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Illustration precedes description

The Stendahl and Canvassed Collections

Auction July 22nd, 2017

 

 

 

1

19th Century Artist Unidentified

PORTRAIT OF A YOUNG WOMAN, oil painting on canvas, 13 ½ x 10 Ό”, in antique frame with some loss. Provenance: Stendahl Gallery.

Partial tear lower left, scrape lower left bottom, ding upper left center, surface soiling, hairline cracks, otherwise in aged condition.

$200/400

 

 

 

2

George Aarons (1896-1980) Russian/ Massachusetts (two)

RUTH AND NAOMI; PSALM 85, VERSES 10 & 11, a pair of plaster reliefs, each signed and titled along upper edge, both 4 x 7” each mounted to an 8 x 10” wood panel. (2)

The first with some small scrapes and chips, both with minor soiling, otherwise both in good studio condition.

$200/400

 

 

 

3

Albert Abramovits (1879-1963) Brooklyn

TOIL, linocut, signed and titled in pen, image 11 Ύ x 9”, three margins visible in frame.

In apparently good condition aside from a tideline stain in lower mat.

$100/200

 

 

 

4

Egon Adler (1892-1963) New York

STILL LIFE WITH BRADLEY HUBBARD EWER, 1942, gouache on paper over board, signed and dated lower left, 20 x 15”, framed with glass.

In apparently good studio condition. 

$1000/2000

 

 

 

5

African Art: West African

TRIBAL BLADE, forged curved metal blade with wooden handle, overall 35” tall, with metal stand. Provenance: Stendahl Gallery.

In aged condition.

$200/400

 

 

 

6

African Art: Puna

FIRE BELLOW, carved wood with patina and leather and wood stick plungers, 23 x 14 x 8 ½”. Provenance: from the collection of William A. Emboden PhD. F. L. S.

Some scrapes at leather rim, otherwise in good aged condition.

$500/1000

 

 

 

7

African Art: Yoruba

ROYAL FAMILY, carved wood statue with patina, 27 x 6 ½ x 11”. Provenance: from the collection of William A. Emboden PhD. F. L. S.

In good aged condition.

$500/1000

 

 

 

8

African Art: Hemba

SHAMAN, carved wood statue with patina, feathers, horn, fabric and finely encrusted finish, 22 x 5 x 6”. Provenance: from the collection of William A. Emboden PhD. F. L. S.

In good aged condition.

$400/800

 

 

 

9

African Art: Luba

MOTHER & CHILD, carved wood statue with patina and finely encrusted finish, overall 20 x 8 Ύ x 7 ½”. Provenance: from the collection of William A. Emboden PhD. F. L. S.

In good aged condition.

$300/600

 

 

 

10

African Art: Mali

FEMALE FIGURE, carved wood statue with patina and finely encrusted finish, 23” tall. Provenance: from the collection of William A. Emboden PhD. F. L. S.

In good aged condition.

$300/600

 

 

 

11

African Art: Songye

FERTILITY FIGURE, carved wood statue with patina, fabric and twine, 23 ½” tall. Provenance: from the collection of William A. Emboden PhD. F. L. S.

In good aged condition.

$300/600

 

 

 

12

Tony Agostini (1916-1990) Italian

FLEURS, oil painting on canvas, signed lower right, 24 x 19 Ύ”, framed.

Some drying cracks, minor draw in lower right corner, otherwise in good studio condition.

$300/600

 

 

 

13

Valdemar Andersen (1875-1928) Danish

SRH, c.1900, color lithograph, initialed? in design lower right, printed by Chr-I-Cato, sight 34 ½ x 24”, framed.

In apparently good condition.

$300/600

 

 

 

14

Joan Gardy Artigas (b. 1938) Spanish

UNTITLED, pastel and collage on paper, signed upper center, 31 ½ x 47 ½”, framed.

Some smudges, crinkle lower right corner, otherwise in apparently good studio condition.

$300/600

 

 

 

15

Artist Unidentified

SOLDIERS IN BATTLE, oil painting on panel with carved frieze, image 9 Ύ x 18 ½”, overall 11 ½ x 18 ½”. Provenance: Stendahl Gallery.

Some small losses, crack lower right, otherwise in good aged condition.

$100/200

 

 

 

16

Artist Unidentified

FIESTA, 1972, color lithograph, signed and dated and titled in pencil, numbered 1/23, image 9 x 11 Ύ”, full margins, framed with glass.

In apparently good condition.

$100/200

 

 

 

17

Garin Baker (b. 1961) New York (Romance novel illustrator)

FORBES GLOBAL COVER, 2002, acrylic painting on paper, signed and dated lower right, titled lower left, sight 11 ½ x 10 ½”, framed.

In apparently good studio condition.

$100/200

 

 

 

18

Yvonne Bannelier (b.c.1900--)

FAMILY READING, ink drawing on card, initialed lower right, 9 ½ x 6 Ύ”, framed with glass.

In apparently good studio condition. 

$200/400

 

 

 

19

Liborio Noval Barbera (b. 1934) Cuban

FIDEL CASTRO, 1961, gelatin silver print, signed and dated, image 14 x 16 Ό”, with full margins, framed with glass.

In apparently good condition.

$200/400

 

 

 

20

Yossi Barel (b. 1951) Israeli

PEAR ON MOTORCYCLE, 1995, cast bronze sculpture with patina, signed and dated, 14 ½ x 13 ½ x 5 Ύ” on marble base.

Small fleabites on backside rim of base, otherwise in good studio condition.

$300/600

 

 

 

21

Yossi Barel (b. 1951) Israeli

VIOLIN & BOW, 1998, cast bronze sculpture with patina, signed and dated and numbered 1/1, overall 24 x 11 x 14”.

Small wear and some scuffs, otherwise in good studio condition.

$300/600

 

 

 

22

Ernie Barnes (1938-2009) Californian

LA FETE DU PRINTEMPS, 1985, color print, signed in pen and numbered 2/350 in pencil, sheet 31 ½ x 21 ½”, Provenance: Stendahl Gallery.

Some creases and soft creases, some horizontal waving from being rolling, otherwise in good condition.

$100/200

 

 

 

23

Ladislas Barta (1902-1961) Hungarian

CARGO, oil painting on canvas, signed lower right, 23 Ύ x 28 Ύ”, framed.

Surface soiling, otherwise in good studio condition.

$300/600

 

 

 

24

Leonard Baskin (1922-2000) New York

BUST, cast bronze sculpture with patina, signed and numbered 2/15, size 12 Ό x 12 Ό x 4 ½”, Bedi-Rassy NYC foundry mark.

A couple small hairline scratches, some dust accumulation, otherwise in good studio condition.

$1000/2000

 

 

 

25

Alejandro Perez Becerra (b. 1944) Argentina &Carole Caroompas (b. 1946) Californian (two)

Alejandro Perez Becerra ROSTROS, 1997, mixed media collage, signed and dated on artist’s certificate, sight 13 x 9”, framed; Carole Caroompas BEFORE AND AFTER FRANKENSTEIN: THE WOMAN WHO KNEW TOO MUCH, ink drawing on tracing paper, 16 x 13 ½”, framed with glass. Provenance: Charles Cowles Gallery Inc, NYC. (2)

Both in apparently good studio condition.

$200/400

 

 

 

26

Feliciano Bejar (1920-2007) Mexican

BIRD, 1965, welded metal sculpture, bird signed and dated under wing, signed and dated on wood base, 6 Ό” tall.

Stand with some staining and soiling, bird in good studio condition.

$200/400

 

 

 

27

Mattie Berhang (20th Century) American

THE PIPER, cast bronze sculpture with patina, signed and numbered 1/4, overall 16 Ύ x 7 Ύ x 5 Ό” with stand.

Some dust accumulation, otherwise in good studio condition.

$500/1000

 

 

 

28

Richard Blair (20t/ 2st Century) Californian (two)

SUNDAES 25 CENTS; ELDERLY GENTLEMAN AND CHILD, two gelatin silver prints, each signed in pen, images 12 x 8 ½” & 8 x 12”, both framed. (2)

Both in good studio condition.

$200/400

 

 

 

29

Marcello Boccacci (1914-1996) Italian

TWO FIGURES WITH POTTED PLANT, oil painting on panel, signed lower left, 41 x 6 Ύ”, framed.

Minor surface soiling, otherwise in good studio condition.

$500/800

 

 

 

30

Mildred Bryant Brook (1901-1995) Californian

ASPEN MEADOWS, etching, signed and titled in pencil, plate 8 Ό x 8 Ό”, framed with glass. Provenance: Stendahl Gallery.

With pale toning, otherwise in apparently good condition.

$200/400

 

 

 

31

Marc Laurent Bruyas (1821-1896) French

STILL LIFE, 1893, oil painting on canvas, signed and dated upper right, 38 x 31”, framed.

With small professional repair upper center and lower left visible under black-light, some fine craquelure, otherwise in good condition.

$2000/4000

 

 

 

32

Fran Bull (b. 1938) New Jersey (three)

DARK MATTER Series 2007: #1 BLACK SKIES III: Live Life as If Dreaming; #2 BLACK SKIES II: A Dream Which Never Ends; #3 BLUE WISE: And I Will Keep on Searching, each a mixed media on canvas, each signed and titled on verso, each 12 Ό x 12 Ό x 5”. (3)

A few small nicks and cracks, otherwise all in good studio condition.

$200/400

 

 

 

33

Albert Buscaglia (1938-2015) Texas

RVO, 1967, four three-dimensional mixed media paintings, all signed on verso, sizes 9 ½ x 9 ½ x 4”, all in artist’s designed frames, with original 1960’s artist’s crate. Exhibited at the University of Texas, Austin, with label.

In apparently good studio condition. 

$200/400

 

 

 

34

Alexander Calder (1898-1976) American (four)

LOS ANGELES COUNTY MUSEUM OF ART, 1965, four of the same color lithograph posters, signed and dated in the design, sheets 32 x 24 Ύ”. Provenance: Stendahl Gallery. (4)

All with some curling from previous storage and small creases, a few small tears, one in better condition, one with creases mainly in lower right corner, two with more severe creases lower left corners, otherwise in good to generally good condition with strong colors.

$200/400

 

 

 

35

Carmelo Cappello (1912-1996) Italian

FORMA ORIZZONTALE CIROLARE, stainless steel sculpture, signed and stamped on verso, 13 ½” diameter, 1 ½ tall.

Some small scratches and scrapes, otherwise in good studio condition.

$200/400

 

 

 

36

Sylvia Carewe (b. 1914) New York

NIGHT LOADING, oil painting on panel, signed lower left, signed and titled and addressed on verso, 24 x 30”, French stamp on verso, framed. Provenance: ACA Gallery, NYC.

Minor surface soiling, otherwise in apparently good studio condition

$300/600

 

 

 

37

Pruett Carter (1891-1955) Californian

ILLUSTRATION, 1944, oil painting on canvas, signed and dated upper left, 20 Ό x 25 Ό”.

Small scuffs and scrapes with associated losses, surface soiling, otherwise in good aged studio condition.

$300/600

 

 

 

38

Paul Cezanne (1839-1906) French & Loren Roberta Barton (1893-1975) American (two)

Paul Cezanne PORTRAIT OF PAINTER GUILLAUMIN, etching, plate 5 ½ x 4 ½”; Together with Loren Roberta Barton DISRAELI, etching, signed in pencil, image 8 Ό x 5 Ό”; Both with full margins and framed with glass. Provenance: Stendahl Gallery. (2)

Both with pale discoloration, otherwise in apparently good condition.

$200/400

 

 

 

39

Marc Chagall (1887-1985) Russian/ French

LES SEPT PECHES CAPITAUX plate 1 (K.47), 1925, etching, from the edition of 240, plate 6 Ό x 4 Ό”, full margins, framed.

In apparently good condition.

$400/800

 

 

 

40

Christo; Robert Cottingham; Robert Arneson; Robert Weaver (four)

UNTITLED, four lithographs, one with collage and one in color, all from the editions of 300, printed and published by Landfall Press as holiday gifts from Ethel and Jack Lemon, sheets 11 x 8 ½”, each framed with glass. (4)

All in apparently good condition.

$200/400

 

 

 

41

Paul Clemens (1911-1992) Californian

STILL LIFE, oil painting on Masonite, signed lower right, 17 x 20 Ό”, framed. Provenance: M. H. de Young Memorial Museum, lender James Vigeveno Galleries.

Surface soiling, three small mottling spots, otherwise in good studio condition.

$500/1000

 

 

 

42

Jean Cocteau (1889-1963) French

PROFILES, color lithograph with signature and date in design, numbered 22/250 in pencil lower left, image 19 ½ x 23”, full margins. Provenance: Stendahl Gallery.

Some curling from previous rolling, some soft handling creases and surface soiling, small spot left margin, pale discoloration, otherwise in good condition.

$100/200

 

 

 

43

Miguel Condι (b. 1939) Spain

PORTRAIT IN NEON, 1966, oil painting with spray-paint and ink on paper, signed and dated lower left, 30 ½ x 22 ½”, framed.

Lacking lower right corner, otherwise in good studio condition.

$200/400

 

 

 

44

Contemporary Artist Unidentified

CITY MARKET, oil painting on wood, signed Munro? lower left, 48 x 34”, framed.

Surface soiling, some small accretions and scrapes and chips mainly in lower area, otherwise in good studio condition.

$200/400

 

 

 

45

Contemporary Design

RED LIPS, painted fiberglass, 21 x 29 ½ x 5”; PURPLE LIPS, c-print on Dibond board, 24 x 36”. TWO TOY FIGURES, c-print mounted to Dibond board, 29 x 49”. (3)

The first with loss upper left corner and surface soiling, the second with ding lower left corner, the third with small dings on three corners, otherwise all in good studio condition.

$200/400

 

 

 

46

Contemporary Design

UNTITLED, cut and shaped multi-colored Plexiglas construction with wood backing, 45 ½ x 30 ½ x 5 ½”, framed.

In apparently good studio condition.

$500/1000

 

 

 

47

Billy Copley (b. 1946) California

INSOUCIANT, 1983, oil painting on unstretched canvas, signed and titled and dated on verso, 82 x 62”.

Discoloration and staining in margins, surface scuffs, some drying cracks, otherwise in good studio condition.

$1000/2000

 

 

 

48

Rafael Coronel (b. 1932) Mexican

MAN WITH LARGE HAT, 1968, pencil drawing on paper, signed and dated lower right, 9 ½ x 7 Ύ”, framed with glass.

Pale discoloration around perimeter, otherwise in good studio condition.

$200/400

 

 

 

49

Ronnie Cutrone (1948-2013) New York

FELIX, AMERICAN ARTIST, 1988, extensive acrylic painting on color screenprint, signed and dated in marker, sheet 42 x 27 ½”.

Some small stains lower margins, small corner crease upper right, some fingerprints in margins, otherwise in good studio condition.

$200/400

 

 

 

50

Salvador Dali (1904-1989) Spanish

OXIGENO EN MARTE from LOS CAPRICES DE GOYA (F.73-3-28), colored etching, signed in pencil, one of twenty artist’s proofs aside from the numbered edition of 200, image 7 ½ x 4 Ύ”, full margins, very nicely framed.

In apparently good condition.

$300/600

 

 

 

51

Michael David (b. 1954) American

STAR OF DAVID, 1992, mixed media with charcoal and masking tape, signed and dated lower left, 20 ½ x 15 ½”, framed.

In apparently good studio condition.

$200/400

 

 

 

52

Woods Davy (b. 1949) Californian

UNTITLED, copper dipped stones resting on sculptured granite base, height 73”, two screws extending from base for ground installation. Provenance: Acquired directly from artist by the Stendahl Gallery. Note: two-part sculpture, very heavy.

Some epoxy residue under the stone and on top of pillar from previous installation in Stendahl home, otherwise in good studio condition.

$2000/4000

 

 

 

53

Guilherme De Faria (b. 1942) Brazilian

REPOSE, 1983, watercolor and ink drawing on paper, signed and dated upper right, sight 28 x 19 ½”, framed. Provenance: Merrill Chase Galleries, Chicago.

In apparently good studio condition.

$200/400

 

 

 

54

Romain Erkiletlian (b. 1972) French

RTC 11 from PHOTO-STRUCTURES Series, color ink drawing on color print, signed lower center, sight 10 ½ x 14”, framed with Plexiglass (scratched).

In apparently good studio condition.

$200/400

 

 

 

55

Romain Erkiletlian (b. 1972) French

RTC 7 from PHOTO-STRUCTURES Series, color ink drawing on color print, signed lower right, sight 7 x 21”, framed.

In apparently good studio condition.

$200/400

 

 

 

56

Harlan Erskine (20th/ 21st Century) Miami

#298 from THE TEN CONVENIENT STORES Series, 2004-5, chromogenic print, signed and dated and numbered 1/5 on verso, 20 x 30”, with Plexiglas mount. Provenance: Charles Cowles Gallery, NYC; Exhibited: Miami Art Museum.

In good studio condition.

$300/600

 

 

 

57

Ethnic Arts: Baskets & others (ten)

A collection six of reed baskets from 11 x 20” to 5 Ό x 7 ½”; A 2 Ύ” tall and 6” diameter turned wooden bowl signed Jeff Arnot; An 8 ½” tall amber glass decanter with pewter trim; An unglazed ceramic vessel 8” tall possibly of age; A contemporary glazed ceramic jar, initialed underneath and 12 Ύ” tall. Provenance: Stendahl Gallery. (10)

All in good used to aged condition.

$200/400

 

 

 

58

Carl Fischer (20th Century) American

UNTITLED, 1989, collage of chromogenic development prints, signed lower right, 17 ½ x 13”, framed. Provenance: Charles Cowles Gallery NYC; Photographers & Friends Unite Against AIDS, NYC.

In apparently good studio condition.

$100/200

 

 

 

59

Anya Fisher (1905-1992) Russian/ American

UNTITLED, oil painting on canvas, signed lower center, 20 x 24”, nicely framed.

Minor surface soiling, a hairline crack & faint scuff, otherwise in good studio condition.

$300/600

 

 

 

60

Folk Art

RICKY COOL CAT, carved wood with some painting, 10 x 28 x 9”, inscribed underneath.

Some wear and scuffs and scrapes, otherwise in good studio condition.

$100/200

 

 

 

61

French Artist Unidentified (20th Century)

THREE MUSICIANS, oil painting on canvas, signed lower right, 23 Ό x 35 ½”, framed.

Minor surface soiling, otherwise in good studio condition.

$300/600

 

 

 

62

Johnny Friedlaender (1912-1992) German

PASSACHILLE, color aquatint etching, signed in pencil, numbered 73/95, sheet 30 x 22 Ό”.

Mild toning and old linen hinges on verso, otherwise in apparently good condition.

$200/400

 

 

 

63

Johnny Friedlaender (1912-1992) German

ACORD VERT, color aquatint etching, signed in pencil, numbered 30/95, sheet 30 x 22 Ό”, matted.

In apparently good condition.

$200/400

 

 

 

64

Johnny Friedlaender & Andre Minaux (two)

Johnny Friedlaender UNTITLED, color lithograph, signed in pencil, numbered 108/200, image 15 x 11”, full margins; Together with Andre Minaux WOMAN WITH FLOWERS, color lithograph, signed in pencil, numbered 84/160, image 18 s 25 ½”, full margins. (2)

The first with sun toning, the second with light staining and toning, some masking tape on verso, otherwise in apparently good condition.

$200/300

 

 

 

65

Ernst Fuchs (1930-2015) Austrian (two)

CHERUB DE CHIN, two other the same color prints on canvas, each signed in gold marker lower right, 24 x 19”, framed. (2)

Both in good condition.

$200/300

 

 

 

66

Moshe Gat (b. 1935) Israeli

ELDER, 1971, ink wash drawing on paper, signed and dated lower left, sight 25 x 18 Ύ”, framed with glass.

Tiny spot lower left, minor discoloration at mat, otherwise in apparently good studio condition.

$200/400

 

 

 

67

Moshe Gat (b. 1935) Israeli

JERUSALEM BOY, gouache on paper, signed lower left, sight 29 Ό x 21 ½”, framed with glass.

In apparently good studio condition.

$300/600

 

 

 

68

Moshe Gat (b. 1935) Israeli

MAN WITH CACTUS, gouache on paper, signed lower right, sight 29 ½ x 21”, framed with glass. Note: a lithograph was made from this image in a slightly smaller format.

In apparently good studio condition.

$300/600

 

 

 

69

Claire Gavronsky (b. 1957) South African

JEWISH CEMETERY IN PISA, 1989, color pastel, signed and dated lower center, titled lower left, sight 18 x 24 ½”, framed.

Stain lower left corner of mat, otherwise apparently good studio condition.

$200/400

 

 

 

70

Ed Gilliam (b. 1941) American

UNTITLED, 1988, acrylic painting on linen, signed and dated lower right, 21 x 33 ½”, framed.

In good studio condition.

$200/400

 

 

 

71

Yankel Ginzburg (b. 1945) American

FRUITS AND LADDERS, oil painting on canvas, signed lower right, 18 x 23 Ύ”, framed.

In good studio condition.

$200/400

 

 

 

72

Willhelm Goliasch (1922-1986) Swiss

VENICE, oil painting on board, signed lower right, 24 x 19 Ύ”, framed.

In good studio condition.

$400/800

 

 

 

73

Robert Graham (1938-2008) Californian

NUDE WOMAN, 1994, lithograph, signed in pencil and inscribed PP, blind stamp lower right, sheet 14 Ύ x 10 Ύ”, framed.

In apparently good condition.

$200/400

 

 

 

74

James Grant (1924-1997) Californian

UNTITLED, mixed media with sand and collage, a signature not found, 10 Ό x 14 Ό”.

Surface soiling, otherwise in good studio condition.

$300/600

 

 

 

75

Chaim Gross (1904-1991) New York

MOTHER AND CHILD, cast bronze sculpture with green patina, signed and dated, numbered 21/47, height 6 Ύ”, overall 9” tall with wood base, Josel Meisner & Co. foundry mark.

In good studio condition.

$800/1200

 

 

 

76

Luis Guevara Moreno (1926-2010) Spanish

SOBRE EL POUF, 1968, oil painting on canvas, signed and dated upper right, signed and dated and titled on verso, Depto. Artes Plasticas label on verso, 39 Ύ x 31 Ό”.

Surface soiling, hairline cracks, stretcher bar impressions, otherwise in good studio condition.

$500/1000

 

 

 

77

Yozo Hamaguchi (1909-2000) Japanese

COMPOTE WITH WATERMELON & STRAWBERRIES, 1954, mezzotint, signed in pencil, numbered 24/50, image 11 ½ x 15 Ό”, full margins framed with glass. From the collection of Irene Manning.

In apparently good condition.

$1000/1500

 

 

 

78

Yozo Hamaguchi (1909-2000) Japanese

COMPOTE PEACH, mezzotint, signed in pencil, numbered 22/50, image 11 ½ x 15 Ό”, full margins framed with glass. From the collection of Irene Manning.

In apparently good condition.

$1000/1500

 

 

 

79

Bruce Hasson (b. 1954) California

MUSICIAN, cast bronze sculpture with patina, signed, 11 ½ x 9 Ύ x 4 ½” with stone base.

Some scratched and small chips on base, otherwise in good studio condition.

$200/400

 

 

 

80

Pierre Henry (b. 1924) French

RED ROSES, oil painting on canvas, signed lower left, 9 ½ x 7 ½”, framed. Provenance: Findlay Galleries, Chicago.

Surface soiling, otherwise in good studio condition.

$100/200

 

 

 

81

Tom Holland (b. 1936) Californian

POPE CREEK #55, epoxy on aluminum on fiberglass, signed and dated and titled on verso, 22 x 43”. Charles Cowles Gallery, NYC.

Thin unobtrusive scuff lower left, otherwise in good studio condition.

$500/1000

 

 

 

82

James Huckenpahler (20th Century) American

UNTITLED (IDEE FIXE #1), 2007, pigment print mounted to Plexiglas, signed and dated on artist’s label on verso, numbered 1/3, image 22 ½ x 30”, board 34 ½ x 42”, framed no glass.

A few scuffs in the right margin and a small smudge rub in the upper right margin corner, otherwise in good condition.

$100/200

 

 

 

83

James Huckenpahler (20th Century) American

UNTITLED, digital print mounted to Plexiglas, 42 x 56”. Provenance: Charles Cowles Gallery, NYC.

Wear and small scratch lower left corner, wear and small loss upper right corner, a few scuffs visible at certain angles in raking light, otherwise in good studio condition.

$200/400

 

 

 

84

James Huckenpahler (20th Century) American

UNTITLED, digital print mounted to Plexiglas, 34 ½ x 42”, framed. Provenance: Charles Cowles Gallery, NYC.

Small hairline scratch lower left center, small loss backside of Plexiglas upper left corner not affecting recto, a few fleabites along the edges, otherwise in good studio condition.

$100/200

 

 

 

85

Friedensreich Hundertwasser (1928-2000) Austrian

EYEBALANCE #5 (K.44), 1972, color screenprint varnished in parts, with metal imprints, stamp signed, mechanically numbered 02659/3000 (faded), framed with glass.

Toning, fingerprint left margin, crease lower left corner, otherwise in good.

$300/600

 

 

 

86

Shiro Ikegawa (b. 1933) Japanese & Artist unidentified (two)

SAKANA-NO-MITA-YUME I, 1973, color intaglio and mixed media print, signed in pencil, numbered 53/75, sheet 30 x 22 ½ x 2”, in Plexiglas box frame; Together with Artist unidentified BLUE, 1981, color block print on Japanese paper, signed and dated in pencil, sheet 23 ½ x 27 ½”, framed with glass. (2)

Both in apparently good condition.

$200/400

 

 

 

87

Inuit Art: Pitseolak (three)

OWLS PERCHING ON WALRUS; BIRDS, 1985-1986, two color block prints, the first signed Jamasie, the latter signed Pudlo, each titled and dated and titled in pencil, both inscribed Dorset, both with character stamps, numbered 38/50 & 10/50, sheets 25 x 31”, both framed with glass; Together with a 1986 lithograph exhibition poster for Walter Anderson, 30 x 16 ½”. Provenance: Stendahl Gallery. (3)

The first has four small hinges on verso slightly visible on recto along upper sheet edge and soft creases, the second with bug debris and a few small bug holes on right none-printed area, a few small specks, the last with minor edge wear and curl from being rolled, otherwise all in apparently good condition.

$200/400

 

 

 

88

Italian Marble Columns (four)

Four scalloped marble columns, three full length and one three-quarter length, heights 58 ½” and 41” tall. Provenance: Stendahl Gallery. (4)

Some small losses, weathered, otherwise all in good aged condition.

$2000/4000

 

 

 

89

Italian: Roman Revival Bronze

A patinaed bronze tripod stand and bowl surrounded by nine branched candlestick holders, overall 45 ½ x 14 x 14”. Provenance: Stendahl Gallery.

One leg needs to be tightened to stablize the foot, beautiful green patina from weathering, otherwise in good aged condition.

$500/1000

 

 

 

90

Italian Stone Carving (two)

ANGELS, a pair of massive carved stone reliefs, each 48” tall, 18” wide. Provenance: Stendahl Gallery. (2)

Weathered, otherwise both in good aged condition.

$2000/4000

 

 

 

91

Jewish Artists Unidentified (three)

THE MUSICIANS, 1957, oil painting on canvas board, signed S. Roskin in Hebrew and dated lower left, 17 ½ x 13 ½”, framed, Provenance: Garelick’s Gallery, Detroit Some flecks in lacquer, some thinning of medium, surface soiling; RABBI READING, oil painting on panel, signed upper left, 8 ½ x 7 Ό” framed, light surface soiling, a small nick, losses at perimeter from framing; RABBI, oil painting on canvas, signed lower left, 10 Ό x 8”, framed, surface soiling, some hairline cracks. (3)

Otherwise noted all in good studio or good aged condition.

$200/400

 

 

 

92

Jewish Artist Unidentified

DANCING COUPLE, 1976, cast bronze sculpture mounted to wood base, signed and dated, overall 11 ½ x 9 ½ x 7 Ύ”.

Some oxidation on bronze, some staining on wood base, otherwise in good studio condition.

$200/400

 

 

 

93

Jewish Artist Unidentified (two)

SCHOLARS, two oil paintings on canvas, each signed lower right & 13 x 16”, both framed. (2)

Both with minor surface soiling and hairline cracks, otherwise in good studio condition.

$200/400

 

 

 

94

Jin (20th Century) Asian

THORNS AND MATCHES, 1968, oil painting on canvas, signed and dated lower right, 21 x 18”, with Eddie Chong & Co. Inc Framing and Korean Fine Arts, made in R. O. K label on verso, framed.

Surface soiling, some hairline cracks, otherwise in good studio condition.

$300/600

 

 

 

95

Raymond Jonson (1891-1982) New Mexico

UNTITLED No. 11, 1948, watercolor on paper on artist- mounted board, signed and dated lower right, dated and titled and inscribed on verso, image 19 ½ x 27 ½”, board 22 x 30”. Provenance: Boise Art Association Gallery of Art, Boise, ID.

Small circular stain lower center image, some small stains and discoloration in margins, otherwise in good studio condition.

$1000/2000

 

 

 

96

Elliott Kaufman (20th/ 21st Century) New York (three)

FORMAL GARDENS VIZCAYA MIAMI FLORIDA; NEPTUNE POOL HEARST CASTLE SAN SIMEON CALIFORNIA; FORMAL GARDENS RINGLING MUSEUM SARASOTA FLORIDA, 1980, three gelatin silver prints, each 20 x 28”, with labels on verso, framed. Provenance: Diane Dunning Associates, Pennsylvania. (3)

One with minor cockling, otherwise all in apparently good condition.

$200/400

 

 

 

97

Michael Kenna (b. 1953) British

TWICKENHAM BRIDGE, SURREY, ENGLAND 1983, gelatin silver print mounted to card, signed and dated and numbered 26/45 in pencil on the card, image 9 x 5 ½”, framed.

In apparently good condition.

$500/1500

 

 

 

98

Michael Kenna (b. 1953) British

THE ROUGE #15, DEARBORNE, MICHIGAN 1993, gelatin silver print mounted to card, signed and dated and numbered 13/45 in pencil on the card, image 7 ½ x 7 ½”, framed.

In apparently good condition.

$500/1500

 

 

 

99

Michael Kenna (b. 1953) British

THIRTY-EIGHT STICKS, HONSHU, JAPAN 2002, gelatin silver print mounted to card, signed and dated and numbered 18/45 in pencil on the card, image 7 ½ x 7 ½”, framed.

In apparently good condition.

$500/1500

 

 

 

100

Michael Kenna (b. 1953) British

FIERCE WIND, HONSHU, JAPAN 2002, gelatin silver print mounted to card, signed and dated and numbered 29/45 in pencil on the card, image 7 ½ x 7 ½”, framed.

In apparently good condition.

$500/1500

 

 

 

101

Kilim & other Rugs (early 20th century) (three)

Turkish & other woven rugs with natural dyes, the first 113 x 47”, the second 88 x 55 ½” including fringe on one-side, the third 45 x 30”. Provenance: Stendahl Gallery. (3)

All in good used aged condition.

$500/1000

 

 

 

102

Rosemarie Koczy (1939-2007) German

MY SISTER AND ME, 1988, oil painting on canvas, signed and dated and titled on verso, 51 Ό x 35”.

Minor surface soiling, a few scuffs, one tiny ding, otherwise in good studio condition.

$500/1000

 

 

 

103

Emil J. Kosa Sr. (1876-1955) Californian

COLUMBIA CALIFORNIA, 1933, pencil drawing on paper, signed and dated lower right, sight 9 x 10 Ύ”, framed with glass. Provenance: Stendahl Gallery.

Discoloration, otherwise in apparently good studio condition.

$400/800

 

 

 

104

Mark Kostabi (b. 1960) New York

ACROBAT LOVERS, 1984, an early hand-painted oil painting on canvas by artist, signed and dated lower right, signed and dated on verso, 106 x 36”. Provenance: acquired directly from the artist at Ronald Feldman Gallery, New York show, Feldman label on verso.

Some surface soiling and signs of age, otherwise in good studio condition.

$2000/4000

 

 

 

105

Mark Kostabi (b. 1960) New York

UNTITLED, 1988, color screenprint, signed and dated in pencil, numbered 15/54, sight 29 Ό x 29 Ό”, in discardable frame.

In apparently good condition.

$200/400

 

 

 

106

Romas Kvintas (b. 1953) Lithuanian

MAN AND DOGS, 1990, carved wood sculpture, signed and dated, 12 ½ x 9 ½ x 12 Ύ”.

Some dryness from age, some spots and discoloration, otherwise in good studio condition.

$200/400

 

 

 

107

Farsad Labbauf (b. 1965) Persian (three)

SCAFFOLDING; SAGRADA FAMILIA; UNTITLED RUSSIAN SERIES, 2001-2008, three archival pigment prints, each signed in pencil, from the editions of 5, images average 12 Ύ x 9 ½”, all framed with glass. (3)

All in apparently good condition.

$500/1000

 

 

 

108

Laura Lacambra Shubert (20th/ 21st Century) Florida

STILL LIFE, 2007, oil painting on canvas, signed and dated upper left, 60 x 48”.

A few small scrapes along right edge, otherwise in good studio condition.

$200/400

 

 

 

109

Cheryl Laemmle (b. 1947) New York

WHITE DECOY, 1981, oil painting on canvas with impasto boarder, signed and dated on verso, 54 x 71”. Provenance: The New Museum, NYC.

A few small scrapes at boarder edge otherwise in good studio condition.

$500/1000

 

 

 

110

Cheryl Laemmle (b. 1947) New York (two)

MONKEY AND SENORITA, 1980, two oil paintings on canvas, one signed and dated on verso, one signed and dated and dedicated on stretcher bar in pen, each 21 x 17 ½”, both framed. (2)

One with a few hairline cracks and faint stretcher bar impressions, the other with stretcher bar impressions and miniscule drying cracks throughout and small darkened area center right, otherwise both in good studio condition.

$200/400

 

 

 

111

Cheryl Laemmle (b. 1947) New York

WOODPECKER ENSCONCED from decoy series, 1987, oil painting on canvas, signed and dated and titled on verso, 98 x 72”.

Small surface soiling splatters in lower area, a few scuffs, some small drying cracks in a few small areas, otherwise in good studio condition.

$500/1000

 

 

 

112

Neil Leifer (b. 1942) New York

PRESIDENT JFK AT ARMY/NAVY GAME, gelatin silver print, signed and numbered 16/150 in black ink, image 18 ½ x 12 ½”, full margins, framed with glass.

In apparently good condition.

$300/600

 

 

 

113

Helena Leigh-Hunt (1931-1996) American (two)

PEARS AND GARLIC; BLUE STRIPED TOWEL, two acrylic paintings on paper, each signed and dated Paris 1973 lower left, the first signature dissipated, sheet sights 15 Ό x 21” & 15 ½ x 19 ½”, both framed with glass. (2)

Both in apparently good studio condition.

$300/500

 

 

 

114

Pierre Letellier (1928-2000) French

NATURE MORTE AU PICHET BLEU, 1961, oil painting on canvas, signed and dated lower right, 19 ½ x 59”, framed.

Hairline cracks, otherwise in good studio condition.

$500/1000

 

 

 

115

Josef Levi (b. 1938) American

N-YGB, 1969, acrylic painting on canvas, signed and dated and titled on stretcher bar, 22 x 22”.

Image in good condition, the white perimeter margins has scuffs, scrapes, cracks, chips, soiling and stretcher bar impressions, otherwise in good studio condition.

$300/500

 

 

 

116

Josef Levi (b. 1938) American

K-RBB, 1970, color screenprint, signed in pencil, numbered 21/30, image 28 x 28”, full margins, discardable framed.

In apparently good condition.

$100/200

 

 

 

117

Israel Levitan (1912-1982) New York

UNTITLED, lead sculpture, signed, 13 x 10 x 9 Ύ” with wood base.

Some dust accumulation, a few scuffs, otherwise in good studio condition.

$300/600

 

 

 

118

Val E. Lewton (b. 1937) Californian

OLD HEBREW CONGREGATION, 1988, oil painting on canvas, signed and dated lower left, 25 x 30”, framed. Provenance: Deaccessioned by the Fayetteville Museum of Art, Fayetteville, North Carolina.

In good studio condition.

$200/400

 

 

 

119

Ladislao Magyar (b. 1937) Argentinean

MIRANDO PARA OTRO LADO, acrylic painting and collage on canvas, signed upper right, signed and dated and titled on verso, 39 ½ x 39 ½”.

In good studio condition.

$500/1500

 

 

 

120

Aviva Margalit (20th Century) Israeli

UNTITLED, woven tapestry, signed on label and in design, 39 x 58”, Iche Mambush Workshop, Israel.

In good studio condition.

$200/400

 

 

 

121

Peter Max (b. 1937) German/ American

ANGEL, 1991, color lithograph, signed and numbered 220/300 in white pencil, artist’s and Soma printer blind stamps lower left, sheet 30 x 40”, framed.

Crinkle lower left corner, otherwise in apparently good condition.

$500/1000

 

 

 

122

Peter Max (b. 1937) German/ American

UNTITLED, color lithograph, signed in pencil, numbered 112/165, image 18 Ό x 23 Ό”, artist’s stamp lower left, full margins, framed.

In apparently good condition.

$300/600

 

 

 

123

Peter Max (b. 1937) German/ American

LAND OF THE FREE HOME OF THE BRAVE, 2001, extensive acrylic painting over color print, signed lower left, 24 x 18”, framed.

In apparently good studio condition.

$1000/2000

 

 

 

124

Peter Max (b. 1937) German/ American

GOD BLESS AMERICA WITH FIVE LIBERTIES, 2001, extensive acrylic painting over color print, signed lower right, 24 x 18”, framed.

In apparently good studio condition.

$1000/2000

 

 

 

125

Peter Max (b. 1937) German/ American

LIBERTY AND JUSTICE FOR ALL, 2001, extensive acrylic painting over color print, signed lower right, 24 x 18”.

In apparently good studio condition.

$1000/2000

 

 

 

126

Peter Max (b. 1937) German/ American

HEART ON BLENDS, 2006, extensive acrylic painting on color print, signed lower left, 10 x 8”, framed.

In apparently good studio condition.

$300/600

 

 

 

127

Peter Max (b. 1937) German/ American

LOVE ON BLENDS, 2006, extensive acrylic painting on color print, signed lower right, 10 x 8”, framed.

In apparently good studio condition.

$300/600

 

 

 

128

Peter Max (b. 1937) German/ American

ANGEL WITH SUN ON BLENDS, 2006, extensive acrylic painting on color print, signed lower right, 10 x 8”, framed.

In apparently good studio condition.

$300/600

 

 

 

129

Peter Max (b. 1937) German/ American

UMBRELLA MAN, 2005, extensive acrylic painting on color print, signed lower right, 10 x 8”, framed.

In apparently good studio condition.

$300/600

 

 

 

130

Peter Max (b. 1937) German/ American

LIBERTY HEAD II, 2006, extensive acrylic painting on color print, signed lower right, 10 x 8”, framed.

In apparently good studio condition.

$300/600

 

 

 

131

Ann McCoy (b.1946) Californian

OCTOPUS LAIR, 1979, colored pencil drawing on paper, signed and dated and titled lower right, 27 ½ x 39”, framed.

In good studio condition.

$400/800

 

 

 

132

Carlos Merida (1891-1984) Guatemalan

ESTAMPAS DEL POPOL VUH, 1943, the incomplete portfolio with seven of ten color lithographs, each signed on the stone, signed in red pencil and mechanically numbered 370/1000 on the colophon page, sheets 16 Ό x 12 Ό”, in portfolio case with some text pages. Provenance: Stendahl Gallery.

Prints with some mild toning and discoloration, text and portfolio case with moderate toning and discoloration, otherwise in good condition.

$200/400

 

 

 

133

Arieh Merzer (1905-1966) Israeli & Leon Sliwinski (1916-  ) Polish

Arieh Merzer MAN CARRYING MILK; PORTRAIT OF A MAN, two copper reliefs, each 6 ½ x 5”, one inscribed and dedicated in pen and pencil on back; Leon Sliwinski CARRIAGE, 1960, watercolor on paper, signed and dated lower left, sight 13 x 19”; All framed, the last with glass. (3)

The first two with surface soiling and oxidation, otherwise all in good studio condition.

$200/400

 

 

 

134

Mid-Century Artist unidentified

NUDE IN NATURE, 1963, oil painting on canvas over board, signed and dated lower right, 26 x 22 ½”, framed.

Light surface soiling, otherwise n good studio condition.

$200/400

 

 

 

135

Henry Miller (1891-1980) New York

INTO THE NIGHT LIFE, hardbound book with color screenprinted illustrations and text, with slip cover, signed by both Henry Miller & Bezalel Schatz and inscribed No. 39, published by Henry Miller & Bezalel Schatz. Provenance: Stendahl Gallery.

Book in good condition, minor wear to partial text on spine, slip case with discoloration, otherwise in good condition.

$200/400

 

 

 

136

Milo bronze

CARDINAL STANDING ON A BRANCH, cold-painted bronze sculpture, signed Milo, with marble base 9 ½" tall.

In good studio condition.

$100/200

 

 

 

137

Steven Montgomery (b. 1954) New York

SILVER SILHOUETTE, graphite drawing on paper, a signature not found, overall 26 Ύ x 22” including artist’s made frame with glass.

Some scuffs and scratches to frame otherwise in good studio condition.

$300/600

 

 

 

138

NJALJOD by Aboriginal artist Buduwal

NJALJOD (The Rainbow serpent), 1989, ochre pigments painted on Eucalyptus stringybark, 61 x 18”, with a partially deteriorated signed certificate on verso. Painting. Provenance: Stendahl Gallery.

Some dust accumulation, natural grain cracks, otherwise in good studio condition.

$200/400

 

 

 

139

Hermann Noack Berlin & John Sinnok (two)

Noack Berlin RESTING DOE, cast bronze sculpture with patina, stamped underneath, 2 ½ x 3 ½ x 5”; Together with John Sinnok WATER BUFFALO, carved soapstone on porous base, signed underneath, overall 4 Ύ x 7 ½ x 4”. Provenance: Stendahl Gallery. (2)

Both in good studio condition.

$200/400

 

 

 

140

Chana Orloff (1888-1968) Israel

PORTRAIT STUDY OF MURIEL POKROSS, 1967, drawing in red pencil, signed and dated lower right, sight 19 x 15”, framed. Provenance: Pucker Gallery, Boston.

Some creases and cockling, some small stains upper right corner, otherwise in apparently good studio condition.

$100/200

 

 

 

141

Philipe Orlando (20th Century) California

RITUALS AND HOMAGES, 1977-78, gouache and watercolor on illustration board, signed, 40 x 30”, framed, original illustrations for exhibition poster for B. Lewin Gallery, Beverly Hills.

Some wear at edges from frame, otherwise in good studio condition.

$200/400

 

 

 

142

Michael Parkes (b. 1944) Missouri/ Spain

UNTITLED, c.1978, oil painting on Masonite, signed lower right, 24 x 19 Ύ”, framed. Note: The image is very similar to Parkes’ 1978 painting Diana illustrated in the Steltman catalogue (S.40).

In apparently good studio condition.

$5000/10,000

 

 

 

143

Carlo Pescatori (b. 1932) Italian

STILL LIFE, oil painting on canvas, signed lower right, signed on verso, 27 ½ x 31 ½”, framed.

Mildly warped, otherwise in good studio condition.

$200/400

 

 

 

144

Louis Peyrat (1911-1999) French

PARIS MONTMARTRE SAINT PIERRE ET LE SACRE COEUR, oil painting on canvas, signed lower right, titled and signed on verso, 24 ½ x 35 ½”, framed. Provenance: Wally Findlay, inventory S81030.

In good studio condition.

$400/800

 

 

 

145

Louis Peyrat (1911-1999) French

PARIS RUE GABRIELLE MONTMARTRE, oil painting on canvas, signed lower left, titled and signed on verso, 30 x 24”, framed. Provenance: Wally Findlay, inventory S82490.

In good studio condition.

$300/600

 

 

 

146

Photographers Unidentified (two)

REFLECTION #2, c-print, signed in pencil, numbered 2/50, image 18 ½ x 12 ½”, full margins, framed with glass; SPIRE WITH BLUE BACKGROUND, c-print, 19 Ό x 12 Ό”, framed. (2)

The first n apparently good condition, the second with a few small handling creases visible at certain angles in raking light, otherwise in good studio condition.

$200/400

 

 

 

147

Ann Pierce (20th Century) & Artist Unidentified (three)

Ann Pierce TILE AND TISSUE, watercolor on paper, signed lower right, sight 21 x 29 Ύ”, framed; Together with Artist Unidentified WINDOW SUITE, 1985, acrylic painting and mixed media paper, signed and dated and titled, sheet 25 ½ x 25 ½”, framed; UNTITLED, acrylic painting on paper with bamboo network support verso, signed and titled in silver ink, 35 ½ x 35 ½”. Provenance: both from Stendahl Gallery. (3)

The first two in apparently good studio condition, the third with small edge loss upper right, some edge wear, small mended tear lower left sheet edge, otherwise in good studio condition.

$200/400

 

 

 

148

Elisse Pogofsky-Harris (b. 1941) Californian

ROBE, acrylic painting on paper, signed lower right, 30 x 22”. Acquired from Litchfield County Auctions, estate of Lynn Redgrave.

Masking tape residue perimeter verso, otherwise in good studio condition.

$200/400

 

 

 

149

after Frans Pourpos (1570-1622) Flemish

PORTRAIT ISABELLA CLARA EUGENIA, mid-20th century oil painting on panel, 6 ½ x 5”, P J Bachmann Fine Art Los Angeles label on back of frame, with a letter of identification dated 1970.

A few hairline cracks, mild blanching in background, otherwise in apparently good studio condition.

$100/300

 

 

 

150

Pre-Columbian (two)

A rounded bottom painted vessel, 3” tall, 4” diameter; A painted ceramic vessel with square body and extended rim, 4 Ύ” tall. Provenance: Stendahl Gallery. (2)

First with a few small losses, otherwise both in good aged condition.

$200/400

 

 

 

151

Pre-Columbian (four)

Four painted ceramic bowls, sizes from 2 Ό x 7” to 1 Ό” x 6 ½”. Provenance: Stendahl Gallery. (4)

Three with small losses, two with reconstruction, one with old masking tape, otherwise all in good aged condition.

$200/400

 

 

 

152

Pre-Columbian (nine)

A collection of seven small ceramic bowls and two ceramic plates, five with painted designs, bowls from 3 Ύ” to 2 Ό” diameter, plates 4 ½” and 3 Ύ” diameters. Provenance: Stendahl Gallery. (9)

Some small losses, otherwise in good aged condition.

$200/400

 

 

 

153

Pre-Columbian (two)

A Kidney-shaped ceramic bowl with traditional painted motif, 2 Ό” x 6 Ό”; A large ceramic bowl with traditional painted motif, 3” tall, 8 Ό” diameter. Provenance: Stendahl Gallery. (2)

Large bowl reconstructed, both with small losses, otherwise in good aged condition.

$200/400

 

 

 

154

Pre-Columbian

CHIEF BEING CARRIED IN LITTER, ceramic figurine, 5 Ό x 5 ½ x 3 Ό”. Provenance: Stendahl Gallery.

In good age condition.

$200/400

 

 

 

155

Pre-Columbian

CEREMONIAL CUP, blackware ceramic vessel, 5 ½ x 4 Ύ x 6 Ό”. Provenance: Stendahl Gallery.

In good age condition.

$200/400

 

 

 

156

Pre-Columbian (two)

A carved-stone figurine, 7 ½ x 2 x ½” with gallery inventory numbers underneath possibly from Hasso Von Winnings who was represented by Stendahl; A 6 Ό” tall seated ceramic figure vessel. Provenance: Stendahl Gallery. (2)

The later with some loss at his left foot, otherwise in good age condition.

$200/400

 

 

 

157

Pre-Columbian (six)

Six ceramic animal figurines, from 2 ½ x 4” to 1 Ύ x 1”, two with gallery inventory numbers underneath possibly from Hasso Von Winnings who was represented by Stendahl. Provenance: Stendahl Gallery. (6)

All in apparently good age condition.

$200/400

 

 

 

158

Pre-Columbian (three)

Two ceramic vessels and one ceramic figurine, one with paint remnants, from 3 Ύ x 2 Ύ” to 2 x 3 Ό”, two with gallery inventory numbers underneath possibly from Hasso Von Winnings who was represented by Stendahl. Provenance: Stendahl Gallery.

One with small reconstruction, one with loss, otherwise in good age condition.

$200/400

 

 

 

159

Pre-Columbian (four)

Four ceramic figurines, one with paint remnants, from 4” to 2 Ύ” tall, one with gallery inventory numbers underneath possibly from Hasso Von Winnings who was represented by Stendahl. Provenance: Stendahl Gallery. (4)

One with reconstructed arms, one with re-attached head, otherwise in good age condition.

$200/400

 

 

 

160

Pre-Columbian (three)

Three ceramic vessels from 4 Ύ” to 3” tall, the first with holes for carrying, both with rounded bottoms and 1” rims, the third with multiple openings, one with gallery inventory numbers underneath possibly from Hasso Von Winnings who was represented by Stendahl. Provenance: Stendahl Gallery. (3)

In apparently good age condition.

$200/400

 

 

 

161

Pre-Columbian (nine)

A carved 2 x 1 ½” green stone head fitted with a clip-on setting on back and bell earrings on two sides; Eight ceramic head fragments from 5 ½ to 2” tall. Provenance: Stendahl Gallery. (9)

Green with loss at left ear, otherwise all in good age condition.

$200/400

 

 

 

162

Pre-Columbian (three)

Three ceramic vessels including a 2 ½” tall cup with paint remnants, a 3” tall with round bottom, and a three-footed 3 ½” tall vessel with incised pattern, two with gallery inventory numbers underneath possibly Hasso Von Winnings who was respresented by Stendahl. Provenance: Stendahl Gallery. (3)

The first with some possible reconstruction, the last with some rim chips, otherwise all in good age condition.

$200/400

 

 

 

163

Pre-Columbian Objects (twenty-one)

Six ceramics, four with paint remnants, 3 ½” tall to 1 ½” tall to 4 ½” wide; Three pieces of green stone; One piece of Roman glass 2 Ό” tall probably reconstructed; Small box of odds and ends artifacts & fragments. Provenance: Stendahl Gallery. (21)

The double-vase reconstructed, the two bowls with small losses, otherwise noted all in good age condition.

$200/400

 

 

 

164

Alice Rahon (1904-1987) French Mexican

UNTITLED, a very rare set of three Surrealist etchings, 1934-1947, each signed Alice Paalen in pencil and numbered 92/100, plates 6 ½ x 4 Ύ”, sheets 12 ½ x 9 Ύ”. Born Alice Phillipot in France, she married Wolfgang Paalen in 1934 and joined the Surrealist Movement; divorcing in 1947 she changed her name to Rahon. Provenance: Stendahl Gallery. (3)

Some toning and discoloration in the margins, otherwise in good condition with strong line quality.

$500/1500

 

 

 

165

Archie Rand (b. 1949) New York

PEACE BE TO THIS HOUSE, acrylic painting with mixed media on two canvas panels, signed lower left, overall 20 ½ x 75”, in artist’s-made framed (with some wear). Provenance: Phyllis Kind Galleries Chicago & New York.

Surface soiling, perimeter scuffs, otherwise in good studio condition.

$200/400

 

 

 

166

Archie Rand (b. 1949) New York

DANCING DOGS, acrylic painting with mixed media on canvas, signed 18 Ό x 56” Ό”.

Minor surface soiling, otherwise in good studio condition.

$200/400

 

 

 

167

Abraham Rattner (1893-1978) New York

WINDOW CLEANER, color lithograph, signed in pencil, numbered 107/125, image 22 x 17”, full margins, matted.

Some sun toning, natural ink saturation on verso, otherwise in good condition.

$200/400

 

 

 

168

Abraham Rattner (1893-1978) New York

PORTRAIT, mixed media painting with hand-made Japanese fiber paper collage, signed lower right, 24 x 18”, framed with glass.

In apparently good studio condition.

$200/400

 

 

 

169

Peter Reginato (b. 1945) New York

Hand painted ceramic plate for 10th annual artists against abuse, signed on verso, 11 x 11”.

In good studio condition.

$100/200

 

 

 

170

James Reid (20th/ 21st Century)

CHALLENGER, 1986, color screenprint, signed and dated in pencil and inscribed SP lower left, 24 Ό x 19”, discardable frame with glass.

In apparently good condition.

$200/400

 

 

 

171

Nancy Romero & Artist Unidentified (two)

Nancy Romero PERSIMMONS, color monotype, signed in pencil, plate 8 ½ x 11”, full margins; Together with Artist Unidentified FISH, watercolor on paper, 10 Ύ x 14 Ύ”; Both framed with glass. Provenance: Stendahl Gallery. (2)

Both in apparently good studio condition.

$100/200

 

 

 

172

James Rosenquist (1933-2017) New York & Jimmy Ernst (1920-1984) American (two)

James Rosenquist STARFISH, 1974, color lithograph poster mounted to foamcore, signed and dated in pencil lower right, 35 x 24 ½”; Together with Jimmy Ernst PHOENIX, color poster, signed in pen lower right, 38 x 25”; Both published by Guild Hall, East Hampton, New York; Both framed with glass, the latter with a small crack in the lower left corner. (2)

Starfish laid down on foamcore, Otherwise both in apparently good condition.

$100/200

 

 

 

173

Samuel Rothbort (1882-1971) New York

SINNERS ARE GOING BACK HELL, oil painting on canvas, signed lower right, 30 x 67 Ό”, framed.

In good studio condition.

$2000/4000

 

 

 

174

Russian Artist Unidentified (b. 1962) Russian

TITLED, 1987, oil painting on canvas, signed lower right, titled and dated on verso, 29 ½ x 37 ½”, framed.

Small chips, small hairline web cracks, surface soiling, otherwise in good studio condition.

$300/600

 

 

 

175

Russian Porcelain: Gardner Moscow

DANCING MAN, painted bisque porcelain figurine, hallmarked underneath, 8” tall.

Some soiling, a few small wear spots, otherwise in good condition.

$800/1200

 

 

 

176

Piraji C. Sagara (b. 1931) India

UNTITLED, 1966, mixed media build up with beadwork on board, signed and dated upper left, 30 Ό x 48 ½”, framed.

Surface soiling, a few scuffs in white area, otherwise in good studio condition.

$500/1000

 

 

 

177

Francesco Scavullo (1921-2004) New York

RAVI SHANKAR 1977, gelatin silver print from the original untouched negative published in 2004, signed and numbered 69/150 by Byrnes President of the Scavullo Foundation on verso, framed. Provenance: Martin Lawrence Gallery.

In apparently good condition.

$200/400

 

 

 

178

Miriam Schapiro (1923-2015) New York

CABINET, 1999, mixed media with fabric and collage, signed and dated lower right, 30 x 23 ½”, slipped in framed.

Otherwise in apparently good studio condition.

$1000/2000

 

 

 

179

Ursula Schneider (b. 1943) New York

LA GUADELOUPE, 1982, oil pastel on paper, a signature not found not examined out of frame, 32 x 47, framed. Provenance: Rosa Esman Gallery, NYC.

Studio tear upper left corner, two small scrapes at center possibly studio, foxing on verso of frame only, otherwise in good studio condition.

$200/400

 

 

 

180

Walter Elmer Schofield (1885-1974) American/ British

HARBOR SCENE, etching on buff paper, signed in pencil, plate 7 ½ x 10”, full margins. A rare print by this prominent painter.

Pale discoloration, otherwise in good condition.

$200/400

 

 

 

181

Ivan Schwebel (1932-2011) Israeli

UNTITLED PROPOSAL FOR ENVIRONMENTAL SCULPTURE PROJECT, 1974, acrylic painting with graphite and collage on gessoed paper, 38 x 27 ½”, framed.

Two kink cracks at left sheet edge, otherwise in apparently good studio condition.

$200/400

 

 

 

182

Sculptor Unidentified

UNTITLED, welded metal sculpture with natural outdoor rust patina, some to the point of organic deterioration, a signature not found, 28 x 24 x 20”.

In natural weathered condition.

$200/400

 

 

 

183

Sculptor Unidentified

FREE FORM, white Carrara marble sculpture, initialed ME, with white brown agate base, overall 12” tall.

Sculpture with minor surface soiling, small chip and fill on agate base only, otherwise in apparently good studio condition.

$100/200

 

 

 

184

Arthur Secunda (b. 1927) Californian

UNTITLED, 1975, multi-color paper collage, signed and dated Paris lower right, sight 25 x 21”, framed with glass.

A few small light slightly lifted areas in blue background, otherwise in apparently good studio condition.

$300/600

 

 

 

185

Joe Segal (20th Century) Florida

FEMALE TORSO, 1990, carved wood with antique metal nails and marble base, signed and dated at the base, overall 37 Ό tall.

A few scuff and scrapes, otherwise in good studio condition.

$300/600

 

 

 

186

Pinchas Shaar (1923-1996)

SHEPHERD WITH GUITAR, oil painting on canvas, signed lower right, 29 x 24”, framed.

In good studio condition.

$300/600

 

 

 

187

Ben Shahn (1898-1969) New York

UNTITLED CITADEL, c.1968, gouache and ink wash over black screenprint, signed in crayon lower right, sheet 26 Ύ x 20 ½”, tipped to burlap-covered mat.

Otherwise in apparently good condition.

$1000/2000

 

 

 

188

Ben Shahn (1898-1969) New York

BLIND BOTANIST (P.50), 1963, Manaranche color lithograph, signed in red ink, from the edition of approximately 200, printed by Mourlot, sheet 26 Ύ x 20”, matted.

Toning, otherwise in good condition.

$300/600

 

 

 

189

Ben Shahn (1898-1969) New York

LEVANA (P.71), 1966, lithograph, signed in red brush lower right, inscribed artist’s proof VIII in pencil lower left, aside from the numbered edition of 150, published and printed by Gemini G.E.L. with their blind stamp lower right, sheet 30 x 22”, matted.

Very faint toning, otherwise in good condition.

$300/500

 

 

 

190

Ben Shahn (1898-1969) New York (three)

ECCLESIASTES SERIES (P.246, 248, 249), 1965, three woodblock prints, each with signature in design, titled and inscribed artist’s proof in pencil aside from the editions of 100, each signed by printer Stefan Martin in pencil lower right, sheets 14 ½ x 10 ½”, all on one mat. (3)

All with some pale toning and discoloration in margins, otherwise all in good condition.

$500/800

 

 

 

191

Ben Shahn (1898-1969) New York

MASK (P.51), 1963, Manaranche color lithograph, signed in crayon, from the edition of approximately 200, sight 29 Ό x 19”, matted.

Sealed in mat, some pale toning, otherwise in unknown condition.

$500/1000

 

 

 

192

Ben Shahn (1898-1969) New York

UNTITLED, STARRY SKY, color lithograph, signed on the stone lower right, image 17 x 15”, full margins, matted.

Sun toning, otherwise in good condition.

$200/400

 

 

 

193

Ben Shahn (1898-1969) New York

DEAD SILENCE (P.127), 1968, color lithograph, signed on the stone lower right, from the edition of 200, sight 21 x 17”, matted.

Sealed in mat, some pale toning, otherwise in unknown condition.

$200/400

 

 

 

194

Ben Shahn (1898-1969) American

EASTSIDE MERCHANTS, c.1935, gelatin silver print, image 6 x 9”, sheet 9 ½ x 12 ½”, framed with glass. Illustrated: Ben Shahn's New York, The Photography of Modern Times.

Small skinning and paper tapes hinges and a tiny stain on the verso, otherwise in good studio condition.

$400/800

 

 

 

195

Bernarda Bryson Shahn (1903-2003) New Jersey (three)

UNDER-WEIGHT STUDY FOR HARPER’S; THE SENATE CLOAKROOM; SENATOR VANDENBERG; three pen and ink drawings on paper, each signed, sizes average 7 x 6” to 5 x 6 ½”, framed with glass. Provenance: Midtown Payson Galleries, 5th Avenue, NYC. (3)

Under-weight with scattered speckles, Vandenberg with spot lower right and a few speckles, otherwise all in good studio condition.

$200/400

 

 

 

196

Bernarda Bryson Shahn (1903-2003) New Jersey (three)

ILLUSTRATION FOR THE SCIENTIFIC AMERICAN c.1957; EXECUTIVE’S WIVES, ILLUSTRATION FOR FORTUNE; ILLUSTRATION BIRTHDAY PARTY c.1955, three pen and ink drawings on paper, each signed, sizes 11 ½ x 9” to 7 ½ x 10”, framed with glass. Provenance: Midtown Payson Galleries, 5th Avenue, NYC. (3)

Scientific American with some discoloration on verso showing through to recto, Birthday Party with discoloration spots, otherwise all in good studio condition.

$200/400

 

 

 

197

Millard Sheets (1907-1989) Californian

THE ISLANDS, 1972, lithograph, signed in pencil, numbered 96/200, image 13 ½ x 20 ½”, blind stamp lower left, full margins, framed with glass. Provenance: Stendahl Gallery.

In apparently good condition.

$200/400

 

 

 

198

Simka Simkhovitch (1893-1949) New York

WOMAN READING, 1946, oil painting on canvas, signed and dated lower left, 29 x 22”, framed. Exhibited: The Federation of Modern Painters and Sculptors, New York, remnant label on verso.

Mild surface soiling, hairline cracks, otherwise in good studio condition.

$1000/2000

 

 

 

199

Sandy Skoglund (b. 1946) New York

I WISH I WAS A ROBOT, 1982, Cibachrome, signed and dated and inscribed to one of the models on verso, 8 x 10”, framed with glass.

In good studio condition.

$500/1000

 

 

 

200

William Steig (1907-2003) New York (two)

BOY AND DOG ON THE HUNT; SWIMMERS, two watercolors on paper, both signed lower left, images 8 x 16”, will margins, both with McClees Galleries label, both framed with glass. (2)

Both with pale toning in margins at mat, Swimmers with tideline stain on mat, otherwise both in good studio condition.

$200/400

 

 

 

201

Meir Steingold (after 1922-after 1985) Israeli

HORSES, oil painting on panel, signed in English lower left, 25 x 36”, framed.

Surface soiling, some small drying cracks, otherwise in good studio condition.

$300/600

 

 

 

202

Roger Tibbetts (20th/ 21st Century) American

CS II, 2006, aquatint etching on black Korean Hanji paper mounted to a larger sheet of white paper, signed and dated lower right and numbered 1/30 lower left, image 30 x 36”, sheet reduced to 34 Ύ x 40 Ύ”, framed with glass.

A few areas of skinning & some small discoloration spots in the margins, black paper lifting off white paper in some areas, otherwise in good condition.

$200/400

 

 

 

203

Alton S. Tobey (1914-2005) Connecticut

I DON’T KNOW/ TIGER RED, oil painting and mixed media build up on canvas, signed and titled on verso twice, 35 ½ x 30”/ 30 x 35 ½”, framed.

Surface soiling, a few scuffs, otherwise in good studio condition.

$200/400

 

 

 

204

Theo Tobiasse, Shalom of Saffed (Moskowitz) & Baruch Nachshon (three)

Theo Tobiasse SEDER, 1968, color lithograph, signed in pencil, numbered 130/135, image 24 x 18”, full margins; Together with Shalom of Saffed (Moskowitz) A DAY IN THE LIFE, color lithograph, signed in pencil, numbered 58/300, image 37 x 28”, full margins, pale toning; Together with Baruch Nachshon KIZYAT ARBA, color lithograph, signed and titled and numbered 50/200 in pencil, image 23 x 17”, full margins, matted, a few creases in the right margin extending into the image, visible at certain angles in raking light; The first two framed one with glass. (3)

Otherwise noted all in apparently good condition.

$200/400

 

 

 

205

Victor Vasarely (1906-1997) Hungarian

UNTITLED, color screenprint, sheet 28 x 28”, framed with glass.

Some scuffs visible at certain angles in raking light, some white flecks along on side, glue and accretions on verso, otherwise in good condition.

$100/200

 

 

 

206

Jacques Villon (1875-1963) French

AFTER MODIGLIANI, color aquatint etching on Arches script watermarked paper, plate 19 Ό x 12 Ό”, sheet 24 Ό x 17 ½”.

Stains and discoloration, heavy to moderate toning and paper tape hinges on verso, otherwise in apparently good condition.

$300/600

 

 

 

207

Dario Villalba (b. 1939) Spanish

PERRO Y ROJO I, 1985, multi-panel collage of fabric and paper and other materials on a larger format, signed and dated and titled on verso, overall 41 ½ x 32 ½”, framed. Provenance: Charles Cowles NYC.

In good studio condition.

$1000/2000

 

 

 

208

Andrι Villers (b. 1950) French

BOY HOLDING CAMERA, acrylic painting on cut-out corrugated cardboard, a signature not found, 36 x 21”, with Plexiglas box frame.

In apparently good studio condition.

$300/600

 

 

 

209

Roger Vivier (1907-1998) French

SHOES, cut-paper collage, signed lower left, 21 x 31”, design frame. Provenance: Christies, sale 2469, lot 87, Oct. 4th, 2011 labels on verso.

Light surface soiling, otherwise in good studio condition.

$400/800

 

 

 

210

Peter Voulkos (1924-2002) California

COMMEMORATIVE PLAQUE, 1969, repousse metal and aluminum and injection-molded plastic, signed in the design, 27 x 20”, from an edition of 500, published for the Oakland Museum Commemorative Opening Day, 1969. Provenance: Stendahl Gallery.

Small loss lower right of plastic side panel, oxidized and pitted, otherwise in good condition.

$100/300

 

 

 

211

Jil Weinstock (b. 1967) New Jersey

ONE OF THE SENSES, 1996, photo transfer and mixed media on paper, possibly signed on verso, sheet 19 ½ x 26”, framed with glass.

In apparently good studio condition.

$100/200

 

 

 

212

William Weintraub (b.1926) American Israel

GENERATIONS, 1982, oil painting on canvas, signed and dated lower right, 39 x 28”, framed.

Light surface soiling, otherwise in good studio condition.

$200/400

 

 

 

213

William Weintraub (b.1926) American Israel

BOY HOLDING A BRANCH, 1960, oil painting on canvas mounted to board mounted to panel, signed and dated lower right, 26 ½ x 19”.

Surface soiling, edge wear, otherwise in good studio condition.

$100/200

 

 

 

214

Stephen Westfall (b. 1953) American

THE NINES, 1999, color screenprint, signed and titled and numbered 10/10 in pencil on verso, sheet 36 x 27”.

Some skinning on verso at upper right & left corners from previous hinges, otherwise in good studio condition.

$500/700

 

 

 

215

Wexler ? (20th Century)

ESPEJOTESCO, 1963, gouache on paper, signed and dated upper right, titled upper left, image 19 x 22”, full margins, framed with glass.

Natural cockling, otherwise in apparently good studio condition.

$200/400

 

 

 

216

Ben Wilson (1913-2001) New York

STODUS EXODUS, 1989, acrylic painting on plywood panel, signed and dated on verso, 48 x 36”, framed.

Surface soiling, otherwise in good studio condition.

$200/400

 

 

 

217

Neil Winokur (b. 1945) American

UNTITLED BABY from the Reader’s Digest treasury of Images of Children, 1990, color Cibachrome, possibly signed on verso, edition of 3, sheet 40 x 30”, framed. Provenance: Barbara Toll Fine Arts, NYC; Janet Borden Inc, NYC; Reader’s Digest archive label.

In apparently good studio condition.

$200/400

 

 

 

218

Stan Marc Wright (1911-1996) Vermont

MANNEQUINS, oil painting on canvas board, signed lower right, 24 x 30”, framed.

Surface soiling mainly in the lower areas, otherwise in good studio condition.

$300/600

 

 

 

219

Peter Lipman-Wulf (1905-1993) New York

TWO FIGURES, 1971, cast bronze sculpture, signed and dated, mounted to serpentine base, overall 19 ½ x 7 Ύ x 4”.

In apparently good studio condition.

$300/600

 

 

 

220

Oscar Zamarripa (b. 1949) Mexico

DONA CONCHITE Y SUCHANITA, cast bronze capital resting on carved white stone, signed, 17 x 12 ½”.

Some surface soiling and a few paper stickers on the stone, otherwise in good studio condition.

$200/400

 

 

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