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Fine Original Prints

Auction May 26th, 2021

 

 

201

Peter Alexander (1939-2020) California

UNTITLED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 18 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

202

Peter Alexander (1939-2020) California

UNTITLED, 1982, aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 22 ½ x 26”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

203

Harold Altman (1924-2003) Pennsylvania

PATH III, color etching, signed and titled and inscribed AP (artist’s proof) in pencil, plate 17 ½ x 19 ¾”, full margins, frame 31 ½ x 33” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

204

Harold Altman (1924-2003) Pennsylvania

TWO TREES II, color lithograph, signed and titled and inscribed AP (artist’s proof) in pencil, image 18 ½ x 26 ½”, full margins, frame 33 x 40 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Possibly some toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

205

Harold Altman (1924-2003) Pennsylvania

LE GRAND BASSIN, LUXEMBOURG, color lithograph, signed and titled and numbered 66/285 in pencil, printed by Mourlot with blind stamp lower left, image 18 x 26 ¼”, full margins, frame 32 x 40” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

206

Harold Altman (1924-2003) Pennsylvania

TEN FIGURES, color etching, signed and inscribed AP (artist’s proof) in pencil, plate 19 ½ x 23 ¾”, full margins, frame 33 ½ x 37 ½” with glass.

Some toning and discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

207

Sunol Alvar (b. 1935) Spanish (two)

STILL LIFE; TWO PERSONAGES, two color lithographs, the first signed and inscribed eprevue d’artiste (artist’s proof) in white crayon, the second signed and numbered 139/260 in black crayon, sheets 19 ½ x 27 ¼” & 21 x 27 ¼”. (2)

Still Life with two small white line creases upper right corner, Personages with sun staining, both toned on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

208

Irving Amen (1918-2011) New York (7), Ira Moskowitz 1912-2001) Poland (5) & after Mane Katz (5) (seventeen)

Irving Amen VARIOUS, four color woodblock prints and three etchings, each signed in pencil and from numbered editions or artist’s proofs, sheets 25 x 19” to 10 ¾ x 13”; Ira Moskowitz VARIOUS, five color lithographs, each signed and numbered edition 275 in pencil, sheets 16 ½ x 21 ½”; after Mane Katz VARIOUS, one full sheet and four trimmed prints on versos of text pages from Douze Lithographies, 1966, sheets 27 ½ x 20 ½” to 13 x 10”. (17)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

209

American Printmakers (20th Century) (approximately thirty-five)

A collection of lithographs, etchings and screenprints, all but two signed, most numbered in pencil, various sizes, largest sheet 23 x 31 ½” to 7 ¾ x 6 ¾”. Artists include Charles Klabunde, Joan Binkoff (4), Wade Reynolds (2), Martin Tobias (2), Mcguiness (4), Vigil, George Crionas (2), and others. (35)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

210

Amos Amit (b. 1945) Israel (four)

JOSEPH, color screenprint, signed and numbered 46/250 in pencil, image 32 x 24”, sheet 35 ½ x 28 ¼”; CREATION, 1980, color screenprint, signed and numbered 53/250 in pencil, image 23 ¼ x 30 ¼”, sheet 31 x 36”; FISH MARKET, 1981, color screenprint, signed and dated and numbered 26/250 in pencil, image 22 ½ x 32 ½”, sheet 29 x 37 ½”; JERUSALEM, 1981, color screenprint, signed and dated and numbered 29/295 in pencil, image 26 x 32”, sheet 29 x 35 ½”. (4)

Joseph with rough sheet edge lower left; first three with old masking tape hinge stains upper sheet edges; Otherwise all in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

211

Chuck Arnoldi (b. 1974) California

UNTITLED BLACK & RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 x 17 ¼”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

212

Chuck Arnoldi (b. 1974) California

UNTITLED CROSS-HATCH WITH GREEN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 17 x 22 ½”.

In good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

213

Artist Unidentified (20th Century)

FORTY-FIVE, embossed color lithograph, inscribed “forty-five” in pencil lower left, sheet sight 17 x 17”, framed 25 x 25” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

214

Artist Unidentified (20th Century)

BLUE & RED CIRCLES, color screenprint, signed and numbered 56/100 in pencil, sight 25 x 25”, frame 32 ½ x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

215

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 11/99 in pencil, plate 13 ½ x 9”, full margins, frame 28 ¼ x 23 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

216

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 20/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 ¼ x 26 ¼” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

217

Gianfranco Asveri (b. 1948) Italy

UNTITLED, color etching, signed and numbered 24/99 in pencil, plate 15 ½ x 11 ½”, full margins, frame 30 ¼ x 26 ¼” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

218

Auction Catalogs (thirty-five)

Prints & Posters & Photographs, a collection of thirty-five Sotheby’s, Christie’s, Bonhams & Swann illustrated auction catalogs from 1981-2020, weight 41 lbs. (35)

Overall in good used condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

219

after John James Audubon (1785-1851) American

WHITE-FRONTED GOOSE, ANSER ALBIFRONS (Pl. CCLXXXVI), 1836 from the Havell edition of The Birds of America, hand-colored engraving printed on Whatman 1836 paper, sheet apparently reduced to 25 ¼ x 38 ¼, paper-backed, frame 33 ½ x 45 ½.

Colors attenuated, some small edge tears, pale toning and discoloration, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

220

after John James Audubon (1785-1851) American

OLIVE SIDED FLYCATCHER, from Birds of America, plate 174, 1833, hand-colored engraving, etching and aquatint by Robert Havell, plate 19 ½ x 12 ¼” sight 20 x 12 ¾”, frame 40 x 27” with glass.

Some discoloration and a few speckles, otherwise in apparently good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

221

Arie Azene (b. 1934) German/ Israel (six)

COUCH AND CHAIR, hand-colored lithograph, signed and numbered 12/80 in pencil, sheet 22 ¼ x 30”; THREE INTERIORS WITH CHAIRS, color lithograph, signed and numbered 177/240 in pencil, sheet 27 x 19”; TWO BEDROOM INTERIORS, color lithograph, signed and numbered 119/240 in pencil, sheet 27 ½ x 19 ½”; VIEW OF THE CITY, color lithograph, signed and numbered 76/250in pencil, sheet 19 ½ x 27 ½”; Family Album Series (The Girls), color lithograph, signed and numbered 14/42 in pencil, Burston Graphic Centre blind stamp, sheet 19 ¾ x 25 ¾”; Family Album Series (Spiral Bound), color lithograph, signed and numbered 3/60 in pencil, Burston Graphic Centre blind stamp, sheet 22 ¼ x 30”. (6)

The last with pale discoloration at sheet edges, otherwise in good condition, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

222

Nozio Azuma (1928-2004) New York Japan

IMAGE G, color screenprint, signed and titled and numbered 50/85 in pencil, image 18 x 18”, full margins, frame 28 x 27 ¾” with glass.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

223

Nozio Azuma (1928-2004) New York Japan

IMAGE G (II), color screenprint, signed and titled and numbered 51/85 in pencil, image 18 x 18”, full margins, frame 28 ½ x 28 ¼” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

224

Will Barnet (1919-2012) American

THE BLUE ROBE (C.144), 1971, color aquatint etching, signed and titled in pencil, a fine proof before the numbered edition of 225, published by Associated American Artists, with certificate, printed by Deli Sacilotto, plate 12 ¼ x 13 ¼”, sheet 23 ½ x 28 ½”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

225

Joe Black (b. 1973) British

SORRY, color giclee with acrylic spray paint, signed in pencil and inscribed A.P. (artist proof) in pencil, sheet 27 ¼ x 19 ¼”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

226

Ilya Bolotowsky (1907-1981) Russia New York

BLUE YELLOW RED, color screenprint, signed and numbered 30/125 in pencil, sheet 30 ½ x 39 ¾”.

Very pale toning, right margin and lower margin reduced, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

227

Ilya Bolotowsky (1907-1981) Russia New York

BLUE CIRCLE, color screenprint, signed and numbered 88/125 in pencil, sheet 30 ½ x 40”.

Toning, colors attenuated, soft handling creases, mild cockling, sheet possibly slightly reduced, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

228

Mildred Bryant Brooks (1901-1995) Missouri (five)

LA CASITA VIEJA, 1923; NEIGHBORS, 1937; INSTRUMENTS FOR WIND; HORIZON’S RIM, 1944; four etchings, each signed and titled in pencil, two dated in pencil, from numbered editions 75 & 40, plates 13 x 13”, 10 x 10”, 10 ¾ x 8 ½” & 14 ¾ x 11 ¾”; SMITH FORK, print with printed signature and title, image 14 ¾ x 12”; All with full margins and framed 24 ¾ x 21” with glass. (5)

Casita with some discoloration mainly in margins and printer’s crease lower right corner and hinges on verso possibly showing through to recto lower margin; Neighbors with pale discoloration in the margins; Instruments with pale toning; Horizons with discoloration spots and toning and soft handling creases, otherwise all in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

229

Jan De Butler (b. 1928) French

UNTITLED, color lithograph, signed and numbered 50/120 in pencil, sheet 22 x 30”, frame 28 x 36” with glass.

Some toning and discoloration, some creases near sheet edges, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

230

Eugenio Carmi (1920-2016) Italian

UNTITLED, 1971, color screenprint, signed and dated and inscribed E.A. (artist’s proof) in pencil, image 27 ½ x 20 ½”, full margins, frame 36 x 28 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

231

Eugenio Carmi (1920-2016) Italian

UNTITLED ECLIPSE, 1971, color screenprint, signed and dated and numbered 93/100 in pencil, image 25 ¾ x 20 ½”, full margins, frame 36 x 28 ½” with glass.

A few soft handling creases visible at certain angels in raking light, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

232

after Marc Chagall (1887-1985) Russian/ French

SONG OF SONGS (S. p. 142), 1975, Charles Sorlier color lithograph poster, signed and dated in ink lower right (faded), with the Angel in the Chandelier museum blind stamp authenticating the signature, printed by Mourlot, frame 30 x 20 ½”.

Sheet trimmed to 29 5/8 x 20 ¼”, with some discoloration and a small spot upper center, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

233

after Marc Chagall (1887-1985) Russian French

THE ORCHARD (S. pg. 134), 1973, Charles Sorlier color lithograph poster, edition of 5000, printed by Mourlot, published by the Cabinet Minister of Cultural Affairs, France, welded metal frame 29 ½ x 19 ½” with glass.

Height reduced by ½”, some cockling, pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

234

after Marc Chagall (1887-1985) Russian French

ROMEO & JULIET PARIS OPERA (S. pg 96), 1964, Charles Sorlier color lithograph poster, from the edition of 5000, printed by Mourlot, published by French Tourist Bureau, sheet 25 x 39”.

Some cockling and two strips of masking tape on verso, some soft handling creases.

Auction Estimate $200/400

Starting Bid $100

 

 

 

235

after Marc Chagall (1887-1985) & after Henri Matisse (1869-1954) (two)

Marc Chagall MAGIC FLUTE (Die Zauberflote Mozart) (S. pg 106), Charles Sorlier color lithograph poster, from the edition of 3000, printed by Mourlot, published by Metropolitan Opera New York, sheet 40 x 26”; after Henri Matisse LA NEGRESSE, color poster, 32 x 40. (2)

Flute with 2” tear lower right side, 6” track scratch lower right, cockling, toning and spots and water damage on verso with some visible on recto; after Matisse with small tears upper sheet edge, creases and crinkles and some pale discoloration.

Auction Estimate $200/400

Starting Bid $100

 

 

 

236

Christo (1935-2020) Bulgarian New York

BLUE UMBRELLAS FOR JAPAN, 1991, color offset lithograph, signed in pencil, printed by Domberger, with blind stamp lower left, published by Carl Flach/ Achenbach Art Edition, Dusseldorf, sheet 19 ¼ x 20”.

Faint smudge in the upper right margin, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

237

Michael Coffee (20th Century) American

071697-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, plate 7 ¾ x 7 ¾”, sheet 22 ½ x 15”, frame 28 x 20 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

238

Michael Coffee (20th Century) American

071897-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, plate 8 x 8”, sheet 22 ½ x 15”, frame 28 x 20 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

239

Michael Coffee (20th Century) American

071797-J, color monoprint etching, signed and numbered 1/1 in pencil, blind stamp lower right, image 7 ¾ x 8”, sheet 22 ½ x 15”, frame 28 ½ x 20” with glass.

Mended tear lower sheet edge, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

240

Michael Coffee (20th Century) American

112094-C, color monoprint etching signed in pencil, image 17 x 6 ½”, sheet 22 ½ x 15”, frame 27 x 19 ½” with glass.

Small discoloration smudge lower center sheet edge, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

241

Michael Coffee (20th Century) American

112094-D, color monoprint lithograph, signed and numbered 1/1 in pencil, blind stamp lower right, image 17 x 6 ½”, sheet 22 ¼ x 15”, frame 27 x 19 ½” with glass.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

242

Michael David (20th Century) American (four)

DOPPELGANGER, 1989, four color lithographs, each signed and numbered 43/50 in pencil, each 24 x 19”, frames 31 x 26” with glass. (4)

Soft handling creases and mild cockling, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

243

Dora De Larios (1933-2018) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed and numbered 2/100, in pencil, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Very soft crease upper right corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

244

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 25 Roman Numerals, aside from the numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

245

Laddie John Dill (b. 1943) California

UNTITLED GREEN AND RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”.

Soft creases along left sheet edge, otherwise in good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

246

Laddie John Dill (b. 1943) California

UNTITLED GREEN AND BROWN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”.

Crease lower left corner, otherwise in good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

247

Russell Dunbar (b. 1927) American

UNTITLED, color screenprint, signed and numbered 85/100 in pencil, image 23 x 23 ¼”, full margins, frame 30 ½ x 30 ½” with glass.

Pale discoloration in margins, possibly some toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

248

Eyvind Earle (1916-2000) California

EMERALD FOG, 1993, color screenprint, signed and numbered AP 10/30 (artist’s proof) in ink, aside from the numbered edition 150, image 12 x 16”, full margins, frame 26 ½ x 29 ½ x 2”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

249

Eyvind Earle (1916-2000) California

SLEEPING BEAUTY COUNTRYSIDE, 1997, color screenprint, signed and numbered 88/500 in ink, printed at Clearwater Studios, published by Disney Art Editions Inc, sight 12 ¼ x 29 ¾”, frame 24 ¾ x 42 ¼”, comes with original brochure.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

250

Emek (20th/21st Century) American

MOE SUMMER TOUR, 2005, color screenprint, signed and dated and numbered 249/ 300 in pencil, artist’s blind stamp lower left, sheet 31 x 20 ½”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

251

Emek (20th/21st Century) American

RED ROCKS MOE, 2005, color screenprint with remarque drawing, signed and dated and inscribed A/P (artist’s proof) in pencil, aside from the numbered edition, artist’s blind stamp lower left, sheet 32 ½ x 23 ½”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

252

Emek (20th/21st Century) American

ERYKAH BADU, QUEEN LATIFAH, JILL SCOTT, SUGAR WATER FESTIVAL, 2005, color screenprint from a special limited edition with peace-sign remarque lower left corner, signed and dated in silver ink, artist’s blind stamp lower left, sheet 23 ¾ x 18”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

253

Emek (20th/21st Century) American

MICHAEL FRANTI & SPEARHEAD, 2010, color screenprint with remarque drawing, signed and dated and numbered 30/200 in pencil, artist’s blind stamp lower left, sheet 24 x 18”

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

254

Emek (20th/21st Century) American

THE BLACK, KEYS, 2010, color screenprint with remarque drawing, signed and dated and numbered 15/175 in pencil, sheet 25 x 14 ¼”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

255

Emek & Jermaine Rogers & Justin Hampton (20th/21st Century) American

POST NEO EXPLOSIONISM, 2002, color screenprint poster, signed in ink by all three artists, from the numbered edition 100, sheet 59 x 38 ½”.

Printer’s crease upper left, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

256

European Print Makers (20th Century) (eleven)

Emilio Grau Sala (1911-1975) Spain VARIOUS, three color lithographs, each signed and numbered in pencil, sheets 19 x 25”; Frank Martin (1921-2005) British LILIAN GISH, color woodblock print, signed and titled and numbered 9/50 in pencil, sheet 22 ¾ x 28 ½”; Brigitte Coudrain (b. 1934) French UNTITLED, color etching, signed and numbered 18/90 in pencil, sheet 20 x 25 ½”; Paul Guirmand (1926-2007) French UNTITLED, color lithograph, signed in pencil, sheet 11 ½ x 8 ½”; Francois Deberdt UNTITLED, a color etching and a color lithograph, both signed and numbered in pencil, sheets 26 ¾ x 20 ¼” & 8 ¼ x 10 ½”; Claude Grosperin & another, three color lithographs, each signed and numbered in pencil, sheets 25 ½ x 20”. (11)

Overall in good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

257

Mostly European Landscapes & Townscapes (sixty-five)

Hendrikus Elias Roodenberg (1895-1983) (2); Roger Hebbelinck (1912-1987) (2); And sixty etchings by others of which fifty-eight are signed and numbered or inscribed in pencil (some duplicates); Sheets 19 x 25 ½” to 6 ¾ x 6 ¼”; Together with a signed and numbered lithograph. (65)

In overall good condition, five with ink fingerprints in the margins.

Auction Estimate $200/400

Starting Bid $100

 

 

 

258

Roy Fairchild Woodard (b. 1953) British

SITTING NUDE, color lithograph with hand work, signed and titled and numbered 291/350 in gold ink, sheet 31 x 23 ¾”, with silk matting and gold filet 38 ½ x 31”.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

259

Shepard Fairey (b. 1970) South Carolina

JASPER JOHNS ON RED, color screenprint, signed and numbered 129/450 in pencil, sheet 24 x 18”.

Retains slight curl from being rolled, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

260

Shepard Fairey (b. 1970) South Carolina

JASPER JOHNS ON WHITE, color screenprint, signed and numbered 129/450 in pencil, sheet 24 x 18”.

Retains slight curl from being rolled, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

261

David Flores (b. 1972) California

ANDY WARHOL CAMOUFLAGE, color screenprint, signed and numbered 53/320 in pencil, Something Ill Studios blind stamp lower right, image 23 ½ x 16 ¾”, sheet 27 ½ x 20 ¾”.

Some soft handling creases in margins, faint scuffs in black background, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

262

David Flores (b. 1972) California

LOUIS VUITTON SMILE, color screenprint, signed in ink and inscribed AP (artist’s proof) in pencil, sheet 23 ½ x 18 ½”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

263

David Flores (b. 1972) California

MAN WITH MASK AND HOODIE, color screenprint, signed and numbered 19/120 in pencil, Something Ill Studios blind stamp lower right, sheet 29 ½ x 22”.

Some faint scuffs otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

264

David Flores (b. 1972) California

RAPPER, color screenprint, signed and inscribed AP (artist’s proof) in ink, image 26 x 19”, sheet 28 x 22”.

Some surface scuffs and handling creases, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

265

Leo Frank (1884-1959) Austrian

VOR DEM GEWITTER, color woodblock print, signed in pencil, image 9 x 14”, full margins, frame 15 ½ x 20 ½” with glass.

Some of the colors possibly attenuated, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

266

Sam Francis (1923-1994) California (two)

POINTING TO THE FUTURE, state I (L.216; SF.248), 1976, very rare progressive proof lithograph, signed and numbered 1/2 PP (printer’s proof) in pencil, sheet 50 x 30”, printed by Serge Lozingot, published by Gemini G.E.L, with blind stamp; Together with Sam Francis Black/ White Lithographs, 1976, Smith Andersen Gallery, Palo Alto California Exhibition poster, 35 x 45”. (2)

Pointing with some pale toning at extreme sheet edges, soft crease upper left corner, two small creases lower left sheet edge near signature, pale toning on verso; Poster with creases and soft handling creases; otherwise both in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

267

Friends With You (20th/ 21st Century)

MALFI MOUNTAIN, color screenprint, signed in pencil by Sam & Tury and numbered 92/150, their blind stamp lower right and another blind stamp lower left, image 27 x 21 ½”, full margins, frame 34 ½ x 28 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

268

German Prints after Durer, Rembrandt and others (twenty-five)

VARIOUS, twenty-five prints (some duplicates) of which twenty-three with Kunstelatt der Bundesdruckerei Berlin blind stamp lower right, twenty-two with circular Faksimile Reproduktion der Bundesdruckerei Berlin stamp on verso, three with Printed in West Germany on verso, sheets 23 x 28 ¼” to 7 ¼ x 9 ¾”. (25)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

269

German Expressionist Style

TWO WOMEN A MAN AND A DOG, lithograph on paper thermo-mounted to ragboard, 12 ½ x 10 ¼”, frame 22 ½ x 18 ½”.

Old framing discoloration at edges, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

270

Ali Golkar (b. 1948) Iranian

SONNET II, color screenprint, signed and titled and numbered 89/350 in pencil, image 18 x 24”, full margins, frame 29 ¼ x 35 ¼” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

271

Joe Goode (b. 1937) Californian

SHAWNER TO TULSA 1960 from the Tornados Series, 1991, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.

Pale discoloration spot upper right corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

272

Joe Goode (b. 1937) Californian

LAWTON 1979 from the Tornados Series, color aquatint on handmade paper, signed and dated and numbered 24/25 in pencil, plate 15 ½ x 11 ¾”, sheet 26 x 19 ½”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

273

Mike Goscinski (20th Century) American

TURTLES, color woodblock print, signed and titled and numbered 12/100 in pencil, sight 24 x 21”, frame 33 ¼ x 29 ¾” with glass.

Creases and soft handling creases, some discoloration, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

274

Marion Greenwood, James Chaplin & William Gropper (three)

Marion Greenwood (1909-1970) BLACK EYED SUSAN, James Chaplin (20th Century) COMPOSITION, William Gropper (1897-1977) FINN MacCOOL; Three lithographs, each signed in pencil, Associated American Artist editions, sheets 16 x 12”. (3)

All with mild toning on recto and moderate toning on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

275

Greg Gronowski (20th Century)

WEAVERS OF SILK III, color monoprint, signed and titled in pencil, image 16 x 16”, full margins, frame 28 ¾ x 28 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

276

Greg Gronowski (20th Century)

MORE LIFE I, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 ¾ x 26 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

277

Greg Gronowski (20th Century)

MORE LIFE II, color screenprint, signed and titled and numbered 119/150 in pencil, image 16 x 12”, full margins, frame 30 ¾ x 26 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

278

Greg Gronowski (20th Century)

ILLUMINATI I, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 ¾ x 26 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

279

Greg Gronowski (20th Century)

ILLUMINATI II, color screenprint, signed and titled and numbered 63/150 in pencil, image 16 x 12”, full margins, frame 30 ¾ x 26 ¾” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

280

Bracha Guy (b. 1948) Israel (five)

FLOWER LANDSCAPE, color etching probably with hand-coloring, signed in pencil, sheet 11 ¾ x 31 ½”; TWO BIRDS WITH TWO FLOWERS, aquatint etching, signed in pencil, sheet 30 x 11”; UNTITLED PURPLE, color aquatint etching, signed in pencil, sheet 25 ½ x 16”; VASE WITH FLOWERS, etching, signed in pencil, sheet 23 ¾ x 15 ¾”; SEATED FIGURE LOWER CENTER, two-plate hand-colored etching, signed and numbered 1/1 in pencil, sheet 22 x 15”. (5)

The first with discoloration spots lower margin; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

281

Ardyn Halter (b. 1956) British/ Israel; Nahum Gilboa (1917-1976) Bulgaria/ Israel (two)

Ardyn Halter WADI ARA, 1995, color screenprint, signed and numbered 8/95 in pencil, sheet 23 ¾ x 28”; Nahum Gilboa JERUSALEM, color screenprint, signed and numbered 152/275 in pencil, sheet 15 ½ x 24”. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

282

Arnold Hoffman Jr. (1915-1991) New York

END TO END #2, color lithograph, signed and titled and numbered 11/40 in pencil, sight 21 ¼ x 28 ½”, frame 31 x 38” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

283

Arnold Hoffman Jr. (1915-1991) American

THE PLACE, color screenprint, signed and titled and inscribed A/P III/VI (artist’s proof 3/6) in pencil, image 28 ¼ x 22 ¼”, full margins, frame 38 ½ x 32” with glass.

Probably with some toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

284

Gordon House (1932-2004) Welsh

DIAL SET FIVE, 1966, color lithograph, signed and titled and numbered 12/70 in pencil, image 20 ¼ x 20 ½”, full margins, frame 29 x 29 ¼” with glass.

An ½” scrape lower right and a few small nicks probably from previous glass breakage, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

285

Gordon House (1932-2004) Welsh

SERIES 40, 1965, color lithograph, signed and titled and numbered 17/50 in pencil, image 15 ¾ x 15 ¾”, full margins, frame 24 ½ x 24 ½” with glass.

Some pale discoloration spots, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

286

Louis Icart (1888-1950) French

FORSYTHIA (H.295), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 x 14 ½”, full margins, oval frame 23 ¾ x 19 ¼”.

Margins have been trimmed to accommodate oval frame, colors look fresh, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

287

Louis Icart (1888-1950) French

EARLY HARVEST (H.210), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 ½ x 14 ¾”, full margins, oval frame 23 ½ x 19 ½”.

Margins have been trimmed to accommodate oval frame, toning and discoloration, colors attenuated, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

288

Masuo Ikeda (1934-1997) Japanese

I AM WAITING (I Am Waiting for You), 1966, color aquatint and drypoint etching, signed and dated and numbered 22/50 in pencil, plate 13 x 12”, sheet 22 ¼ x 15”.

Some extremely pale toning, two small masking tape hinges upper corner recto, otherwise in good condition with strong color and line quality.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

289

Max Kahn (1902-2005) Illinois

PASSAGE TO THE SEA, color lithograph or monoprint, signed and titled and numbered 2/2 in pencil, sight 15 ½ x 20”, frame 28 x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

290

Olivia Kahn (b. 1920) New York

DUBROVNIK #7, 1975, color screenprint, signed and dated and titled and numbered 7/36 in pencil, sight 22 x 16 ¾”, frame 34 ¾ x 29 ½” with glass.

A few soft handling creases, stray ink in the margins, possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

291

Olivia Kahn (b. 1920) New York

DUBROVNIK #2, 1979, color screenprint, signed and dated and titled and numbered 28/30 in pencil, sight 22 x 15 ½”, frame 34 ½ x 28” with glass.

Possibly some pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

292

Olivia Kahn (b. 1920) New York

EVENING, 1974, color screenprint, signed and dated and titled and numbered 35/35 in pencil, sight 16 x 23 ½”, frame 29 x 36” with glass.

Probably toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

293

Olivia Kahn (b. 1920) New York

EMBLEMATIC #3, 1974, color screenprint, signed and dated and titled and numbered 6/28 in pencil, sight 16 ½ x 23 ½”, frame 29 ¼ x 36 ½” with glass.

Possibly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

294

Ann Marie Karlson (b. 1952) California (two)

OUR FATHER & HER HIGHNESS, 1996, two color iris prints, each signed and dated and titled and inscribed AP (artist’s proof) in pencil, aside from the numbered editions, printed by Muse X, images 32 ½ x 29 ½”, with full margins, in good condition. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $20

 

 

 

295

Luigi Kasimir (1881-1962) Austrian American

CATHEDRAL PARK, color aquatint etching, estate signed in pencil, plate 13 x 8 ½”, full margins, frame 20 ½ x 16”.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

296

Alex Katz (b. 1927) New York

THE EMPEROR JONES (Kate), 2006, color screenprint, signed and numbered 26/60 in pencil, printed by Brand X Edition Inc. New York, published by Wooster Group.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

297

Kaoru Kawana (1916-1965) Japanese (2) & another (three)

BIRD; ROOSTER, two color woodblock prints, both with artist’s signature stamp, images 9 ¼ x 15”, full margins, frames 15 ½ x 21 ½” with glass; Together with a small framed color print of mice in a pepper. (3)

Rooster with water staining and old masking tape residue on verso; Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

298

Willi Kissmer (1951-2018) German

NUDE TORSO, color mezzotint, signed and numbered 230/250 in pencil, image 27 ¼ x 7 ¾”, sheet 36 x 15 ½”.

A few creases and soft handling creases in the margins, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

299

Fumio Kitaoka (1918-2007) Japanese

ROOFTOPS COAST VILLAGE SCENE, 1958, color woodblock print, signed and dated and numbered 16/30 in pencil, image 14 x 21 ¼”, full margins, frame 24 ¾ x 31” with glass.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

300

Kathe Kollwitz (1867-1945) German

MOTHER WITH CHILD IN ARMS, restrike etching, with Von Der Becke stamp lower right, plate 7 ½ x 5” full margins, discardable frame 17 ½ x 15” with glass. Provenance: Associated American Artist editions.

Pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

301

Raoul Lazar (b. 1939) French

UNTITLED, color etching and carborundum gravure signed and numbered 32/99 in pencil, sight 29 ½ x 21 ¾”, frame 30 ¾ x 38 ¾” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Moderate toning possibly from sunlight, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

302

Raoul Lazar (b. 1939) French

UNTITLED, color etching and carborundum gravure, signed and numbered 62/75 in pencil, sight 29 ½ x 21 ¾”, frame 42 ¼ x 32 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Possibly some toning from sunlight, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

303

Andre Masson (1896-1987) French (two)

JE REVE series, two color lithographs, each signed and numbered 113/125 in pencil, sheets 25 ¾ x 20”. (2)

Both with old linen hinge strips upper sheet edge verso; both with moderate toning recto and verso, one with colors faded; otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

304

Ryan McGinness (b. 1972) Virginia

MARCH 4, 2011 from Black Lite Paintings Series, color screenprint with flocage, signed and numbered 134/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, some small creases in left margin, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

305

Ryan McGinness (b. 1972) Virginia

DECEMBER 3, 2010, from Black Lite Paintings Series, color screenprint with flocage, signed and numbered 267/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

306

Ryan McGinness (b. 1972) Virginia

MAY 28th, 2011, from Black Lite Painting Series, color screenprint with flocage, signed and numbered 42/300 in pencil, sheet 35 x 22 ½”, published by Iconoclastic Editions.

Flocage dust resting on the printed areas and the margins, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

307

Michele Menotti (20th Century) American (six)

INDIAN BLANKET SERIES, six color screenprints, each signed and numbered in pencil, from various editions, images average 6 x 7 ½”, full margins, frames average 12 ¾ x 14”. (6)

One with tiny speckle in margins, another with a small stain on the mat, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

308

Joan Miro (1893-1983) Spain & another (two)

Joan Miro TITLED, color lithograph poster, sight 27 ½ x 23 ½”, frame 38 x 34” with glass; Together with Artist Unidentified UNTITLED, color print, signed Aziz D. in gold ink lower right, image 10 ½ x 14 ¼”, full margins, frame 17 ½ x 21 ¼” with glass. (2)

Miro folded and trimmed, otherwise both in apparently good condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

309

James Monson (b. 1943) Minnesota

LAST KITE, reduction color woodblock print, signed and titled and numbered 19/50 in pencil, image 19 x 15”, full margins, frame x 33 ¼ x 28 ¾” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Some pale discoloration in the margins, mild cockling, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

310

James Monson (b. 1943) Minnesota

GRAND SURIMONO, reduction color woodblock print, signed and titled and numbered 7/50 in pencil, image 19 x 15”, full margins, frame x 33 x 28 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Printer’s creases mainly in the upper right corner, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

311

James Monson (b. 1943) Minnesota

PASTORAL, reduction color woodblock print, signed and titled and numbered 11/50 and in pencil, image 20 ¾ x 16 ¾”, full margins, frame 31 ¼ x 26 ¾” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

312

James Monson (b. 1943) Minnesota

ADIEU, reduction color woodblock print, signed and titled and numbered 13/50 and in pencil, image 21 x 17”, full margins, frame 31 ¼ x 26 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

313

Mickey Myers student of Sister Mary Corita Kent (20th Century) California

WELCOME HOME, 1981, color screenprint, signed and dated and titled and numbered 38/39 in pencil, image 24 ½ x 18”, full margins, frame 37 x 29” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

314

Mickey Myers student of Sister Mary Corita Kent (20th Century) California

THE COLOR OF MY LIFE II, 1981, color screenprint, signed and dated and titled and numbered 38/46 in pencil, image 24 ½ x 17”, full margins, frame 37 x 29” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

315

Patrick Nagel (1945-1984) Californian (two)

GALERIE MICHAEL (W.28 pg. 155), 1982; NAGEL (W.32 pg. 156), two lifetime limited edition color screenprint posters, the first signed and dated and dedicated in pencil lower left, both signed in design, sheets 25 x 18”, both published by Mirage Editions, frames 34 ½ x 27” & 31 ½ x 24 ½” with glass. (2)

The first slightly slipped from mount; otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

316

Patrick Nagel (1945-1984) Californian (two)

NOBLE (W.27 pg. 155), 1982; DYANSEN (W.31 pg. 156), 1983, two lifetime limited edition color screenprint posters, both signed in design, sheets 21 x 16” & 25 x 18”, both published by Mirage Editions Santa Monica, Noble frame 28 ½ x 23” with Plexiglas; Dyansen frame 35 x 27” with glass cracked lower corners. (2)

Noble slipped from mount in frame and with diagonal scuff lower center right; otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

317

Patrick Nagel (1945-1984) Californian

TEXAS (Duran Duran) (W. 33 pg. 156), 1983, lifetime limited edition color screenprint poster, signed in design, published by Mirage Editions Santa Monica, sheet 25 x 19 ¾”, matted 33 x 27 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

318

Patrick Nagel (1945-1984) Californian

PAPILLON (W. 25 pg. 155), 1983, lifetime limited edition color screenprint poster, signed in design, published by Mirage Editions Santa Monica, sheet 25 x 17”, matted 34 x 26”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

319

Patrick Nagel (1945-1984) Californian (two)

PIEDMONT BOOK COMPANY GALLERY (W.10 pg. 151), 1979; GRUNWALD CENTER FOR THE GRAPHIC ARTS (W.12 pg. 152), two lifetime limited edition color screenprint posters, both signed in design, both published by Mirage Editions Santa Monica Piedmont frame 25 ¼ x 17 ¼” with glass broken lower right corner, Grunwald sheet 25 x 17”. (2)

Grunwald with discolor spot lower right edge and some discoloration on verso, otherwise both in good or apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

320

Shigeru Narikawa (b. 1945) Japanese

DAFFODIL, color mezzotint, signed and numbered 12/100 in pencil, plate 4 ¾ x 8 ½”, sheet 13 x 18”.

In good condition

Auction Estimate $10/20

Starting Bid $5

 

 

 

321

Robert Natkin (1930-2010) American

BERN Series, 1974, color screenprint, signed and dated and numbered 12/50 in pencil, image 36 x 27 ¼”, sheet 40 ¾ x 31 ¼”, Plexiglas frame 41 ¼ x 31 ¾”

White out in margin lower left, some toning and discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

322

Robert Natkin (1930-2010) American

UNTITLED, 1974, color screenprint, signed and dated and numbered 40/150 in pencil, image 26 ¾ x 38 ½”, sheet 31 ¼ x 43”, Plexiglas frame 33 ½ x 45”.

A few creases and soft creases, some toning and discoloration in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

323

Alexandra Nechita (b. 1985) Romanian

SUNFLOWER FIELDS, 1996, color screenprint on canvas, signed and numbered 14/250 in white ink, published by International Art Publishers with certificate, image 46 x 25”, frame 53 ½ x 32 ½ x 4”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

324

Alexandra Nechita (b. 1985) Romanian

SHARING MOMENTS from FRIENDS & FAIRY TALES, 1997, color screenprint, signed and dated numbered 35/99 in pencil, published by International Art Publishers with certificate, printed by Mourlot with blind stamp lower left, image 32 ¾ x 22”, full margins, frame 47 ¼ x 36 x 3”.

Some mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

325

Robert Von Neumann (1888-1976) German American

ISLAND MAILBOAT, lithograph, signed and titled in pencil, Associated American Artist edition, image 8 x 10 ¾”, sheet 12 x 16”.

Some pale toning, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

326

John Nieto (1936-2018) Apache Native American (four)

LES LIVRES DES PEINTRES Series, 1996, four color screenprints, each signed and numbered LXVII/C (67/100 Roman numeral) in silver ink, images 17 ½ x 14”, 11 x 19”, 13 ½ x 17 ½” & 17 ½ x 14”, full margins, frames from 24 ¾ x 20 ½ x 2 ¾” to 20 ½ x 24 x 2 ¼”. (4)

Two with improper perimeter hinging resulting in some discoloration at sheet edge verso and one has slipped from the mount, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

327

19th / 20th Century Engravings (forty-six)

VARIOUS SCENES OF LIFE, fifteen color or colored engravings (one duplicate) and one hand-colored lithograph, sheets 40 x 27” to 16 ¾ x 20 ½”; Together with thirty photogravures as published by D. Appleton & Co. NY, sheets 16 x 12”. (46)

Engravings and lithograph in overall good to generally good condition; Photogravures in overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

328

Henry Pearson (1914-2006) New York

YENGONGORA IV, etching, signed and titled and numbered 8/10 in pencil, image 8 ¾ x 11 ¾”, full margins, frame 19 ¼ x 21 ¾” with glass.

Some possible toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

329

Joshua Petker (b. 1979) Californian (four)

TWO WOMEN, four of the same color giclee prints, each signed in pencil, two from the numbered edition 25, two artist’s proofs, image 15 ½ x 10”, full margins, sheets 17 ½ x 12”. (4)

All in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

330

Joshua Petker (b. 1979) Californian

SHIP ON WAVE OF COLORS, color giclee print, signed and numbered 13/25 in pencil, registration marks in all four corners, sheet 25 ½ x 24”.

A couple of small smudges in right margins, otherwise in good condition.

Auction Estimate $20/40

Starting Bid $10

 

 

 

331

after Pablo Picasso (1881-1973) Spanish

XXXII: FESTIVAL D’AVIGNON, 1978, Henri Duchamp color lithograph poster, printed by Mourlot, published by S. P. A. D. E. M., frame 31 x 21 ½” with glass.

Creases and cockling, some small sheet edge nicks from framing, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

332

Liliana Porter (b. 1941) Argentina

THE BEGINNING OF THE JOURNEY, 1983, mixed media print with string collage on Japan paper, signed and dated and titled and numbered 35/75 in pencil, sheet 12 x 15 ½”.

Creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

333

Ken Price (1935-2012) California

JIBAROLAND FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 1/20 in pencil on verso, printed at Tamarind, sheet 22 x 17”.

Discoloration and toning, a tideline stain lower right corner, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

334

Ken Price (1935-2012) California

DOUBLE FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 2/20 in pencil on verso, printed at Tamarind, sheet 22 x 16 ½”.

Discoloration and toning, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

335

Print Collection (twenty-two)

Herbert Dicksee Lion; Tiger, two etchings, initialed or signed in the plate, images 23 ¼ x 18 ½”, sheets 30 ½ x 22 ½”; Five Botanicals and two Landscapes, seven colored etchings, each signed and inscribed in pencil, sheets 16 ½ x 12 ½” to 11 ¾ x 9 ½”; Travel Scenes, four color etchings, sheets 11 ½ x 30”; Three colored engravings of English Roosters, two 20 ¼ x 16” one 25 ¼ x 20 ¾”, each stamped Made in England on verso; Two English Aerial Views, each a colored lithograph, sheets 16 ¾ x 24”, Four smaller Landscape prints, 16 ½ x 10 ½” to 4 ½ x 3”. (22)

In overall good to generally good condition, the latter four in the lesser condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

336

Print Collection (seventy-two)

IMAGES OF MEN & GENTLEMAN, twenty-one etchings, engravings and lithographs, sheets 31 x 24 ¼” to 6 x 5”; Together with a watercolor of a man signed Spencer, 10 ¾ x 11 ½”; Together with twenty-nine bookplates of photogravure or reproductions, sheets average 12 x 17”; VARIOUS, twenty-one etchings, lithographs and prints, sheets 28 x 22 ¼” to 5 x 6”. (72)

From good condition to fair/poor condition, the first in mainly generally good condition; most of the bookplates in fair to poor condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

337

Roy Purcell (b. 1936) American (six)

VARIOUS, six etchings, each signed and numbered and titled in pencil, sheets 13 x 19 ½” to 7 ½ x 10 ½”. (6)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

338

Charles Paul Renouard; Charles Vanderhoof; Elanor Coburn; Christoph Weigel & others (seven)

Charles Paul Renouard (1845-1924) GRAND ASSEMBLY lithograph, signed in pencil, image 12 ¾ x 17 ¾”, sheet 18 ¾ x 25 ¾”; Charles Vanderhoof (1853-1918) ISLAND HARVEST, etching, signed in pencil, image 8 x 12 ½”, sheet 13 x 16”; Elanor Coburn (1866-1939) MOTHER & CHILD, lithograph, signed and numbered 14/20 in pencil, sheet 16 x 11 ½”; Christoph Weigel (1654-1725) FALLEN HORSE, etching, image 5 x 6 ½”, full margins, frame 14 x 16” with glass; Campbell HOUSE BY LAKE, 1905, watercolor on card, signed and dated lower right, card 7 x 13 ¼”; Howell Chambers Brown (1880-1954) TREE, pencil drawing, 16 ½ x 12”; George **** MAN WITH TWO HORSES AND A DOG, etching, signed in pencil, image 5 x 7”, full margins, frame 13 ½ x 15” with glass. (7)

In overall good to generally good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

339

Dolona Roberts (b. 1936) New Mexico

FOUR FIGURES, color screenprint, signed and numbered 58/250 in pencil, printed by Soma and published by Segal with blind stamps lower left, image 32 ½ x 32”, full margins, Plexiglas box frame 41 x 39”.

Pale discoloration upper corners apparently from hinges on verso, soft crease lower right corner, mild wave, soft handling crease upper left corner, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

340

Dolona Roberts (b. 1936) New Mexico

TWO FIGURES, 1983, color screenprint, signed and dated and numbered 29/100 in white pencil, sheet 29 x 22 ½”, Plexiglas box frame 33 x 27”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

341

Reuven Rubin (1893-1974) Israel

JEREMIAH I from The Prophets Suite, color lithograph on Arches script watermarked paper, signed and numbered 148/200 in pencil, sheet 26 x 20”.

Minor skinning on verso from old hinges, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

342

Kiyoshi Saito (1907-1997) Japanese

MIHOYO-IN KYOTO, 1968, color woodblock print, signature and character stamp lower left, dated and titled and numbered 28/100 in pencil in lower margin, image 14 ¾ x 20 ¾”, full margins, frame 23 ¼ x 29 ¼” with non-glare glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

343

Jack Silverman (b. 1940) New Mexico; Gordon Phillips (1927-2011) North Carolina (two)

Jack Silverman THIRD PHASE NAVAJO CHIEF BLANKET, 1982, color screenprint, signed and numbered 27/100 in pencil, sheet 29 ½ x 41”, Plexiglas box frame 32 ½ x 43 ½”; Gordon Phillips LINE RIDERS, color print, signed and numbered 131/490 in pencil, image 18 x 27”, full margins, frame 27 ½ x 36 ½” with glass. (2)

Silverman with discoloration at perimeter of sheet and image, frame with hard scrape lower right; Phillips with colors possibly attenuated, tiny piece of debris inside frame; Otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

344

Alexander Brantingham Simpson (active 1904-1931) British

SLEEPING WOMAN WITH PUTTO, etching, signed in pencil lower left, image 3 x 6”, full margins, frame 13 x 12” with glass.

Toning, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

345

Marbury Somervell (1873-1939) American (eleven)

VARIOUS, eleven etchings, each signed and titled and numbered in pencil, all from editions of 100, sheets 13 x 10” to 10 x 8”. (11)

In overall good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

346

Steve Sorman (b. 1948) American

WHERE IN YOU ARE OUTSIDE OF WHICH, 1986, color lithograph with collage and possibly some handwork on thin Japan paper, signed and dated and numbered 33/65 in pencil, sheet 23 ½ x 36”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $50/100

Starting Bid $10

 

 

 

347

Marko Spalatin (b. 1945) Croatia American

FIGURE V, color screenprint, signed and numbered 57/60 in pencil, image 19 ½ x 25”, sheet 25 ½ x 30 ½”, frame 30 ¼ x 38 ½” with glass.

Pale speckling in margins, small scrape in image lower right, some discoloration strip upper margins possibly a hinge on verso starting to show through, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

348

Marko Spalatin (b. 1945) Croatia American

PANEL IV, color screenprint, signed and inscribed A/P (artist’s proof), in pencil, diameter 21”, sheet 30 ½ x 25 ½”, frame 32 x 27” with glass.

Some toning and discoloration mainly at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

349

Marko Spalatin (b. 1945) Croatia American

COLORED CUBES, color screenprint, signed and titled and numbered 21/60 in pencil, image 18 x 18”, full margins, frame 26 ¾ x 26 ¾” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

350

Carol Summers (b. 1925) American

CALIFORNIA, color woodblock print, signed and titled and numbered 50/75 in pencil, sheet 37 x 37”, frame 42 ½ x 32 ½” with Plexiglas. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

351

Carol Summers (b. 1925) American

COMET OVER THE LOWER FALLS OF THE YELLOWSTONE, color woodblock print, signed and titled and numbered 50/50 in pencil, printed by Tamarind, blind stamp lower left, sheet 41 x 29 ½”, frame 47 x 35 ½” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

352

Chloe Tallot (b. 1973) French

LE BAIN BLEU, PARIS, 2004, color Fuji crystal print, signed and dated and titled on verso in pencil, sheet 16 ½ x 11 ¾”, frame 25 x 20”.

Tiny smudge extreme edge lower left corner, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

353

Itzchak Tarkay (1935-2012) Israeli

BLUE DRESS II, 2003, color screenprint, signed and numbered 233/350 in pencil, image 37 ¼ x 13 ½”, full margins, frame 50 x 25 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

354

Itzchak Tarkay (1935-2012) Israeli

THREE WOMEN AT TEA, 1992, color screenprint, signed and numbered 76/350 in pencil, blind stamp lower left, image 36 ½ x 26”, full margins, frame 51 ¾ x 41” with Plexiglas.

Some minor debris inside frame, artwork appears to be in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

355

Lev Tchistovsky (1902-1969) Russian French

FEMME A L’EVENTAIL, color aquatint etching, signed in pencil, published by Estampe Moderne with tagline upper left, image 14 x 19”, mounted to board 22 x 26”, with good strong colors.

Laid down, some discoloration spots and toning, in margins, adhesive residue and skinning in margins from previous matting, a few small nicks on her belly, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

356

Sam Thal (1903-1964) New York & Carmen Bonanno (1901-) Italy American (two)

Sam Thal PICNIC PLACE, etching, signed in pencil, image 8 ¾ x 12”, sheet 12 x 15”; Together with Carmen Bonanno THE MATES, etching signed in pencil, image 9 ¾ x 8”, sheet 12 ½ x 10”; both Associated American Artist editions. (2)

Both with pale discoloration on recto and moderate toning on verso, otherwise both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

357

Valery Thornton (1931-1991) British

UNTITLED, color etching, signed and numbered 2/50 in pencil, image 19 ¼ x 14 ¾”, full margins, frame 28 ¼ x 23 ¼” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $50/150

Starting Bid $25

 

 

 

358

Christian Title (1932-2020) American

VIEW OF THE COUNTRYSIDE, color lithograph, signed and numbered HC 1/20 (Hors Commerce) in pencil, image 23 x 29”, full margins, handsome framed with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

359

Theo Tobiasse (1927-2012) French/ Israeli

LES PSAUMES from 50 Springs of Israel, color screenprint, signed numbered 31/199 in pencil, image 21 ½ x 30”, sheet 36 x 27”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

360

Shark Toof (20th/ 21st Century) Chinese/Californian

TIGER, 2011, extensive spray painting and tagging over color screenprint, signed in pencil lower center, numbered 29/30 in pencil on verso, unidentified blind stamp lower right, sheet 26 x 20”.

In good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

361

Paul B. Travis (1891-1975) American

OLD CUSTOM HOUSE MONTEREY (California), etching, signed and titled in pencil, image 7 ¾ x 5 ¾”, full margins, frame 14 x 11” with glass.

Some pale discoloration, otherwise in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

362

Igael Tumarkin (b. 1933) German/ Israel

VENUS, color screenprint with intaglio, signed and numbered 11/25 in pencil, sheet 33 ½ x 23”.

In good condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

363

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, signed and numbered 131/300 in pencil, image 25 x 25”, full margins, frame 37 x 26 ½” with Plexiglas.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

364

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, sheet 28 x 28”.

Some scuffs visible at certain angles in raking light, some white flecks along on side, glue and accretions on verso, otherwise in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

365

Adam Wallacavage (b. 1969) Philadelphia

PIGGY, 1999, color screenprint, signed and numbered 11/50 in pencil, sheet 26 x 17 ½”.

With original pinholes in all four corners, in good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

366

Axel Wallert (1890-1962) Swedish

SKARGARDS FOLK, woodblock print, signed and titled in the margins, image 8 x 10 ½”, full margins, frame 15 x 17 ½” with glass.

Frame coming apart at corner, art in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

367

Reynold Weidenaar (1915-1985) American

REVERIE, mezzotint, signed and titled in pencil, Associated American Artist edition, image 13 x 10 ¾”, sheet 16 x 13”.

Some pale toning and discoloration, otherwise in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

368

Fred Williams (1927-1982) Australia

UNTITLED (Figure), 1958, etching, signed and dated and numbered 10-25 in pencil, image 7 ½ x 5 ¼”, full margins, gold leaf frame 15 ½ x 12 ½” with glass.

Extremely faint discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

369

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed and numbered 168/375 in pencil, image 58 x 29 ½”, sheet 63 ½ x 35”.

A few hairline cracks from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

370

Yamin Young (b. 1959) Chinese

CALEDON HORSES, color screenprint with gold highlight on Japan paper, signed and numbered 70/275 in marker, image 22 ¾ x 68”, sheet 29 ½ x 75”.

Hairline cracks, has been stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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