Clark's Fine Art Gallery & Auctioneers Inc.

Contact    Consignments    Past Sales    Catalog    Index    Bids    Special

 

Modern, Contemporary & Latin American Art

Auction Saturday October 26th @ Noon

  

 

1

Raphael Abecassis (2), Amran Ebgi (3), Arie Azene, Arthur Szyk & Jacob Neeman (eight)

Raphael Abecassis (b. 1953) Morocco, BAT MITZVAH, two color decoupage works on paper mounted to paper, each signed, 6 x 4”; Amram Ebgi (b. 1939) Morocco, VARIOUS, three color intaglio etchings, each signed in pencil, one an artist’s proof & two from the numbered edition 950, images 10 Ύ x 14 ½”, 13 Ύ x 10 Ό” full margins, the last sight 17 x 13”; Together with Arie Azene (b. 1934) German/Israeli, FROM A FAMILY ALBUM, color lithograph, signed in pencil, numbered 14/49, sheet 13 Ύ x 10”; Arthur Szyk (1894-1951) American, ISRAEL U.N. PLATE a color print, image 8 x 6 ½”; Yaacov Neeman (1908-) Romanian, a laser-cut paper multiple, signed and numbered 140/150 in white pencil, sight 6 x 7”; Each framed from 23 Ό x 19 Ό” to 11 ½ x 12 Ό”. Provenance: Michael Hittleman Gallery Los Angeles. (8)

Ebgi Holiday with pale toning, Azene with some soft creases, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

2

Adolf Adler (1917-1996) Romanian

SHABBATH DINNER, oil painting on canvas, signed lower left, 12 x 16”, frame 16 x 20”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

3

Dan Allison (b. 1953) Texas

ANGEL, color aquatint, signed in pencil, numbered 8/40, sheet 21 ½ x 27”, frame 26 Ό x 31 Ύ”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

4

Animation: Roger Rabbit & another (two)

Roger Rabbit & Boxing Fox, two production drawings on paper, the first graphite and colored pencil, the second graphite, sheets 10 ½ x 12 ½” & 9 ½ x 12 ½”, frames 14 x 16” with glass. (2)

Rabbit with pale sun toning, otherwise both in good production condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

5

Gale Antakol (b. 1951) California

POMEGRANTE, 1996, color pastel on paper, signed and dated lower right, image 10 x 13”, frame 17 x 20 ½” with glass. Provenance: Couturier Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

6

Artist Unidentified (20th Century)

TO HUMBLE MYSELF IF ALSO, 1991, oil painting on panel, initialed KM and dated lower right, overall 16 Ύ x 12 Ύ” including frame.

Unobtrusive hairline surface scratches, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

7

Artist Unidentified (20th Century)

BALANCING WOMAN, ink drawing and collage on paper, signed or inscribed Piche lower right, sight 15 ½ x 9 ½”, very nicely framed 24 x 18”.

Some smudges and pale toning at sheet edges, otherwise in apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

8

Ben Avram (2) Nahum Gilboa & Lea of Jerusalem (four)

Ben Avram (b. 1937) Israel, JERUSALEM GOLD, color lithograph, signed in pencil, numbered 61/275, sight 17 Ό x 23 Ό”, Grebel Lithograph Israel blind stamp lower right, frame 23 Ύ x 29 Ύ”; JACOB’S LADDER, color giclee, signed in pencil, numbered 249/250, image 15 Ό x 11”, full margins, frame 22 Ύ x 18 ½”; Nahum Gilboa (1917-1976) Bulgaria, PAGODA HOUSE - TEL AVIV, color lithograph, signed in pencil, numbered 210/220, image 13 x 10 Ύ”, full margins, frame 21 ½ x 19” with glass; Lea of Jerusalem (20th Century), JOB, color screenprint, signed in pencil, numbered 124/125, sight 19 x 27 Ό”, frame 26 x 34 Ό”. Provenance: Michael Hittleman Gallery Los Angeles. (4)

Lea with pale toning at mat, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

9

Arie Azene, Zvi Shorr, Amos Yaskil & Yuval Mahle (four)

Arie Azene (b. 1934) German Israeli, JERUSALEM FROM THE GOVERNOR’S PALACE, color lithograph, signed in pencil, numbered 76/250, blind stamp lower right, sheet 19 x 27 ½”, frame 21 Ύ x 29” with glass; Zvi Shorr (1898-1979) Israel, THE PROMENADE, color screenprint, signed in pencil, numbered 183/200, image 16 Ό x 20 ½”, full margins, frame 26 Ό x 30 ½”; Amos Yaskil (b. 1939) Israeli, TIBERIAS, color screenprint, signed in pencil and inscribed A/P (artist’ proof), image 18 ½ x 22 ½”, full margins, frame 26 ½ x 30 ½” with glass; Yuval Mahler (b. 1951) Israeli, PICNIC, color screenprint, signed in pencil, numbered XXXVII/CL (37/150), blind stamp lower left, image 18 x 21 ½”, full margins, frame 26 x 29 ½” with glass. Provenance: Michael Hittleman Gallery Los Angeles. (4)

Yaskil with some discoloration in margins, Mahler with a few soft handling creases, otherwise all in apparently good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

10

Larry Bell (b. 1939) American

#9, 2008, vapor aluminum and silicon monoxide on black Hiromi paper mount to vinyl coated paper backing, signed and dated on verso of backing, paper 30 x 22 ½”, backing 44 ½ x 30”, board 46 ½ x 32”.

A few small scuffs and blemishes, silicon remnants on backing from being attached to board, otherwise in good studio condition.

Auction Estimate $5000/10,000

Starting Bid $2500

 

 

 

11

Larry Bell (b. 1939) American

HOMMAGE TO JOHN ALTOON, 2008, vapor aluminum and silicon monoxide on multi-layered sheets, signed and dated lower center, signed and dated on verso, sheet 40 x 39 Ό”, frame 42 x 40 Ύ” with sides tapering from 5” deep top to 3” bottom, with glass.

Crease lower left, otherwise in apparently good studio condition.

Auction Estimate $10,000/20,000

Starting Bid $5000

 

 

 

12

Yosl Bergner, Israel Paldi, & Aharon Giladi, (three)

Yosl Bergner (1920-2017) Israeli, TOYS, 1980, color lithograph, signed and dated and inscribed A/P (artist’s proof) in pencil, image 15 Ύ x 19 ½”, full margins, frame 21 Ό x 26 Ό” with glass; Israel Paldi (1892-1979) Israeli, JERUSALEM LANDSCAPE, color lithograph, signed in ink lower right and inscribed AP IX/C (artist proof 9/100) in pencil lower left, image 15 ½ x 17 ½”, full margins, frame 23 x 25”; Aharon Giladi (1907-1993) Israeli, THE SHEPHERD OF THE VALLEY, color lithograph, signed in pencil, numbered 115/250, image 12 x 18”, full margins, frame 20 x 25 Ό” with glass. Provenance: Michael Hittleman Gallery Los Angeles. (3)

Bergner with mild cockling, Giladi with some pale toning in margins, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

13

Tony Berlant (b. 1941) American

VENICE ART WALK, 1994, color print on sheet metal, signed in marker lower right, sheet 34 x 34”.

Some bends and dings in corners, some old masking tape remnants at edges recto and verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

14

Maris Bishofs (b. 1939) Latvian/ Israeli (2) & Michael Grobman (b. 1939) Russia/ Israel (three)

Maris Bishofs THE EXHIBITION; UNTITLED, two lithographs, each signed in pencil and numbered 74/180 & 89/180, sights 12 x 16”, frames 19 ½ x 23 ½”; Michael Grobman SKY ABOVE SINAI, screenprint, signed in pencil, numbered 80/85, image 22 ½ x 15 ½”, frame 26 x 20”. Provenance: Michael Hittleman Gallery Los Angeles. (3)

Bishofs with some pale discoloration, Grobman with a few soft handling creases, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

15

Ernest Leonard Blumenschein (1874-1960) American (Rare Book)

Blumenschein: A Self-Portrait with Notes on Four Paintings in the Paul Grafe Collection, San Francisco, California, 1946, hand-printed soft bound book by Richard Finnie, on chain laid paper with five photographs, two signed by Blumenschein in ink on verso, two stamped Peter A. Juley Photography and two stamped George F. Adair Co. Photography on verso, book overall 16 ½ x 12 Ύ”.

Some of the photo mounting glue has stained or toned other pages, cover with light soiling, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

Bertalan Bodnar (1909-) Hungarian

UNTITLED ORANGE & GREEN, acrylic painting on canvas, signed lower right, 36 x 40”.

Some faint stretcher bar impressions and scuffs, otherwise good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

17

Bertalan Bodnar (1909-) Hungarian

TWO WOMEN IN RED AND BLUE, oil painting on canvas, signed lower right, 30 x 24”,

Some flaking loss lower edge, otherwise in studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Bertalan Bodnar (1909-) Hungarian

THREE WOMEN WITH TWO ACROBATS, oil painting on canvas, signed lower right, 24 x 36”.

A few hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

19

Borsato Italian Porcelain

THREE HORSES, glazed porcelain statuette, hallmarked at base and underneath, 15 x 12 x 9”.

In good studio condition.

Auction Estimate $300/500

Starting Bid $150

 

 

 

20

Angel Botello (1913-1986) Puerto Rican/ Spanish

GIRL WITH KITE, 1975, oil painting thin card artist mounted to wood panel, signed lower right and inscribed No 735 No 739 on verso, 59 Ύ x 24”, frame 61 x 25 Ό”. Provenance: Acquired from the artist in Puerto Rico, circa 1975.

Some hairline cracks, some small losses with in-painting, blacklight reveals some other small touch-ups, scattered air pockets between card and board, otherwise in good studio condition.

Auction Estimate $20,000/40,000

Starting Bid $10000

 

 

 

21

Charles Bragg (1931-2017) California

ASYLUM, color screenprint, signed in pencil, numbered 23/300, image 18 x 33 ½”, full margins, frame 29 x 44 ½” with glass.

Mild cockling, some fogging inside glass, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

22

Charles Bragg (1931-2017) California

THE SIXTH DAY, color screenprint, signed in pencil, numbered 215/300, image 24 x 20”, discardable frame 34 ½ x 31” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

23

William Brice (1921-2008) California

UNTITLED, 2002, ink drawing on paper or card, initialed and dated lower right, 6 x 4”, frame 8 ½ x 6 ½” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

24

Britt (20th Century) American/ East Coast

BACKSIDE NUDE (artist’ wife), oil painting on canvas, signed and dedicated lower right, 28 x 22”, frame 29 ½ x 23 ½”.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

25

Peter Burega (20th Century) Canada/ California

GLIDING SEA, 2003, oil painting with wax and glaze on panel, signed and dated and titled on verso, 60 x 84”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity Available from the gallery upon request.

Minor edge wear, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

26

Hans Burkhardt (1904-1994) Swiss/ California

BUTTERFLIES, 1951, oil painting on canvas, signed and dated lower right, partial La Cienega Blvd. gallery label on back of frame (possibly Esther Robles), inventory number ER3019 on stretcher bar, overall 38 Ό x 47 Ό” including frame.

Cracking and flaking throughout, small losses, surface appears to be unstable. small repair patch on verso.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

27

Virginia Campbell (20th Century)

BLOWING BUBBLES, 1980, acrylic painting on board, signed and dated on verso, 11 Ό x 9 ½”, frame 18 ½ x 16 ½” with glass. Provenance: Montpelier Studio, London.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

28

Richard Carboni (b. 1952) American

TRAPEZE, 1981, gouache and oil stick on paper with collage and string, signed and dated lower left, unidentified gallery tag on verso, overall 56 Ό x 25 ½ x 2 ½” including Plexiglas box frame.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

29

Mary Cassatt (1844-1926) American/ French

VELVET SLEEVE (B.194), first and only state, c. 1904, drypoint etching on watermarked chain-laid paper, initialed or inscribed M C in pencil lower right, 9 5/8 x 6 5/8”, sheet 14 ½ x 9 ½”.

Some staining and discoloration, a few edge tears upper sheet edge, otherwise in good condition.

Auction Estimate $4000/6000

Starting Bid $2000

 

 

 

30

Stuart Caswell (b. 1938) California

SHADOW PEOPLE #2, 1986, pencil drawing on paper, signed lower center, image 17 x 12”, frame 28 Ό x 22 Ό”. Provenance: LACMA Rental Art Gallery.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

Michael Chapman (b. 1957) California

LIFE ON OCEAN BOULEVARD, 1999, oil painting on canvas, signed and dated and titled on verso, 17 x 22”, frame 20 x 25”. Provenance: Terrence Rodgers Fine Art, Santa Monica; Tatistcheff Fine Art, Santa Monica.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

32

Sue Coe (b. 1951) British

JUDAS GOAT, 1990, aquatint and etching, signed and dated and inscribed 6 in pencil, green chicken stamp and Coe/Murray chop mark lower left, from the estimated edition of 100, image 9 Ύ x 16 ½”, frame 13 Ό x 20 ½”. Provenance: Galerie St. Etienne, NY.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

33

Gabriel Cohen (1933-2017) Israel France

LES FRUITS DU BETH AMIGDACH, 1987, oil painting on paper, signed and dated and titled in lower right, 27 ½ x 39 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

A few hinges on verso from previous framing, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

34

Gabriel Cohen (1933-2017) Israel France

JOSEPH AND HIS BROTHERS, 1987, Superlac (enamel) painting on paper, signed and dated and titled lower right, 22 ½ x 35”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

35

NO LOT

 

 

 

36

Rafael Coronel (1932-2019) Mexico

ANONIMO B MEXICO (Man with Hat), 1969, watercolor and drawing on paper, signed and dated and titled lower left, sight 29 ½ x 39 ½”, frame 35 Ύ x 45 Ύ” with glass.

In apparently good studio condition.

Auction Estimate $3000/5000

Starting Bid $1500

 

 

 

37

Jose Luis Cuevas (1933-2017) Mexico

LA PENTURA, 1959, brushed ink on paper mounted to board, signed and dated and titled lower left, board 26 ½ x 35 Ύ”, frame 31 Ύ x 42 Ύ”. Inherited oral provenance: Mizrachi Gallery, Mexico City.

Small gouge right center edge, some mounting ripples mainly noticeable lower right, mat staining at perimeter, small nick lower left, tideline stain mat only lower right, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

38

Arthur B. Davies (1863-1928) American

TWO BROTHERS, etching on chain laid paper, signed in pencil, plate 9 x 5 Ύ”, sheet 15 x 9”.

Crease and small ink inscription verso visible recto lower right corner, some extremely pale sun toning, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Cecelia Davidson (20th Century) American (two)

LA ROUGE ET NOIR II; THE GODDESS INVERTED II, 1988, a pair of color monotypes with gold-leaf, both signed and titled in pencil, sheets 22 x 30”, frames 27 x 35” with glass. Provenance: LACMA Art Rental Gallery. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Decorative Art: Daum glass

Thick cast glass vase with scalloped rim, incised Daum France at base, 11 Ό” tall, 10 Ύ” rim tapering down to 4 Ύ” base.

A few small chips at base, normal wear underneath, otherwise in good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

42

Decorative Art: Swiss Reuge Music Box Automaton

SINGING BIRD, Enamel & brass music box with decorative decals, with oval door swinging open to reveal a singing bird, hallmarked underneath, 2 x 4 Ύ x 2 Ύ”, in good working order.

Hairline crack upper right corner, minor wear, otherwise in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

43

Decorative Arts: Rucinni, Carucci & another (five)

Rucinni three enamel and decorated boxes, all hallmarked, tallest 5”; Carucci enamel and decorated picture frame, hallmarked, 5 x 4 Ό”; Another an enamel and decorated metal clock, hallmarked with R underneath, 5 x 4 x 2 ½”. (5)

All in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

44

Decorative Arts: Jay Strongwater design

CLEOPATRA ELEPHANT CLOCK, enamel and decorated metal with Swarovski crystals, hallmarked, 6” tall.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

45

Decorative Arts: Jay Strongwater design

MONKEY CLOCK, enamel and decorated metal, hallmarked, 5 ½ x 6 x 3 ½”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

46

Decorative Arts: Jay Strongwater design

CLOCK WITH BUTTERLIES, enamel and decorated metal, hallmarked, 5 x 4 ½ x 2 ½”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

Decorative Arts: Jay Strongwater design (two)

DESK CLOCK & PICTURE FRAME, each enamel and decorated metal, hallmarked, 4 ½” diameter & 4 Ό x 4 ½”. (2)

Both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Decorative Arts: Jay Strongwater design (three)

FLOWERS & BUTTERFLY, three enamel and decorated metal boxes, each hallmarked, from 5” to 3 ½” lengths. (3)

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

49

Decorative Arts: Jay Strongwater design (five)

PICTURE FRAMES, five enamel and decorated metal picture frames, each hallmarked, sizes from 5” to 3 Ό” tall. (5)

Back-stand on Bird frame doesn’t lock into position, oval glass on Monkey with small chip hidden behind monkey’s fingers, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

50

Sonia Delaunay (1885-1979) French

UNTITLED, color screenprint, signed in pencil, numbered 4/50, image 18 ½ x 12 ½”, full margins, frame with no glass 31 x 26”.

Scuffs and scratches from glass breaking, some discoloration left sheet edge, otherwise with strong colors in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

51

Laddie John Dill (b. 1943) California

UNTITLED, 1977, glass, cement and polymer on wood, signed and dated on verso, 24 x 16 x 2”. Provenance: James Corcoran, Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

52

Don Emery (20th/ 21st Century) Massachusetts

NO POINT OF RETURN, 1986, pencil drawing on paper, signed and dated and titled, overall 33 Ό x 22 Ό” including Plexiglas box frame. Provenance: Tatistcheff Rodgers Fine Art, Santa Monica; Exhibited at the Riverside Art Museum.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

53

Robert Gaensslen (1867-1949) California

A BREATH OF NATURE, oil painting on canvas, signed lower right, signed and titled on verso, 16 x 20”, frame 24 x 27 ½”.

Surface soiling, some stretcher bar impressions, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

David Gerstein, Tuvia Beeri, Sidi Rothenberg & Oded Feingersh (four)

David Gerstein (b. 1944) Israeli, COUPLE ON BALCONY, etching, signed in pencil and inscribed A/P (artist’s proof), plate 11 x 14 Ύ”, sheet 19 Ύ x 26”, frame 22 ½ x 28 ½”, Tuvia Beeri (b. 1929) Czechoslovakia/ Israel, GENESIS, color aquatint etching, signed in pencil numbered 83/95, plate 9 Ό x 7”, sheet 20 Ύ x 15”, frame 24 Ό x 19 Ό” with glass; Sidi Rothenberg (20th Century), NUDE, color etching, signed in pencil, numbered 10/25, plate 12 Ύ x 9”, sheet 22 x 15”, frame 24 Ό x 17” with glass; Oded Feingersh (20th Century), TWINS AND LIGHT BULB, color etching, signed in pencil, numbered 26/60, image 11 ½ x 19”, sheet 21 x 29 ½”, frame 23 ½ x 32 ½”. Provenance: Michael Hittleman Gallery Los Angeles. (4)

Gerstein with pale discoloration, Beeri with pale discoloration upper sheet edge and some speckles lower margin, Feingersh with a few soft creases and some minor discoloration in margins, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

55

Howard P. Giles (1850- c. 1930’s) American

SEASCAPE, watercolor on paper, signed lower right, 14 x 20”, landscape watercolor on verso.

Masking tape on perimeter verso, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

Alexander Girard Designs for Herman Miller

A linen curtain panel 80” long, overall 85” gathered at top and 185 stretched at bottom. From the collection of Selma & Herbert Moskowitz.

Very mild discoloration on end panel from age, otherwise in good used condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

57

Alexander Girard Designs for Herman Miller (two)

A linen curtain panel 80” long, overall 46” gathered at top and 94” stretched at bottom, A curtain panel, 80” long, overall 50” gathered at top and 79” stretched at bottom. From the collection of Selma & Herbert Moskowitz. (2)

Very mild discoloration on end panel from age, otherwise in good used condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

58

Alexander Girard Designs for Herman Miller

A linen curtain panel 80” long, overall 85” gathered at top and 185” stretched at bottom. From the collection of Selma & Herbert Moskowitz.

Very mild discoloration on end panel from age, otherwise in good used condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

59

Oswaldo Guayasamin (1919-1999) Ecuador

PERSONAJE, woodcut print, signed in pencil, numbered 36/40, image 19 ½ x 23 Ύ”, full margins, frame 28 x 31 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

60

Bracha Guy (b. 1948) Israel

STILL LIFE, extensively hand-painted etching, signed in pencil, image 27 Ό x 32 ½”, sheet 31 ½ x 38”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

61

Frederick Halpern (1909-) Austria/Australia (six)

VARIOUS, six etchings, five signed and one initialed in pencil, one numbered 1/25, four artist’s proofs, one unnumbered, plates average 6 Ύ x 9 Ό”, full margins. (6)

Some soft handling creases, smudges, pale discoloration, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

62

Hildegarde Hume Hamilton (1898-1970) Florida (two)

GRAMERCY PARK, 1967, oil painting on canvas, signed and dated lower left, signed and inscribed on verso, 18 x 15 Ό”, frame 22 x 19”; ARCHWAY, oil painting on canvas board, signed lower left, 12 x 9”. (2)

The first with surface soiling, the second with ingrained surface soiling, otherwise both in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

63

Armin Carl Hansen (1886-1957) San Francisco/ Monterey, California

PLONG *** THROUGH, etching, signed and titled in pencil, plate 2 Ό x 2 Ύ”, sheet 6 x 10 ½”

A few tiny discoloration spots in margins, small tape hinges top edge recto, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

64

David Hines (20th/ 21st Century) American

MOJAVE DESERT FROM SAN GABRIEL MTS., 1995, oil painting on paper mount to board, signed and dated and titled in pencil, image 9 x 14”, full margins, frame 16 Ό x 21 Ό”. Provenance: Koplin Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

65

Jacques Hnizdovsky (1915-1985) Ukrainian/ American

TIGER LILIES, 1970, woodcut, signed in pencil, numbered 52/120, published by Associated American Artists with their label on frame verso, sight 23 x 8 Ύ”, frame 30 x 16” with glass.

Pale discoloration in margins at mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

66

Shimshon Holzman (1907-1986) Spain Israel

LANDSCAPE, 1955-56, watercolor and graphite drawing on paper, signed and dated lower left, sheet 19 Ύ x 27 Ύ”. Provenance: Michael Hittleman Gallery Los Angeles.

Small creases in corners, small strips of brown paper framing tape on partial perimeter verso, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

67

Brad Howe (b. 1959) California

RED OVAL WITH BALANCING RED TAIL SWIRL, cut and painted metal sculpture, signed underneath, 7 x 10 x 16”. Acquired directly from artist by current owner.

Some wear and small chips to finish, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

68

Brad Howe (b. 1959) California

FOLDED BLUE WITH BALANCING BLUE TAIL RIBBON, cut and painted metal sculpture, signed, 9 x 11 x 6”. Acquired directly from artist by current owner.

Some pitting on backside of blue, some wear and small chips to finish, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

69

Brad Howe (b. 1959) California

BALANCING YELLOW TAIL SWIRL, stainless steel and painted metal sculpture, signed, 15 ½ x 16 ½ x 9”. Acquired directly from artist by current owner.

Some wear and small chips to finish, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

70

Brad Howe (b. 1959) California

BLACK TOWER WITH YELLOW ARROWS, cut and painted metal sculpture, signed, 15 x 18 ½ x variable 8” to 16”. Acquired directly from artist by current owner.

Some wear and small chips to finish, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

71

Brad Howe (b. 1959) California

TRIPOD STAND WITH BALANCING BLUE RIBBON, cut and painted metal sculpture, signed underneath, 18 ½ x 9 x 7”. Acquired directly from artist by current owner.

Some wear and small chips to finish, one leg missing a rivet, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

72

Attributed to Wilson Irvine (1869-1936) American

LANDSCAPE, oil painting on panel, 12 x 16”, frame 17 x 21”, inscribed Irvine in pencil on verso. From the collection of Charles B. Tyler. Accompanied with letters of purchase from Webberley Galleries, Chicago for various paintings including several by Wilson Irvine.

Some ingrained soiling and craquelure and drying cracks, otherwise in good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

73

Jack Jendegian (1919-2010) California (two)

IF YOU DON’T KNOW, YOU WILL GET KILLED, 1944; BUY WAR BONDS BOMBS, 1944, two color screenprints on card, the second on card mounted to board, each signed and dated in design, sheets 13 x 20” & 26 ½ x 20 ½”. (2)

Both with scuffs, Bonds with some loss lower left corner, small ink losses throughout, glassine or tissue paper remnants adhered to surface, otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

74

Daniel Mink Men’s Watch

Dress watch, quartz movement, date, leather strap, Swiss made.

In good worn condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

75

Franck Muller Men’s Watch

Chonometro Curvex 5850 watch with yellow gold case, numbered 76, with alligator leather band with gold latch.

In good worn condition with a few scratches on the body of the watch and buckle, some general wear on band.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

76

Ulysse Nardin Men’s Watch

Marine Chronometer 1846 watch, stainless steel round case 263-66, numbered 769, with leather band.

In good worn condition with a few scratches on the body of the watch, leather band broken near pin and with some additional wear.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

77

Girard Perregaux (2) & Jacques Edho Paris (three men’s watches)

Girard Perregaux 17 Jewel Chronometer watch with gold (plate?) body and leather band, Geneve Switzerland; Girard Perregaux stainless steel watch with leather band; Jacques Edho stainless steel watch with 18k gold-plate accents and dyed leather band. (3)

In good worn condition with a few scratches on the body of the watch and some wear on the band.

Auction Estimate $200/400

Starting Bid $100

 

 

 

78

J. A. Johnson (20th/ 21st Century) American

LANDSCAPE, oil painting on canvas, signed lower right, 40 x 60”, frame 47 x 67”. Provenance: Westlake Village Gallery.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

79

Pete Jordan (b. 1949) Minnesota (two)

THE CHAIR; OUTDOOR SPIGOT, two oil paintings on board, each signed, sights 6 Ό x 9 Ό” & 4 x 7 ½”, frames 12 Ό x 15 ½” & 9 Ό x 12 Ύ” with glass. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

80

Pete Jordan (b. 1949) Minnesota (two)

THE SHED; THE WINDOW, two oil paintings on board, each signed lower right, sights 4 ½ x 9 Ό” & 4 ½ x 7 ½”, frames 10 ½ x 15” & 9 x 12” with glass. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

81

Menashe Kadishman (1932-2015) Israel

SHEEP, color screenprint on stiff wove paper, signed in green crayon, numbered 45/99, sheet 33 Ό x 25”. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

82

Anne Marie Karlson (b. 1952) American

HER HIGHNESS, 1996, color Iris print, signed in pencil, artist’s proof aside from the numbered edition, image 32 Ό x 29 Ό”, full margins, printed and published by Muse X with blind stamp lower right, frame 43 x 39 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

83

Anne Marie Karlson (b. 1952) American

OUR FATHER, 1996, color Iris print, signed in pencil, artist’s proof aside from the numbered edition, image 32 Ό x 29 Ό”, full margins, printed and published by Muse X with blind stamp lower right, frame 43 x 39 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

84

Rockwell Kent (1882-1971) New York

USHUAIA from The Strait of Magellan #1, ink drawing on card, signed lower right and inscribed T. d. F., image 5 Ό x 8 Ό”, sheet 7 x 9 Ό”. Provenance: The Pennsylvania Academy of the Fine Art and The Philadelphia Water Color Club, 21st Annual Philadelphia Water Color Exhibition 1923, label on verso.

Pale discoloration, inscribed 5 7/8 in blue in margin, old hinges on verso, otherwise in good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

85

Rockwell Kent (1882-1971) New York

PIETA, ink drawing on paper mounted to card, initialed lower right, image 3 ½ x 3”, card 5 ½ x 4 ½”, card tacked to mat.

Pale discoloration, old hinges on verso, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

86

Rockwell Kent (1882-1971) New York

HAYSTACK, 1926, ink drawing on paper mounted to card, signed and dated and inscribed Ireland lower right in ink, sheet 5 Ύ x 8 ½”, card 7 Ύ x 11”

Minor discoloration, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

87

Rockwell Kent (1882-1971) New York

TREE, lithograph, signed in pencil lower right, image 8 x 11 Ύ”, sheet 11 x 16 1/8”.

Tiny edge tear upper left, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

88

Rockwell Kent (1882-1971) New York

MOTHER & CHILD, color woodcut, signed in pencil lower right, plate 10 Ό x 5 ½”, sheet 12 Ύ x 8 ½”.

Old glue remnants upper margin verso visible on recto, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

89

Rockwell Kent (1882-1971) New York

COLOPHON, lithograph, signed in pencil lower center, image 3 ½” diameter, sheet 9 Ύ” to 10”.

Unevenly trimmed left sheet edge, pale sun toning, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

90

Kevin “Keuissimo” Rolly (20th Century) American (three)

HOSEA’S LAMENT THE FLEING OF GOMER; FELLING THE THIRD TREE; UNTITLED NUDE, three oilgraphs on paper, two mounted to panel and the latter to canvas, each signed lower right, 16 x 20”, 15 ½ x 9 ½” & 14 x 11”. (3)

All in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

91

Alexander Klevan (b. 1950) Russia/ Israel

FIDDLER ON THE ROOF, watercolor on paper, signed lower right, 13 Ύ x 19 Ύ”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Alexander Klevan (b. 1950) Russia/ Israel

GIRL IN THE MIRROR, watercolor on paper, signed lower right, 27 ½ x 19 Ύ”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

93

Alexander Klevan (b. 1950) Russia/ Israel (2) & Sandu Lieberman (b. 1923) Romanian/ Israel (three)

Alexander Klevan ROMANTIC MOOD; KLEZMER, two color screenprints, each signed in pencil, numbered 48/400 & 377/400, images each 21 Ύ x 16”, frames 30 x 24”; Sandu Lieberman CANDLES, lithograph, signed in pencil, numbered 39/165, sight 26 x 21”, handsome frame 35 ½ x 31”. Provenance: Michael Hittleman Gallery Los Angeles. (3)

All in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

94

Geisha Koenig (1921-1993) British

JASON’S WORK II, 1977, cast bronze sculpture mounted to wood, signed and dated and titled and numbered 3/5 on verso, overall 19 x 27 x 3 Ύ”. Provenance: Artist’s London label on verso.

Dust accumulation, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

95

Geisha Koenig (1921-1993) British

BLIND SCHOOL MUSIC ROOM, PANEL II, 1987, cast bronze sculpture mounted to wood, signed and dated and titled and numbered 4/5 on verso, overall 20 Ό x 21 Ύ x 5 ½”. Provenance: Artist’s London label on verso.

Dust accumulation, soiling and wear on backboard, otherwise in studio good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

Paul Kostabi (b. 1962) American (two)

UNTITLED FACES, two ink, graphite, color pencil and mixed media drawings on paper, one with collage, both signed, one dated 2003, sights 23 x 17 Ύ”, frames 27 ½ x 22 ½” with glass. (2)

Both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

97

Barbara Kruger (b. 1945) New York/ California

GOOD MOOD, 2013, original letter text on vinyl mounted to wood panel, 27 Ό x 64 ½”. Provenance: Acquired directly from artist by the present owner a friend of the artist.

Minor surface soiling, slight impressions from nails in board underneath vinyl, otherwise good condition.

Auction Estimate $50,000/70,000

Starting Bid $25,000

 

 

 

98

Barbara Kruger (b. 1945) New York/ California

GOOD FOOD, 2013, original letter text on vinyl mounted to wood panel, 27 Ό x 91 ½”. Provenance: Acquired directly from artist by the present owner a friend of the artist.

Minor surface soiling, slight impressions from nails in board underneath vinyl, otherwise good condition.

Auction Estimate $50,000/70,000

Starting Bid $25,000

 

 

 

99

Alfred Kubin (1877-1959) Austrian

PIETA (R.209), lithograph, signed in pencil, numbered 20/100, image 7 Ύ x 8 ½”, full margins, frame 19 x 17 Ό” with glass. Provenance: Galerie St. Etienne, NY.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

100

Alfred Kubin (1877-1959) Austrian

ASCHERMITTWOCH (R.168), 1922, lithograph, signed in pencil lower right, sheet 15 x 11”, frame 21 x 17” with glass.

Toning and some discoloration, ½” tear lower sheet edge, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

101

Harry Muir Kurtzworth (1887-1979) California

IN PRAISE OF WINTER, 1932, oil painting on canvas, signed and dated lower right, 30 x 40”, frame 34 Ύ x 43 Ύ”. Provenance: Artist’s partial label.

Surface soiling, craquelure in thicker white areas, stretcher bar impressions, small paint flake upper right, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

102

Tamara Kvesitadze (b. 1968) Georgian

SPHERE (component), 2011, silicone and metal and fiberglass sculpture component, 53 x 53 x 16”. One of five components for larger sphere exhibited at Frank Zappa’s studio in 2016 for a private show curated by Ashley Sands. A complete Sphere is currently on exhibit at the Georgian Museum of Art.

A few small nicks, some discoloration spots, otherwise in good studio condition.

Auction Estimate $8000/12,000

Starting Bid $4000

 

 

 

103

Susan Larson (1910-1981) Californian

FAMILY, oil painting on Masonite, signed lower left, label remnants on verso, 18 x 24”.

Small chip lower left and lower right corners, surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

Susan Larson (1910-1981) Californian (four)

VARIOUS, four oil paintings on Masonite or board, each signed, sizes from 12 x 10” to 5 x 7”, frames 17 ½ x 15 ½ x 3” 10 Ό x 8 ½”. (4)

Some surface soiling, all in otherwise good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Lladro Porcelain Collection (eight)

LLADRO COLLECTION SOCIETY: Campanita Navidad #5525;Winter Bell #17616; Spring Bell #7613; Fall Bell #17615; Summer Bell #7614; Sailing The Seas Cup #17657; Dolphins Cup and a Bas Relief Plaque; eight painted bisque porcelains, each hallmarked Lladro/Daisa or Lladro Society Collection underneath, sizes from 3” to 4” tall; All with original boxes except Sailing The Seas Cup. (8)

All in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

106

Lladro Porcelain Collection (4) & Royal Dalton (1), (five)

INNOCENCE IN BLOOM #07644; DESTINATION BIG TOP #06245; CIRCUS SAM #05472; ART BRINGS US TOGETHER, #07677, three painted and glazed figures and a plaque, each hallmarked and numbered underneath, 8 ½” to 6 ½” tall; Together with a Royal Dalton Ballerina painted and glazed porcelain figurine, hallmarked and inscribed HN 3395 and stamp signed by artist underneath, 6 ½” tall; all with original boxes. (5)

All in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

107

Lladro Porcelain Collection (four)

BASKET OF LOVE #07622; AFTERNOON PROMENADE #07636; ALL ABOARD #07619; BEST FRIEND #07620, four painted and glazed figures, each hallmarked and numbered underneath, 10” to 5 Ό” tall, all with original boxes. (4)

In good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

108

Lladro Porcelain

RONDALLA NAVIDENA #5306, painted and glazed figure, hallmarked and inscribed underneath, 9 ½” tall, with original box.

In good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

109

Lladro Porcelain

PUESTO DE FLORES #1454, painted and glazed figure, hallmarked and inscribed underneath, 12 x 10 x 7” including wood stand, with original box.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

110

Lladro Porcelain

FOTOGRAFO DE ANTANO #5195, painted and glazed figure, hallmarked and inscribed underneath, 13 Ό” tall, with original box.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

111

Lladro Porcelain

CABEZA DE PAYASO CUCURUCHO #5129, painted and glazed figure, hallmarked and inscribed underneath, 12” tall, with original box.

In good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

112

Lladro Porcelain Collection (four)

ANGEL NAVIDAD CANTANTE #5719; TINKER BELL #07518; SUMMER STROLL #7611; DESTINATION BIG TOP #06245; four painted and glazed figures, each hallmarked and inscribed underneath, 9 Ύ” to 7” tall, all with original boxes. (4)

In good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

113

Bill Mack (b. 1949) Minnesota

TRANQUILITY, 1994, bonded sand sculpture, signed and inscribed AP 1/25 (artist’s proof) upper left, overall 40 x 77 x 11” including frame.

Some surface soiling, slight discoloration in some of the crevasses, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

114

Bill Mack (b. 1949) Minnesota

VANITY, 1989, bonded sand sculpture, signed in and numbered 94/95, overall 41 x 29 ½ x 7 Ό” including frame.

Some surface soiling, slight molding separation upper left, otherwise in good condition.

Auction Estimate $600/1200

Starting Bid $300

 

 

 

115

Anna Mahler (1904-1988) Austrian/ British

NUDE FIGURE, graphite drawing on paper, signed lower right, sight 39 ½ x 23”, frame 49 ½ x 33”.

Some pale discoloration, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

116

Raffaele Mainella (1858-1941) Italian

WOMAN WITH YOUNG BOY BAYSIDE, watercolor on paper, signed lower right, sight 16 x 9”, frame 27 x 19” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

117

Guy Manning (1936-2017) California

HAL MCCLINTOCK AMERICAN MOUNTAIN MAN, acrylic painting on Masonite, signed lower right, titled on verso, 16 x 20”, frame 18 x 26” with glass.

In apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

118

Antique 19th Century Maps (fifteen)

Fifteen hand-colored maps of the regions and cities of Germany 1868, all with center-folds as issued, published by Bibliographisches Institut in Hildburghauser, sheets 14 ½ x 18 Ύ” & 18 Ύ x 14 ½”, folded 14 ½ x 9 ½”. (15)

Some toning and discoloration mainly in margins and on verso, some discoloration spots, one with some pastel rubbing on verso, otherwise all in overall good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

119

Mid Century Artist Unidentified (20th Century)

BOATS DOCKED AT LAKE, 1959, oil painting on paper, signed and dated lower right, sight 19 x 24 ½”, frame 27 ½ x 33” with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

120

Mid-Century Artist Unidentified (20th Century)

LANDSCAPE, oil painting on canvas, signed lower right, 24 x 48”, frame 30 x 54”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Mid-Century Fabric Remnants (six)

A group of six linen remnants with mid-century design motif, sizes from 60 x 22” (2) & 62 x 47” (4). From the collection of Selma & Herbert Moskowitz. (6)

Most with some fraying and tears from age, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Cecilia Miguez (b. 1955) Uruguay

STANDING FIGURE, 2000, bronze and wood sculpture, stamped signed CZM 00 on backside, 21 x 10 x 6”.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

123

Jim Morphesis (b. 1948) California

STUDY FOR SACRED HEART No. 11, 1993, oil painting with pencil and collage on paper, signed lower right, 8 ½ x 6 ½”, frame 16 Ό x 14 Ό”. Provenance: The Works Gallery, Costa Mesa (AKA Mark Moore Gallery).

Some discoloration on mat, art in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Jim Morphesis (b. 1948) Californian

ORACLE, 1993, oil painting with charcoal and collage and gold leaf on two adjoined wood panels, signed lower center and on verso, overall 30 x 36”.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

125

Michoel Muchnik (b. 1952) Philadelphia (five)

JERUSALEM RING; RING; HAVDALAH SPICEBOX; MEZZUZAH; THE RING AND THE ROSE, five color lithographs, each signed and numbered in pencil, editions 260, 300 & 500, the first sheet 4 Ύ x 3 Ό”, remaining sights 4 x 2”, 8 Ό x 4 ½”, 7 ½ x 2”, & 18 x 12 ½”, frames range from 11 x 9 ½” to 25 x 19”, the last with glass. Provenance: Michael Hittleman Gallery Los Angeles. (5)

Havdalah with some tiny speckles in margins, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

126

Jean Negulesco (1900-1993) Californian

ARABESQUE 2, line print on hand-made paper, signed and titled and dedicated and inscribed 50 in red pencil, sheet 20 ½ x 15 ½”, frame 29 ½ x 25 ½” no glass.

Tipped to panel with some small skinned spots, minor discoloration on recto from toning on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

127

Leroy Neiman (1921-2012) American

ALPINE SKIING (K.33), 19721972, color screenprint, signed in pencil, numbered 92/300, image 24 x 19”, full margins, frame 35 x 29 Ό” with glass.

Pale toning, colors slightly attenuated, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

Jean Nerfin (b. 1922) Canadian

UNTITLED, oil painting on canvas, signed lower right, 24 x 32”, frame 25 Ό x 33 Ό”.

Some craquelure, some yellowing in lacquer, stretcher bar impressions, a few small scuffs and surface losses in corners, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

129

Jovan Obican (1918-1986) Yugoslavian/ French (three)

VARIOUS, three acrylic paintings on paper, each signed, sheets 28 x 19 Ύ”, 20 Ό x 14 Ύ” & 19 Ύ x 14”, double glass frames 35 x 27”, 25 Ό x 19 Ύ” & 25 Ό x 19 Ό”. (3)

Largest with small tape stains on verso, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

130

Oceanic Sepik Ancestor mask

Carved wood mask with beak-like nose and encrusted finish, 22 x 8 x 8”. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

131

Gustavo Ojeda (1958-1989) American (two)

TRACKS; UNTITLED, 1984, two oil paintings on Masonite, each signed on verso, one dated, each 12 x 9”. Provenance: Michael Kohn Gallery, Los Angeles. (2)

Surface soiling, minor edge wear, otherwise both in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

132

John Okulick (b. 1947) California

LISTENING POST, 1985, painted wood construction, signed and dated and titled on verso, 83 x 82 x 7”.

A few minor surface blemishes, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

133

Eric Orr (1939-1998) American

RADIO PLAY, 1989, mixed media with gold leaf and collage on panel, in artist’s led frame, signed and titled and dated on verso, overall 15 ½ x 13” with frame.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

134

Eric Orr (1939-1998) American

BLIND WINDOW, 1984, lead and gold leaf on sculptural panel, signed and dated lower right, titled lower left, signed and dated and titled on verso, 24 x 17”.

Scuffs and scratches, small stains lower center, some oxidation on window rim, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

135

Piero Pastacaldi (b. 1945) Italian

VECCHI BARCONI LIVORNO, oil painting on canvas, signed lower right, signed and titled on verso, 25 ½ x 21 Ό”, frame 32 ½ x 28 Ό x 3”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Shirley Pettibone (1936-2011) California

WATER PATTERN CONVICT LAKE SAND BANK TUOLUMNE RIVER, 1987, watercolor on paper, signed and dated lower right, image 4 Ό x 6 Ό”, full margins, frame 10 Ό x 12 Ό”. Provenance: Tortue Gallery, Sant Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Rock N’ Roll Poster Collection (six)

OZZY OSBOURNE 1980; JANE’S ADDICTION 2012; GHOST 2013; MASTADON; SCREECHING WEASEL 2014, five color screenprint posters, first three autographed in ink by Ozzy Osborne & Perry Farrell & Ghost, the first numbered 481/100, fourth signed in pencil and numbered 3/132, sheets 24 x 18” & 18 x 24”; SKULL & OWL, screenprint, signed and numbered 52/77 in pencil, printed by Old Star Press Venice CA, sheet 17 x 11”, frame 12 Ό x 9” with glass. (6)

Ozzy poster with some small silverfish damage, Jane’s Addiction with hard creases from being rolled, some staining on verso, Ghost with cockling and small ink loss and creases upper right and discoloration on verso, Mastadon with mild cockling and smudges, Weasel with creases, mainly along right edge and retains slight curl from being rolled; otherwise all in good condition; Skull with cockling and creases and small stain lower left, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

NO LOT

 

 

 

139

Zandra Rhodes design (b. 1940) British

A vintage zebra stripe fur coat designed for Nieman Marcus, apparently small to medium size, with the Zandra Rhodes and Neiman Marcus tags, personalized stitching on interior of lining.

In good used condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

140

Mordechai Rosenstein (20th Century) American (four)

VARIOUS, four color screenprints, each signed in pencil, from numbered editions 175 & 700, sights 18 Ό x 14 Ό” (2), 18 Ό x 14 Ύ” & 13 Ύ x 9 Ύ”, frames 24 x 20” & 20 Ό x 16 Ό”. Provenance: Michael Hittleman Gallery Los Angeles. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

141

Mordechai Rosenstein (20th Century) American (five)

VARIOUS, four color screenprints and one color print, each signed in pencil, from numbered editions 375 400 & 613, sights 22 x 8” & 8 x 22”, frames 26 ½ x 12 ½”, 12 ½ x 26 ½” & 28 x 14”. Provenance: Michael Hittleman Gallery Los Angeles. (5)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Georges Rouault (1871-1958) French

DES ONGLES ET DU BEC (Tooth and Nail) (plate 50 from Miserere) (Wofsy 157), 1926, aquatint, signed and dated in the plate center left, from the edition of 425, published by Ambroise Vollard, plate 22 ½ x 17 ½”, sheet 25 Ύ x 19 Ύ”, frame 31 ½ x 25 ½” with glass.

Some toning and discoloration, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

143

Michael Rozenvain (b. 1963) Ukraine/ Israel (2) & Claude Fauchere (b. 1936) French (three)

Michael Rozenvain COFFEE IN PARIS; EIFFEL TOWER, two hand-embellished color screenprints, each signed and numbered 25/180 & 4/180 in ink, images 12 x 14 ½”, frames 14 ½ x 17”; Claude Fauchere COULEURS DE FRANCE VI, color screenprint, signed in pencil, numbered 34/350, blind stamp lower left, image 15 Ύ x 11 Ύ”, full margins, frame 27 Ό x 23”. Provenance: Michael Hittleman Gallery Los Angeles. (3)

All in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Bakuzan Sakaki (1926-2010) Japan (two)

ADMONISH, 1961; BURN, 1961, two Sumi ink drawings on chain-laid paper, each signed and dated in pencil and with character stamps upper left, Admonish 26 ½ x 27 Ό”, Burn 27 Ό x 26 ½”. Provenance: Primus Stuart Galleries, Los Angeles. (2)

Both with some minor discoloration from improper storage, otherwise both in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

145

School of Paris Style (20th Century) (three)

PARIS STREET SCENES, three oil paintings, two on canvas and one on Masonite, each signed, sizes 28 x 20” & 20 x 28”, two frames 33 x 25” & one 23 x 31”. (3)

All with surface soiling, some ingrained, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Norman Seeff (b. 1939) South African American

FURRY LEWIS, MEMPHIS, TENNESSEE, gelatin silver print, artist’s red signature stamp lower right, image 13 Ό x 19 Ό”, Plexiglas frame 16 Ό x 20 Ό”.

Mild cockling and pale discoloration in margins, some debris inside frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

147

John Stancin (1916-1988) American

SURREALIST DOCK, oil painting on canvas, signed lower left, 20 x 48 Ό”, frame 29 x 57”.

A few light scuffs, fingerprints, faint hairline cracks, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

148

Igor Stravinsky (1882-1971) autograph

STRAVINSKY, PARIS 1938, silver gelatin print, signed and dated and inscribed in ink on a separate sheet, overall 20 ½ x 13 Ύ” in one frame.

Some toning at perimeter of autographed paper, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

149

Elizabeth Stevens Street (20th Century) American

LAKESIDE VIEW, oil painting on canvas, signed lower right, 24 x 30”, with Woodstock label and stamp on verso, frame 30 ½ x 36 ½”.

Ingrained surface soiling, hairline craquelure, hairline cracks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Kunie Sugiura (b. 1942) Japan

CONFIDENCE MAN, 1982, acrylic and Rhoelex painting on canvas, signed and dated and titled on verso, 78x 72”.

In good studio condition.

Auction Estimate $10,000/15,000

Starting Bid $5000

 

 

 

151

Walter Tittle (1883-1966) American

FRANKLIN DELANO ROOSEVELT, 1944, etching, strong impression with burr, signed in pencil, plate 11 Ύ x 8 Ύ”, full margins, discardable frame 20 Ύ x 15 ½” with glass.

Discoloration at margins near mat, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

152

Theo Tobiasse (1927-2012) French/ Israeli

I LOVE NEW YORK (New York is a Song of Colors), color lithograph with embossing, signed in pencil, numbered CII/CL (102/150), image 39 ½ x 27”, sheet 43 x 29 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

Discoloration at lower sheet edge, a few soft creases upper left corner, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

153

Theo Tobiasse (1927-2012) French/ Israeli

LES PSAUMES from 50 Springs of Israel, color screenprint, signed in pencil, numbered 31/199, image 21 ½ x 30”, sheet 36 x 27”. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

Theo Tobiasse (1927-2012) French/ Israeli

LES SIECLES ENTRE NOS REYES from A Song of Light & Exile Suite, color screenprint, signed in pencil, numbered 87/195, image 30 x 21 ½”, sheet 36 x 27”. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

155

Ernest Trova (1927-2009) American

ABSTRACT, acrylic painting on card, overall 19 ½ x 28 Ό” including frame with glass. Provenance: Charles B. Tyler Gallery, Los Angeles.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

156

Ernest Trova (1927-2009) American

ABSTRACT, acrylic painting on card, overall 28 Ό x 21 Ό” including frame with glass. Provenance: Charles B. Tyler Gallery, Los Angeles.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

157

Sissy Vanere (20th Century) French

UNTITLED, oil painting on canvas, signed lower right, overall 39 Ύ x 39 Ύ” including slat frame.

Some surface soiling, slightly slack in corners, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Vasa (b. 1933) Yugoslavia/ California (ten)

CUBES, the set of ten color acrylic cubes, one signed and dated 1980 and inscribed #C144 E/5, each 3 ½ x 3 ½ x 3 ½”. (10)

All with scuffs and wear from display use, one with small impact crack in one corner, otherwise all in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

159

Ken Walker (20th Century) American (two)

MOM APPLE PIE, 1968; HERO, 1969, two color screenprints, each signed, numbered 32/50 & 75/100, both overall 18 ½ x 18 ½” including Plexiglas frames. Provenance: Apple Pie DeVorzon Gallery, Los Angeles (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

160

Don Williams (20th/ 21st Century) American

NIGHT SCENE WITH MAILBOX, 1996, color pastel on Museum board, signed and dated lower right, image 15 x 21 ½”, frame 24 ½ x 31”. Provenance: Tatistcheff Rogers Gallery, Santa Monica; Exhibited: Riverside Art Museum Sept. 13th -Nov 2nd, 1996.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

161

Alexander & Wissotzky (b. 1959) Israel; Michael Eisemann (b. 1943) (two)

Alexander & Wissotzky FRANCES, color screenprint, signed in pencil, numbered 213/380, image 22 Ύ x 16”, full margins, frame 31 Ύ x 24 Ύ”; Michael Eisemann STREET SCENE IN PONTOISE, color screenprint, signed in pencil, numbered 74/300, image 26 x 19”, sheet 29 ½ x 22”, frame 31 ½ x 24”. Provenance: Michael Hittleman Gallery Los Angeles. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

162

Miriea Zantop (b. 1965) Spanish

ACCIDIA (Place), 1999, oil painting on panel, signed lower right, dated and titled on verso, 23 Ύ x 23 Ύ”, frame 27 x 27”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

Use the following links to view lot numbers 1-162

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

Home    Results    Index    Addendum