $10,000/20,000

Starting bid $5000

 

 

 

98

Patrick Nagel (1945-1984) Californian

WOMAN WITH BALANCE SCALE IN BACKGROUND, acrylic painting on board, inscribed 2 of 3 in pencil upper recto board edge, inscribed 5M 2.3 23% in pencil on verso, image 20 ¼ x 9”, board 26 x 15 ½”, framed with glass. Purchased from Galerie Michael, Beverly Hills with the inventory number 109922 on frame verso.  Provenance: Certificate from Jennifer Dumas of the Estate of Patrick Nagel.

A tiny speck lower center right, some light toning around image, otherwise in good studio production condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

99

Patrick Nagel (1945-1984) American

MICHELLE, GALERIE MICHAEL (D page 75 & 155), 1982, trap line/black key ink drawings on two sheets of frosted acetate overlay, with the corresponding color Fuji-chrome print (of the Galerie Michael poster) taped to foamcore underneath, image 27 ½ x 19”, the less extensive sheet of acetate with some creases and tape residue, otherwise in good studio condition. This was preparatory work intended for another print version of the painting and a larger version of the poster. Provenance: Acquired directly from the artist’s publisher Karl Bornstein of Mirage Editions. Certificate from Jennifer Dumas of the Estate of Patrick Nagel. $2000/4000

In apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

100

Patrick Nagel (1945-1984) American

GIRL WITH DOLPHIN, circa 1982, pencil drawing on thin tracing paper, image 20 x 9”, sheet 24 x 19”. Provenance: Certificate from Jennifer Dumas of the Estate of Patrick Nagel, PND #211.

Moderate to mild toning in the margins and image border from previous framing, small tears at sheet edges, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

101

Patrick Nagel (1945-1984) Californian (two)

DIPTYCH (N.2), 1980, a pair of color screenprints, each signed in pencil and inscribed A/P, there were thirty artist’s proofs aside from the numbered edition 250, published by Mirage Editions and printed by Jeff Wasserman with blind stamps in the lower margins, image 17 x 16 ¼”, full margins, framed with glass. Provenance: Galerie Michael, Beverly Hills. (2)

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

102

Patrick Nagel (1945-1984) Californian

JOAN COLLINS (N.16), 1982, color screenprint, signed in pencil, numbered 84/150, published by Mirage Editions, sheet 36 x 28”, framed.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

103

Patrick Nagel (1945-1984) Californian

CLEO (N.18), 1983, color screenprint, signed in pencil and inscribed A/P, there were fifteen artist’s proofs aside from the numbered edition 90, published by Mirage Editions, image 30 x 36”, framed.

Creases and printer’s creases throughout, small pale discoloration above lip, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

Patrick Nagel (1945-1984) Californian

MOTHER EARTH’S PARIS (N.5), 1979, color screenprint poster, signed in pencil, numbered 119/250, published by Mirage Editions, sheet 25 x 17”, framed.

Creases lower left, a crease lower right, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

105

Patrick Nagel (1945-1984) Californian

SHADES (N.24), 1982, color screenprint poster, signed in pencil, inscribed A/P, there were thirty artist’s proofs aside from the numbered edition 250, published by Mirage Editions sheet 25 ¼ x 30 3/8”.

Surface soiling, surface scuffs, surface speckles, a few soft handling creases, some small, accretions, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

106

Patrick Nagel (1945-1984) Californian

GALERIE MICHAEL (N.28), 1982, color screenprint poster, signed and dated in pencil lower left, published by Mirage Editions, sheet 25 x 18”, framed with glass. Acquired directly from Galerie Michael.

In apparently good condition.

Auction Estimate $100/300

Starting bid $50

 

 

 

107

Patrick Nagel (1945-1984) Californian

DYANSEN 57 (N.31), 1983, color screenprint poster, signed and numbered 18/250 in pencil, published by Mirage Editions, sheet 25 x 18”, framed with glass.

In apparently good condition.

Auction Estimate $100/300

Starting bid $50

 

 

 

108

Patrick Nagel (1945-1984) Californian

SILVER SUNBEAM (N.9), 1979, color screenprint poster, signed in pencil and inscribed A/P, there were thirty artist’s proofs aside from the numbered edition 250, published by Mirage Editions, sheet 25 x 17”, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

LeRoy Neiman (1921-2012) American

AMERICAN GOLD (K.II.42) (Los Angeles Olympics), 1984, color screenprint, signed in pencil, numbered 387/600, image 28 x 42”, full margins, framed.

Hairline vertical cracks mainly lower left, otherwise apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

110

Don Nice (b. 1932) New York

TROPICAL PUNCH, 1994, color lithograph, signed and dated and titled in pencil, number 7/50, sheet 29 x 45”, framed.

In apparently good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

111

Leonardo Nierman (b. 1932) Mexican

CIUDAD DE CRISTAL (Crystal City), 2001, acrylic painting on Masonite, signed lower right, 95 x 44”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

Small scuff line at center, some tiny nick at edges, otherwise in good studio condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

112

Leonardo Nierman (b. 1932) Mexican

SHIPWRECK (Night), circa 1990, acrylic painting on Masonite, signed lower left, 23 ½ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

113

Leonardo Nierman (b. 1932) Mexican

FIREBIRD, finely woven wool tapestry, signed lower right, weavers mark lower left, 84 x 56”; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish.

In good condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

114

Leonardo Nierman (b. 1932) Mexican

CITY OF GLASS, acrylic painting on Masonite, signed lower left, 35 ½ x 48”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

115

Leonardo Nierman (b. 1932) Mexican

SHIPWRECK, acrylic painting on Masonite, signed lower right, 23 ½ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

116

Leonardo Nierman (b. 1932) Mexican (seven)

VOLCANIC FURY; COSMIC WIND, a pair of color giclée prints, each signed in pencil, numbered 200/200 and 280/1000, sheets 14 ¼” x 12 ½” and 15 ½ x 13”; Together with two United Nations first issue stamps designed by the artist; Together with two Museo Universitario Contemporaneo De Arte exhibition posters, each 35 ½ x 25 ¾”, both shrink-wrapped; LA KAE Exhibition poster, 1993, signed and dated, 37 x 25”,; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish. (7)

The last poster with some minor discoloration and soft handling creases in margins, otherwise all in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

117

Oyster Pirates: Shawn Webber, Jason Wheatley, & Sri Whipple (20th/21st Century) American

PANDORA’S PLIGHT, oil painting on canvas, signatures not found, inscribed “Some Pandora” on verso, 48 x 72”, gallery tag identifying artists on verso. Original provenance: Varnish Fine Art, San Francisco.

Artist’s repair lower left, a few hairline scratches, otherwise in good studio condition.

Auction Estimate $6000/8000

Starting bid $3000

 

 

 

118

Louis Pecou (20th Century) French

MORNAC SEUBRE, 1983, oil painting on canvas, signed lower right, signed and dated and titled on verso, 18 x 25 ½”, framed.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

119

Tom Perkinson (b. 1940) New Mexico

PINK VASE, oil painting on canvas, signed lower right, 24 x 28”, framed.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

120

Tom Perkinson (b. 1940) New Mexico

AUTUMN (Native American Camp), 1981, oil painting on canvas, signed and dated lower right, 24 x 30”, framed.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

121

Tom Perkinson (b. 1940) New Mexico

WINTER, 1985, color pastel on paper, signed and dated lower right, 31 x 30”, framed.

Arching crease and buckle along left side, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

122

Tom Perkinson (b. 1940) New Mexico

MESA VILLAGE, 1978, color pastel and watercolor on paper, signed and dated lower right, 22 x 33”, with framed with glass.

In apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

123

Tom Perkinson (b. 1940) New Mexico

STANDING NATIVE AMERICAN FIGURE, 1981, watercolor on paper, signed and dated lower right, 30 x 20”, framed.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Pablo Picasso (1881-1973) Spanish

AVANT LA PIQUE (B.946; Moma 26), 1959, color linocut, signed in pencil, numbered 22/50, image 6 ½ x 8 ¾”, full margins, framed.

Mild toning, colors attenuated, otherwise in apparently good condition.

Auction Estimate $6000/9000

Starting bid $3000

 

 

 

125

Pablo Picasso (1881-1973) Spanish

LA PLONGEUSE (B.1322), 1932, etching with collage, signed in pencil lower right, plate 5 3/8 x 4 ½”, full margins, framed.

Some toning in margins at mat, otherwise in apparently good condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

126

Pablo Picasso (1881-1973) Spanish

UNTITLED from the 156 Series (B.1977; LL.122), 1971, etching, stamp signed, numbered 16/50 in pencil, plate 14 3/8 x 19”, full margins, framed with glass. Provenance: Galerie Michael, Beverly Hills.

Pale toning in margins at mat, otherwise in apparently good condition.

Auction Estimate $1200/1600

Starting bid $600

 

 

 

127

Pablo Picasso (1881-1973) Spanish

L’ATELIER DE CANNES (H.677; Variant of B.794), 1956-58, color lithograph, signed and dated in plate, printed by Mourlot, sight 17 ½ x 12 ½”, framed.

Pale toning mainly at mat, small dimple, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

128

Camille Pissarro (1830-1903) French

WOMAN CARRYING STICKS, pencil drawing on paper, signature stamp lower left, pencil inscription lower right, sight 9 ½ x 11 ½”, with xeroxed paperwork on verso from Joachim Pissarro Chief Curator at Kimbell Art Museum Fort Worth Texas June 1995, framed.

In apparently good studio condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

129

Hugues Claude Pissarro (b. 1935) French

LA PROMENADE AUX VIGNES, EN ALSACE, color pastel on paper, signed lower left, signed and titled on verso, 19 ¾ x 15 ¾”. Purchased from Clement Cohen Fine Art Los Angeles.

Traces of old hinging tape upper and lower extreme sheet edges verso, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

130

Hugues Claude Pissarro (b. 1935) French

LA PROMENADE SUR LE CHERMIN DE PIERRES, color pastel on paper, signed lower left, signed and titled on verso, 19 ¾ x 14 ½”. Purchased from Clement Cohen Fine Art Los Angeles.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

131

Paul Emile Pissarro (1884-1972) French

TOWN BAY, color pastel on paper, signed lower right, 9 ¾ x 12 ¾”. Purchased from Clement Cohen Fine Art Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

132

Paul Emile Pissarro (1884-1972) French

MARINA, color pastel on paper, signed lower right, 9 ¾ x 12 ¾”. Purchased from Clement Cohen Fine Art Los Angeles.

Small inconspicuous tear upper sheet edge in margin, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

133

Augusto Ranocchi (b. 1931) Italy

UNTITLED, 1985, acrylic painting on paper, signed and dated lower center, signed and dated and titled on verso, 42 x 30”, framed. Acquired from Galerie Michael, Beverly Hills.

Some pale discoloration, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Augusto Ranocchi (b. 1931) Italy

FRAMMENTI NELLS STUDIO, 1985, triptych, mixed media and acrylic painting on three adjoining canvases, signed and dated and titled on verso, overall 20 x 65”.

Surface soiling and dust accumulation, otherwise In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

135

Rembrandt Van Rijn (1606-1669) Netherlands

CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS (B. & HOLL. 71), 1634, etching from the 20th Century Millennial edition printed by Marjorie Van Dyke, plate 4 ¾ x 4”, full margins, framed.

In apparently good condition.

Auction Estimate $100/200

Starting bid $50

 

 

 

136

Herb Ritts (1952-2002) American

NAOMI WITH RAISED ARMS, 1988, gelatin silver print, signed and titled and numbered 5/25 on verso, 20 x 16”, with photographer’s blind stamp lower right, framed.

Unknown hinging material in spots upper sheet edge verso, slight cockling, otherwise in good condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

137

Herb Ritts (1952-2002) American

MALE NUDE WITH BUBBLE, 1987, gelatin silver print, signed and titled and numbered 10/25 on verso, photographer’s blind stamp lower right, 20 x 16”, framed.

A few soft handling creases, a strip of Filmoplast archival tape at extreme upper sheet edge recto, otherwise in good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

138

James Rizzi (1950-2011) New York

BOTTOM’ S UP, 1990, three-dimensional die-cut color lithograph, signed in pencil, numbered 131/150, image 7 ½ x 6”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

139

James Rizzi (1950-2011) New York

KEEP ON RUNNING, 1997, three-dimensional die-cut color lithograph, signed in pencil, numbered LVI/C (56/100), image 6 ½ x 11”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

140

Reuven Rubin (1893-1974) Israeli

JACOB’S LADDER, color lithograph, signed in pencil, numbered 111/250, image 18 x 14”, full margins, custom gold leaf frame.

Pale toning lower margin, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

141

Cher Shaffer (b. 1948) American Folk

THE ANIMALS CAME FIRST, acrylic painting on paper, signed lower right, sheet 22 ½ x 30”, framed.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Jose Salazare Ruiz Esparza (1926-2006) Mexican

UNTITLED, 1970, oil painting on canvas, signed and dated lower right, 24 x 8”, framed.

In good studio condition.

Auction Estimate $100/300

Starting bid $50

 

 

 

143

Victor Shvaiko (b. 1965) Russian

CHAMPAIGN FOR TWO, color giclee on canvas with hand-painting, signed and numbered AP 10/20 (artist’ proof) lower right in black marker, aside from the numbered edition 125, size 30 x 24”, framed.

In good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

144

Ray Smith (b. 1959) Texas Mexico

FIGURE WITH THREE DOGS, 1997, watercolor on paper, signed and dated lower right, 22 ½ x 30”, framed. Partial Sperone Westwater Gallery New York label on verso,

Old plastic tape on Plexiglas surface, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

145

Stanislaus Sowinski (1927-2010) Californian

AUTUMN SHADOWS, 1989, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 24 x 36”, framed.

Some discoloration on mat not effecting artwork, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

146

Stanislaus Sowinski (1927-2010) Californian (2) & Bill Roach (20th Century) Californian (three)

Stanislaus Sowinski THE CAUTIOUS QUAIL, 1999, watercolor on paper, signed and dated lower right, signed and dated and titled on frame verso, sight 14 ½ x 10 ½”; THE CALIFORNIANS, color print, signed and titled and inscribed A/P (artist’s proof), image 17 ½ x 23 ½”, full margins; Together with Bill Roach CHIPMUNK, watercolor on paper, signed lower left, sight 13 x 9”; All framed with glass. (3)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

Alina Speshilov (b. 1973) Russian/ Israel

UNTITLED PLAYGROUND, 2013, oil painting on canvas, signed and dated lower center to center, 10 x 13 ¾”, framed.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

148

Sports Art: Stephen Holland (b. 1941) Californian

MICHAEL JORDAN, color screenprint, signed by the artist and Michael Jordan in marker, numbered AP 14/23, sheet 39 ½ x 20”, framed.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

149

Sports Art: Stephen Holland (b. 1941) Californian

MOHAMMAD ALI, acrylic painting over mixed media on canvas, signed by the artist and Ali in gold pen, 47 x 32 ½”, framed.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

150

Sport Memorabilia: Blue Jays Jersey

TORONTO ALL STAR GAME, 1991, Rawlings 44 Baseball jersey with license label lower right, with approximately twenty-six to twenty-seven signatures in pen, framed, overall 41 ½ x 41 ½”.

In apparently good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

151

Juliette Steele (1900-1980) Californian

UNTITLED, oil painting on Masonite, signed lower right, 22 x 27 ¾”, framed.

Faint scuff lower right, hairline indentation scratch upper right, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

152

Thomas Stiltz (b. 1948) Baltimore

CELEBRATION, acrylic painting on canvas, signed lower left, 40 x 30”, framed. Provenance: Village Gallery.

In good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

153

Thomas Stiltz (b. 1948) Baltimore

CABERNET & STILTON, 2002, color giclee on canvas, signed and numbered 31/60 in ink lower left, 40 x 35”, framed.

In good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

154

Crispin Vayadares (b. 1962) Mexican

UNTITLED, gouache on handmade paper, signed lower center, 33 ¾ x 30 ½”, framed.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

155

Robert Watson (1923-2004) California

TWO FIGURES, 1957, oil painting on canvas, signed and dated lower left, 14 x 10”, framed.

Minor surface soiling, a few hairline cracks, otherwise in good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

156

Robert Watson (1923-2004) California

FIGURES WITH BUILDINGS, 1956, oil painting on canvas, signed and dated lower right, 16 x 20”, framed.

Canvas slack, a few dimples from the verso, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

157

Robert Wyland (b. 1956) Hawaii

DISNEY DIVE BUDDIES, 2005, hand-accented color giclee on canvas, signed and inscribed A/P, there were 200 artist’s proofs aside from the numbered edition of 450, size 26 x 72”, framed. With certificate from Wyland Galleries.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

158

Yamin Young (b. 1959) Chinese

CHERRY BLOSSOM, triptych, color screenprint on three sheets, signed in pencil, numbered 91/275, sheets 33 ¼ x 17”, overall 33 ¼ x 51”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

159

Yamin Young (b. 1959) Chinese

FIVE HORSES WITH TWO RIDERS, diptych, color screenprint on two sheets, each sheet signed in pencil, numbered 60/275, each sheet 24 ½ x 39 ½”, overall 24 ½” x 79”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

160

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed in pencil, numbered 170/375, image 58 x 29 ½”, sheet 63 ½ x 35”.

Some hairline cracking from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

Victor Hugo Zayas (b. 1961) Mexican/ American

LOS ANGELES, acrylic impasto painting on thin board, signed and dated lower left, 42 x 40”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

162

Zhou Ling (b. 1941) Chinese

WOMAN WITH PANTHER & OCELOT, color screenprint, signed in pencil, numbered 192/300, image 26 ½ x 37”, full margins, published by Gregory Editions, printed by Soma Fine Art Press.

Small imperceptible hairline crease at center, pale discoloration spots lower margin, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

163

Francisco Zuniga (1912-1998) Costa Rican

TWO SEATED WOMEN, 1981, watercolor and pastel on paper, signed and dated lower left, 22 7/8 x 35”, framed. Provenance: Special thanks to Mr. Ariel Zuniga for verifying the authenticity of this work to be included in the forthcoming volume V catalog raisonne.

Some soft handling creases, otherwise in good studio condition

Auction Estimate $10,000/20,000

Starting bid $5000

 

 

 

164

Francisco Zuniga (1912-1998) Costa Rican

CHAMULAS AZUL (B.60; Z.292), 1981, color lithograph, signed and dated in pencil, numbered 72/75, printed by Mourlot Paris, published by Brewster Editions New York, sheet 22 x 30”, framed.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

 

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