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Ace Gallery Inventory Reduction

Auction Saturday October 17th, 2020 @ noon

 

 

 

1

 

WITHDRAWN

 

 

 

2

WITHDRAWN

 

 

 

3

WITHDRAWN

 

 

 

4

WITHDRAWN

 

 

 

5

WITHDRAWN

 

 

 

6

Advertising Poster

CHIPPEWAH SALT, Ohio Salt Company Wadsworth Ohio, vintage advertising poster, sight 23 ½ x 59 ½”, frame 29 ½ x 64 ½” with Plexiglas.

Colors attenuated, crinkles and creases, small tears, probably some toning, otherwise in apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

7

African Mask

Carved wood helmet, 12 ½ x 22 ½ x 12”.

With some stress cracks, surface soiling and some wear, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

8

African Sculpture

STANDING WOMAN WITH A BOWL, Cameroon metal figure, 21 Ύ x 8 x 6”, with 2 x 6 x 7” wood stand, overall 23 Ύ” tall.

Dust accumulation, some oxidation and some natural holes in bowl, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

9

African & Ethnic Sculptures (two)

Benin warrior bronze with Plexiglas base, overall 12” tall; Ethnic bronze bust on wood pedestal with nose piercing with inlaid stone, overall 13” tall. (2)

Both with dust accumulation, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

10

Sean Aldrin (b. 1970) San Francisco

IDEA: CHINESE, 2006, Archival Kodak Duratrans in lightbox, overall 30 ½ x 48 x 5”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5200.

A few light scuffs on Plexi, with some scuffs on back, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

11

Sean Aldrin (b. 1970) San Francisco

IDEA: ENGLISH, 2006, Archival Kodak Duratrans in lightbox, overall 30 ½ x 48 x 5”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5200.

A few light scuffs on Plexi, with some scuffs on back, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

12

Sean Aldrin (b. 1970) San Francisco

IDEA: FRENCH, 2006, Archival Kodak Duratrans in lightbox (one light needs replacing), overall 30 ½ x 48 x 5”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5200.

A few light scuffs on Plexi, with some scuffs on back, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

13

Sean Aldrin (b. 1970) San Francisco

IDEA: HEBREW, 2006, Archival Kodak Duratrans in lightbox, overall 30 ½ x 48 x 5”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5200.

A few light scuffs on Plexi, with some scuffs on back, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

14

Sean Aldrin (b. 1970) San Francisco

UNTITLED, 2006, lightjet print mounted on aluminum, 48 x 60 x 1”, signed and inscribed AP (artist’s proof) on verso, aside from the edition of 5. Provenance: ACE Gallery, Los Angeles; Gallery Price $10,000.

Dents lower left and upper right corners, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

15

WITHDRAWN

 

 

 

16

Christina Angelina (20th/ 21st Century) Venice, CA

NOTHING IS HEAVY TO THOSE WHO HAVE WINGS, acrylic painting on canvas, a signature not found, 30 x 48”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

Antique Ceramic Tiles (four)

UNTITLED, each 6 x 6”, frames 12 Ό x 12 Ό” with glass. Waterworks Gallery Inc. labels on verso. (4)

One with some debris in frame, otherwise all in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

18

Karel Appel (1921-2006) Dutch (six)

HAPPY MEETING, 1979, complete portfolio of six color screenprints, four with foil collage and one with embossing, each signed and dated and numbered 84/120 in pencil, all with Editions Press blind stamps lower left or right, five sheets 26 ½ x 34”, one 30 x 22”, with original portfolio case with tirage sheet and text pages, two framed 28 Ύ x 35 Ύ” with glass. (6)

Framed prints with pale toning at sheet edges, a few soft handling creases, one with some pale discoloration in corners; Unframed prints: the smaller one with speckles and scuffs, the prints without foil have cockling, and scuffs and speckles and discoloration on verso; the last with gold foil has damage throughout the foil, and cockling, and mold on verso, otherwise all in good condition; two of the text pages with mold spots; portfolio case with water damage and mold.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

19

Sol Aquino (20th Century) California

ART CONSUMERS, 1989, color screenprint, signed in pencil, numbered 1/6 PP (printer’s or publisher’s proof) aside from the numbered edition of 90, sheet 39 Ύ x 33 Ύ”, frame 47 x 41” with non-glare Plexiglas.

Insect debris upper left, small touched-up line in black area lower left, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

20

Armenian Artist Unidentified (20th Century)

VIEW OF MOUNT ARARAT, oil painting on burlap wrapped over Masonite, a signature not found, Armenian poetry label on verso, 26 x 38”, frame 30 x 42”.

Ingrained surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Artists Unidentified (mid-20th Century) (two)

Antoyan? COUPLE, pastel on paper, signed Antoyan? lower left, sheet 24 Ύ x 16 Ύ”; French Artist CHOUETTE, dry brush on chain laid paper mounted to card, signed and titled and inscribed in French upper left, 16 x 12 Ύ”, discardable frame 22 x 18” with glass. (2)

The first with unprofessional repaired tear and faint staining and creases lower left, edge ware and perimeter toning, old masking tape remnants perimeter verso with some associated skinning, creases and discoloration; French artist with discoloration and minor silverfish damage, masking tape around perimeter verso; otherwise in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

22

Artist Unidentified (20th Century) American

NEIGHBORHOOD CAFΙ, 1990, watercolor on paper, signed and dated and titled in pencil, sight 20 x 27”, frame 24 x 32 Ό” with Plexiglass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

23

Artist Unidentified (20th Century)

VENUS, graphite, color pencil and pastel drawing on gray card, signed lower left, 32 x 16”, mat 35 Ό x 19 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

24

Arie Azene (b. 1934) German/ Israel (six)

COUCH AND CHAIR, hand-colored lithograph, signed in pencil, numbered 12/80, sheet 22 Ό x 30”; THREE INTERIORS WITH CHAIRS, color lithograph, signed in pencil, numbered 177/240, sheet 27 x 19”; TWO BEDROOM INTERIORS, color lithograph, signed in pencil, numbered 119/240, sheet 27 ½ x 19 ½”; VIEW OF THE CITY, color lithograph, signed in pencil, numbered 76/250, sheet 19 ½ x 27 ½”; Family Album Series (The Girls), color lithograph, signed in pencil, numbered 14/42, Burston Graphic Centre blind stamp, sheet 19 Ύ x 25 Ύ”; Family Album Series (Spiral Bound), color lithograph, signed in pencil, numbered 3/60, Burston Graphic Centre blind stamp, sheet 22 Ό x 30”. (6)

The last with pale discoloration at sheet edges, otherwise in good condition, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Balinese Art (two)

FESTIVAL DANCE; PROCESSION, two watercolor and ink drawings on paper, signatures or inscriptions not found, sights 32 x 27” & 26 ½ x 27 ½”, frames 42 x 37” & 36 ½ x 37 ½”, both with Plexiglas. (2)

Dance with some small spots of silverfish damage and some scrapes; Procession with tear lower right and creases upper center, a few little scuffs and scrapes; Otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

26

Coral Barclay (20th / 21st Century) Canadian

BLUE VASE, 2000, acrylic painting on canvas, signed lower right, signed and dated and titled on verso, 12 x 12”, frame 15 x 15”, retains Waterworks Gallery Inc. label.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

27

Susan Bennerstrom (b. 1949) Washington

FOLDING CHAIR, 1994, color pastel on paper, signed lower right, sight 22 Ύ x 29”, frame 32 Ό x 38 x 2” with Plexiglas. Provenance: Davidson Galleries, Seattle.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

28

Guillermo Bert (b. 1959) Chilean California

THE DIVER #7, 1997, mixed media and oil painting on canvas over wood panel, signed and dated lower right, 48 x 48”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

29

Tim Bisckup (b. 1967) California (two)

GIRL WITH PURSE; STACKED STRIPPED FIGURES, a pair of color screenprints with pencil drawing highlights, each signed and numbered 113/125 in pencil, sheets 12 Ύ x 6”, frames 16 ½ x 13 Ό” with glass. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

30

Graciela Rodo Boulanger (b. 1935) Bolivian (five)

ANIMALS, the set of five color lithographs, each signed and numbered 80/200 in pencil, sheets 30 x 22”. (5)

All with some discoloration and some varying degree of mold on verso, otherwise all in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

WITHDRAWN

 

 

 

32

Orna Bromberg (b. 1955) Israel

UNTITLED THREE BLUE WOMEN, 1991, color crayon drawing on paper, signed and dated on verso, 27 ½ x 19 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

Retains light curl from previously being rolled, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

33

WITHDRAWN

 

 

 

34

WITHDRAWN

 

 

 

35

Alexander Calder (1896-1976) American

VERTICAL FLAGS, color lithograph, signed and numbered 41/100 in pencil, with natural ink saturation on verso, sheet 30 Ύ x 23 Ύ”, frame 31 Ύ x 24 Ύ” with Plexiglas.

Upper sheet edge is uneven but doesn’t appear to be trimmed just longer on upper left by Ό”, rub spot upper center light discoloration on recto at hinges upper corner, a few soft handling creases, some slight rubbing along left sheet edge and lower right corner, a few surface scuffs visible at certain angles in raking light, tiny black accretion speck in lower yellow ball, Tiny pale spot lower right, small pale stain on verso, otherwise in good condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

36

Alexander Calder (1896-1976) American

PYRAMIDS AND SPIRALS, color lithograph, signed and numbered 4/95 in pencil, sheet 29 ½ x 43 Ύ”, frame 36 ½ x 49 Ό” with Plexiglas.

Mild toning on recto, more moderate toning on verso, soft handling creases with one visible in blue spiral, a Ό” tear upper sheet edge, mat with tideline stain upper left, otherwise in good condition.

Auction Estimate $3000/5000

Starting Bid $1500

 

 

 

37

WITHDRAWN

 

 

 

38

WITHDRAWN

 

 

 

39

Andrew T. Chin (20th / 21st Century)

WARMING A PEA FOR BREAKFAST, acrylic painting on canvas, a signature not found, 7 x 5”, frame 13 Ό x 11 Ό x 2”. Provenance: Westwood Gallery, NYC.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

40

Chinese Blue & White Ware: Chargers (19th/ 20th Century) (three)

Painted porcelain oval charger with flower motif on interior and exterior 1 Ό x 13 Ό x 10 Ύ”; A painted porcelain rectangular shallow platter with scalloped edges and interior motif of plants and stylized flower motif on exterior 2 x 13 x 11 ½”, character mark underneath; A painted porcelain rectangular platter with figural motif on interior and stylized flower motif on exterior ½ x 10 x 7 ½”. (3)

The first with some small pits, a few light scrapes from use; The second with some small pits and firing flaws and a miniscule rim flaw on exterior; otherwise all in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Chinese Blue & White Ware: Plates (18th – 20th Century) (four)

Three painted porcelain plates, the first with a dragon motif on interior and vine motif and character motif on exterior, 12” diameter, 1 Ύ” deep; The second purported late 18th/ early 19th Century plate with temple and landscape motif, 10” diameter; The third a floral pattern interior with branches and stamp or mark underneath, 9 Ύ” diameter; The fourth a charger with dragon motif interior and character stamp underneath, 14 ½” diameter 2 Ό” deep. (4)

The second with some tiny pitting and some small rim chips; The third with some pitting and several rim chips and a small firing crack underneath, The fourth with three blister chips, a few pits and interior ring crack and a ½” rim chip underneath and a small crack in foot underneath; Otherwise all in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Chinese Blue & White Ware: Plates (18th - 20th Century) (eight)

Six 19th/ 20th Century made for export painted porcelain plates with outdoor motifs, two 9 Ύ”, two 9 ½”, two 8 ½” diameters; A purportedly late 18th Century painted porcelain plate 9” diameter; A painted porcelain octagonal plate with outdoor motif, 9” diameter. (8)

Condition issues include some rim chips, small pits, firing flaws, some small drying cracks, one with a small chip at center verso; The last with some scratches and finish ware; Otherwise all in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

43

Chinese or Asian Blue & White Ware (19th/ 20th Century) (six)

VARIOUS: a painted porcelain tea pot with lid and wood rattan handle, tea pot 4 x 5 ½ x 4 ½”,  with handle 7 Ό” tall; A painted porcelain lidded tea caddy, 5 x 3 ½ x 2 Ό”; A small painted porcelain tile with bird and flower motif and wood frame, 6 Ύ x 7 Ύ”; A painted porcelain tripod bowl, 5 Ό” tall, 8” diameter; A painted porcelain rectangular vase with pattern design, marked underneath 8 ½ x 4 ½ x 3”; A large painted ceramic tile with bird and branch motif, signed or inscribed, 10 x 10 x Ύ”. (6)

Tea pot with losses on some of the fine petals; tea caddy with some pitting in the darker highlights; Tile with some pitting and firing flaws; The rectangular vase with moderate filled-in chip with associated wear and scratches; Large tile with two chips on side near edge of face; Otherwise all in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

44

Chinese Blue & White Ware: Bowls (19th/ 20th Century) (four)

Four painted porcelain bowls: one with flower and berry motif with blue trim and character marks underneath 9 ½” diameter 1 ½” deep; one with scalloped rim and mountain motif on interior and flower motif on exterior rim and gallery label underneath 8 ½” diameter 2 Ό deep; Third with various outdoor motif and geometric pattern on rim on the interior and landscapes on exterior 8 Ό” diameter 1 Ύ” deep; Fourth with outdoor motif 10” diameter 1 Ύ” deep. (4)

All with minor pitting; The second with surface scratches from use; The third with a few firing flaws; The fourth with several rim chips: otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

45

Chinese Blue & White Ware: Bowls (19th/ 20th Century) (two)

A painted porcelain bowl with flower motif on interior and small decorative motif, on exterior 10 Ύ” diameter 1 Ύ” deep and with display hardware; An Asian painted porcelain plate with mountain and tree motif on interior and line pattern on exterior and stamp underneath, 12 Ό” diameter 1 ½” deep. (2)

The first with some pits, some surface scratches from use and a few firing flaws; The second with some scratches from use; otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

46

Chinese Blue & White Ware: Ginger Jar (19th/ 20th Century) (two)

A painted porcelain Ginger Jar with an added wood top and traditional motif, 13 Ό” tall including lid, 8 ½” diameter; Lidded ginger jar with narrative and floral motif, character stamps underneath, 13 ½” tall including lid, 8 ½” diameter. (2)

Some pitting and blisters mainly at the upper area, some brown spots and firing flaws, small glazed over chip at rim; The second with chip on lid rim with some loss underneath, some pitting and firing flaws, neck yellowed; Otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

Chinese Blue & White Ware: Ginger Jar (19th/ 20th Century)

A painted porcelain vase with floral and bird motif, 12” tall, 7 Ό” diameter.

Some small pits and firing flaws, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Chinese Blue & White Ware: Candlesticks (19th/ 20th Century)

A pair of painted porcelain candlesticks, each 8 Ύ” tall, 6 Ό” diameter with metal rims and outdoor motifs.

Some minor pitting and firing flaws, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

49

Chinese Blue & White Ware: Bowls (19th/ 20th Century) (two)

A painted porcelain lidded bowl with narrative motif and foo dog handles, flanked with ringlets, 7 ½” tall, 9” diameter with ringlets; A painted porcelain lidded three-piece warming bowl with floral motif and a pierced bud handle, flanked with foo dog eyelets and metal handles, 7 ½” tall, 7 Ύ” diameter. (2)

Both bowls with some small pits and firing flaws, the second with some faint discoloration, otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

50

Chinese Blue & White Ware: Bowls (19th/ 20th Century) (two)

A large painted porcelain bowl with outdoor motif on interior and exterior, 10” diameter, 4 Ό” tall; A painted porcelain footed bowl with butterfly and flower motif on interior and exterior, 5 Ύ” tall, 7 ½” diameter. (2)

Both with some firing flaws; the second with some pitting, otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

51

Chinese Famile Rose Jars (19th/ 20th Century) (two)

A pair of lidded jars, each 11 ½” tall. (2)

Both with chips at bases, one with unprofessionally repaired at neck, otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

52

Chinese Blue & White Ware: Bowls (19th/ 20th Century) (eight)

An assortment of painted porcelain bowls with decorative patterns, the largest 6 Ύ” diameter 3” tall with some unglazed areas on outside and character mark underneath; Two rice bowls, one with cranes and one with fish motifs, both marked underneath, each 4 ½” diameters 2 Ό” tall; Three small made for export plates with crackle glaze and out outdoor motif each 4 Ύ” diameter; Two finger bowls with outdoor motifs, each 3 ½” diameter. (8)

All with tiny pits and firing flaws; The first bowl with tiny rim chips; Rice bowls with tiny rim chips; Three plates with some staining from use; Finger bowls with wear and rim chips; Otherwise all in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

53

Chinese Porcelain Vases (19th/ 20th Century) (two)

Two double-gourd vases with plum and branch motif over patterned undercoat, each with character marks underneath, each 14 ½” tall, 7 ½” diameter. (2)

Both with some small firing flaws, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

Chinese Porcelain Vases to lamps (19th/ 20th Century) (two)

Two yellow semi-iridescent finished double-handled vases with holes for conversion to lamps, each 12 Ύ x 9 x 6”. (2)

Both in apparently good aged condition aside from the conversion drill holes underneath.

Auction Estimate $200/400

Starting Bid $100

 

 

 

55

Chinese Cloisonnι Ginger Jars (two)

A pair of lidded brass jars with flower and butterfly motifs and painted interiors, each 10” tall including lids. (2)

Both with ingrained surface soiling and wear, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

Chinese & Asian Porcelain Group (five)

A Chinese enameled porcelain vase with rectangular body flanked with inset ringed handles, with turquoise background and traditional flower and daily life motif, 9 ½ x 4 ½ x 3 ½”; A Japanese crackle celadon glazed vase with gourd shape body and long tapered neck, with crane motif, signed or marked underneath, 10 ½” tall, 5 ½” diameter; A Chinese yellow painted porcelain tea caddy, 5 ½ x 3 x 3”; An Asian painted porcelain brush pot, marked underneath, 4 ½” tall, 3” diameter; Together with a painted porcelain potpourri with flower motif of unknown origin, 5 Ύ” tall, 3 Ό” diameter. (5)

The first with moderate loss upper top side with associated interior hairline crack, some minor pitting and firing flaws, and with a small chip upper left corner and some odd small accretion near corner at neck; Brush pot with some pitting and firing flaws mainly on inside; Potpourri with some glaze flaws and pitting; Otherwise all in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

57

Gabriel Cohen (1933-2017) Israel France

HANAUCA HABAIT, 1987, oil painting on paper, signed and dated and titled lower right, 27 ½ x 39 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

A few hinges on verso from previous framing, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

58

No Lot

 

 

 

59

Jeff Colson (b. 1957) California

FIGURE VERTICAL II, 2008, fiberglass, acrylic and steel mixed media, signed and dated on verso, 73 x 37 x 2”. Provenance: ACE Gallery, Los Angeles; Gallery Price $18,000. Note: comes with temporary open-face travel crate.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

60

Jeff Colson (b. 1957) California

MOON, 2003, Ink Jet print on canvas, 50 x 50 x 2”. Provenance: ACE Gallery, Los Angeles; Gallery Price $10,000.

In apparently good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

61

Jeff Colson (b. 1957) California

UNTITLED, 2003, watercolor on paper, signed and dated lower right, 15 x 11 ½”, frame 16 Ό x 12 Ύ”. Provenance: ACE Gallery, Los Angeles; Gallery Price $9000.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

62

Jeff Colson (b. 1957) California

UNTITLED, 2001, watercolor on paper, signed and dated lower right, sight 8 ½ x 7”, frame 17 x 15 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $9000.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

63

Jeff Colson (b. 1957) California

BUD, 2002, pencil drawing on paper, signed lower center, sight 9 ½ x 7 ½”, frame 16 ½ x 14”. Provenance: ACE Gallery, Los Angeles; Gallery Price $6000.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

64

Jeff Colson (b. 1957) California

FIGURINE (small square), 2008, fiberglass, acrylic, and steel mixed media, signed and dated on verso, 36 x 36 ½ x 2”. Provenance: ACE Gallery, Los Angeles; Gallery Price $12,000. Note: comes with temporary open-face travel crate.

In apparently good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

65

Contemporary Artist Unidentified

CONTINUOUS FLUX, 1994, acrylic painting on panel, signed and dated and titled on verso, 7 x 24”, frame 15 x 32 x 2”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

66

Contemporary Artist Unidentified

NIGHT CAMPING, 1995, acrylic painting on canvas, signed and dated on verso and on stretcher bar, 34 ½ x 26 ½”, frame 35 ½ x 27 ½ x 2 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

67

Contemporary Artist Unidentified

FACE TO FACE, acrylic painting on two canvases over panels, signed lower right, signed and dated and titled on verso, 19 x 20 Ό”, frame 23 x 25”. Waterworks Gallery Inc. label on verso.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

68

Richard D’Amore (1940-2006) California & others (five)

Richard D’Amore GHOST FIGURE IN FOREST, 1974, gelatin silver print, signed and dated in pencil, image 10 ½ x 10 ½”, sheet 14 x 11”; Photographer Unidentified GARGOYLE, ROME, 1977, ink jet print on paper, signed and inscribed in pencil, also signed and dated 2005 and titled in pencil on the verso, image 12 x 9”, sheet 19 x 13”; Photographer Unidentified STANDING WOMAN AT EVENING, c-print, image 17 ½ x 23”, sheet 21 x 24”; Together with a print of a Wind Mill 17 ½ x 15” framed with glass, and a print of a Possum framed 11 x 10”. (5)

D’ Amore with some cockling and crease upper right corner, some wear lower left corner, Standing Woman with creases; otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

69

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

PROFESSIONAL LIARS, 2013, acrylic and mixed media collage on wood panel, signed and dated on verso, with artist’s frame 50 x 50 x 3”. Provenance: ACE Gallery, Los Angeles; Gallery Price $25,000.

Dust accumulation on surface, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

70

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

SNAKE OIL, 2013, acrylic and mixed media collage on canvas, signed and dated on verso, with artist’s frame 49 x 49 x 6”. Provenance: ACE Gallery, Los Angeles; Gallery Price $25,000.

Dust accumulation on surface, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

71

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

SPARKLY STICKERS, 2014, acrylic and mixed media collage on wood panel, signed and dated and inscribed Coca Cola on verso, with artist’s frame 50 x 50 x 4”. Provenance: ACE Gallery, Los Angeles; Gallery Price $25,000.

With studio cockling, dust accumulation on surface, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

72

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

THE GREATEST SHOW ON EARTH, 2013, acrylic and mixed media collage on wood panel, signed and dated on verso, with artist’s frame 74 x 50 x 6”. Provenance: ACE Gallery, Los Angeles; Gallery Price $30,000.

Dust accumulation on surface, apparently a few missing collaged elements center left edge (looks replaceable), otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

73

Decorative Arts: Ethnic Items (five)

African Masks two decorative masks: one Congo style carved and painted wood, 10 ½ x 7 x 3”; the other a Gabon style painted ceramic mask, 13 ½ x 6 x 5 ½”, Ethnic fly swatter with horse hair with leather and metal appointments, overall 30”; Indonesian Puppets, a pair of carved and painted wood heads and arms with cloth clothing, 24” & 23” tall. (5)

Ceramic mask with surface losses to finish and small chips; Flyswatter with some losses; Puppets with some losses to finish on head, one with some missing fingers, cloths with some moth-holes; Otherwise all in good or good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

74

Decorative Arts: Royal Copenhagen Artisan Vase, Studio Pottery & others (four)

Royal Copenhagen Artisan painted and glazed ceramic vase, 4 Ύ x 1 ½ x 1 ½”, hallmarked and inscribed underneath; Studio pottery painted and glazed ceramic vase 6” tall 3 ½” diameter; Carved wood spice holder with stand 6 ½ x 3 x 3” overall; Together with an Cast Iron bowl, 5 Ύ” diameter, 1 ½” tall. (4)

Wood spice holder with some stains and soiling from use; Otherwise all in good or good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

75

Decorative Arts: Carved Stone objects (five)

Chinese or Asian: carved soapstone of Foo Dog, with character marks underneath, 2 Ό” tall with a brocade case; Soapstone carving of Dragon with character marks underneath, 2” tall with a brocade box; Small soapstone carving of Frogs, 1 ½” tall; Carved soapstone Scarab with character marks underneath, 1 ½ x 4 x 2 ½”; Sandstone Fish fossil, 3 ½ x 5 ½  ½”. (5)

Both brocade cases with soiling and losses from age; Frogs with some cracks; Otherwise all in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

76

Dimichele (20th / 21st Century) & Artist Unidentified (2) (three)

ROSE, two color mezzotints in one frame, each signed and titled and inscribed AP (artist’s proof), images 3 ½ x 2 ½”, full margins, frame 13 x 17” with glass, retains Waterworks Gallery label; Artist Unidentified FLOATING CITY 1967, color woodblock print, signed and dated and titled and inscribed ‘studio print’ in pencil, image 7 Ό x 25 Ύ”, full margins, frame 15 x 33” with glass; RAM, 1966, woodblock print, signed and dated and titled and inscribed 1-4 in pencil, image 3 x 4”, full margins, frame 13 x 11” with glass. (3)

Later two with some pale discoloration, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

77

Jean Dufy (1888-1964) French

LANDSCAPE WITH CHATEAU AND VILLAGE, watercolor and gouache on paper watermarked MBM FRANCE Ingres D’Armes, signed lower left, sheet 18 x 23 Ύ”, frame 27 Ό x 33 Ό”. Provenance: Page Art acquired from Patricia duVannes, Los Angeles (by marriage) Armand duVannes Gallery, Los Angeles.

Pale discoloration on recto in sky area, discoloration at extreme sheet edges, some toning and discoloration on verso, otherwise in good condition.

Auction Estimate $8000/12,000

Starting Bid $4000

 

 

 

78

Irma Eaton (20th Century) Ohio Watercolor Society (three)

OWL, mixed media on card, signed lower right, sight 18 ½ x 20 ½”, frame 24 x 26 Ό” with glass; RED FLOWERS, watercolor on paper, signed lower right, sight 9 x 11”, frame 14 Ό x 16 Ό” with glass; WINTER SCENE, 1970, watercolor on paper, signed lower center, sheet 13 x 18”. (3)

First two in apparently good studio condition, the third with sun discoloration on recto, masking tape around perimeter of verso, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

79

Jaime Ellsworth (20th Century) Pacific Northwest (two)

LANDSCAPES, each a color pastel on paper, signed lower right, sights 19 Ύ x 18 Ό” & 6 ½ x 7 ½”, frames 29 x 27 ½” & 13 ½ x 14”, with glass one retains Waterworks Gallery Inc. label. (2)

Both in apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

80

Erte (1892-1990) Russian French

VICTOIRE (L.101), 1980, cold painted bronze sculpture, signed and numbered 18/250, published by RKP Intl. Corp., overall 18 x 10 x 6”.

Two small stray paint spots at base, some minor tarnish from age, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

81

Shepard Fairey (b. 1970) South Carolina

REVOLUTIONARY WOMAN WITH GRAFFITI BLEK LE RAT WALL IMAGE, 2001, color screenprint, signed and dated and numbered 71/250, sheet 18 x 24”.

Retain curl from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

82

Shepard Fairey (b. 1970) South Carolina (two)

MOON OVER BILOXI, 2010, color screenprint on cream speckletone paper, signed and numbered 254/400 in pencil, sheet 18 x 24”, artist’s Obey logo lower left; EVOLVE DEVOLVE, 2009, color offset lithograph on cream speckletone paper, signed in pencil, with artist’s Obey logo lower left, sheet 24 x 36”. (2)

Both retain some curl from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

83

No Lot

 

 

 

84

Harry T. Fisk (1887-1974) New York

BOYS SWIMMING IN POND, oil painting on Masonite, signed lower left, signed and addressed on verso, 20 x 16”, frame 29 x 24 ½ x 2”, weight 15 pounds.

Some light surface soiling, some craquelure and some drying cracks, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

85

Beth Flor (20th Century) Missouri Washington

RED DOOR WITH FOREST SHADOWS, 2002, oil painting on canvas, signed and dated lower right, 26 x 20”, frame 27 ½ x 21 ½ x 2”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

86

Mark Forth (20th Century) American

TEA FOR TWO II, 1981, oil painting on canvas over Masonite, signed lower right, 5 x 18”, frame 16 x 19 Ό”. Provenance: Nancy Lurie Gallery, Chicago.

Some minor surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

87

Custom or Antique Frames (six)

Gilt wood sectional frame 21 ½ x 17 ½ x 2 ½”, fits 16 x 12”; Gilt wood sectional frame with composition 20 x 17”, fits 15 x 11 Ό”; Painted sectional frame 20 x 15”, fits 16 Ύ x 11 Ύ”; Painted sectional frame 17 ½ x 14 ½”, fits 11 ½ x 8”; Carved and finished wood frame 19 ½ x 15 ½”, fits 14 x 10”; Art-deco style frame 16 x 13”, fits 14 x 11”. (6)

Most with joint lines in corners; All with small flaws and wear to finish, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

88

Custom or Antique Frames (six)

White finish over gilt composition frame 19 ½ x 16”, fits 14 Ό x 10 Ό” with liner, 15 ½ x 11 ½” without liner; Antique gold composition frame 18 ½ x 14 ½”, fits 14 x 10”; Wood Korean frame 17 ½ x 15 ½”, fits 10 x 8” with liner, 11 ½ x 9 ½” without liner; Custom-made wood frame 15 ½ x 13 ½”, fits 9 ½ x 7 ½”; Gilt wood composition frame 16 ½ x 13”, fits 13 ½ x 9 Ύ”; Carved wood frame inscribed Silby Brown on verso, 14 x 12”, fits 10 x 8”. (6)

All with small flaws and wear, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

89

Ornate wood frames (three)

A gilt wood composition frame outside 41 ½ x 45 Ύ”, with two liners fits 27 Ύ x 31 ½”, with only one liner fits 28 ½ x 32 ½”, with no liner fits 33 x 37”; A gray over gold composition frame outside 45 ½ x 34”, with all three liners fits 32 Ό x 21 ½”, with two liners fits 33 Ό x 22 ½”, with one liner fits 34 ½ x 23 ½, with no liners fits 36 Ύ x 26”; Fancy sectional gold frame 30 x 26 Ό” fits 22 ½ x 18 ½”. (3)

The first with some dings to second inside liner; The second with hairline cracks in the four corners, one with small losses, largest liner has speckles in fabric; Otherwise all in good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

90

Marshall Fredericks (1908-1998) Illinois

TRIAL FLIGHT, cast bronze sculpture with dark patina, signature and title on base, 8 x 8 ½ x 4”.

Some dust accumulation, some hand wear to patina, otherwise in apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

91

Gina Freschet (20th 21st Century) & Artist Unidentified (two)

Gina Freschet MAN DAY DREAMING, 1981, color pastel drawing on card, signed and dated and titled in pencil, 11 x 10 ½”; Artist Unidentified IMAGES OF PEOPLE, acrylic painting on denim, a signature not found, 7 ½ x 6”, frame 13 x 11” with glass. (2)

Freschet with some smudges in the margins and old archival tape on verso; Otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Johnny Friedlaender (1912-1992) German

UNTITLED, color aquatint etching, signed and numbered 51/90 in pencil, sheet 38 ½ x 28”, frame 46 ½ x 36” with Plexiglas.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

93

Christian Garnett (b. 1957) American

DOUBLE NEGATIVE, 1993, oil painting with collage on linen, a signature not found, 92 Ό x 78 Ό x 1 Ό”. Provenance: Pamela Auchincloss Gallery, NYC; ACE Gallery, Los Angeles.

Some collaged paper elements partially or completely detached or with tears and folds (possibly by artist?), otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

94

Lisa Gilley (20th Century) Washington

CHICKEN COUP, color pastel on paper or board, signed lower left, sight 8 x 11”, frame 24 x 26 ½” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

95

Joseph Goldyne (b. 1942) American (five)

VARIOUS, five color etchings, each signed and numbered editions in pencil, some with inscriptions, four framed, frames 15 x 13” to 8 ½ x 6 ½”, one unframed sheet 11 x 5 ½”. (5)

Framed ones in apparently good condition; unframed with soft creases and some soiling in margins, otherwise all in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

Daniel Sayre Groesbeck (1878-1950) California (four)

VARIOUS, four color monoprints with hand-painting, each signed and titled in pencil, sheets average 19 x 16”. (4)

Stains, toning, speckles, hinge remnants, one with water damage, one with small tear.

Auction Estimate $100/200

Starting Bid $50

 

 

 

97

Chaim Gross (1904-1991) New York & another (two)

THE RABBIS, watercolor and ink drawing on paper or card, signed lower right, sight 5 x 21 ½”, frame 12 ½ x 28 ½” with glass. Owner’s label on verso stating it was purchased from Arnold Rubin, NYC, March 28th, 1961; Artists Unidentified (early 20th Century) FIGURE STUDIES, pencil drawing on paper appears to be signed lower center, sight 29 x 12”, frame 27 ½ x 19 Ό” with glass. (2)

Gross with pale discoloration at mat; the second with crinkles and small stains and tears and some discoloration and toning, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

98

Bonnie Grove (20th Century) Ohio

THE CAT FISHBOWL PARTY, 1992, acrylic painting on panel, signed and dated lower right, 24 x 32”, frame 28 Ό x 36 Ό”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

99

Bracha Guy (b. 1948) Israel (five)

FLOWER LANDSCAPE, color etching probably with hand-coloring, signed in pencil, sheet 11 Ύ x 31 ½”; TWO BIRDS WITH TWO FLOWERS, aquatint etching, signed in pencil, sheet 30 x 11”; UNTITLED PURPLE, color aquatint etching, signed in pencil, sheet 25 ½ x 16”; VASE WITH FLOWERS, etching, signed in pencil, sheet 23 Ύ x 15 Ύ”; SEATED FIGURE LOWER CENTER, two-plate hand-colored etching, signed in pencil, numbered 1/1, sheet 22 x 15”. (5)

The first with discoloration spots lower margin; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

100

Hella Hammid (1921-1992) German California (six)

VARIOUS, three gelatin silver prints and three c-prints, two signed on verso, three signed on mat, one stamped on verso, one framed, various sizes from 16 x 20” including mat to 10 x 8”. (6)

Open Window with horizontal crease with discoloration; Seated Man with discoloration line along left side visible in certain angles in raking light; Chairs with faint scuffs, and a stain on the signed mat; Otherwise all in good condition; Framed one in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

101

Tim Hawkinson (b. 1960) San Francisco

GUN, 1998, mixed media with newspaper and bread dough, 4 Ύ x 9 ½ x 2”. Provenance: ACE Gallery, Los Angeles; Gallery Price $6000.

Portion of top flint lock missing, tip of frizzen repaired, cracking in clay, otherwise in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

102

Burne Hogarth (1911-1996) Chicago (2) & Jack Katz (b. 1927) American (three)

Burne Hogarth THE GOLDEN AGE OF TARZAN by Edward Rice Burroughs, 1977, Chelsea House Publishers, collector’s indicia limited edition hardbound book, signed in marker and numbered AP 9 (artist’s proof), aside from the edition of 2000, dedicated to Michael and Pam Hogarth, the illustrator’s son, with slipcase, 21 x 15 ½ x 1 Ό”; MORPHOS, THE SHAPE-CHANGER, Dark Horse Comics, graphic novel, 10 Ό x 6 Ύ”; Jack Katz THE FIRST KINGDOM,  loose-leaf portfolio of six prints, signed “to Burne, best wishes Jack” in marker inside of cover, published as an limited edition of 999 copies, 16 Ύ x 11 Ύ”. (3)

Tarzan book in like-new condition, slipcase with wear and stains and dings and dents; Morphos with losses by silverfish, otherwise both in good condition; Katz with minor wear to cover, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Kathleen Hooks (20th/ 21st Century) Washington

CHANGE OF SCENE, 2005, oil painting on canvas, signed lower right, signed and dated and titled on verso, 9 x 12”, frame 17 ½ x 20 ½”.

In good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

104

Matt Hope (b. 1976) British

FLATNESS BEYOND MEASURE, 2005, marble and steel sculpture, signed and dated and inscribed in marker, marble top 14” diameter 4” thick bolted to a fabricated steel base with three ½” spacers, base 33 x 21 ½ x 21 ½” with adjustable feet, overall 38” tall. Provenance: ACE Gallery, Los Angeles.

Original rubber padding on the bottom of the feet has been replaced with newer smaller pads, stand with a few small scuffs, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

105

Eli Jacobi (1898-1984) American

CARD PLAYERS, linocut, initial stamp in margin lower right, image 8 x 10”, full margins, frame 16 ½ x 18 ½” with glass.

Foxing speckles in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

106

Caroline James (20th / 21st Century) Canadian

THE HUM OF STARLIGHT, 2013, mixed media on board, signed and dated and titled on verso, 12 x 36” frame 13 ½ x 37 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

107

Vincent James (20th Century) British

BANANA SKIN, 2001, acrylic painting on Styrofoam sculpture, 6 ½ x 15 x 14”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5000.

Minor surface soiling underneath, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

108

Vincent James (20th Century) British

FLAMING TOILET ROLL, 2001, multi-color Styrofoam sculpture, artist’s mark lower left?, 9 x 14 ½ x 5 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $2500.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Japanese Bronze & Mixed Metal Urns (two)

A pair of urns with bird and flower motifs and stylized double handles, each 12 Ύ” tall, 6 Ύ” diameter including handles. (2)

Both with some tarnishing and wear, one with a small curious loss under rim, otherwise both in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

Japanese Inro (3) & Wood Carvings (four)

Inro three-part box with insect and lychee design, with netsuke and ojime on string, box 3 ½ x 2 ½ x 1 ½”, full length extended 13 Ό”; Double fish carved medicine box with black eyes, 3 x 2 ½ x 1 Ό”, with string extended 10”; Carved frog sake cup with lotus inside, signed underneath, 3 x 3 x 3”; A framed carved head, overall 10 x 9 x 3” with glass. (4)

Frog with some dust accumulation; frame with some losses to finish; Otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

111

Japanese Lacquerware Chest and bowl (two)

Red and gold lacquerware chest with traditional motif and with narrative pattern on lid interior, with metal latch and handles, 9 Ό x 17 x 10 ½”; A round rosewood finished lidded serving rice bowl, 6” tall 9 ½” diameter. (2)

Chest with scuffs, scratches, wear and overall small losses; Bowl with 4” crack with associated chips inside, lid with 2” crack, scuffs, scrapes and wear to lacquer; Otherwise both in good aged condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

112

Japanese Netsuke collection (six)

Five carved wood netsukes, grasshopper with lychee and fruit with branch signed, largest 1 Ό x 2 Ό x 1”; Together with a carved medallion, 1 Ύ x 1 ½ x ½”. (6)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

113

Japanese Ojime collection (twelve)

Twelve hand-carved Ojimes, all signed except the largest, largest 1 x 1 ½ x 1”. (12)

A monkey with small black spot on head, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

114

Thomas Johnston (b. 1941) Washington

THE GIFT, 1999, color mezzotint, signed and dated and inscribed Trial Proof 3 in pencil, image 12 x 12”, full margins, frame 28 x 27” with glass. Provenance: Davidson Galleries, Seattle.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

115

Theo Kagann (20th Century)

MOTHER & CHILD AT CRIB, 1913, cast bronze sculpture with green patina, signed and inscribed “Paris 1913”, 8 ½ x 9 x 7”, weight 12 pounds.

In good condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

116

Dwight Mackintosh (1906-1999) Oakland

MALE WITH ORANGE HAIR, 1997, ink drawing on paper, possibly signed on verso, 5 ½ x 7 ½”, frame 14 Ύ x 16 Ύ” with Plexiglas.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

117

WITHDRAWN

 

 

 

118

Joseph Martin (20th Century) American

THE ART OF CENSORSHIP, color pastel on paper, a signature not found, sheet 25 Ύ x 31”, frame 31 x 36 ½” with glass, retains John Young Arts Festival identification card.

Colors attenuated, framer’s tape on corners recto, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

119

Andre Masson (1896-1987) French

UNTITLED, color lithograph, signed and numbered 75/125 in pencil, sheet 29 Ύ x 21 Ύ”, Plexiglas frame 30 Ό x 22 Ό”.

Some pale toning at extreme edges, soft handling crease lower left margin, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

120

Anne Martin McCool (20th/ 21st Century) Washington

CANAL AFTERNOON, acrylic painting on canvas, signed lower right, titled on verso, 36 x 48”.

Small damage upper left with associated paint loss, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Sharon McGauley (20th Century) Florida Hawaii Maine

SIDE VIEW OF LETTY NOWAK, 2002, acrylic painting on canvas, signed and dated lower right, 26 x 39 ½”, frame 27 ½ x 41 x 2”, with a signed inkjet photo of subject. Provenance: Lemonade Stand Studio Key West stamp on stretcher bar; Waterworks Gallery Inc. label on verso.

In good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

122

Sharon McGauley (20th Century) Florida Hawaii Maine

GIRL ON RED BACKGROUND, 2002, acrylic painting on canvas, signed and dated lower right, signed and dated on verso, Lemonade Stand Studio Key West stamp on stretcher bar, 8 ½ x 11 ½”.

Some light spotting on verso, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

123

Joshua Meador (1911-1965) California

MESA LAND, oil painting on canvas, signed lower left, signed and titled on verso, 20 x 27”, frame 31 ½ x 38 Ό”.

Two small patches on verso, with a clean surface on recto, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

124

Yoram Merose (b. 1950) Israel

THE (Political) ARTIST ILLUMINATES REALITY BY HIS DISABILITY TO (Change) IMITATE IT, oil painting and mixed media on paper, signed and dated lower right, 34 x 24 Ό”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

125

Yoram Merose (b. 1950) Israel

REINFORCING THE ACTION OF THE MUSCLES, acrylic painting and mixed media on paper, signed and dated lower right, 27 ½ x 37 Ό”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

126

Albert “Kid” Mertz (1905-1988) Michigan

UNTITLED (West Point Women with Guns), 1974-76, acrylic painted wood construction with newsprint image, with electrical wire hanger or handle, 12 x 11 ½ x 3 ½”, 16 ½” tall with handle.

In good apparently folk art condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

127

John Millei (b. 1958) California

MARITIME #01 (Swell), 2004, oil and acrylic painting on canvas, signed on verso, 24 x 26”. Provenance: ACE Gallery, Los Angeles; Gallery Price $26,000.

Hairline scratch top right corner, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

128

John Millei (b. 1958) California

MARITIME #61, 2008, oil and acrylic painting on canvas, signed and dated on verso, 60 x 55”. Provenance: ACE Gallery, Los Angeles; Gallery Price $40,000.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

129

Gustavo Montoya (1905-2003) Mexican

YOUNG GIRL, 1966, oil painting on canvas, signed lower right, 36 x 28”, frame 46 x 38”, three-quarter finished painting on verso. Provenance: Art Collector’s Gallery, Mexico City.

Blacklight shows some small areas of in-painting, soft impression upper left from label on verso, otherwise in good aged condition with clean surface.

Auction Estimate $6000/9000

Starting Bid $3000

 

 

 

130

Joel Morrison (20th/ 21st Century) California

UNTITLED, 2002, cast aluminum, a signature not found, from the edition of 3, overall 39 ½ x 34 x 24”. Provenance: ACE Gallery, Los Angeles.

Small hole at top, some pitting and small corrosion patches, some scuffs and scratches, a circular sanded straight line, visible weld marks inherent to medium, loose material inside body, otherwise in apparently good studio condition.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

131

Northwest Coast Rug

Woven and dyed rug, frame 44 Ό x 25 Ύ” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

132

Brian Novatny & Artists Unidentified (five)

Brian Novatny (20th / 21st Century) WOMAN IN BLUE SHIRT WITH ARM EXTENDED UP, 1999, mixed media on paper, initialed and dated lower left, 15 x 11”, frame 18 Ύ x 14 Ύ” with Plexiglas. Provenance: Davidson Galleries, Seattle; Artist Unidentified WOMAN WITH HEADDRESS, color pastel on paper or board, appears to be initialed lower left, sight 14 ½ x 18”, frame 18 ½ x 22” with glass; Artist Unidentified PORTRAIT OF A WOMAN, color pencil drawing on paper, initialed SD lower right, sight 4 ½ x 4 Ό”, frame 10 ½ x 10 Ό” with glass, retains Waterworks Gallery label; Artist Unidentified FIGURE WITH TOWEL, watercolor over acrylic painting on paper or card, looks to be signed lower right, sight 15 x 9”, frame 22 x 15 ½” with glass, retains Island Studios Friday Harbor label; Together with a small framed print of a head, frame 11 x 9” with glass. (5)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

John Okulick (b. 1947) California

RUNNER, 1985, charcoal drawing on paper, signed and dated lower right, 13 x 17 ½”, frame 15 x 19 ½” with Plexiglas. Provenance: Artist’s label on frame verso.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Thelma Pearson (20th Century) American

SEATED LADIES, watercolor on paper, signed lower right, 22 Ό x 30”, frame 28 Ό x 36 Ό” with Plexiglas.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

135

Pablo Picasso (1881-1973) Spanish

LES DANSEURS AU HIBOU (Dancers with an Owl) (B.936; MMA.42), 1959, linocut printed in brown and black from one block, printed on Arches paper with block letter watermarked paper, signed and numbered 17/50 in pencil, with natural ink saturation on verso, image 21 x 25 Ό”, sheet 24 ½ x 29 ½”, printed by Arnera, Vallauris, France, published by Galerie Louise Leiris, Paris, frame 33 ½ x 37 Ύ” with glass.

Some pale toning in margins, a few soft handling creases in margins, otherwise in good condition.

Auction Estimate $15,000/25000

Starting Bid $7500

 

 

 

136

Jennifer Poon (20th Century) California

UNTITLED, acrylic painting on multi-paneled constructed canvas, a signature not found, frame 67 ½ x 79 x 2 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

137

Adam Rabinowitz (b. 1973) American

UNTITLED, 2013, liquid acrylic on two adjoining sheets of paper, signed and dated in pencil on verso, overall 37 x 19”, frame 41 ½ x 23 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $7000.

With some studio discoloration, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

138

Gerold Richman (20th Century) American

DOUBLE IMAGE, 1985, oil painting on paper, signed and dated and titled in pencil, 20 ½ x 29”, frame 26 ½ x 35” with glass.

In good apparently studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

139

David Ridgway (20th / 21st Century) Pacific Northwest

DRILL RIG, 2001, acrylic painting on panel, signed lower left, 16 x 14”, frame 17 x 15 retains Waterworks Gallery Inc. label.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

140

Tom Rierden (b. 1960) Arizona

MOE & BOOZIE Tractor Series, sixteen small framed paintings in one large frame, each 9 Ό x 10 Ύ”, initialed right-hand corner of lower right painting, overall 48 ½ x 50 ½ x 2” including frame. Provenance: Waterworks Gallery Inc.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Tom Rierden (b. 1960) Arizona

UH-OH, casein painting on board, signed lower right, 30 x 26”, retains gallery label on back of frame 36 ½ x 32 Ό x 1 ½”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

142

Tom Rierden (b. 1960) Arizona

THE COW HANDS, casein painting on Masonite, signed upper left, 12 x 12”, frame 18 ½ x 18 ½”. Provenance: Waterworks Gallery Inc., Washington.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Rock N Roll Memorabilia: Hard Rock Placards (twenty-seven)

A collection of twenty-seven machine etched brass placards, most with drill-holes in corners for display, sizes from 9 x 12” to 3 x 8”, from the collection of Michael Hogarth. (27)

All with scuffs and scrapes, otherwise all in good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

144

R. Sandel (20th Century)

LOSE THE BLUES, 1996, color pastel on paper artist mounted to card, signed and dated on titled in pencil on card, sight 18 ½ x 19 Ό”, frame 24 x 24 ½” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

145

Tim Schumm (b. 1958) Canadian

FISHERMAN JOHN, 1996, oil painting on linen, signed lower right, signed and dated and titled on verso, 20 x 24”, frame 21 x 25”. Waterworks Gallery Inc. label on verso.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

146

Tim Schumm (b. 1957) Colorado Alberta

SPRING (Cattle Point), 2000, acrylic painting on canvas, signed lower right, signed and dated and titled on verso, 8 x 10”, frame 9 ½ x 11 ½”. Waterworks Gallery Inc. label on verso,

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

147

WITHDRAWN

 

 

 

148

Santiago Sierra (b. 1966) Spanish

DOCUMENTATION OF TWO 8 x 8 FT CYLINDERS OF TORN POSTERS, 1994, c-print probably mounted to Centrex, edition 2/5, frame 73 x 60 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $20,000.

In apparently good condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

149

Alexis Smith (b. 1949) California

MY GUY, 2003, paper collage on pare or card, signed and dated and titled on paper/card, sight 6 ½ x 7 Ύ”, frame 10 ½ x 13” with glass.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

150

Francisco Stockinger (1919-2009) Brazil

NUDE WOMAN WITH NECKLACE, cast bronze sculpture, initialed lower left?, inscribed Stockinger 10/25 on verso, overall 17 ½ x 4 ½ x 1”, with metal pegs for installation on verso.

Some dust accumulation otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Street Art: Artist Unidentified

WOMAN. WEED. WHAT TO WEAR., acrylic and stray paint on recto and verso, 10 ½ x 58”.

In apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

152

Street Art: Artists Unidentified (two)

REAL EYES, REALIZE, REAL LIES, acrylic painting with stray paint on canvas, most likely signed lower right, 36 x 24”; TREE, acrylic painting on canvas, 24 x 8”. (2)

The first surface soiling and scuffs; The second with some scuffs and scrapes; Otherwise both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Street Art: Artist Unidentified

ARTIST’S PALETTE, thick acrylic paint on Masonite palette, signed on verso, 11 x 15 Ό”.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

154

Street Art: Biafra Inc & Cali Killa (20th / 21st Century) (two)

Biafra Inc MECHANIZED PORTRAIT, 2010, screenprint on newsprint, signed in pencil, signed and dated in marker on verso, unevenly trimmed paper 23 Ύ x 14 ½”; Cali Killa BEWARE, spray paint and stencil on newsprint, signed lower right in red marker, 24 x 18”. (2)

Biafra with pale discoloration, creases, soft fold upper sheet edge; Cali with small tear lower right, retains some curl from being previously rolled, soft creases, pale discoloration; Otherwise both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

155

Street Art: Mathew Fontana (20th/ 21st Century) American

PLAY THE VICTIM, BE THE VICTIM (Charlie Brown Stripe), 2013, acrylic painting on canvas, signed upper right, signed and dated and titled on verso, 24 x 24”.

Dust accumulation, soft impression upper left, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

156

Street Art: MAR (b. 1974) California (two)

L.A. SKULL; GO AHEAD… MAKE MY DAY!, two, each an acrylic painting with stray paint on Blick canvas panel, the first signed lower right, 20 x 16” & 18 x 14”. (2)

Both with light surface soiling and ware, otherwise both in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

157

Street Art: MAR (b. 1974) California (two)

BLEK LE WHO; UNTITLED GRAY, two, each an acrylic painting with collage and spray paint on Blick canvas panel, the second signed lower right, 16 x 20” & 14 x 18”. (2)

Both with light surface soiling, first with some edge wear and second with some scuffs, otherwise both in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Street Art: MAR (b. 1974) California (two)

Two pairs of shoes: CREATIVE CARTEL, 2011, acrylic painted Creative Secseation high top shoes, each signed and dated and titled, size 10; A pair of Supra high top shoes with ink-drawn patterns, size 11. (2)

Both pairs in good aged studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

159

Street Art: MAR (b. 1974) California

WOMAN WITH GREEN BACKGROUND, acrylic painting with watercolor on photo-printed paper, signed upper left, 47 ½ x 34 ½”.

Artist’s folds with associated white lines and small holes, crinkles and creases throughout, 1” mended tear lower left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

160

Street Art: MAR (b. 1974) California (five)

FIVE GIRLS, five printed paper cut-outs with hand-painting, four signed, from 59 x 21” to 32 x 11”. (5)

All with creases and crinkles throughout, folds with associated minor losses, small tears and scrapes, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

Street Art: MAR (b. 1974) California

UNTILED PATTERN, acrylic painting on canvas with cut-out and plastic collage, 20 x 16”.

A 1 Ύ” slice upper right, some of the thick ribbons of paint have chipped offed, minor surface soiling, a few scuffs, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

Street Art: Chad Muska (b. 1977) American

RICH GIRLS, POOR GIRLS, acrylic painting, stray paint and mixed media on paper, signed lower right, 48 x 36”.

Two mended 1” tears upper sheet edge, retains curl from being stored rolled, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

163

Street Art: Annie Preece (b. 1981) California

FUCK YOUR TOMATO SOUP, 2013, hand-embellished color giclee, signed and dated and numbered 32/50 in pencil, with the artist’s Love Annie blind stamp lower left, sheet 32 x 24”, with artist’s certificate.

Retain curl from being stored rolled, a few soft handling creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Street Art: Random Act & CBS Crew (Can’t Be Stopped) & Lydia Emily & possibly Annie Preece & other collaborators

UNTITLED, acrylic and stencil and spray paint on canvas, signed in several places, also tagged on verso, 72 x 36”.

Some scuffs, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

165

Francesca Sundsten (20th/ 21st Century) Washington

SIAMESE TWINS STRUGGLE TO UNDERSTAND THEIR PLACE IN THE UNIVERSE, 1993, oil painting on canvas, signed and dated and titled on verso, 28 x 28”, frame 31 ½ x 31 ½ x 2”. Provenance: Davidson Galleries, Seattle.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

166

Francesca Sundsten (20th/ 21st Century) Washington

ANATOMICAL VIEW, 1998, graphite drawing on paper, signed and dated lower right, sight 25 ½ x 23 ½”, frame 28 Ό x 26 Ό” with Plexiglas. Provenance: Davidson Galleries, Seattle.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

167

Christopher Taggart (b. 1973) California

SELF PORTRAIT A GHOST (Yelling), 2004, color spirograph ink drawing on paper, signed and dated on verso, sheet 47 ½ x 34 ½”, frame 50 x 36 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $6500.

Some soft creases the largest upper right corner, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

168

Christopher Taggart (b. 1973) California

SELF PORTRAIT A GHOST (Fisherman), 2004, color spirograph ink drawing on paper, signed and titled and dated on verso, sheet 45 x 29”, frame 47 ½ x 31 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $5200.

Some soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

169

Rufino Tamayo (1899-1991) Mexican

EL PERSONAJE (T.188), 1975, color lithograph, signed and numbered 63/125 in pencil, published by LACMA/ Graphic Arts Council, printed by Kyron with blind stamp lower right, sheet 29 ½ x 22”, frame 35 Ύ x 28 ½” with glass.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

170

Robert Therrien (b. 1947) California

UNTITLED, 1974, polyester and mixed media, possibly signed on verso, 17” diameter, Plexiglas frame 32 ½ x 24 ½”. Provenance: Ruth Schaffner Gallery.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

171

Mark Tobey (1890-1976) New York

WOVEN WORLD, color lithograph, signed and numbered 107/150, published by Transworld Art, image 10 x 17 Ύ”, sheet 19 Ύ x 25 ½”.

Some toning and discoloration in margins, a few soft handling creases, soft crease lower right corner, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

172

Joyce Treiman (1922-1991) California

UNTITLED, color etching with extensive hand watercoloring, signed and numbered 15/25 in pencil, published by LACMA, printer’s blind stamp lower right, plate 17 ½ x 11 ½”, sheet 29 Ύ x 22”.

Some normal cockling, soft handling creases, some small specks and discoloration lower right, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

173

Kappy Trigg (20th/ 21st Century) Seattle

BEACH SCENE #4, color monotype, signed and titled in pencil, image 6 Ύ x 6 Ύ”, full margins, frame 13 Ύ x 13 Ύ” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

174

Kappy Trigg (20th/ 21st Century) Seattle

KAI, 1999, color monotype, signed and dated and titled in pencil, image 24 x 18”, full margins, frame 37 x 31 Ό” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

175

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Rhomboid, color acrylic sculpture, signed and dated 2018 on the base, overall 22 ½ x 7 x 5”.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

176

Vasa Velizar Mihich (b. 1933) Yugoslavia California (two)

Mini Triangles, two color and clear acrylic sculpture, each signed and dated 2020, sizes 4 3/8” & 4 5/8” tall, each with 1 1/8” clear acrylic base, overall 6 x 6 ½ x 3 ½” & 5 Ύ x 6 ½ x 3 ½”. (2)

Both in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

177

Vasa Velizar Mihich (b. 1933) Yugoslavia California (three)

CUBES, color and clear acrylic sculptures, each signed, 2 Ό”. (3)

Some minor studio imperfections, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

178

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Multi-plane triangular column, color and clear acrylic sculpture, signed and dated 2020, size 9 ½ x 2 ½ x 2 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

179

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Sphere, color and clear acrylic sculpture, signed and dated 2020, size 3” diameter, with ring stand.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

180

Reverend Albert Wagner (1924-2006) Arkansas Ohio

CROSS MY HEART AND HOPE TO DIE, acrylic painting with charcoal on board, signed lower center, overall 73 x 49 Ό” framed.

Some wear around the edges, probably from studio, otherwise in apparently good folk art condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

181

Koichiro Wakamatsu (1914-1995) Japanese

UNTITLED, 1970, multi-paper collage and acrylic painting on canvas, signed and dated lower right and inscribed and dated on verso, 25 x 24”, frame 31 x 30”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

182

Michael Wilkinson (b. 1954) California New York

THE VOW, 2003, cast Lucite sculpture, signed and numbered 130/600, 14 x 10 x 7”, with a custom-made Formica swivel base.

Tiny scratch front center, some small scuffs, with museum wax or quake hold on bottom of sculpture and on top of swivel base with some Formica lifting on custom base, otherwise in apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

183

Eran Wolkowski (b. 1947) Israel

JERUSALEM SCENE, diptych, acrylic painting and watercolor on paper, signed lower right, each 27 Ύ x 39 ½”, overall 27 Ύ x 79”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

184

John Worthey (b. 1956) American (three)

STUDY FOR AMERICAN HOUSE SIDEVIEW; STUDY FOR HOUSE ON THE BLUFFS; STAIRWAY TO OBLIVION, 1995-1997, three color pastels on Strathmore illustration board, each signed lower right, sights 10 x 12”, frames 16 Ό x 18 Ό” with glass. Two with Waterworks Gallery Inc. labels on verso. (3)

All in apparently good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

185

Yamin Young (b. 1959) Chinese

CALEDON HORSES, color screenprint with gold highlight on Japan paper, signed in marker, numbered 70/275, image 22 Ύ x 68”, sheet 29 ½ x 75”.

Hairline cracks, has been stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

186

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed in pencil, numbered 169/375, image 58 x 29 ½”, sheet 63 ½ x 35”.

Hairline cracks, has been stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

187

Joseph Zaritsky (1891-1985) Israel (five)

HORSES OUT OF THE WOODS, color screenprint, signed in pencil, numbered 125/250, Haifa Art Printers Israel blind stamp lower left, sheet 21 Ύ x 30”; VIEW OF TEL AVIV FROM THE ROOF, color lithograph, signed in pencil, numbered 58/200, sheet 21 Ύ x 30”; ETIA, color lithograph, signed in pencil, numbered 176/225, sheet 21 Ύ x 29 Ύ”; ARTIST’S WIFE WITH FLOWERS, color screenprint, signed in pencil, numbered 62/250, sheet 35 Ό x 24 Ύ”; SAFED PAYSAGE, color screenprint, signed in pencil, numbered 188/250, sheet 26 Ύ x 26”. (5)

The fourth with scotch tape stain with 1/8” tear upper left verso edge; the fifth with soft handling creases, some discoloration in the margins; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

188

E. M. ZAX (20th / 21st Century) California

MARILYN CHANEL (Quad), 2019, hand-painted mixed media 3-D polymorph, signed upper left, 24 x 29 ½ x 1”, frame 31 ½ x 37” with Plexiglas. Provenance: Bittan Fine Art Inc, with artist’s signed certificate on verso.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

189

E. M. ZAX (20th / 21st Century) California

MICKEY MOUSE, 2019, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 14 ½ x 1”, frame 19 ½ x 22” with Plexiglas. Provenance: Bittan Fine Art Inc, with artist’s signed certificate on verso.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

190

E. M. ZAX (20th / 21st Century) California

HUNDRED-DOLLAR BILL, 2019, hand-painted mixed media 3-D polymorph, signed lower right, 12 x 32 x 1”, frame 20 x 39 ½” with Plexiglas. Provenance: Bittan Fine Art Inc, with artist’s signed certificate on verso.

In apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

Illustration precedes description

 

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