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We Saved the Best for Last

Fine Art Auction December 12th, 2020 @ noon

 

201

18th/ 19th Century Artist Unidentified

PORTRAIT OF A BEAUTY, color pastel on paper over canvas, initialed B. M. upper center left, 29 ½ x 24” oval, frame 34 x 29” oval with glass.

Some debris inside frame, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

202

18th/ 19th Century Artist Unidentified

OUTDOOR FESTIVE GATHERING, oil painting on canvas laid on convex glass, 18 x 21 ½” oval, frame 24 x 27 ½” oval.

Some lifting of canvas off glass near edges, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

203

18th/ 19th Century Artist Unidentified

PORTRAIT OF A GENTLEMAN, oil painting on canvas, a signature not found, 30 x 25 ¼”, frame 39 x 34 x 4 ½”.

Craquelure, some ingrained surface soiling, some small chips visible in the oval, otherwise in apparently good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

204

Josef Albers (1888-1976) German American

I-S, LXXI a, 1971, color screenprint, signed and dated and titled and numbered 52/125 in pencil, blind stamp lower right, image 15 x 15”, sheet 23 x 23”, frame 23 ¼ x 23 ¼” with Plexiglas.

A few tiny pale white spots, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

205

Hans Amis (b. 1957) New York California China

WOMAN WITH FLOWERS, oil painting on canvas, signed lower right, 40 x 30”, frame 43 ¼ x 33 ¼”. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

206

Antique Portrait (18th Century)

PORTRAIT OF A GENTLEMAN, oil painting on canvas, 29 ½ x 24”, frame 34 ½ x 28 ½”, with correspondence letter from National Portrait Gallery, London suggesting that is it a provincial American painter, circa 1780.

Professionally restored and re-lined some time ago, retains old craquelure and drying cracks, more recent small impact dent center left background, other small blemishes and condition issues relevant to age.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

207

Artist Unidentified (20th/21st Century)

HARLEQUIN, oil painting on canvas, signed lower left, 36 x 24”, frame 46 ¼ x 34 ¼”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

208

Luc Barbut-Davray (1863-1926) French

THE JEWELRY BOX, oil painting on canvas, signed lower left, 25 ½ x 21 ¼”, frame 31 x 26 ½ x 3”.

Recently cleaned and varnished, small patch on verso lower left, old craquelure, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

209

Camille Bellanger (1853-1923) French

UN BOUT DE CAUSETTE, 1899, oil painting on canvas, signed and dated lower right, 35 ¾ x 46”, frame 50 ¼ x 60 ¼ x 5”. Provenance: Galerie Michael, Beverly Hills.

In good condition.

Auction Estimate $10,000/15,000

Starting Bid $5000

 

 

 

210

Bernardus Johannes Blommers (1845-1914) Dutch

DEPARTURE OF THE FISHERMAN, oil painting on canvas, signed lower right, 23 x 33 ¾”, frame 30 x 38 ½”.

Professionally re-lined, still retains faint stretcher bar impressions and some hairline craquelure, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

211

Sandro Bracchitto (b. 1966) Italian

UNTITLED, color etching, signed and numbered PA II/IV (artist’s proof 2/4) in pencil, plate 21 ¼ x 16 ¾”, sheet 39 ¼ x 27 ½”, frame 46 ¼ x 34 ½”.

Some creases and soft handling creases, a few tiny edge tears, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

212

Bettina Brendel (20th Century) California

METAL-VAPOR LASERS, 1985, acrylic painting on canvas, signed and dated lower right, also signed and dated on verso, 50 x 80”.

A few white flecks, surface scuffs, hairline scrapes, dust accumulation, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

213

Christopher Brown (b. 1951) California

SEATED NUDE, 1981. Color pastel on two sheets of joined paper, signed and dated lower left, 37 x 20 ¾”, frame 48 x 30 ½”. Provenance: acquired from Gallery Paule Anglim, San Francisco.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $400

 

 

 

214

Bruno Bruni (b. 1935) German Italian

APHRODITE, 1981, cast bronze sculpture with patina, signed, stamped Venturi Arte and numbered 483/1000 on foot, 39 ¼” tall plus additional 1” broken black marble base. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Dust accumulation, a few small scrapes and some surface blemishes, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

215

Buddhi (1962) Indonesian

REPOSE, oil, stain and antique compound painting on canvas, a signature not found, 72 x 48”, frame 79 ½ x 56 x 3”. Provenance: artist’s label on verso,

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

216

Bernard Buffet (1928-1999) French

CLOWN, color lithograph, signed in ink, numbered 54/120 in pencil, sheet 28 ½ x 20, frame 32 x 23 ½ with glass.

Mild toning, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

217

Jerrold Burchman (b. 1939) California

UNTITLED #334 (Red & green on blue), 1981, acrylic painting on thick paper, signed and dated and inscribed JB #324 on verso, 60 x 60”.

Some old linen hinges and skinning on verso, otherwise in good studio condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

218

Jerrold Burchman (b. 1939) California

UNTITLED #287, 1980, acrylic painting on thick paper, signed and dated and inscribed JB #287 on verso, 59 x 59 ½”.

In good studio condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

219

Diane Burko (b. 1945) Pennsylvania

D’HAULAGIN #2, diptych, acrylic painting on two canvas, each signed and dated and titled in ink on verso (faded), both with labels on back, each 50 ½ x 60”, overall 50 ½ x 120,  Provenance: originally from the Blue Cross corporate collection with metal collection tag, then to Pepperdine University.

Left panel with Y-shaped repaired tear lower center and small discoloration spots; Right panel with faint stain lower center and small discoloration spots; Both with stretcher bar impressions, scuffs, surface soiling and stray pencil marks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

220

Aurora Canero (b. 1940) Spanish

BUSQUEDA, 1995, bronze sculpture with patina, signed and dated and numbered 4/6, on artist’s made wood base, overall 73 ½ x 31 ¾ x 8 ¾”, heavy weight.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

221

Pablo Cardoso (1965) Ecuador

LA CASA DE ATRAS IV, 1997, acrylic painting and with mixed media stitched elements, signed and dated lower right, signed and dated and titled on verso, 47 x 47”, frame 48 ¼ x 48 ¼”.

Some surface soiling and light scuffs, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

222

Karen Carson (b. 1943) California

BLUE ROLL, 1978-79, oil painting on canvas, signed and dated on verso, 44 ½ x 48 x 2”. Provenance: Rosamund Felson Gallery, Los Angeles.

Dust accumulation on sides, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

223

Victor Hugo Castaneda (b. 1947) Mexico

MUJER EN AZUL, 1987, cast bronze sculpture with color patina, signed and dated and inscribed A/P (artist’s proof), 23 x 25 x 22”, weight approximately 80 pounds.

With two tape adhesive residue marks on verso, some dust accumulation, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

224

Victor Hugo Castaneda (b. 1947) Mexico

MUJER EN AZUL PEQUENA, 1987, cast bronze sculpture with color patina, signed and dated and inscribed A/P (artist’s proof), 15 ¼ x 17 x 16”, weight approximately 30 pounds.

A few small scratches on front of skirt near base, some dust accumulation, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

225

Russell Chatham (1939-2019) Montana (two)

LANDSCAPES, 1992, two graphite drawings on paper, each initialed and dated, sights 5 x 7”, frames 14 ¼ x 15 ¼”. (2)

Both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

226

Chinese Panels (four)

Four wood panels, each with three inset painted porcelain tiles with horse and rider motifs, all with brass hangers on top, inset tiles 12 x 9”, panels 64 ¾ x 14 ½”, overall 64 ¾ x 58”. (4)

Tiles in good condition, panels with some scuffs and wear; All of the brass hangers oxidized, one broken; All with some small separation gaps in the moldings; Otherwise all in good aged condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

227

Chinese Erotica (twelve)

Twelve watercolors on silk mounted to paper sheets loosely stitched together, each silk panel 10 ¾ x 8 ¼”, sheets 14 ¼ x 12 ½”. (12)

Condition issues include: All with two soft folds and minor residual losses to images, some water damage, some small losses from crinkles and handling, back cover sheet torn, otherwise all in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

228

Antique Chinese Export Bird Cage (19th/ 20th Century)

A Chinese burlwood and metal cage with drawers and slots and metal handle, 9 ¾ x 7 x 4 ¼”.

Missing a foot, some wear and minor losses, otherwise in apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

229

Antique Chinese Buddha

Buddha seated on lotus flower of great age, glazed earthenware of two adjoined pieces overall 11 ½ x 8 x 6”.

Some wear, glazing and firing flaws, paint and finish losses especially on the back of the head and arms, hairline gap between body and base, dust accumulation, otherwise in aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

230

Antique Chinese Longquan style Ge-Type Porcelain Crackle Glaze Ginger Jar

Lidded ginger jar with green crackle glaze and cloud motif underglaze, with bronze finial and base, overall 18” tall, 10” diameter.

Some discoloration, glazing and firing flaws, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

231

Antique Chinese Porcelain (two)

Two large hexagonal painted porcelain lidded jars with baluster bodies and Foo dog finials, with bird and flower and mythic animal motifs, each 22 ½” tall, 13” diameter. (2)

Some wear, glazing and firing flaws, one lid broken and taped back together with plastic tape, all main fragments appear to be there, some small losses mainly underneath, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

232

Antique Chinese Export Porcelain Cider Mug (18th Century)

A painted porcelain mug with floral and village design, with dragon handle, 4 7/8” tall, 4” diameter.

Some wear, glazing and firing flaws, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

233

Christo (1935-2020) Bulgarian

TEXAS MASTABA, PROJECT FOR 500,000 STACKED OIL DRUMS (S. 85), 1976, color lithograph and screenprint collage on 1/8” brown board, signed and numbered 151/200 in pencil, printed by Styria Studios New York, published by APC Editions New York, board size 30 x 22 ¼”, comes with a display frame 38 x 30” with glass.

Skinning on verso from old hinges, small crinkle lower left corner, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

234

Francesco Clemente (b. 1952) New York Italy

I, 1982, color woodcut print on Kozo paper, signed and numbered 7/100 in pencil, printed and published by Crown Point Press, image 14 1/4 x 20 1/8”, sheet 17 x 22 1/2”, frame 19 1/2 x 25”.

In apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

235

Francesco Clemente (b. 1952) New York Italy

MORNING, 1982, color woodcut print on Kozo paper, signed and numbered 7/100 in pencil, printed and published by Crown Point Press, image 14 1/8 x 20 1/8”, sheet 16 7/8 x 22 1/2”, frame 19 ½ x 25”.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

236

Jeff Colson (b. 1957) California

INCIDENT (Wall), 2010, fiberglass and mixed media, a signature not found, purportedly signed and dated on verso, approximately 63” diameter and 23” deep, large but light weight. Provenance: ACE Gallery, Los Angeles; Gallery Price $35,000.

Some dust accumulation, otherwise in apparently good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

237

Jeff Colson (b. 1957) California

INNER TUBE, 2008, fiberglass, oil paint and bondo, a signature not found, purportedly signed and dated on verso, 61 x 62 x 12” deep, 13” deep with value, travel crate 69 x 69 ¼ x 17”. Provenance: ACE Gallery, Los Angeles; Gallery Price $40,000.

Some dust accumulation, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

238

Jeff Colson (b. 1957) California

MOON (Asteroid), 1999, watercolor on paper, image 5 x 5, sheet 10 x 7 ½”, frame 17 x 15” with Plexiglas. Provenance: ACE Gallery, Los Angeles label on verso; Gallery Price $9000.

A few soft handling creases, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

239

Jeff Colson (b. 1957) California

UNTITLED, 2001, pencil drawing on paper, signed and dated lower right, sheet 18 x 14”, frame 26 ½ x 22” with Plexiglas. Provenance: ACE Gallery, Los Angeles; Gallery Price $6000.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

240

Jeff Colson (b. 1957) California

PARTY FAVOR, 2002, fiberglass sculpture with oil and enamel paint, signed and dated, 19 x 8 ½”. Provenance: ACE Gallery, Los Angeles; Gallery Price $8500.

Ace reported in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

241

Jeff Colson (b. 1957) California

FRACAS, 2003, ink jet print on canvas, a signature not found, 74 x 74”. Provenance: ACE Gallery, Los Angeles; Gallery Price $10,000.

In apparently good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

242

Contemporary Artist Unidentified

TABLE, acrylic painted 3-D cut wood wall sculpture with spring lock shelf, a signature not found, open 35 x 72 x 15”, closed 35 x 72 x 4 ½”.

Some removable stray house-paint along the edges (evidently not removed from wall when painted), missing one small black cover plate, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

243

Howard Cook (1901-1980) American

CANYONS NY, 1928. woodcut print, signed and titled and inscribed 50/ (impressions) in pencil, image 12 1/16 x 5 1/16”, full margins, frame 22 ¾ x 15 ½” with Plexiglas. From the collection of Lee Caplin, movie & TV producer and author of many books on art including The Business of Art.

In apparently good condition.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

244

Howard Cook (1901-1980) American

RUBBER CENTER, 1928, woodcut print, signed and inscribed imp. 1930, 50 (impressions) in pencil, image 10 5/16 x 12 11/16, full margins, frame 20 x 22” with Plexiglas. From the collection of Lee Caplin, movie & TV producer and author of many books on art including The Business of Art.

With soft creases upper right, otherwise in apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

245

Crosby (20th Century)

CAPRI, oil painting on canvas, signed lower left, 48 x 48”, retains Abell Auction tag on verso, frame 51 ¼ x 51 ¼”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

246

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

BLACK PASTURES, 2012, lenticular collage with acrylic paint on wood panel, signed and dated on verso, artist’s frame 48 x 96 x 4”. Provenance: ACE Gallery, Los Angeles; Gallery Price $35,000.

Minor dust accumulation on surface, scuffs on frame, otherwise in apparently good studio condition

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

247

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

FUKTUPBABY, 2013, acrylic painting with mixed media collage on wood panel, signed and dated on verso, artist’s frame 62 x 48 x 4”. Provenance: ACE Gallery, Los Angeles; Gallery Price $20,000.

Minor dust accumulation on surface, two chips on bottom left and right of frame, otherwise in apparently good studio condition

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

248

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

GLOW IN THE DARK, 2012, acrylic and mixed media collage on wood panel, glows in the dark, signed and dated on verso, artist’s frame 49 ½ x 49 ½ x 9”. Provenance: ACE Gallery, Los Angeles; Gallery Price $25,000.

Minor dust accumulation on surface, otherwise in apparently good studio condition

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

249

Date Farmers Armando Lerma and Carlos Ramirez (20th/ 21st Century) California

DATE FARMERS ACE GALLERY, 2010, acrylic and spray paint on corrugated aluminum siding with painted wood panel frame, signed and dated on verso, with artist’s frame 41 x 37 x 4”. Provenance: ACE Gallery, Los Angeles; Gallery Price $20,000.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

250

Ron Davis (b. 1937) California

SIX PRONG - GRAY, 1974, color screenprint, signed and numbered 8/23 in pencil, sheet 42 x 16”, printed and published by Gemini G. E. L. under the direction of Jeff Wasserman, with blind stamp lower right, original Gemini paperwork attached to back.

Hinged to black foamcore with scotch tape, with some skinning on verso, otherwise in good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

251

Pietro De Francisco (1873-1969) Italian

DANCERS, oil painting on board, signed lower right, 9 x 10 ½”, frame 10 x 11 ¾”.

Some surface soiling, otherwise in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

252

Stephen De Staebler (1933-2011) California (two)

TRIANGLE FACE, 1982, hand-painted cast bronze sculpture, signed and dated and inscribed A/P (artist’s proof) under the chin, 7 ½ x 4 ½ x 2 ¼”; UNTITLED FACE, painted and glazed ceramic sculpture, signed under the chin, 7 ¾ x 5 x 3 ½”. (2).

The second with some ceramic hair loss?, otherwise both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

253

Laddie John Dill (b. 1943) California

UNTITLED, 1980, glass, pigment and cement on wood, signed and dated on verso, 32 x 23 ½ x 2”, weight 23 lbs.

Small stray white paint spot and 1 ½ x 3 ½” surface loss lower left corner (looks repairable), small nick near lower center edge, small edge nicks, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

254

Maurice Dufrene (1876-1955) French

RAYON DES SOIERIES, 1930, color lithograph poster, name and date in the design, printed by Chaix Paris, image 44 x 29 ¾”, full margins, frame 53 ½ x 38 ¼”.

Some printer’s creases and discoloration, small tear lower right, some small dents in hair, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

255

Maurice Ambrose Ehlinger (1896-1981) French

RECLINING NUDE, oil painting on canvas, signed lower right, 23 ½ x 28 ¾”, retains The J. Paul Getty Museum 000398 tag on frame verso, frame 27 x 32”.

Light surface soiling, small patch upper center verso, black light reveals in-painting in background, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

256

Martin Facey (b. 1948) California

MAP NO. 6, BEACON: RUN A GROUND, 1997, oil painting on canvas, signed lower left, signed and dated and titled on verso, 36 ½ x 72 ½”.

Light surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

257

Joanne Freeman (b. 1954) New York

SURF AVE., 1991, mixed media painting on wood panel, signed and dated and titled on verso, 38 ¼ x 36”. Provenance: Bess Cutler Gallery, NYC.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

258

Contemporary Art Furniture

Chair with ¾” glass back and seat, with metal legs and back support, a signature or mark not found, 38 ½ x 16 x 23”, weight 44 lbs.

Natural rust and dust accumulation, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

259

Furniture: Antique Dutch Tea Caddy (19th Century)

Dutch Circassian walnut master tea caddy, rectangular shape with acanthus crest, satinwood fitted interior with four lidded compartments and a removable double round compartment, pedestal stand, 32 x 17 ¾ x 13 ¾”, with front lock lacking key, weight approximately 32 lbs.

Loose and missing pieces from interior support of the double round compartment, some small losses of veneer on base, wear and cracks and some hazing in finish, with a few newer screws underneath, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

260

Furniture: Modern Glass Swivel Side Table

Swivel tiered laminated glass body laminated to glass top and glass base, base top and base bottom both with grooves to rests upon each other with ball bearings in between for swiveling, 19 tall, top 31 ½” diameter. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Some clouding in-between glass panes, light surface scratches from normal use, otherwise in good used condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

261

Furniture: Marble Pedestal

Large green marble pedestal in three resting parts, overall 33 ½ x 24 x 20”, weight 229 pounds (base 78 lbs., column 67 lbs., top 84 lbs.).

Some small nicks, chips, scrapes, scratches and losses, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

262

Gerald Giamportone (b. 1945) American

UNTITLED ARCH, 1988, oil and acrylic painting with beeswax, on wood construction, signed and dated on verso, 35 x 37 ½ x 8” or 4”. Provenance: ACE Gallery, Los Angeles; Gallery Price $1500.

Some of the pine knots are naturally yellowing, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

263

Selden Connor Gile (1877-1947) California

LANDSCAPE, oil painting on canvas, inscribed Selden Gile in pencil on verso, appears to be old auction chalk marks or inventory marks and inscribed Selden Gile on back of frame, 17 ¼ x 21 ¼”, frame 22 ½ x 27 x 2”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $10,000/20,000

Starting Bid $5000

 

 

 

264

Harper Goff (1911-1993) California

MEDITERRANEAN PORT, 1931, oil painting on canvas, signed and dated lower right, 30 x 40”, frame 34 x 43 ½”. Note: Goff is known for storyboard and amusement park designs, including Disney.

Surface soiling, small little scrapes and chips left center, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

265

Cheryl Goldsleger (b. 1951) Georgia

UNTITLED, 1999, wax, oil and pigment on linen, embossed signature lower right, signed and dated and titled on verso, 40 x 60”, frame 43 ½ x 63 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

266

Cheryl Goldsleger (b. 1951) Georgia

CENTRUM, circa 1987, wax, oil and pigment on linen, embossed signature lower right, probably signed on verso, 35 x 35”, frame 47 ¼ x 47 ¼” with glass.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

267

Vassily Grachev (1831-1905) Russian

GALLOPING CHERKESSIANS, 1876, cast bronze sculpture, signed and dated and with foundry stamp Febr. K. F. Woerffel, overall 18 ½ x 19 ½ x 12” including marble base, weight 92 pounds.

Dust accumulation, some oxidation, otherwise in good aged condition.

Auction Estimate $10,000/30,000

Starting Bid $5000

 

 

 

268

Vic Guhrs (b. 1943) Zimbabwe

KUDU ANTELOPE, 1977, oil painting on canvas, signed and dated lower center right, 22 x 36”, frame 32 ¼ x 46 ¼ x 2 ¼”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

269

Gregory Frank Harris (b. 1953) Connecticut New Mexico

SEASIDE STROLL, 1989, oil painting on canvas, signed lower left, 30 x 40”, frame 37 x 47”. Provenance: Southwest Gallery, Dallas. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

270

Gregory Frank Harris (b. 1953) Connecticut New Mexico

APRIL MORNING, 1989, oil painting on canvas, signed lower left, signed and dated and titled on verso, 30 x 40”, frame 37 x 47 ¼ x 3 ½”. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

271

Gregory Frank Harris (b. 1953) Connecticut New Mexico

THE FLOWER BASKET, 1989, oil painting on canvas, signed lower right, signed and dated on verso, 36 x 24”, frame 43 ¼ x 31 ¼” x 3”. Provenance: Charles Heck Gallery, Palm Springs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

272

Tom Holland (b. 1936) California

ZINC, 1980, epoxy on aluminum, a free standing sculpture, signed and dated upper left, 80 x 48 x 15”, weight 21 lbs.

3” by 3” loss of paint upper right side curve, a few hairline cracks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

273

Hudson River School

LANDSCAPE, oil painting on canvas in the manner of Victor de Grailly, 19 ¾ x 29”, frame 22 ½ x 31 ¾”.

Professionally re-lined and restored in 1980 by Denise Domergue with treatment report, minor surface soiling, old craquelure, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

274

David Ireland (1930-2009) California

$100 DOLLAR BILL CONTRIBUTION, conceptual art with corrugated cardboard carton inscribed in marker “layer one four shims and four pins” and “layer two $100 bill” on cover, layer one contains a package with four shims and a package with four pins and an empty compartment, layer two contains a manipulated $100 bill, carton overall 4 ¾ x 8 ¼ x 1”, with little tape straps, accompanied with a framed statement: “David Ireland’s Last Contribution to the New Langton Artists Annual Christmas Auction”, frame 13 x 15 ¼ x 1” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

275

David Ireland (1930-2009) California

UNTITLED, 1985, photocollage on embossed printed paper in artist’s frame, signed and dated on verso, 5 ¾ x 7 ¾”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

276

Kenneth Jack (1924-2006) Australia

PRINCE OF WALES, 1967, oil painting on panel, signed and dated lower left, 24 x 36”, Cyril’s framing studio label on verso, frame 30 ½ x 42 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

277

Charles Emile Jacque (1813-1894) French

LES ARBES SOUS UN CIEL D’ORAGE, oil painting on canvas, signed lower right, 9 ¾ x 13”, frame 18 ¾ x 22 ¼ x 3 ¼”. Provenance: Galerie Michael, Beverly Hills; Peron Auction May 29th, 1994 lot 178 hammer price $3910.

In good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

278

Japanese Bronze

GEISHA, cast bronze sculpture with dark patina, signature or character marks on base, 16 ½ x 8 ½ x 6”, weight 11.6 lbs.

Some dust accumulation, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

279

Paul Julian (1914-1995) Illinois California

SEATED MODEL, 1939, watercolor on paper, signed and dated lower right, sight 23 x 18”, frame 34 ¼ x 29 ¼” with glass.

Small rub spot lower left and small kinks in three corners, small kink upper left center, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

280

Mike Kelley (1954-2012) California

ALMA PATER, 1992, diptych, each an offset color lithograph, both signed and numbered 33/200 in pen, sights 33 x 23 ¼”, temporary display frames (one with broken thin Plexiglas) 41 x 28” each.

A few soft handling creases, visible at certain angles in raking light, otherwise both in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

281

Ken Kelly (b. 1955) Seattle

SQUEEZE, 1993, mixed media painting on wood, signed and dated and titled on verso, 36 x 30”. Provenance: Mark Moore Gallery, Santa Monica.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

282

Sister Mary Corita Kent (1918-1986) California

LIFE, with quotes from Simon & Garfunkel and Phillip Roth, color screenprint, signed in pen lower right, sheet 21 ½ x 23”, frame 24 ¼ x 25 ½” with Plexiglas.

In apparently good aged condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

283

Stefan Kurten (b. 1963) German

MICKEY, 1989, oil painting on canvas, signed and dated and titled on verso, 8 x 10”. Provenance: acquired from Rena Bransten Gallery, San Francisco.

A few small chips near or at the edges, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

284

Lalique Crystal

BACCANTES (12200), frosted slightly conical crystal vase with high relief design, signed Lalique France and retains style number label and Lalique label underneath 9 5/8” tall, overall 8 ½” diameter, weight 13 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Flea bite at bottom of base, hairline scratch bottom of interior visible with bright light showing through bottom, otherwise in good displayed condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

285

Lalique Crystal

TANEGA (12314), clear body crystal vase with clear and frosted green leaf design, signed Lalique France underneath, 14 ¼” tall and 8” diameter, weight 16.4 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Tiny scrape and two flea bites on clear body, otherwise in good displayed condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

286

Lalique Crystal

LUXEMBOURG (12227), frosted crystal bowl, signed Lalique France underneath, 8 ¼” tall, overall 13 ¼” diameter, weight 23.4 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas.

In good displayed condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

287

Lalique Crystal

LE TROPHEE (11660), frosted crystal free-form sculpture, signed Lalique France on side of base, 13 x 9 ¼ x 7 ½”, weight 10.3 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

A tiny fleabite underneath at edge, otherwise in good displayed condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

288

Lalique Crystal

SENLIS (12263), clear and frosted crystal vase with tapered and lobed sides, signed Lalique France and retains style number label and Lalique label underneath, 11 5/8” tall, 8” diameter, weight 21.4 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

A few faint hairline scratches, otherwise in good displayed condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

289

Lalique Crystal

MESANGES (12262), clear and frosted crystal vase, signed Lalique France, 12 ¼” x 7 ½”, weight 6 lbs. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

A few small light surface scratches, otherwise in good displayed condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

290

after Tamara De Lempicka

SEATED WOMAN WITH RED SHAWL, painting on canvas, 48 x 36”, frame 53 ¾ x 41 ¾”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

291

Louis Lozowick (1892-1973) American

THIRD AVENUE (Third Avenue El) (F.41), 1929, lithograph, signed in pencil and dated 30’ lower right, from the edition of 15, image 12 5/16 x 8”, full margins, frame 21 ½ x 17” with Plexiglas. From the collection of Lee Caplin, movie & TV producer and author of many books on art including The Business of Art.

In apparently good condition.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

292

Louis Lozowick (1892-1973) American

BARGE CANAL (F.172), 1940, color woodcut print, signed and dated and numbered 5/15 in pencil, image 9 1/8 x 5 5/8”, full margins, frame 18 ½ x 14 ¾” with Plexiglas, Provenance: Associated American Artists certificate on frame verso. From the collection of Lee Caplin, movie & TV producer and author of many books on art including The Business of Art.

Numeration with a little smudge, otherwise in apparently good condition.

Auction Estimate $1200/1600

Starting Bid $600

 

 

 

293

Bill Mack (b. 1949) Minnesota

MARILYN MONROE, bonded sand wall relief sculpture, signed and numbered 24/145 in brush lower right, 39 x 31 ½”, in artist selected frame 49 ½ x 41 ½ x 4”.

Dust accumulation, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

294

Jamie Makinde (b. 1959) Cuban

FEMALE BIRD FIGURE, 1991, watercolor on paper, signed and dated lower center left, sight 12 ½ x 11”, frame 20 ½ x 19” with glass.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

295

Fabian Marcaccio (b. 1963) Argentinean

GEOMETRICAL PARASITE, 1991, colograph with silicon on canvas, signed and dated and titled on verso, 72 x 74”. Provenance: Stux Gallery, New York.

Some dust accumulation, stretcher bars slightly warped, lacking horizontal crossbar on verso, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

296

Miguel Martinez (b. 1951) New Mexico

ANNABELLE, oil pastel on Strathmore paper, signed, 40 x 30”, frame 60 x 49” with glass. Provenance: signed certificate from the artist.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

297

Miguel Martinez (b. 1951) New Mexico

SUENOS, 1985, oil pastel on Strathmore paper, signed and dated lower right, 23 x 29”, frame 36 x 42 with glass. Provenance: signed certificate from the artist.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

298

Ralph Massey (b. 1938) California

FUGUE STATE BOWTIE, 2012, acrylic painting and gouache on artist’s design wood panel, signed and dated on side, artist’s label on verso, 24 ½ x 29”.

Small scuff right side panel, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

299

Dale Mathis (b. 1972) New Orleans

MENDING A BROKEN HEART, 2014, mixed media kinetic sculpture with gold and silver gilded composites, neon lighting, Ecowood and various electrical components, monographed upper right, numbered 43/500, with artist’s certificate, overall 37 ¾ x 32 x 6 ½” (8” deep including back bracket); Together with THE ART OF DALE MATHIS, hardbound book.

Slight wear on frame, otherwise in good working condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

300

Michael McMillen (b. 1946) California

ELECTRA CHAIR, 1994, painted wood construction with wrapped wire, artist’s placard with name, date and title on verso, 14 x 16 ½ x 3 ¼”.

In apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

301

Mid-Century Artist Unidentified

SEASCAPE, watercolor on paper, signed lower right, sight 21 x 28 ¾”, frame 34 x 41” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

302

Richard Misrach (b. 1949) California

HAWAII IX from the Hawaii series, 1978, dye-transfer print, signed and dated and numbered 28/50 in pencil in the margins, image 15 ½ x 18 ½”, sheet 17 x 21”, frame 25 x 27 ½” with glass.

Odd pale discoloration in margins, a few soft handling creases, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

303

Larry Morace (b. 1948) California

YOSEMITE VALLEY #2, 1995, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 40 x 69”, frame 42 ¾ x 71 ¾”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

304

Robert Motherwell (1915-1991) American

POE’S ABYSS (B.142), 1974-75, color lithograph, signed and numbered 3/16 in pencil, printed and published by Tyler Graphics, sight 41 ¾ x 36 ½”, frame 49 ¾ x 44 ¼”.

Small nicks and cuts from broken glass from previous frame, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

305

Robin Murphy (b. 1956) New York

UNTITLED TREES, 1990, acrylic painting with xerox transfer on canvas, a signature not found, 25 x 25”. Provenance: Meyers/ Bloom, Santa Monica.

Some dust accumulation on edges, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

306

LeRoy Neiman (1921-2012) American

BEACH AT CANNE (K.153), 1979, color screenprint, signed and numbered 18/300 in pencil, printed by Styria Studio with blind stamp lower left margin, image 37 x 24”, full margins, frame 48 ½ x 34 ¼”.

Natural ink saturation in the unprinted areas and around perimeter of image, pale toning in the margins, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

307

Leonardo Nierman (b. 1932) Mexico

FLOATING CITY, circa 1968, oil painting on Masonite, signed lower right, 31 ½ x 23 ½”, original frame 39 x 31”.

A few scuffs visible in raking light at certain angles, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

308

Philippe Noyer (1917-1985) French

TOULOUSE LAUTREC ET LES DAMES DE LA RUE DES MOULINS, 1973, oil painting on canvas, signed and dated lower right, 39 ½ x 39 ¼”, frame 45 ½ x 45 ½”.

Minor discoloration on verso, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

309

Philippe Noyer (1917-1985) French

LE MAESTRO, 1972, watercolor on paper, signed and dated upper right, sight 31 x 46 ¼”, frame 37 ½ x 53” with glass.

A few soft handling creases, pale discoloration near upper sheet edge, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

310

Philippe Noyer (1917-1985) French

LE MAL AIS GARZON, 1972, watercolor on paper, signed and dated upper left, sight 29 x 40 ½”, frame 35 ½ x 47 ½” with glass.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

311

Dennis Oppenheim (1938-2011) New York California

THE DIAMOND CUTTER’S WEDDING, PROJECT FOR A.R.C, PARIS, 1980, color lithograph, signed and dated and numbered 92/200 in pencil, sheet 35 x 50”, frame 35 ¼ x 50 ¼” Plexiglas box frame.

Some soft creases and printer’s creases, cockling along right and left sheet edges, some scattered discoloration, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

312

Eric Orr (1939-1998) California

BLIND WINDOW, 1984, gold leaf and paint on incised lead over wood panel, signed and dated lower edge, signed and dated on verso, 24 x 17”.

Scuffs and scrapes, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

313

Eric Orr (1939-1998) California

UNTITLED #1, 1989, color lithograph, signed and dated and numbered 40/75 in pencil, sheet 30 x 22”, frame 36 ½ x 28 ¾” with glass.

Miniscule crinkle lower sheet edge, two miniscule edge nicks upper sheet edge, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

314

George Page (20th Century) California

CLATTER GATE, 1976, enamel painted wood construction, signed and dated and titled on verso, 44 ½ x 16 x 3 ½”. Provenance: Artist’s label on verso.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

315

Raymond Pettibon (b. 1957) California

UNTITLED (Getting me out the door), 1994, lithograph, signed and numbered 277/300 in pencil, printed by Hamilton Press with blind stamp lower left, sheet 22 ¼ x 18”, comes with a display frame 34 x 28” with glass.

A few soft handling creases, otherwise in good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

316

Pablo Picasso (1881-1973) Spanish

FACE No. 0, (AR. 458), 1963, painted and glazed ceramic plate, inscribed “No. 0 Edition Picasso 228/500 Madura” on verso, 10” diameter.

Poorly filled in surface loss upper center edge, a few small surface losses at perimeter edge, otherwise in good condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

317

Pablo Picasso (1881-1973) Spanish

LES DANSEURS AU HIBOU (Dancers with an Owl) (B.936; MMA.42), 1959, linocut printed in brown and black from one block, printed on Arches paper with block letter watermarked paper, signed and numbered 17/50 in pencil, with natural ink saturation on verso, image 21 x 25 ¼”, sheet 24 ½ x 29 ½”, printed by Arnera, Vallauris, France, published by Galerie Louise Leiris, Paris, frame 33 ½ x 37 ¾” with glass.

Some pale toning in margins, a few soft handling creases in margins, otherwise in good condition.

Auction Estimate $15,000/25000

Starting Bid $7500

 

 

 

318

Pablo Picasso (1881-1973) Spanish (four)

LA PIQUE; JEU DE LA CAPE; LES BANDERILLES; LE PICADOR II from “A Los Toros avec Picasso” (B.1014, M.346; B.1015, M.348; B.1016, M.349; B.1017, M.350), 1961, the set of four lithographs (one in color), each dated on the stone, sights approximately 8 ½ x 10 ¾” to 9 x 11 ¼”, matching frames 22 ¼ x 23 ¾” with glass. Provenance: Galerie Michael, Beverly Hills. (4)

Each in apparently good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

319

Jim Rabby (20th Century) New Mexico

SPRING BLUSH TAOS, 1991, acrylic impasto painting on canvas, signed lower right, signed and dated and titled on verso, 36 x 30”, fame 49 ¼ x 43 ¼ x 3”.

Some surface soiling and some hairline cracks, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

320

Jim Rabby (20th Century) New Mexico

ENCHANTED MAGIC ABIQUIU, 1991, acrylic impasto painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 36”, fame 37 ½ x 49 ¼ x 3”

Some surface soiling, lacquer yellowed, some hairline cracks, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

321

Colin Reid (b. 1953) England California

R269 X, 1987, cast yellow, black and clear glass, signed and dated lower right and inscribed R269 lower left, 18 ½ x 15 x 2 ½”, weight 15 lbs. Provenance: Kurland/ Summers Gallery, November 22-December 11, 1987 show, featured on inside cover of gallery exhibition catalogue (included).

Small inconspicuous losses at base, moderate dust accumulation, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

322

George Rickey (1907-2002) New York

UNTITLED, 1971, lithograph, signed and dated and numbered 5/5 Roman numerals in pencil lower right, printed by Tamarind with blind stamp lower left, sight 21 ¾ x 17 ¾”, frame 28 x 24” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

323

Ferruccio Rontini (1893-1964) Italy

CASA COLIONICA (On the Apennine Mountains), 1953, oil painting on board, signed lower right, signed and dated and titled on verso, 27 ¾ x 19 ¾”, frame 36 ½ x 28 ½”, with Florence Art Gallery stamp on verso.

Surface soiling, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

324

Alison Saar (b. 1956) Californian New York

UNTITLED, 1980, mixed media paper pulp and wood with collage elements, signed and dated, 32 x 30” with variable 3” depth. Provenance: acquired directly from artist by present owner.

With some minor professional repair and some dust accumulation, otherwise in good condition.

Auction Estimate $3000/5000

Starting Bid $1500

 

 

 

325

Tom Savage (1953-2018) Tennessee

UNTITLED #2, 1987, oil painting on canvas, signed and dated and titled on verso, 48 x 42”, frame 49 ¼ x 43 x 2”. Provenance: Shoshana Wayne Gallery, Santa Monica.

Drying craquelure, probably intentional, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

326

Rocky Schenck (b. 1955) Texas

DESTINY, 2000, toned gelatin silver print, signed and numbered 3/10 on verso, 16 x 25”, frame 20 ¾ x 28 ½” with glass. Provenance: Paul Kopeikin Gallery, Los Angeles.

In apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

327

Rocky Schenck (b. 1955) Texas

THE BAPTISM, 2002, toned gelatin silver print, signed and numbered 2/10 on verso, 16 x 26, frame 20 ¾ x 28 ½” with glass. Provenance: Paul Kopeikin Gallery, Los Angeles.

In apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

328

Donna Schuster (1883-1953) California

OAK TREE NEAR RANCH HOUSE, oil painting on canvas, signed lower left, 20 x 30”, frame 24 x 33 ¾”.

Some surface wear and losses, otherwise in good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

329

Peter Shelton (b. 1951) California

WINDPIPE, 1983-86, mixed media sculpture of resin and wire construction, signed and dated and titled with hanging instruction on verso at hanging eyelet, 108 ½ x 5 x 2 ½”. Exhibited: Walker Art Center, Minneapolis “Sculpture Inside Outside” May 1988 through September 1988; then to Museum of Houston, December 1988 – March 1989; Together with a softbound catalogue “Floatinghouse Deadman” from Wright Art Gallery, UCLA, and two photographs of artist with sculpture.

In good studio condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

330

Adolph Robert Shulz (1869-1963) Wisconsin

ON THE ROAD TO NASHVILLE/ THE OLD STONE BRIDGE, circa 1932, oil painting on canvas, signed lower right, 30 x 36”, frame 40 ¼ x 46 ½ x 3 ½”. Provenance Hoosiers Salon Exhibition, January 23rd, - February 26th, 1932 “On the Road to Nashville” label on verso; Goldfield Galleries Los Angeles “Old Stone Bridge” label on verso.

In good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

331

Maurice Sterne (1878-1957) American

FLOWERS, oil painting Masonite, signed lower right, 21 x 31 ½”, frame 27 ½ x 37 ½”.

Drying craquelure throughout, surface soiling, otherwise in good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

332

Francesca Sundsten (20th/ 21st Century) Washington

SIAMESE TWINS STRUGGLE TO UNDERSTAND THEIR PLACE IN THE UNIVERSE, 1993, oil painting on canvas, signed and dated and titled on verso, 28 x 28”, frame 31 ½ x 31 ½ x 2”. Provenance: Davidson Galleries, Seattle.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

333

Swoon (b. 1977) American urban street artist

CHOPPER 1977, 2015, die cut stencil collage with acrylic painting on wood, signed and dated and numbered 1/6 in black marker on the verso, 37 ½ x 34”. Provenance: Purchased from Kids for Peace Fundraiser Art Auction San Diego.

In apparently good studio condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

334

Christopher Taggart (b. 1973) California

SELF PORTRAIT AS A GHOST (Librarian), 2004, color spirograph ink drawing on paper, signed and dated and titled on verso lower right, sheet 46 ½ x 33 ½”, frame 49 x 36 x 2”. Provenance: ACE Gallery, Los Angeles; Gallery Price $6500.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

335

Christopher Taggart (b. 1973) California

PROPHECY ATOP THE EMPIRE STATE, 2007, micro photographic pieces collaged to wood panel 67 x 47 x ½”, a signature not found, with metal wall brackets for mounting on verso, travel crate frame 70 ½ x 50 x 3 ¾”. Provenance: ACE Gallery, Los Angeles; Gallery Price $9600.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

336

Tiffany-Style Lamps

Table lamp with multi-colored shade, with bronze base, three sockets each with pull chain, Made in China, overall 30 ½ x 18”, base 30 ½ x 12 x 12”, shade 14 ½ tall with 18” diameter, weight 25.2 lbs.

Some dust accumulation, otherwise in apparently good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

337

Tiffany-Style Lamps (two)

A pair table lamps, each with butterfly motif on multi-colored shade, with composition base, two sockets each with butterfly pull chain, Made in China, overall 23 ½ x 16”, base 23 ½”  x 7 x 7”, shade 8” tall with 16” diameter, each 10 ½ lbs. (2)

Some dust accumulation, some stray latex paint drips on one side of the shade, otherwise both in good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

338

Alexey Titarenko (b. 1962) Italy

UNTITLED (San Marco I), Venice 2001, gelatin silver wet print, signed and dated and numbered 3/15 on verso in pencil, image 15 ¾ x 15”, sheet 15 ¾ x 18 ½”, frame 25 ¼ x 25 ¼” with Plexiglas. Provenance: Apex Fine Art, Los Angeles.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

339

Alexey Titarenko (b. 1962) Italy

UNTITLED VENICE, 2002, gelatin silver wet print, signed and dated and numbered 1/10 in pencil on verso, image 16 ¼ x 16”, sheet 20 ¾ x 19”, frame 25 ¼ x 25 ¼” with Plexiglas.

Soft handling crease in the left margin, otherwise in good condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

340

Nelsen Valentine (b. 1960) California

UNTITLED, 1988, oil painting on canvas, signed and dated on verso, 30 ¼ x 22,” frame 31 ¾ x 23 ¾ x 2 ¼”.

Circular hairline crack lower left, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

341

Vasa Velizar Mihich (b. 1933) Yugoslavia California (three)

CUBES, three color and clear acrylic sculptures, each signed and dated, each 2 ¼”. (3)

Some minor studio imperfections, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

342

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Triangle, 2020, color and clear acrylic sculpture, signed and dated, 11 ¼ x 14 x 1 ¾”, together with signed book.

In good studio condition.

Auction Estimate $1200/1800

Starting Bid $600

 

 

 

343

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Triangular Column, 2020, color and clear acrylic sculpture, signed and dated, 19 x 5 x 4 ½”.

In good studio condition.

Auction Estimate $1200/1800

Starting Bid $600

 

 

 

344

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Irregular Shape #1, 2020, color and clear acrylic sculpture, signed and dated, 9 x 5 x 1 ¼”.

In good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

345

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Mini Triangle (Green Yellow), 2019, color and clear acrylic sculpture, signed and dated, 3 ½” tall, with 1 x 5 ¾ x 3 ½” base.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

346

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Mini Triangle (Pink Orange), 2019, color and clear acrylic sculpture, signed and dated, 4” tall, with 1 x 6 ½ x 3 ½” base.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

347

Vasa Velizar Mihich (b. 1933) Yugoslavia California

Block With Diagonal, 2020, color and clear acrylic sculpture, signed and dated, 5 x 5 x 1 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

348

Claude Verlinde (b. 1927) French

LA NIEGE, 1966, oil painting on canvas, signed upper right, signed and dated and titled on back of stretcher bar, 39 ½ x 31 ¾”, frame 47 ½ x 40”.

Surface soiling, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

349

Claude Verlinde (b. 1927) French

LA VILLE DU LA DANSE DES FOUS, 1966, oil painting on canvas, signed lower right, signed and dated and titled on back of stretcher bar, 23 ¾ x 28 ¾”, frame 28 ¾ x 33 ½”.

Surface soiling, a few small scrapes, some wear near edge upper right, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

350

Claude Verlinde (b. 1927) French

UNTITLED, 1966, oil painting on canvas, signed and dated lower left, 18 ¼ x 25 ¾”, frame 24 x 31 ½”.

Surface soiling, small scrape lower right, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

351

Jim Warren (b. 1949) California

SURREALISTIC VIEW OF LITTLE GIRL, oil painting on canvas, signed lower right, 30 x 24”, frame 41 x 35 x 3”. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes. Provenance: Acquired directly from the artist.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

352

Jim Warren (b. 1949) California

SURREALISTIC VIEW OF YOUNG BOY, oil painting on canvas, signed lower right, 28 x 22”, frame 39 x 33”. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes. Provenance: Acquired directly from the artist.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

353

Vintage Ladies Watches: Ebel (3) & Rolex (four)

Three stainless steel Ebel watches with 18K gold bevels, all with steel and gilt wrist bands; Rolex Tudor Princess Oysterdate ladies watch with stainless steel body and leather strap. (4)

The first three purportedly in working order, otherwise all in used condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

354

Darren Waterston (b. 1965) American

BARDO No. 3, 1990, oil painting on wood, signed and dated on verso, 5 x 7”, frame 10 x 12”. Provenance: Jan Baum Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

355

Paul Gottlieb Weber (1823-1916) German American

HARVEST, oil painting on canvas mounted to wood panel, signed lower right 8 ½ x 13”, frame 14 ½ x 18 ¾ x 2 ½”.

Some previous ingrain surface soiling, some perimeter lifting and scuffs from framing, otherwise in good aged condition

Auction Estimate $500/800

Starting Bid $250

 

 

 

356

Albert Wein (1915-1991) New York

UNTITLED, circa 1975, oil painting on Masonite, signed lower left, signed upper right, 24 x 48”, frame 33 x 57 x 3”. Provenance: Manhattan Gallery, Inc. Pasadena label on verso; Acquired from artist by family of current owner, with a copy of the hand-written receipt.

Small professional repair in upper right corner, shallow gouge in Masonite on verso, frame liner soiled, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

357

Robert White (20th Century) American

CALIFORNIA COAST I, acrylic painting on canvas, possibly signed on verso, 60 x 48”, frame 67 x 55 ½ x 3”. Provenance: Four Seasons Hotel, Carlsbad 1997-2010; Park Hyatt Aviara Resort & Spa Carlsbad 2010-2020.

Faint scuff center right, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

358

William T. Wiley (b. 1937) California

GLASS CULL, 1995-96, installation with elements: glass skull 7 x 10 x 6”, incised glass slab 12 x 12 x 1 ¾”, etched tile 12 x 12 x ½”, silver ink on vinyl 12 x 12 x 1/8”, collage on assemblage of wood, stone, leather, plastic and metal 10 ½ x 10 ½ x 6”, signed in various places. Provenance: acquired from Rena Bransten Gallery, San Francisco.

Glass with some nicks, flea bites and small chips, probably part of the conception, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

359

William T. Wiley (b. 1937) California

BIG CHRISMUS TOUGH, 1984, oil painting on canvas, signed and dated and titled on verso, 4 x 3”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

360

Sir David Wilkie RA (1785-1841) British

PUB SCENE, 1829, oil painting on canvas, signed and dated lower left, 28 x 35 ¾”, frame 35 x 43 x 3 ½”.

Re-lined, craquelure, edge wear, otherwise in good aged condition

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

361

Paul Wonner (1920-2008) California

ONION, 1992, color lithograph, signed and dated and numbered 19/100 in pencil, blind stamps lower right and lower left corners, image 6 ¼ x 6 ¾”, sheet 12 ½ x 12 ¾”, frame 14 ¼ x 14 ¾”.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

362

Paul Wunderlich (1927-2010) German

A TROIS (B. 290), 1969, color lithograph, signed and numbered 20/75 in pencil, sight 24 ½ x 18 ¼”, printed by Desjobert Paris, published Berggruen, frame 30 ¾ x 24 ½” with glass.

Fogging inside glass, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

363

Harry Wysocki (b. 1926) American

ELECTRA, oil painting on canvas, signed lower left, 60 x 30”, frame 68 x 38”. From the estate of Leonard Katzman, writer and director of hit TV series Dallas, 1978-1991, which ran for 14 seasons with 357 episodes.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

364

Francisco Zuniga (1912-1998) Costa Rican

DOS MUJERS MAYAS (B.89), 1983, color Mixograph, signed and dated and numbered 11/100 in pencil, printed by Taller de Grafica, Mexicana, published by Mixografia Workshop, Los Angeles, sheet 21 x 30”, Plexiglas box frame 29 ½ x 35 ½ x 3”.

Lower right corner with some possible wear, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

Use the following links to view lot numbers 201-364

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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