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The Charles Baron Collection

July 24th, 2021, 12pm

 

 

1

Iren Aleksandrina (20th Century) Russian

MOSCOW BOLSHOI THEATRE, 2004, oil painting on canvas, signed lower left, signed? and dated and titled and inscribed on verso 20 x 24”, frame 33 x 37 x 4”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

2

Carlos Almaraz (1941-1989) Mexican American

RED LAKE, 1986, color aquatint etching, signed and dated and inscribed HC (hors commerce) aside from the numbered edition of 45, printed by Efram Wolff image 13 Ύ x 16 Ύ”, full margins, hand-made custom frame 30 x 34” with glass.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

3

Linda Alterwitz (b. 1960) American Dorothy Braudy (20th Century) California Elizabeth Lennard (20th/ 21st Century) New York French (three)

Linda Alterwitz NUMBER 67 from the series In-Sight, color archival pigment print, signed and titled and inscribed A/P (artist’s proof) in pencil on verso, image 15 x 15”, sheet 17 ½ x 17 ½”; Dorothy Braudy THE POOL, 1998, color pigment print, signed and dated and numbered 6/15 in pencil, image 7 Ό x 10 Ύ”, sheet 15 ½ x 20 ½”; Elizabeth Lennard ROBIN WILLIAMS, hand-colored photograph, 14 ½ x 10”. (3)

Braudy with a crease lower left corner and some soft handling creases; Lennard with smudge center left margin and some old scotch and plastic tape hinges on verso; otherwise all in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

4

Artist Unidentified (20th Century)

REFLECTIONS #3, acrylic painting with spray paint on Masonite with mid-century rustic house window, signed or inscribed Mario Lemere on verso, 40 x 26”, hand-made custom frame 52 Ύ x 39 x 3” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

5

Artist Unidentified (20th Century)

FLOWER MARKET, oil painting on canvas, illegibly signed lower right, 31 x 27”, frame 39 ½ x 35 ½”.

Professionally small repair patch on verso not visible on recto, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

6

Ashanti, Ghana African Art

AKUA’BA FERTILITY DOLL, carved wood statue, 12 Ό x 4 x 1 Ό”. Provenance: Estate of Louis R. and Deborah Mosbrooker Beverly Hills, CA; African Collection from a Beverly Hills Art Historian and Museum donor.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

7

Bambara, Mali African Art

FEMALE WITH BABY, Chiwara carved wood statue, 31 ½ x 9 x 2 Ό”. Provenance: Estate of Louis R. and Deborah Mosbrooker Beverly Hills, CA; African Collection from a Beverly Hills Art Historian and Museum donor.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

8

Marcia Banks (b. 1934) American

HARMONY, acrylic painting on canvas, signed lower right, 24 x 30”, frame 32 Ό x 28 Ό x 1 Ύ”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

9

Gertrude Barrer (1921-1992) New York

THE THREE GRACES, oil painting on board, signed lower left, 27 ½ x 20 ½”, frame 29 x 22”.

Small nick lower left, a few small scuffs and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

10

Lynda Barry (b. 1956) American

MY BIG DAY IN L.A., 1996, original artwork for two comic book pages, each a watercolor and ink on CM Fabriano paper, both signed and dated, one upper right & one lower right, sheets 13 x 11”, both in one frame 20 Ύ x 29 Ύ” with glass.

In apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

11

Pierre Bonnard (1867-1947) French & Arthur Millier (1893-1975) California (two)

Pierre Bonnard FAMILY SCENE, lithograph, sight 10 Ό x 7 Ύ”, frame 17 Ό x 15” with glass; Together with Arthur Millier FARM SCENE, etching, signed and numbered 28/35 in pencil, plate 4 Ό x 6 Ό”, full margins, frame 11 ½” 12 ½” with glass. (2)

The first with some discoloration; the second with some discoloration on left side; otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

12

Orlando Aqudelo Botero (b. 1946) Columbian

FIGURE ON BLUE, color screenprint with handwork, signed and numbered 23/46, sheet 24 x 33”, frame 39 x 48 ½ x 3”.

Small crease lower left corner, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

13

Orlando Aqudelo Botero (b. 1946) Columbian

INDENIA, color screenprint with handwork, signed and numbered 6/47 in pencil, sheet 33 ½ x 49”, frame 49 x 64” with Plexiglas.

Art appears to be in good condition, stains on matting, tape residue on Plexiglas.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

14

Morris Broderson (1928-2011) California & another (two)

Morris Broderson STONE FIGURE JAPAN, 1966, color pastel, signed and dated lower left, sight 7 x 6 ½”, frame 12 ½ x 11 Ύ”; Artist Unidentified UNTITLED, watercolor on paper, 10 Ό x 8 Ό” laid down on board, frame 17 Ό x 15 Ό” with glass. (2)

Broderson with faint stain center left side, possibly some discoloration at mat, otherwise both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

15

Hans Burkhardt (1904-1994) German/ American

ABSTRACT FORM, 1963, color pastel on paper, signed and dated lower right, 23 Ύ x 18”, frame 31 x 25” with glass. Provenance: Art Resource Group, Corona Del Mar.

Crinkles and creases, small edge tears, small loss lower left corner, otherwise apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

16

Alexander Calder (1898-1976) American

LOS ANGELES COUNTRY MUSEUM OF ART APRIL 1ST, 1965, color lithograph poster, signed on the stone, frame 33 x 25 ½” with glass.

Creases and crinkles, small puncture in unprinted area upper right, small scrape in blue, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

17

Franco Cantatore (20th Century) Italian

MATERNITY, 2004, oil painting on canvas, signed lower right, signed and dated and titled on verso, 15 ½ x 19 ½, hand-made custom frame 24 x 28 x 3 ½”.

Some hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Mario Carreno (1913-1999) Cuban/ Chilean

UNTITLED, color pastel drawing with ink on paper, signed lower right, sheet 10 ½ x 13 ½”, frame 14 ½ x 17 ½” with glass. Provenance: Purchased from the Carreno family in Chile by the owner, whose father, Mario Santi, was a friend of the artist.

Some small creases and discoloration at sheet edges, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

19

Mario Carreno (1913-1999) Cuban/ Chilean

YELLOW WOMAN, 1964, watercolor with pencil drawing on paper, signed and dated lower right, sheet 8 Ό x 11 Ύ”, frame 11 ½ x 15” with glass. Provenance: Purchased from the Carreno family in Chile by the owner, whose father, Mario Santi, was a friend of the artist.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

20

Emilia Castaneda (b. 1943) Spanish

TRES MUJERES Y UN TERRIER, color lithograph, signed and numbered 81/225 in pencil, image 17 ½ x 22 Ύ”, full margins, hand-made custom frame 33 ½ x 36 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

21

Claude Catulle (b. 1929) French

COSTUME DESIGN FOR ESTHER, acrylic painting on paper, signed lower right, with fabric swatches lower right, sight 19 x 12 Ό” hand-made custom frame 28 x 21” with Plexiglas.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

22

Marc Chagall (1887-1995) Russian French

PSAUMES OF DAVID #2, 1979, color etching, plate 7 x 5 Ό”, full margins, frame 18 x 16 ½” with Plexiglas. Provenance: Martin Lawrence Gallery.

In apparently good condition.

Auction Estimate $300/500

Starting Bid $150

 

 

 

23

after Marc Chagall (1887-1985) Russian French

UNTITLED, color screenprint, artist’s name and numbered 23/75 in pencil by another hand, sight 31 x 21 ½”, hand-made custom frame 42 ½ x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

24

Rosa Chavez (20th Century)

GREAT PALATIAL HALL, 2001, acrylic painting on canvas, signed and dated lower left, 48 x 36”, frame 60 x 48 x 4”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

25

Jules Cheret (1836-1932) French (two)

VIN MARIANI (B.866), 1894; QUINQUINA DUBONNET (B.879), 1896, each a color lithograph on wove paper, both signed and dated on the stone, sight 22 ½ x 15” & 22 x 14 Ύ”, both printed by Chaix, frames 30 ½ x 22 ½” & 29 Ό x 21 Ύ” with glass. Provenance: Galerie DeVean, Beverly Hills. (2)

Both with natural discoloration from age, Quinquina with tear and small losses at centerfold extreme right, creases and soft creases; otherwise both in apparently good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

26

Oscar Chiconi (b. 1957) Argentinean

LA BOCA TANGO, watercolor and ink on paper, signed lower left, image 11 ½ x 7 Ό”, hand-made custom frame 23 x 19” with Plexiglas.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

27

Edouard Jules Chimot (1880-1959) French (two)

ECSTASY, two etchings, a color proof and a black state proof, both signed in pencil, the first inscribed EA (epreuve d’artiste/ artist proof), the second inscribed essai en noir (working in black), plates 8 ½ x 7” & 9 ½ x 8 ½”, full margins, hand-made custom frames 17 ½ x 16” with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Edouard Jules Chimot (1880-1959) French (two)

WOMAN DESCENDING STAIRS, two etchings, a color etching and a black state proof, both signed in pencil, the first numbered XXXIX/L (39/50), the second inscribed essai en noir (working in black), plates 8 Ύ x 6 Ό” & 9 ½ x 8 ½”, full margins, hand-made custom frames 16 ½ x 14” with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Edouard Jules Chimot (1880-1959) French (two)

STANDING NUDE, two etchings, a color etching and a black state proof, both signed in pencil, each numbered XXXIX/L (39/50) & V/V (5/5), plates 8 ½ x 6 ½” & 9 ½ x 8 ½”, hand-made custom frames 17 x 15” with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

30

Edouard Jules Chimot (1880-1959) French (three)

FEMMES, three color etchings, each signed in pencil, one numbered 6/50, plates 9 Ό x 7” & 8 Ύ x 6 ½” (2), full margins, hand-made custom frames 17 x 15” & 15 x 11” (2), all with glass. (3)

One with a pale spot center left edge of image and small chip on frame, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

31

Edouard Jules Chimot (1880-1959) French

LANDSCAPE VIEW OF A TOWN, color pastel on paper, signed lower right, sight 8 x 9 ½”, hand-made custom frame 23 x 24 ½ x 2” with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

32

Jose Luis Cuevas (1923-2017) Mexican

THEY GAVE ME MY FIRST NOTION…. 1961, lithograph, signed and numbered 88/100 in pencil, blind stamp lower left, sight 15 Ό x 20 Ύ”, frame 23 x 28” with glass.

Perimeter toning at mat, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

33

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk Certificate of Authenticityted paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

34

circle of Charles De La Fosse (1636-1716) French

DIANA HOLDING AN ARROW, oil painting on canvas, 54 x 39”, frame 57 x 42 ½ x 2 ½”. Provenance: Sotheby’s New York, sale 6423, lot 0295, Old Masters Paintings May 1993, sold for $8091.

Professionally restored and re-lined, small chip upper right edge, some tiny stray white paint drops on the surface upper right, a few small scrapes, dust accumulation, otherwise in good aged condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

35

Decorative Bronze

MAN IN ARMOR, vintage cast bronze sculpture, overall height 30” tall, sculpture weighs 25 lbs., marble base 8 ½ x 8 ½ x 8” weighs 35 lbs., combined weight 60 lbs., sculpture detaches from base, sword not attached.

Rough spot on upper backside leg, sword lacking tip, possible dent on rim of helmet, marble base with small chips, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Decorative Asian Items (20th Century) (two)

Decorative enameled round lidded metal bowl with pedestal base and interior design, stamped underneath, height including lid 10 Ύ”, 10” diameter; Together with a round enameled metal dish 4 ½” diameter, 1” tall. (2)

The larger bowl with some surface soiling and tarnishing, otherwise both in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

37

Decorative Items: Small Box Collection (thirty-one)

A collection of thirty-one tiny boxes: 16 ceramic, 11 metal, 2 wood, 2 glass, some hallmarked, size range from largest 4 x 4 x 1 Ό” to smallest 1 ½” diameter x 1”. (31)

All is overall good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

38

Decorative Item: Bronze Buddha

SEATED BUDDHA, cast bronze statue, 8 ½ x 5 ½ x 4 ½”.

In good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

39

Decorative Items: Candelabras (two)

A pair of bronze candelabras with four arms each, both 19” tall. (2)

Both in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

40

Decorative Item: Channel Jewelry Box

Branded jewelry box with mirror overlay, a top compartment and two side compartments and five drawers, all with velvet lining, overall 15 ½ x 11 Ό x 7 ½”.

Some mild resistance to top compartment lid, some minor wear to wood trim good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Decorative Items: Franz Hermie Clock & Gemstone Globe Clock (two)

Modern Imperial-style plastic and metal mantle clock, 15 Ύ x 8 Ό x 5” with key; Alexander Kalifano-style rotating globe with mother of pearl and gemstone inlay, with three clocks and a thermometer, set atop a brushed brass swivel casing with four pillars, 11 ½” tall. (2)

The first one with clouding to plastic finish, The second with minor tarnishing, otherwise both in good used condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

42

Decorative Items: Glass (five)

Glass collection includes a heavy glass pinnacle bowl, hallmarked, 4” tall, 14” diagonal; Two Orefors bowls, both hallmarked underneath, 3 ½” tall, 5 ½” diameter & 4” tall, 4 ½” diameter; A hand-blown blue glass plate, possibly stamped underneath, 10 ½” diameter; A Villeroy & Boch crystal candelabra with four arms, hallmarked underneath, 9” tall. (5)

Candelabra with fleabites on the insides of three arms and wear underneath; Otherwise all in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

43

Decorative Items: Glass (two)

A clear to green glass bowl with tripod brass stand, 12 x 9 x 9”; A hand-crafted clear glass bowl with gilded ormolu metal stand, 8 ½ x 13 x 13”. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

44

Decorative Items: Glass (three)

Glass pitcher hand-painted, signed “Diana Gaikuzova” underneath, 10 ½ x 8 ½ x 4”; A colored molded glass decanter with painted lines, signed underneath, 8 ½ x 5 x 5”; A lidded clear to blue glass jar with gold finish, 10 x 5 x 5”. (3)

Decanter with some wear on hand-painted lines and small inclusion crack in stopper; otherwise all apparently in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

Decorative Items: Shannon Glass (two)

Two thickly molded glass vessels, both with frosted and clear glass, the first 12” tall and the other 10” diameter. (2)

Both in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

46

Decorative Items: Ink Well Collection

Collection of nineteen items, five with stands, three of five with pens, largest stand 10 x 7”, smallest well 1 Ύ x 1 Ό x 1 Ό”.

In various used conditions, one of the stands is lacking a leg, porcelain dragon well with hairline crack, two of the glass wells with chips and losses at base, one of the metal boxes with detached lid, tip of glass quill broken off but retained.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

47

Decorative Items: Meriden & Co. Silver (four)

Footed silverplate coffee and tea service with matching cream and sugar, each stamped underneath Meriden Co., 10 ½” to 6” tall. (4)

Each with some tarnishing, otherwise in good condition, appear to be unused.

Auction Estimate $100/200

Starting Bid $50

 

 

 

48

Joseph Demarais (1927-1971) New Jersey & Mario Abis (b. 1924) Italian (two)

Joseph Demarais SOME PEOPLE I KNOW, 1967, etching, signed and dated and numbered 1/100 in pencil, plate 17 ½ x 22”, full margins, frame 26 ½ x 30 ½”; Mario Abis VENTO DEL MORO, aquatint etching, signed and titled and numbered 8/20 in pencil, plate 19 Ό x 12 Ύ”, full margins, frame 29 ½ x 22” with glass. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

49

Erte (1892-1990) French

MERMAID (E.158), 1990, cast bronze sculpture with glass base, signed and numbered AP (artist’s proof) 22/37 aside from the edition of 375, published by Chalk & Vermilion and Seven Arts, overall 21 x 9 x 7 Ύ”, weighs 19 lbs. Provenance: Martin Lawrence Ltd. Editions.

Pearl has been detached and re-attached not in the same place, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

50

David Florimbi (b. 1961) Santa Barbara (ten)

VARIOUS TITLES, 2006-2007, nine color archival pigment prints on paper from Station Crossing show 2007, each signed and dated in pencil lower right, sheets 11 x 8 ½”; FESTIVAL TAURINO, 2002, color poster, signed and inscribed A/P (artist proof) in pencil lower right, sheet 14 ½ x 10 ½”, hinged to card, overall 17 x 13”.  (10)

All in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

51

Mary Frank (b. 1933) England New York

STANDING FEMALE NUDE, 1967, ink wash on paper, signed and dated lower right, 22 ½ x 17 ½”, frame 31 x 25” with glass.

Whited out rub spot lower left, small discoloration spots, soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

52

19th Century French Illustrations (four)

VARIOUS, four color lithographs by Gillot after Lorsay and others, sights 7 x 4”, all matching hand-made custom frames 14 ½ x 11 ½” with glass. (4)

Some minor discoloration, otherwise in apparently good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

53

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed and numbered 44/95 in pencil, plate 22 Ύ x 16 Ό”, full margins, frame 31 x 23 ½” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

Norman Garner (20th Century) (two)

AMORE SACRO; RE-SURFACE, 1998, two color pigment prints, each signed and dated and titled in pencil, numbered 5/30 & 2/30 in pencil, both with artist’s blind stamp lower right, images 14 Ό x 22” & 14 x 21 ½”, sheets 22 Ό x 30”. (2)

Re-surface with crease along right sheet edge; otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

55

Greg Gorman (b. 1949) American

KIM – VALLEY OF FIRE, 1992, gelatin silver print, signed and dated and titled and numbered 2/15 on artist’s stamp on verso, sight 22 x 18 ½”, heavy hand-made custom frame 34 x 30” with glass.

In apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

56

after Francisco de Goya

LE MAJA DES NUDA, oil painting on board, 34 x 59”, frame 43 x 68”.

Criss-cross incision at the bridge of her nose, small loss lower right, another criss-cross incision on her left leg, hairline cracks, some surface soiling, scratch upper left, some small nicks, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

57

Greco Roman Ceramic

Small black ceramic with single handle and rounded bottom, 3 ½” tall, 2 Ό” diameter, with a 2 x 4 x 4” Plexiglas stand, overall height with stand 5” with stand.

In good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

58

Milton Greene (1922-1985) New York

MARILYN MONROE FROM THE ‘HOOKER’ SITTING LOS ANGELES 1956, color photograph, signed and dated 1979 and numbered 232/250 in pen on artist’s authentication stamp on verso, sight 13 Ό x 13 Ύ”, hand-made custom frame 27 x 25 ½” with glass.

In apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

59

Rick Griffin (1994-1991) California

WATER TO WINE from the Gospel of John, acrylic painting on board, signed and titled in pencil, sight 16 ½ x 12 ½”, hand-made custom frame 28 Ό x 23 ½” with Plexiglas.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

60

Harry Guttman (1933-2015) Romanian French

WOMAN ON RED COUCH, oil painting on canvas, signed lower left, 16 x 20”, hand-made custom frame 25 x 29 x 4”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

61

Harry Guttman (1933-2015) Romanian French

SEATED WOMAN, 1984, oil painting on canvas, signed lower right, signed and dated on verso, 24 x 20”, hand-made custom frame 30 x 24”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

62

Heywood Hardy (1842-1933) British

PROMENADE PER LA FAEL, oil painting on canvas, signed lower left, 13 x 18 Ό”, hand-made custom frame 23 x 28 x 5”.

Re-lined, restoration lower center right edge and corner, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

63

Keith Haring Design (1958-1987) New York

A VERY SPECIAL CHRISTMAS, 1987, album cover with eight or nine autographs including what appear to be Madonna, Bruce Springsteen, Whitney Houston, Stevie Nicks and others, 12 Ό x 12 ½”, hand-made custom frame 19 Ό x 19 Ό x 2” with glass, frame with some wear.

Some handling creases, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

64

Will Herrera (20th Century) Hawaii Maui (two)

FAN DANCER I, 1985, painted and glazed ceramic, signed and dated lower left, signed and titled on verso, 15 x 17 x 3 Ό”; MERCURY, 1986, painted and glazed ceramic, signed and numbered 4/30 on verso, 8 x 12 x 2”. (2)

Fan with some hairline firing cracks in the glaze, otherwise both in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

65

Al Hirschfeld (1903-2003) New York

ALIAS, featuring Jennifer Garner, Victor Garber, Ron Rifkin and others, lithograph, signed and numbered 7/13 in pencil, sight 18 Ό x 25”, frame 28 Ύ x 34 ½” with Plexiglas.

Artwork in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

66

Friedensreich Hundertwasser (1928-2000) Austrian

10002 NIGHTS HOMO HUMUS COME VA HOW DO YOU DO (K.83), 1984, color screenprint and photolithograph with metallic imprints on Fabriano paper, signed and numbered 3577/10002 in pen, first edition where each print is different from each other, each specimen is an original, the edition contains 10002 variations, with six stamps, with tirage on verso, sight 26 x 19”, hand-made custom frame 36 x 30 x 3 Ύ” with Plexiglas.

Art in apparently good condition, some small chips in frame’s gold leafing.

Auction Estimate $600/1200

Starting Bid $300

 

 

 

67

George Hurrell (1904-1992) American

CLARK GABLE, gelatin silver print, signed and inscribed AP (artist’s proof) in ink, image 18 Ύ x 15 ½”, hand-made custom frame 29 Ό x 25 Ό” with glass.

Hard crease with white lines center right, cockling, soft handling creases, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

68

Slava Ilyayev (b. 1970) Russian Israeli

RADIANT DAY, 2019, thickly painted oil painting on canvas, signed lower right, 16 x 20”, frame 26 Ύ x 30 ½”. Provenance: Park West with certificate of authenticity.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $150

 

 

 

69

Imari Porcelain Charger

Large Imari porcelain charger with gold paint highlights, character stamp underneath, 18” diameter, 2 ½” deep.

With small natural firing imperfections, otherwise in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

70

Imari Porcelain & others (19th/ 20th Century) (six)

A squared footed bowl with scalloped corners, character mark and an old label stating it to be 150 years old underneath, 2 x 5 Ύ x 5 Ύ”; A large serving, bowl 12” diameter, 4 ½” tall; Together with a footed hexagonal porcelain dish with character stamp underneath, 2 Ό x 11 ½ x 9”; And we’ll also throw in two cute modern round dishes 9 Ό” & 6” diameter and an Asian vase 9 ½” tall, character stamp underneath, 6” diameter. (6)

The first with some wear and mild roughness on rim; the second with some wear to gilding on rim; the first three all three with small natural firing imperfections; Otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

71

Jade carving

FISH, a monumental white jade sculpture, 35 ½” above stand. 41” tall with stand, 15” wide, 2 ½” deep, wood stand 8” deep, weight 68 lbs.

Upper lip re-attached, some small chips and rough spots, moderate chip upper left inside, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

72

Jade Carvings (two)

A pair of carved jade Foo dogs, each 6 Ό x 4 Ό x 3 ½”. (2)

A few small rough spots, one with small polished down loss at bottom edge of base, dust accumulation, otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

73

Henri Journolleau (20th Century) French

SUR LES COTEAUX D’ANSAS, 1946, oil painting on board with a painting of a tree on the verso, signed and dated and titled lower right, 13 Ύ x 10 ½”, hand-made custom frame 20 ½ x 17 ½ x 2 Ό”. Provenance: Galerie Michael Beverly Hills.

Artwork in good studio condition, frame with some small chips.

Auction Estimate $100/200

Starting Bid $50

 

 

 

74

James Kearns (b. 1924) American & Sidney Chafetz (1922-2013) Providence (two)

James Kearns ACROBATS, etching, signed and titled and numbered 5/5 in pencil, plate 8 Ύ x 5”, full margins, frame 21 x 15” with glass; Sidney Chafetz LAST LEAF, 1966 aquatint etching, signed and dated and titled and numbered 139/250 in pencil, plate 12 Ό x 7 ½”, full margins, frame 20 ½ x 15” with glass. (2)

The second with some toning, otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

75

Sister Mary Corita Kent (1918-1986) Californian

PERHAPS THAT IS HIS PURPOSE, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

76

Sister Mary Corita Kent (1918-1986) Californian

HAVE CONFIDENCE, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

77

Sister Mary Corita Kent (1918-1986) Californian

EACH OF US, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

78

Sister Mary Corita Kent (1918-1986) Californian

I AM SINNING STILL, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

79

SisteMary Corita Kent (1918-1986) Californian

IT SEEMS TO ME AS, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

80

Sister Mary Corita Kent (1918-1986) Californian

TO PERSEVERE, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

81

Sister Mary Corita Kent (1918-1986) Californian

TO BELIEVE IN GOD, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

82

Sister Mary Corita Kent (1918-1986) Californian

WE DON’T ASK THE ROSE, 1965, color screenprint on 3M art fabric, signed in ink, from the edition of 275, sheet 17 x 13 ½”, frame 20 x 16 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

83

SisteMary Corita Kent (1918-1986) Californian

GRAVITY, circa 1970, color screenprint, signed and inscribed Ed 250 in ink, in Plexiglas box frame 20 x 34 ½”.

Mild cockling, discoloration at perimeter, otherwise in apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

84

Sister Mary Corita Kent (1918-1986) Californian

SEVEN SWORDS, 1957, color screenprint, signed and titled and inscribed in pencil, image 15 ½ x 21 ½”, full margins, frame 21 x 27” with glass. Note: another impression is in the collection of the Hammer Museum at UCLA.

Some discoloration, otherwise in apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

85

Val Kilmer (b. 1959) American

THE JOURNAL, collage mounted to depressed foam core, titled in marker on verso, 24 x 19”.

Some small accretions, some surface soiling, some edge wear, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

86

Liudmila Kondakova (b. 1956) Russian

ROOFTOPS OF PARIS AT NIGHT, 2005, color screenprint on Gesso board, signed and numbered 34/295 in gold ink, 27 x 36”, frame 33 ½ x 57”. Certificate from Chalk Vermilion, Provenance Martin Lawrence Gallery.

A few little surface spots, probably cleanable, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

87

after Tamara de Lempicka (1898-1980) Polish French (two)

ADAM & EVE; TWO WOMEN, two color prints, each with matching hand-made custom frames 48 ½ x 31 ½” & 48 ½ x 29 ½”, both with Plexiglas. (2)

Both in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

88

Erica Lennard (b. 1950) New York

PYRAMIDS, gelatin silver print on AGFA paper, signed and inscribed A.P. (artist proof) in ink lower right, image 10 ½ x 15 ½”, sheet 16 x 20”.

A few soft handling creases in the margins, two small Japanese paper hinges on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

89

Lidia (20th Century)

FANTASY, color pastel and gouache on black paper, signed lower left, 9 x 12”, hand-carved custom frame 20 x 22 ½” with glass.

Small slice upper left corner possibly studio visible at certain angles, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

90

Ed Martin (b. 1926) Los Angeles (two)

LUNE, 2003, Cibachrome artist mounted to card, signed and dated and titled and numbered 3/25 in pencil on card, image 15 ½ x 19 Ύ”, frame 27 x 30 ½” with Plexiglas; SADNESS, 2000, Cibachrome artist mounted to card, signed and dated and titled and inscribed AP (artist’ proof) in pencil on card, image 13 ½ x 10 ½”, full margins, frame 25 x 21” with Plexiglas. (2)

Lune appears to be in good condition, losses to frame’s molding; otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

91

Suzanne Martyl (1917/18-2013) Illinois

LANDSCAPE, oil painting on board, signed lower left, 13 x 10”, frame 17 x 14”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Ed Martin (b. 1926) Los Angeles (two)

ATHLETE (plant), Cibachrome artist mounted to white Crescent Board, signed and titled on verso of board, image 19 Ύ x 15 Ύ”, board 26 x 22”; HORSEFLY, 1999, Cibachrome artist mounted to card, signed and dated and titled and numbered 3/50 in pencil on card, signed and titled in pencil on verso, image 13 ½ x 10 Ύ”, card 19 x 16”.  (2)

Athlete with some small surface losses lower photo edge; Horsefly with small stain lower right at date; Otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

93

Ralph Massey (b. 1938) California

BETTER LIVING THROUGH AUTOMOTIVE MECHANICS, 2011, acrylic painting and gouache on wood panel, signed and dated lower right, 31 Ό x 46”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

94

Ralph Massey (b. 1938) California

GEOMETRY, cast Polyester resin sculpture with airbrush lacquer finish, artist mounted to wood base, signed and numbered 3/50, only three were realized, overall 10 x 6 Ό x 6 Ό” including wood platform base.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

95

Ralph Massey (b. 1938) California

TOP HAT, 2013, acrylic painting and gouache on wood panel, signed and dated lower right side, 33 Ύ x 22 Ύ”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

Ralph Massey (b. 1938) California

FROM THE VERY BEGINNING, 2013, acrylic painting and gouache on wood panel, signed and dated lower right side, 31 x 43 ½”.

Small stray white line lower left, in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

97

Ralph Massey (b. 1938) California

DREAMER, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered 1/30 on verso, only one realized, 23 ½ x 19 x 10”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

98

Andre Masson (1896-1987) French

SEPTIEME CHANT series, 1974, color etching on Japan paper signed and numbered XVI/XX (16/20) Roman numerals in pencil, plate 11 ½ x 8”, full margins, hand-made custom frame 22 ½ x 18 ½ x 2 ½”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

99

Roberto Matta (1911-2002) Chilean

THE OPPRESSORS LES OPRIME, 1983, color aquatint etching, signed and numbered 35/100 in pencil, image 14 Ύ x 19 Ό”, full margins, hand-made custom frame 29 Ό x 33” with Plexiglas.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

100

Roberto Matta (1911-2002) Chilean

VITREURS (F.213), from the Hom’mere III series, 1976-77, color aquatint etching on Japan paper, signed and numbered 12/100, printed and published by Georges Visat, image 19 ½ x 14 Ύ”, full margins, hand-made custom frame 32 Ό x 27 ½” with glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

101

Peter Max (b. 1937) German American

ANGEL WITH HEART, 2016, color screenprint, signed and numbered HC (hors commerce) 3/100 in pencil, artist’s blind stamp lower left, artist’s blind stamp lower left, image 12 Ό x 9 Ό”, full margins, frame 31 Ό x 28 ½” with Plexiglas. Provenance: Park West with certificate of authenticity.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

102

Peter Max (b. 1937) German American

BETTER WORLD, 2017, color screenprint, signed and numbered HC (hors commerce) 76/100 in black marker, sheet 11 1/8 x 11 1/8”, frame 27 x 27”. Provenance: Park West with certificate of authenticity.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

103

Peter Max (b. 1937) German American

UMBRELLA MAN, 2016, color screenprint, signed and numbered HC (hors commerce) 35/100 in pencil, artist’s blind stamp lower left, image 12 x 9 Ό”, full margins, frame 31 Ύ x 28 ½” with Plexiglas. Provenance: Park West with certificate of authenticity.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

after Matisse, Miro, Chagall, Braque & another (twenty)

Collection of partial Derriere Le Miroir and another publication, prints included are: after Matisse, three of the same triple fold color lithographs, each 12 Ό x 32 ½”; Miro 1970 lithograph cover, 1973 lithograph cover, two double-page lithographs 15 x 22” and one triple-page lithograph, 15 x 32”; Chagall & another, two of the same lithographs, sheets 15 x 21 Ύ”; Braque 1951 Sur Quartre Murs, cover and center page lithograph with two images, sheets 15 x 22”; Artist Unidentified, two of the same double-page lithograph, sheets 15 x 21 Ύ”; All with center-folds as issued.(20)

All in apparently good condition with some various condition issues including small tears, creases, spotting and wear.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Modern Artist Unidentified

UNTITLED, watercolor and color pencil on paper, signed lower right, sheet 19 Ύ x 13 Ύ”, frame 28 x 22” with Plexiglas.

Small crease top right edge, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

106

Victor Moscoso (b. 1936) California

Neon Rose publisher, BLUES PROJECT MATRIX SAN FRANCISCO, FEB 13-16, MINORS WELCOME 1967, color poster, signed in the design, sight 19 x 14 Ό”, hand-made custom frame 31 x 25 Ό” with glass.

Some tiny printing blemished, otherwise in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

107

Jennifer Moses (20th Century) California

BELL TOWER, oil painting on canvas, signed lower right, 10 x 8”, hand carved custom frame 21 Ό x 19”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

108

Aflredo Muller (1869-1939) Swiss

BLINDMAN’S BLUFF, 1905, color etching, signed and dated in the plate lower right, plate 12 ½ x 6 Ό”, full margins, hand-made custom frame 26 x 29 x 3 Ό” with glass.

Some cockling, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

19th Century Artists Unidentified (two)

PORTRAITS OF MEN, 1878 or 1848, a pair of oil paintings on panels, each signed and dated lower right, 14 x 12 ½”, frames 18 ½ x 16 Ό”. (2)

Both with craquelure and small nicks and some small scuffs and surface soiling, one with loss right center edge, otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

Austino Obi Okafor (20th Century) West African

UNTITLED, watercolor and pastel on paper, signed lower center right 20 x 14”, hand-made custom frame 31 x 25” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

111

Old Master School

PORTRAIT OF A NOBEL EXPLORER, oil painting on canvas, 35 x 27 ½”, frame 44 ½ x 37 ½ x 4”, old auction chalk marks on verso along with remnants of an unknown label.

Professionally relined and restored, antique frame with some losses, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

112

Nathan Oliveira (1928-2010) California

MAN & ANIMAL, 1957, lithograph, signed and dated and titled and numbered 1/10 in pencil, frame 35 x 26 Ό” with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

113

Masha Orlovich (b. 1960) Russian

SYNAGOGUE ENTRANCE, acrylic painting on board, signed lower right, 8 x 6”, hand-made custom frame 14 x 14 x 2 ½”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

114

Dominic Pangborn (b. 1952) Korean American

TALE OF A HEART, 2019, acrylic painting on aluminum, signed lower left, 7 x 5”, frame 20 ½ x 18 ½” with Plexiglas. Provenance: Park West with certificate of authenticity.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $150

 

 

 

115

Pauline Paris (20th Century)

THE CONTORTIONIST, 2005, pencil and ink drawing on collaged wood veneers mounted to Clayboard, initialed and dated in pencil lower left, inscribed and dated on verso, overall 12 x 9”.

In good studio condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

116

Michael Parkes (b. 1944) Missouri

ANGEL AFFAIR (S. pg.72), 1986, color lithograph, signed in pencil and numbered lightly 127/200 in red, published by Steltman with blind stamp lower right, 28 Ύ x 20 Ύ”, hand-made custom frame 39 Ό x 32 Ό” with Plexiglas.

Some small creases and soft handling creases, tiny tear in deckle right sheet edge, otherwise apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

117

Yann Penhouet (b. 1977) French (two)

PASSAGE, 1991, acrylic painting on canvas, signed lower right, signed and dated and titled on verso, 10 Ύ x 9”, hand-made custom frame 15 x 13 x 2”; FOUNTAIN, acrylic painting on canvas, signed lower right, 8 Ύ x 6 ½” hand-made custom frame 13 x 10 ½ x 2”. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

118

Ugo Pergoli (b. 1937) Italian

BARCONI, 2003, oil painting on board, signed lower right, 10 x 12 Ό”, with artist’s certificate on back of hand-made custom frame with filagree 15 x 17 Ό x 3”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

119

Photographers Unidentified (20th / 21st Century) (four)

FLOOD BASIN, color photograph on Kodak paper, initialed and inscribed 3-10 in marker on verso, sheet 16 x 20”; COLOR TUNNEL, triptych, three color photographs, each inscribed in the margins, sheets approximately 12 x 14”; POOL HALL, 1982, color photograph on Kodak paper, signed and dated and inscribed For Laurie in ink on verso, 8 x 10”, matted; AERIAL SCENE, 2003, color photograph on Kodak Royal paper, signed and dated in ink lower right, image 8 ½ x 5 Ύ”, sheet 10 x 8”. (4)

Basin with some small pale discoloration on verso and soft handling creases and a hairline scratched lower right; Triptych with some scuffs, handling marks and accretions; Pool Hall with some soft handling creases and mild cockling and faint discoloration at edges; Aerial with faint scuff, otherwise all in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

120

Photographers Unidentified (20th / 21st Century) (three)

BIOGRAPH-THEATER, 1992, color photograph on Fuji Crystal Archive paper, signed and dated and numbered 17/25 in black marker on verso, sheet 20 x 24”, frame 24 ½ x 28 Ό” with glass; HOTEL FIGUEROA SIGN WITH SPORTS ADS, DOWNTOWN L.A., 2003, color digital print, faintly signed and dated lower right, image 11 Ό x 15”, full margins, frame 18 ½ x 22” with glass; NIGHT SCENE, 1997, gelatin silver print, signed and dated in blue ink lower right, sight 8 Ύ x 12 Ό”, frame 17 ½ x 21 ½” with glass. (3)

The first with some soft handling creases and tiny kinks; The second and third in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Camille Pissarro (1830-1903) French

INTERIOR WITH FIGURES, ink drawing on paper, initialed or artist or estate’s initial stamp lower right, 5 Ύ x 4 ½”, hand-made custom frame 23 x 21 ½ x 3 ½” with Plexiglas, weight 14 lbs.

In apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

122

Hughes Claude Pissarro (b. 1935) French

WOMAN IN GARDEN, color pastel on paper, signed lower left, 9 Ύ x 14”, hand-carved custom frame 19 x 23 ½” with glass.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

123

Paul Emile Pissarro (1884-1972) French

BARN, watercolor and pastel on paper, signed lower left, 10 x 12 Ύ”, hand-made custom frame 27 x 29 x 2 ½” with Plexiglas.

A few speckles in sky area, some surface smudges, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

124

Paul Emile Pissarro (1884-1972) French

HORSE AND CART, color pastel on paper, signed lower right, sight 8 x 10”, hand-made custom frame 28 x 30 x 3” with Plexiglas.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

125

Paul Emile Pissarro (1884-1972) French

COUNTRYSIDE HOUSE, drawing on paper, signed lower right, sheet 8 x 10 ½”, hand-made custom frame 21 x 27”.

Some pale discoloration lower and right sheet edges, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

126

Paul Emile Pissarro (1884-1972) French

RIVER BRIDGE, color pastel on paper, signed lower left, 8 ½ x 11 ½”, hand-made custom frame 24 x 27 x 2 Ό” with Plexiglas.

Soft diagonal crease upper left, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

127

Ken Price (1935-2012) California

DOUBLE FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 2/20 in pencil on verso, printed at Tamarind, sheet 22 x 16 ½”.

Discoloration and toning, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

after Maurice Radiguet (1866-1941) French & after Adolphe Willette (1857-1926) French (two)

LE RIRE #103 1896 & #117 1897, two lithograph magazine covers, both signed on the stone, sights 12 x 8 ½”, one with additional pages from magazine in pouch on verso of frame, both in hand-made custom frames 18 ½ x 15” with glass. (2)

Both with toning from age, otherwise both in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

129

Ramirez (20th Century)

EUROPEAN CANAL, oil painting on panel, signed lower left, 16 x 12”, frame 27 x 23 x 3 ½”, weight 17 lbs.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Rembrandt Harmensz van Rijn (1606-1669) Dutch

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 Ύ”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

131

Rembrandt Harmensz van Rijn (1606-1669) Dutch

THE DEATH OF THE VIRGIN (B.99), 1659, etching on wove paper, probably a Armand Durand edition, image 15 ½ x 12 Ό”, full margins, hand-made custom frame 32 x 28” with glass.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

132

Pierre-Auguste Renoir (1841-1919) French

SUR LA PLAGE, A BERNEVAL (S.5), circa 1892, etching from a later edition, signed in the plate, image 4 ½ x 3”, full margins, hand-made custom frame 21 ½ x 17 ½ x 2 Ύ” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Pierre-Auguste Renoir (1841-1919) French

LE CHAPEAU EPINGLE le Plange (S.8), circa 1894, 2nd state, etching from a later edition, signed in the plate, image 4 ½ x 3”, full margins, hand-made custom frame 20 ½ x 15 ½ x 3” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Pierre-Auguste Renoir (1841-1919) French

BERTHE MORISOT (S.4), circa 1892, etching from a later edition, signed in the plate, plate 4 Ό x 3 ½”, full margins, hand-made custom frame 17 x 15 ½ x 2” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

135

Chucho Reyes aka Jesus Reyes Ferreira (1882-1977)

HORSE AND RIDER WITH FIGURE ON THE GROUND, gouache on thin paper, signed upper right, 29 Ύ x 19 ½”, hand-made custom frame 42 x 32” with Plexiglas.

Crinkles and creases, some discoloration spots along upper sheet edge, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

136

Chucho Reyes aka Jesus Reyes Ferreira (1882-1977)

HORSE AND FALLING RIDER, gouache on thin paper, a signature not found, 29 Ό x 19 Ό”, hand-made custom frame 42 x 32” with Plexiglas.

Crinkles and creases, some discoloration spots lower left, some minor perimeter losses, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

137

Lisa Rinzler (b. 1956) New Jersey (two)

TWO SAINTS, digital print with hand-colored boarded, inscribed on recto and signed in pencil on verso, sheet 7 Ό x 8 Ύ”; MAN WITH BIBLE, digital print with hand-colored boarded inscribed on recto and signed in pen on verso, sheet 7 Ό x 12”.  (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

Lisa Rinzler (b. 1956) New Jersey

ATTIC WITH SHEETS from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 40 x 48”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

139

Lisa Rinzler (b. 1956) New Jersey

SUITCASE from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right, from the edition of 5, with hanging holes, 52 x 60”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Lisa Rinzler (b. 1956) New Jersey

TRAVEL BAG from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 36 x 42”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

141

Lisa Rinzler (b. 1956) New Jersey

MARKER 73 from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 40 x 32”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

142

Robert Rosenberg (1951-2006) Israel

PATHWAY BETWEEN BUILDINGS, oil painting on board, signed in Hebrew lower right, 12 x 8”, hand-made custom frame 19 x 16 x 2 ½”.

Artwork in good studio condition, frame with hairline corner cracks.

Auction Estimate $100/200

Starting Bid $50

 

 

 

143

Russian Posters (early 20th Century) (two)

NEGRO OPERETTA; REVOLUTION, two vintage Russian posters, framed with glass 21 Ό x 15 Ό”. (2)

The first with red faded resulting in brown skin turning green; The second probably faded as well; Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Russian Printmakers (five)

VARIOUS, one etching and four lithographs, each signed in pencil, sizes range from 16 ½ x 19 ½” to 6 Ύ x 10 Ό” including frames with glass (same style frames), three with Russian tags on verso. (5)

Two with small tideline stains in margins, etching with discoloration and speckles, mainly upper left, others with some toning, otherwise all in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

145

Susan Santiago (20th Century) Mexico American

SEATED NUDE WOMAN, 1980, etching, signed and dated and inscribed artist’s proof in pencil, plate 10 x 7”, full margins, hand-made custom frame 22 ½ x 19” with Plexiglas.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

146

Senufo African Art

DOUBLE-FACE MASK, Ivory Certificate of Authenticityst, carved wood, 18 x 9 x 3”. Provenance: Patti African Art, West Hollywood, CA; African Collection from a Beverly Hills Art Historian and Museum donor.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

Jack Sonenberg(b. 1925) American

DIMENSIONS No. 32, 1968, embossed color aquatint etching with string collage, signed and dated and titled and numbered 196/210 in pencil, sheet 30 x 22 ½”.

Minor discoloration and soiling, a few soft handling creases, string left a pale ghost line where it had been previously positioned, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

148

Bert Stern (1929-2013) New York

MARILYN MONROE TRIP Avant Garde magazine cover, color screenprint, inscribed Bert Stern 1962 Avant Garde Collectors Proof in pencil lower left, sheet 10 ½ x 10 ½”, hand-made custom frame 22 ½ x 22” with some repairable damage.

Soft handling creases lower left, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

149

Robert Stivers (b. 1957) California

NUDE AFTER INGRES from Series 7, 2002, gelatin silver print, signed and dated and inscribed on verso, 18 Ύ x 22 ½”.

Soft handling creases and edge wear, perimeter line impression probably from previous framing, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Robert Stivers (b. 1957) California (four)

TREE IN THE CITY NUDE WOMAN; THE BEDROOM; SWIRL, four silver gelatin prints, the first signed and dated 03’ and inscribed ‘Unique Print’ on verso, the second inscribed on verso, sheets 20 x 16”. (4)

All with edge wear and associated small losses; the first and fourth have some mild cockling; Fourth with some kinks and creases upper sheet edge; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Robert Stivers (b. 1957) California (four)

COLOR SERIES, 1998, three Cibachrome photographs printed on high-gloss paper, the Red one signed and dated and titled in pencil on verso, sheets 24 x 20”; RED DRESS AND RED SHOES, c-print, image 12 x 10”, sheet 14 x 11 ½”. (4)

First three in good condition; Red Dress with tacky residue lower left margin corner recto; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

152

Donna Summers (1948-2012) Boston

COUPLE, acrylic painting on paper, signed lower right, 10 x 7”, hand-made custom frame 15 ½ x 12” with Plexiglas.

In apparently good studio condition, frame with cracks and losses otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Donna Summers (1948-2012) Boston

NUDES, acrylic painting on paper, signed lower right, 11 x 14 Ύ”, hand-made custom frame 18 x 22” with Plexiglas.

In apparently good studio condition,

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

Elisabeth Sunday (b. 1958) American & Jeff Dunas (b. 1954) California (two)

Elisabeth Sunday PAUSE, ANIMA, TUAREG ORPHAN, THE SAHARA DESERT, MALI, 2009, gelatin silver print, signed and dated and titled and numbered 6/15 in pencil on verso, image 7 x 5 ½”, sheet 14 x 11”; Jeff Dunas THE GALVESTON STORM, 1999, gelatin silver print on fiber based photo paper, signed and dated and titled in pencil, signed and titled Crystal Beach, Bolivar Peninsula Texas 1999 in pencil on verso, image 4 Ύ x 6 Ύ”, sheet 8 x 10”. (2)

Both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

155

Peter Suschitzky (b. 1941) British

HAMPSTEAD HEATH 1961, gelatin silver print, inscribed on verso, sheet 12 x 15 Ύ”, matted.

Some soft handling creases visible at certain angles in raking light, slightly dog-eared upper right corner, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

156

Endre Szasz (1926-1995) Hungarian

BEARDED MAN WITH BIRD HAT, mixed media painting on board, signed lower right, 19 x 17 ½”, hand-made custom frame 24 x 22 x 2 ½”.

Small scuffs and scratches, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

157

Endre Szasz (1926-1995) Hungarian

PROFILE, oil painting on paper, signed lower right, sight 20 x 24 Ό”, hand-carved custom frame 28 x 32”.

Small perfections throughout, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Rufino Tamayo (1899-1991) Mexican

MANOS (T.182), 1975, color etching on Guarro paper, signed lower right and numbered HC (hors commerce) 7/10 in black crayon, aside from the numbered edition of 75, published by Ediciones Poligrafa, sheet 22 x 29 ½”, hand-made custom frame 37 x 44” with Plexiglas.

Colors possibly attenuated, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

159

Albert Tolf (1911-1996) California & Gay Candelis (20th Century) Spanish (two)

Albert Tolf AMERICAN STREET SCENE, circa 1942, oil painting on canvas board, signed lower right, 24 x 18”, frame 28 ½ x 22 Ό”; Gay Candelis EUROPEAN STREET SCENE, oil painting on canvas, signed lower right, 21 Ύ x 18”, frame 28 x 25 x 2”. (2)

Candelis with tiny chip lower left; otherwise both in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

160

Kojin Toneyama (1921-1994) Japanese

CATTLE, 1958, lithograph, signed and dated and titled and numbered 88/200 in pencil, sight 17 x 21 Ό”, frame 26 x 30 ½” with glass.

Pinhole lower left, a few dimples, soft handling creases, small spot center right, pale perimeter toning at mat, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

161

Turkish Rug

PRAYER RUG, hand-woven rug with fringe on two sides, approximately 19 x 28 ½” excluding fringe, hand-made custom frame 41 x 29” with glass.

In apparently good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Rhomboid, color and clear acrylic sculpture, signed and dated 2018 on base, overall size 48 Ό x 10 x 5”.

In good studio condition.

Auction Estimate $1500/2000

Starting Bid $750

 

 

 

163

Mary Vickers (20th Century) American

ALL GOOD THINGS, color lithograph with glitter and rhinestones, signed and titled and numbered 242/275 in pencil, sheet 8 x 22 ½”, hand-made custom frame 12 x 26” with Plexiglas.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

164

after James Abbott McNeill Whistler (1834-1903) American British

THAMES POLICE, 1859, photogravure, plate 6 x 8 Ύ”, sheet reduced to 9 Ύ x 13”, hand-made custom frame 17 ½ x 19 ½ x 2” with glass.

Some pale discoloration and toning in margins, skinning upper left corner verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

165

Efram Wolff (b. 1950) California

UNTITLED, color aquatint etching, signed and inscribed State Proof in pencil, plate 14 Ύ x 6”, full margins, hand-made custom frame 33 Ό x 24” with Plexiglas.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

166

Efram Wolff (b. 1950) California

SURREALISTIC CITY LIFE, color aquatint etching, signed and numbered 12/25 in pencil, plate 20 x 11 ½”, full margins, hand-made custom frame 33 ½ x 24” with Plexiglas.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

167

Ossip Zadkine (1890-1967) Russian French

UNTITLED from the Les Peintres Mes Amis par Andre Warnod suite, 1965, color etching, signed in the plate, numbered 107/250 in pencil, printed by M. Robbe, published by Editions d’Art les Hueres Claires, sheet 14 ½ x 11”, frame 20 ½ x 17” with Plexiglas.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

168

E. M. Zax (20th/ 21st Century) California

CAMERA, acrylic painting polaroid camera, signed on back, 6 x 8 x 6” with camera strap.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

169

E. M. Zax (20th/ 21st Century) California

MARILYN CHANEL, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 14 ½ x 1”, frame 20 x 22 x 2” with Plexiglas.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

170

E. M. Zax (20th/ 21st Century) California

WARHOL SOUP CANS, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 19 x 1”, frame 20 x 27 x 2” with Plexiglas.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

E. M. Zax (20th/ 21st Century) California

AMERICAN FLAG HEART, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 20 x 1”, frame 20 x 28 x 2” with Plexiglas.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

172

Vilmos Zsigmond (1913-2016) Hungary California

REMEMBERING, gelatin silver print, signed in pencil on verso, 16 x 20”.

Some cockling right and left sheet edges, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

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