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The Screenwriter's Collection

Saturday July 21st, 2018 at noon

Illustration precedes description

 

 

 

 

1

Cassilly Adams (1843-1921) American (two)

NATIVE AMERICAN HUNTING SCENES, two ink wash paintings on paper or card, one signed lower right, sights 6 ½ x 10” & 6 x 10 ¼”, both framed with glass. (2)

One with a few small speckles, otherwise both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

2

African Art (20th Century)

STORYTELLER, narrative hardwood carving, 17 tall, 5” diameter.

A small inconspicuous loss, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

3

Yaacov Agam (b. 1928) Israeli

BLESSING, color screenprint, signed in pencil, numbered H. C. 14/18, image 35 ½ x 14 ¼”, full margins, framed. H.C. or Hors Commerce is French for Not For Sale, prints aside from the regular numbered edition usually for gifts to friends and collaborators.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

4

Yaacov Agam (b. 1928) Israeli

THE AGAM MENORAH, 24K gold-plated brass moveable sculpture with thirty-five branches at top and thirty-five branches at base, signed, 8 ½ x 6 ¾ x 6 ¾”, numbered 4/900 on certificate of authenticity, in original blue case. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

5

Yaacov Agam (b. 1928) Israeli

ACCELERATION, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 6/25 AP (artist’s proof), sight 14 x 13 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

6

Yaacov Agam (b. 1928) Israeli

UNTITLED, color screenprint, signed in pencil, numbered 1/99, image 13 x 15 ½”, sheet 18 x 20 ½”, published by Circle Fine Art, with their blind stamp lower left, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

7

Yaacov Agam (b. 1928) Israeli

JEWISH FAITH, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 19/99, sight 15 x 14”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

8

Peter Alexander (b. 1939) Californian

CAYUCOS, 1984, color lithograph, signed and dated in pencil, numbered 48/50, printed and published by Cirrus Editions, sheet 29 ¾ x 35 ¾”.

Small skin mark from an old hinge and an old hinge in the upper verso corners, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

9

Peter Alexander (b. 1939) Californian

TEA CAKE, 1984, color lithograph, signed and dated and titled in pencil, numbered 2/30, printed and published by Cirrus Editions, image 19 x 21”, sheet 27 ½ x 29 ½”.

A few soft handling creases and a few tiny stray ink spots in margins, two old linen hinges on verso, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

10

Oliver Andrews (1925-1978) Californian

FOUNTAIN, 1975, two stainless steel blades and bronze water-sculpture, a signature not found, 53 x 10 ½ x 10 ¾”, in purportedly working condition.

With natural outdoor weathered patina, otherwise in good condition

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

11

Richard Anuszkiewicz (b. 1930) New Jersey

DIAMOND CHROMA Series, 1965, color screenprint, signed and dated in pencil, numbered 196/200, image 20 x 15”, full margins, framed with glass.

Toning visible in margins recto from corrugated backing verso, miniscule craquelure visible under a magnifying glass, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

12

Artist Unidentified (early 20th Century)

CIRCUS PERFORMER, oil painting on board, a signature not found, 11 x 14”, framed. Stamped Brigham Young University, Mahonri Young Collection and inscribed Knoedler with an inventory on verso.

Creases mainly in center, surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

13

Daniel Authouart (b. 1943) French

ON ABBEY ROAD CORNER, color lithograph, signed and titled in pencil, numbered 85/175, stamped and signed by publisher on verso, sheet 29 ½ x 34 ½”.

Soft handling creases and a few small creases, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

14

Mario Avati (1921-2009) Italian

MANIERE NOIRE A LA NOISETTE BELLE, 1963, mezzotint, signed and dated and titled in pencil, numbered 14/75, published by Associated American Artists, image 9 ½ x 11 ½”, sheet 20 ½ x 19 ½”, framed with glass.

Pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

Micha Bar-Am (b. 1930) Israeli

PORTFOLIO, 1981, portfolio of ten gelatin silver prints, each signed and numbered 68/300 in pen, sheets 20 x 16”, each with slip-jackets, with portfolio case and colophon page. Provenance: Michael Hittleman Gallery Los Angeles.

Sheets with slight curve at long sides from being stored, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

16

Leonard Baskin (1922-2000) New York

FOOTBALL, 1960, woodcut on Japanese paper, signed in pencil, from an unnumbered edition, image 17 x 12 ¾”, full margins, framed with glass.

Some creases and soft creases and crinkles, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

17

Leonard Baskin (1922-2000) New York

SOUTINE, etching, signed in pencil, numbered 47/50, plate 8 ¾ x 7 ½”, sheet 17 ¼ x 15”, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Ben Avram (b. 1937) Israel

JONAH AND THE WHALE, oil painting on canvas, signed lower left, 31 ½ x 47 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

19

Ken Bortolazzo (b. 1947) Californian

STACKED SQUARES, 2000, brushed stainless steel sculpture, signed and dated and numbered 1/3, size 36 x 12 x 4 ½”, with swivel base.

In good studio condition.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

20

Louis Bosa (1905-1981) New York

FIGURES AT BEACH, oil painting on Masonite, signed lower right, signed on verso, 13 x 17”, framed.

Minor surface soiling, some small scratches, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

21

Paul Brach (1924-2007) New York California

CLUSTER #4, 2005, acrylic painting on canvas, signed and titled and dated on verso, 18 x 18”, framed.

Faint stretcher bar impressions, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

22

Rockwell Smith Brank Jr. (1917-2007) Californian

AFTER THE STORM, 1946, oil painting on canvas mounted to Masonite, signed and dated lower right, 24 x 36”, framed.

Some hairline cracks, some tiny chips upper sky area, small loss upper center edge, possible professional repair upper sky area but black light reveals nothing, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

23

Sami Briss (b. 1930) Romanian/ Israel/ French

LE CHEVELURE FLEURIE, acrylic painting with gold leaf over fabric, signed lower left, 12 x 12”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

24

Byron Brown (1907-1961) New York

PORTRAIT, 1942, watercolor and pencil drawing on paper, signed and dated lower right, sight 13 x 10 ½”, framed with glass. Provenance: Harmon Gallery, Naples, FL.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

25

George Elbert Burr (1859-1939) American

EVENING PAINTED DESERT ARIZONA, etching, signed and titled in pencil, plate 5 x 7”, sheet 8 ½ x 11”.

Mild toning and discoloration in the margins, otherwise in good condition.

Auction Estimate $300/500

Starting Bid $150

 

 

 

26

George Elbert Burr (1859-1939) American

INDIAN HOMES, GILA RIVER ARIZONA, etching, signed and titled in pencil, plate 5 x 7”, sheet 9 x 12 ¼”, collector’s stamp lower right recto.

Some pale toning, otherwise in good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

27

Paul Cadmus (1904-1999) New York

POLO SPILL, etching, signed and titled in pencil, numbered 24/35 II, plate 7 x 9 ½”, full margins, framed with glass.

Tiny spot upper margin, extremely pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

28

Paul Cadmus (1904-1999) New York

THE FLEETS IN, etching, signed and titled in pencil, numbered 24/35 II, plate 7 ½ x 14”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

29

Beverly Carrick (b. 1930) Californian

CALIFORNIA SURF, circa 1975, oil painting on canvas, signed lower right, 24 x 20”, framed.

Very light surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

30

Ramon Carulla (b. 1938) Cuban

UNTITLED TWO FIGURES, acrylic painting on incised paper or board, signed lower right, 14 x 10”, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

31

Gerald Cassidy (1879-1934) New Mexico

SETTING MOON ARIZONA, oil painting on canvas over board, signed lower right, 5 ½ x 7 ½”, framed. Provenance: Sal Magundi Club, Thumb-Box Exhibition; Woodrow Wilson Fine Arts, Santa Fe, NM.

Minor surface soiling, some edge wear along left side, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

32

Claude Catulle (b. 1929) French (two)

COSTUME DESIGNS, two, each a gouache and watercolor and ink drawing on paper with collaged fabric samples, both signed lower right, sight 18 ½ x 12 ½” & 19 x 12 ½”, both in ornate hand-carved frames. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

33

Claude Catulle (b. 1929) French (two)

TWO WOMEN; THREE WOMEN, two, each an ink drawing with pastel and watercolor on paper, both signed lower right, sight 15 ¼ x 9 ½” & 13 ½ x 9 ¾”, both in gold-leaf filigree frames. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

34

Edgar Chahine (1874-1947) French

STROLLING ELEGANT COUPLE, etching with beveled plate, signed in the plate lower right, plate 11 x 7 ½”, sheet 12 x 9 ½”.

Some pale discoloration, some binding residue along left sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

35

Chinese Jadeite

FOO DOG CENSOR, carved Jadeite censor with three rings and removable lid, 8 ¼” tall, 10 ¼” tall with wood stand.

Small repair to one of the handles on lid, dust accumulation, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Nicolai Cikovsky (1894-1984) Russian/ New York

SOLDIER’S KISS, oil painting on canvas, signed lower right, 8 ¼ x 12 ¼”, framed.

Surface soiling, some hairline cracks, some small chips on woman, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

37

Antoni Clave (1913-2005) Spanish

STILL LIFE WITH BOTTLES, color aquatint with embossing, signed in pencil, numbered 35/40, plate 15 ¼ x 23 ½”, full margins, framed with glass.

A few small discoloration spots, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

38

Pinchas Cohen Gan (b. 1942) Israeli

LOGIC FURNITURE, 1996, acrylic painting on canvas, signed and dated lower left, 11 ¾ x 8”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

39

Jose Luis Cuevas (1934-2017) Mexican

UNTITLED from the Crime Suite, 1968, color lithograph, signed and dated in pencil, numbered 50/100, sheet 22 x 30”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Jose Luis Cuevas (1934-2017) Mexican

WANTED from the Crime Suite, 1968, color lithograph, signed and numbered 50/100 in red pencil, sheet 22 x 30”, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Ronnie Cutrone (1948-2013) New York (two)

PAINTING YOUR FACE; IDENTITY CRISIS, two color screenprint, the first signed and numbered 28/125 in silver marker, the second signed and numbered 96/160 in pencil, both published by Robert Bane with his stamp lower left, sheets approximately 40 x 30” each, the first framed with glass. (2)

The first in apparently good condition, the second with a small nick center left and some small scuffs and a rub spot in the black areas, a few soft handling creases, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $100

 

 

 

42

NO LOT

 

 

 

43

Barbara Day (20th/ 21st Century) Californian (three)

WIZARD MASK I; POWER MASK II; POWER MASK III, 1992, three painted cut and welded metal wall sculptures, two signed and dated, all three titled and each numbered 2/35, 10/30 & 11/30 on verso, greatest height 26 ½, greatest width 21”. (3)

Some minor soiling, a few nicks and chips, otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

44

Giorgio De Chirico (1888-1978) Greek/ Italy

CAVALLI (C.133), 1966, color lithograph, signed in pencil, numbered 65/99 and inscribed Tov II, image 17 ¼ x 13 ¾”, full margins, framed.

Soft handling creases, otherwise in apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

45

Elmyr De Hory (1906-1976) New York California

MARC CHAGALL STYLE, gouache on paper, signed on verso in pencil, sight 14 x 19”, framed with glass.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

46

Dora De Larios (1933-2018) Californian

GODDESS I, 1999, painted and glazed stoneware and porcelain sculpture in two parts on an iron base, 61 x 14 ½ x 10 ½”. Purchased from artist through Lois Neiter Gallery.

Some minor wear and weathering, otherwise apparently in good studio condition.

Auction Estimate $1500/3000

Starting Bid $750

 

 

 

47

Dora De Larios (1933-2018) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Decorative Arts: Mid-Century Ceramics (four)

A pair of 1957 painted and glazed ceramic Marlin liquor decanters by C. Miller Regal China, hall marked underneath, each 14” tall, in good condition; Handy Flame Indianapolis, a blue painted ceramic vessel, hallmarked underneath, 6”; Leaping Deer painted and glazed ceramic by Cemar California Pottery, hallmarked underneath, 8 ½” tall. (4)

Decanters with dust accumulation, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

49

Decorative Arts: Greco-Roman pottery (two)

Miniature ceramic oil pitcher, 3 ½” tall, with 2” metal stand; Ceramic oil lamp, 3 ½” length, with certificate from J. Zadock & Sons Jerusalem. (2)

Both in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

50

Decorative Arts: Santa Clara pottery by Lorenzo Fuentes

HUMMINGBIRD, 1986, ceramic jar, burnished black-ware, signed and dated underneath, 3” tall.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

51

Laddie John Dill (b. 1943) Californian

UNTITLED, pigment, cement and glass on wood construction, 32 x 24 x 8”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

52

Otto Dix (1891-1965) German

SELBSTBILDNIS IM PROFIL BEIM MALEN, 1966, lithograph, signed and dated in pencil, image 21 x 20 ½”, full margins, framed with glass.

Creases and soft handling creases, hinge upper right verso showing through to recto, otherwise in apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

53

Ofir Dor (b. 1972) Israeli

TWO DISHES, oil painting on canvas, signed on verso, 10 ¾ x 11”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

54

Louis Eilshemius (1864-1941) New York/ California

LANDSCAPE WITH NUDE, oil painting on board, signed lower right, 8 ¼ x 11 ¼”, framed. Provenance: Eva Lee Gallery Inc. Great Neck New York

Hairline panel grain cracks, surface soiling, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

55

Louis Eilshemius (1864-1941) New York/ California

STANDING GIRL, 1891, ink drawing on lined paper, signed and dated lower right, 7 x 4”, framed with glass. Provenance: ACA Heritage Gallery Inc NYC dated 2/3/68.

Some pale discoloration, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

56

James Ensor & Aristide Maillol (four)

James Ensor LE CHRIST ENTRE LES LARRONS; LE CHRIST MARCHANT SUR LA MER, two color lithographs, each signed on the stone, images 8 x 6” & 6 x 8”, full margins, both framed with glass; Aristide Maillol DAPHNE & CHLOE, two color woodcut prints, sheets 8 ½ x 5 ¼”, both in one frame, with glass. (4)

The Ensors with some toning in margins, Maillol with some soft handling creases and minor toning at sheet edges, otherwise all in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

57

Erno Erb (1878-1943) Polish

MARKET PLACE, oil painting on panel, signed lower right, 13 ½ x 19 ½”, framed.

Some surface soiling, otherwise in apparently good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

58

Erte (1892-1990) French; Don Handel & Coleen Takemoto (20th/ 21st Century) (three)

Erte LEGERETE from Twenties Remembered Again (L.111), 1978, color screenprint, signed in pencil, numbered 233/300, Circle Fine Art blind stamp lower right, image 18 x 13 ½”, full margins; Don Handel GODDESS, mixed media plastic multiple, signed and titled and numbered 547/100 on side, 22 x 10”; Coleen Takemoto BRAVO, THE DANCE, watercolor on paper, signed and titled in pencil, image 16 x 11”, full margins; All framed. (3)

Erte with printer’s crease lower center, small dimple lower left, Handle with top plastic buckles at lower sheet edge, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

59

European Mid-20th Century Artist Unidentified

CASTLE BY LAKE, 1946, oil painting on panel, signed and dated lower right, sight 25 ½ x 32”, discardable ornate frame.

Some surface soiling, usual small perimeter losses under frame lip, otherwise in apparently good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

60

Sam Francis (1923-1994) California

POINTING TO THE FUTURE state III (L.216; SF.248), 1976, very rare progressive proof lithograph, signed in pencil and number 1 of 2 PP (printer’s proof), with state number lower left, sheet 50 x 30”, printed by Serge Lozingot, published by Gemini G.E.L, with blind stamp.

Some pale toning at sheet edges, some soft handling creases and a small crease at the lower sheet edge, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

61

Tom Fricano (b. 1930) Californian

TRANSCENDING SPACE, oil painting on canvas, signed and titled on verso, 58 x 42”, from the Great Western Bank Collection. Provenance: Comsky Gallery, Los Angeles.

Surface soiling, scuffs & minor edge wear, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

62

Emil Ganso (1895-1941) New York

COUPLE, gouache on paper, signed lower right, 15 x 11 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

63

Emil Ganso (1895-1941) New York

CITYSCAPE, watercolor on paper, signed lower right, 17 ½ x 12 ½”, framed with glass.

Some discoloration on verso and recto, professionally repaired tears lower sheet edge, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

64

Emil Ganso (1895-1941) New York

BACKSIDE NUDE, pastel on paper, signed lower right, 16 x 22 ¼”, framed with glass.

Some discoloration spots, creases and soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

65

Emil Ganso (1895-1941) New York

REFLECTION, 1932, lithograph, signed in pencil, from the edition of 6, sheet 15 ¼ x 11 ¼”.

Pale discoloration, otherwise in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

66

Patricia Gay (1876-1975) New York

WOMAN WITH PARASOL IN A LANDSCAPE, 1939?, oil painting on panel, signed and dated lower left, 9 x 13”, framed. Provenance: Artist’s Collection, Mount Vernon New York, with old Park Bernet sticker on back.

Craquelure, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

67

Charles Gill (b. 1933) Californian

STILL LIFE WITH TABLES, 1968, oil painting on canvas, signed and dated and titled on stretcher bar, 40 x 44”, framed.

Surface soiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

68

John D. Graham (1881-1961) American

BULL FIGHT, 1937, ink drawing on paper, signed and dated lower left, sight 8 ½ x 11 ½”, framed with glass. Provenance: Martin Diamond Fine Art Inc. NYC.

Some pale discoloration at mat, some foxing on mat, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

69

George Grosz (1893-1958) German

CAFÉ JOSTY, 1912, pencil drawing on paper, inscribed and dated lower right, with the George Grosz Estate stamp on the verso #UC 383 1, sheet 5 x 7”, framed with glass. Provenance: Grisebach Auction, Lot 647, May 30th, 1992.

Some minor light smudges, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

70

Maty Grunberg (b. 1943) Israeli

UNTITLED, JUDGEMENT OF PARIS, color aquatint etching, signed in pencil and inscribed A.P. (artist's proof), plate 19 x 19 ½”, full margins, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

71

Bracha Guy (b. 1948) Israeli

FLOWERS, 2006, oil painting on canvas, signed lower right, 15 ¼ x 15 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

72

James Guy (1909-1983) Connecticut

LOVERS, 1939, tempera and watercolor on card, signed lower right, signed (?) and dated and titled on verso, sight 11 ½ x 8 ¾”, framed with glass. Provenance: Martin Diamond Fine Art Inc. NYC.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

73

Alona Harpaz (b. 1971) Israeli

SCARLET, 2008, acrylic painting on canvas, signed and dated on verso, 23 ½ x 27 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

74

David Herschler (b. 1940) Californian

ONENESS: TIMELESS ETERNAL, 2004, polished stainless-steel sculpture, signed at lower curl, 41” long.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

75

Joseph Hirsch (1910-1981) New York

DRINK, lithograph, signed in pencil, from the edition of 250, published by Associated American Artists, image 9 x 12”, full margins, framed with glass.

Mild toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

76

Al Hirschfeld (1903-2003) American

MARLENE DIETRICH IN LAS VEGAS, 1982, etching, signed in pencil, numbered 146/200, plate 13 ¼ x 10”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

77

Al Hirschfeld (1903-2003) American

ELVIS PRESLEY PLAYING GUITAR AND SINGING, circa 1993, etching with color aquatint, signed in pencil, numbered XXI/L (21/50), image 13 ½ x 10 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

78

Al Hirschfeld (1903-2003) American

CLARK GABLE, 1983, color etching, signed in pencil, numbered 147/200, plate 13 ½ x 9 ¾”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

79

Al Hirschfeld (1903-2003) American

BETTE MIDLER, 1980, etching, signed in pencil, numbered XXVIII/XXX (28/30), plate 14 x 10 ¾”, full margins, framed.

In apparently good condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

80

Al Hirschfeld (1903-2003) American

LOVE AMONG THE RUINS (Katharine Hepburn & Sir Laurence Olivier), etching, signed in pencil and inscribed AP XXX/XXXIII (artist’s proof 30/33), plate 14 ¼ x 11 ¼”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

81

Al Hirschfeld (1903-2003) American

SUNSET BOULEVARD (Glenn Close on Broadway), 1994, lithograph, signed in pencil and inscribed AP VII/XX (artist’s proof 7/20), printed by Eleanor Ettinger with their blind stamp lower left, image 16 x 17”, full margins, framed.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

82

Howard Hodgkin (1932-2017) British

BREAKFAST, 1978, color aquatint, signed in pencil, numbered 40/50, sheet 8 x 12 ¼”, framed.

In apparently good condition.

Auction Estimate $1200/1600

Starting Bid $600

 

 

 

83

Howard Hodgkin (b. 1932) British (two)

SUN; WINDOW, from More Indian Views, 1976, two color lithographs, each signed and dated lower right verso, the first numbered 30/60 on verso, sheets 8 ¾ x 12”, published by Bernard Jacobson London, blind stamps lower right, framed. Provenance on first: L.A. Louver Gallery Venice; Owing-Dewey Fine Art Sant Fe NM. (2)

Both with small linen hinges on or near signatures, otherwise both in apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

84

J. M. Houska (20th Century) New Mexico

THE WESTERN STOOL, 1984, mixed media sculptural table, Artist and Playboy Magazine and J.M.’s Taxidermy stamps underneath table top, 23” tall.

In good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

85

Masuo Ikeda (1934-1977) Japan

SCENE WITH ANGEL, 1965, color aquatint etching, signed and dated in pencil, numbered 1/30, image 14 ¼ x 13 ½”, full margins, framed with glass.

Some toning, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

86

Israeli Artists (1970’s)

JERUSALEM PORTFOLIO, 1977, portfolio of five color screenprints, includes Moshe Kupferman, Menashe Kadishman, Liliane Klapische, Michael Gross & Schwebel, each signed in pencil, numbered 178/200, sheets 19 ½ x 25 ½”, with portfolio case and colophon page. Provenance: Michael Hittleman Gallery Los Angeles.

All in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

87

Wolf Kahn (b. 1927) New York

UNTITLED, 1984, color screenprint, signed and dated in pencil lower right, inscribed CEI 3 in pencil lower left, sheet 22 x 30”, framed with glass.

Pale discoloration at sheet edges, mild cockling probably from hinging, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

88

Bob Kane (1915-1998) New York (two)

BATMAN & CATWOMAN; BATMAN & THE PENGUIN, two color prints, both signed and dedicated and numbered of 252/950, in gold ink, from the gold signature edition with stamp lower center, images 16 x 20 ½” & 20 x 16”, full margins, each framed with glass. (2)

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

89

Max Kaus (1891-1977) German (two)

HEAD, circa 1967; FRAU EN HALBAKT, 1975, two color woodcuts, the first with collage, each signed in pencil, the latter numbered 19/200, first 8 ½ x 4” adhered to a larger sheet, the second image 7 ½ x 6 ¼”, with apparently full margins, each framed with glass. (2)

Both with minor discoloration, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

90

Ernst Kirchner (1880-1938) German

NACKTE FRAU AM FENSTER, 1912, etching from an edition after 1912, initialed in plate lower left, plate 6 ¼ x 4 ½”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

91

Douglas Kirkland (b. 1934) Canada

BJORK, Florence, 1998, color pigment print, signed and inscribed A P. in pencil lower right, titled and dated lower left, sheet 17 ¾ x 12 ¾”.

Small amount of silverfish damage mid and upper right and at signature, otherwise in condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

92

Rotraut Klein-Moquay (b. 1938) German

UNTITLED, 1988, color screenprint, signed and dated in pencil, numbered 27/70, image 26 ¾ x 43 ½”, full margins, framed. Rotraut was married to artist Yves Klein until his death in 1962, then married to curator Danieln Moquay.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

93

Kathe Kollwitz (1867-1945) German

YOUNG COUPLE, 1904, etching, Druck V. O. Felsing Berlin tagline lower right, image 11 ½ x 12”, full margins, framed with glass.

Discoloration speckles in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

94

Mark Kostabi (b. 1960) New York

BOARDROOM BALL, 1990, color screenprint, signed and dated in pencil, numbered 19/56, published by Hanson Gallery with their stamp on verso, sheet 26 ½ x 39 ½”.

Some surface scuffs, small rub marks, a tiny accretion on the center blue figure, some tiny hairline cracks lower left sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

95

Mark Kostabi (b. 1960) New York

PLANTING THE WORLD (yellow), color screenprint, signed in pencil, numbered 19/56, published by Hanson Gallery with their stamp on verso, sheet 39 ½ x 29 ¾”.

A tiny accretion at right sheet edge, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

96

Walt Kuhn (1877-1949) American

ORTHOPHONIC EVENING, 1928, watercolor on paper, signed and dated lower right, 9 ½ x 15 ½”, framed. Provenance: Forum Gallery, NYC; Midtown Galleries, NYC; Hobe Sound Galleries North, Maine.

In apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

97

Walt Kuhn (1877-1949) American (two)

THREE COWBOYS, 1929, watercolor and ink drawing on paper, signed and dated lower right, sight 10 ¼ x 14 ¼”, Provenance: Chapellier Galleries Inc. NYC.; RODEO WEEK, 1929, ink drawing on paper, signed and dated lower right, 5 x 7 ½”; Both framed with glass. (2)

Cowboys with some discoloration and soft crinkles near mat, Rodeo with discoloration and two small stains from hinges on verso becoming visible on recto, otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

98

Yasuo Kuniyoshi (1893-1953) Japanese/ New York

GIRL ON TRAPEZE, 1936, lithograph, from the edition of 100, published by WPA Federal Arts Project, remaining sheet oddly cut to 16 x 13”, framed with glass.

Trimmed, folds, some discoloration spots, small loss lower sheet edge, otherwise looks good from a distance.

Auction Estimate $400/800

Starting Bid $200

 

 

 

99

Doris Lee (1905-1983) New York

RURAL SCENE, gouache on paper, signed lower right, sight 8 ½ x 13”, framed with glass.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

100

Doris Lee (1905-1983) American

FLORIDA CAUSEWAY (Along the Waterway), lithograph, signed in pencil, from the edition of 250, image 10 x 14”, published by Associated American Artists New York, full margins, framed with glass.

Discoloration in margins at mat, otherwise apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

101

Jack Levine (1915-2010) New York

THE GENERAL, aquatint and etching, signed in pencil, numbered 19/100, plate 14 ¾ x 17 ½”, full margins, framed with glass.

Pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

102

Pamela Levy (1949-2005) American/ Israeli

DRESSING FIGURE, oil painting on canvas, signed lower left, 15 x 11 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

103

Roy Lichtenstein (1923-1997 New York

PAPER PLATE (C.3.45), 1969, color screenprint on paper plate, signed in pen, published by Bert Stern for On 1st, New York, 10 ¼” diameter, framed.

Colors attenuated, mild toning, otherwise in good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

104

Roy Lichtenstein (1923-1997 New York

SURREALISTIC PAINTINGS, 1978, Ace Gallery color poster, signed in marker lower right, sheet approximately 60 x 44”, framed.

Creases, white line creases and soft handling creases, minor debris in frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

105

Richard Lindner (1901-1978) New York

PAIRS REVIEW, 1972, color lithograph, signed in pencil, numbered 68/100, published by the Paris Review, sheet 28 ½ x 20 ½”, framed with glass.

Tiny printer’s ink marks in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

106

attributed to George Luks (1867-1933) New York

SEASCAPE, MONHEGAN, oil painting on canvas mounted to board, appears to be signed or initialed lower right, 8 x 10”, framed. Provenance: Mirell Gallery, Miami, purchased in 1966.

Ingrained surface soiling, varnish yellowed, otherwise in apparently good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

107

attributed to George Luks (1867-1933) New York

PROUT’S NECK MAINE, watercolor on paper, with sketch on verso, signed lower right, sight 9 x 12”, framed with glass. Provenance: Mirell Gallery, Miami, purchased in 1966.

Discoloration and speckles, rub spot in lower sky, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

108

Jack Madson (b. 1927) Californian

UNTITLED, 1987, color pastel on paper, signed and dated lower right, 30 x 21 ½”, framed.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

109

Marisol Escobar (1930-2016) Venezuelan

UNTITLED, 1961, lithograph, signed in pencil, numbered 22/85, sight 13 x 9”, framed with glass.

Pale toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

after Edmond Massicotte (1876-1930) Canadian

L’ANGELUS, 1935, bronze bas relief, inscribed H.C. Lamb lower right, dated lower left, 10 ½ x 14”.

Some tarnishing and minor surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

111

Andre Masson (1896-1987) French

FEMME, circa 1960, aquatint etching on Japan paper, signed in pencil, numbered 7/20, image 5 ½ x 4”, full margins, framed.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Roberto Matta (1911-2002) Chilean

ONZE FORMES DU DOUTE (S.40), 1959, color lithograph, signed in pencil, numbered 89/100, printed by Editions Moderna Museet for the Retrospective of Matta in Stockholm, sheet 35 ¼ x 26 ¼”, framed with glass.

Some discoloration at sheet edges, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

113

Peter Max (b. 1937) German/ American

SUPERBOWL XXVIII 1994, acrylic painting and collage on paper stock, original artwork for the official Superbowl XXVIII poster, signed and dated 94’, sight 34 ¼ x 26 ½”, framed. Superbowl XXVIII featured the Dallas Cowboys versus the Denver Broncos in Atlanta, player depicted John Elway.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

114

Peter Max (b. 1937) German/ American

UNTITLED, 1983, color lithograph, signed and dated and inscribed A/P (artist’s proof) in color pencil, sheet 22 x 30”, Artist’s blind stamp lower left, framed with glass.

True colors under the mat ¼” around the perimeter, viewable colors faded to form a different color palette of it’s own, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

115

Peter Max (b. 1937) German & Salvador Dali (1904-1989) Spanish

Peter Max LOOKING TO THE LEFT, 1996, acrylic painting with color print, signed lower center, 8 x 7 ½”; Salvador Dali SIXTH HEAVEN OF JUPITER, Heaven Canto 20 (F.pg.197), color wood engraving, signed in the design, plate 9 ½ x 6 ¾”, full margins, Estrada blind stamp lower right margin; Both framed, the latter with glass. (2)

Both in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

116

Paul Maxwell (b. 1925) California

DARK FIELD, 1983, acrylic painting on canvas wrapped around panel with fabricated metal foot and crown, signed and dated lower right, signed and dated and titled on verso, 34 ½ x 24”, framed.

Some small scratches in metal, tiny white spot lower left, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

117

Paul Maxwell (b. 1925) California

FOCUS, 1984, acrylic painting on canvas wrapped around panel with fabricated metal foot and crown, signed and dated lower right, signed and dated and titled on verso, 39 x 48”, framed.

Tiny white scratch lower left, some small scratches in the metal, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

118

Jay McCafferty (b. 1948) Californian (three)

A LONG MEDITATION #64, 2006, burned and manipulated paper collage, signed and dated and titled on verso, 24 x 24”; UNTITLED, two manipulated sheets of paper, each 26 x 14”, possibly a diptych. (3)

All in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

119

Ludwig Meidner (1884-1966) German

DOPPELBILDNIS MIT JOHANNES R. BECHER, 1921, etching, signed in pencil, from the edition of 50, plate 8 x 6 ¼”, full margins, framed with glass.

Scattered pale foxing, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

120

Manuel Mendive (b. 1944) Afro-Cuban

HOMBRE CON PARHARO, 1997, cast bronze sculpture with patina, signed at base, numbered 2/7, size 21 ½ x 11 ¾ x 5 ½”, published by Joan Guaita Edicions and illustrated in Escultures al Castell catalogue.

In good studio condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

121

Mexican Masks (four)

Three JAGUARS and a LONG NOSE Festival Figure, four carved and painted wood masks, approximately 7 x 7 x 6”. (4)

Some wear, overall in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Gustavo Perez Monzon (b. 1956) Cuban

NUMEROLOGY, 1982, mixed media on thin card, signed and dated lower right, inscribed on verso, 16 ½ x 16 ½”.

Small minor wear at some of the sheet edges, adhered to cardboard backing along two spots, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

123

attributed to Alfred Morang (1901-1958) American (two)

MORNING FRESHNESS, circa 1934, gouache on card, initialed lower right, 9 ¾ x 11”; LANDSCAPE, gouache on paper, sight 6 x 9”; Both framed with glass. (2)

First with some hairline line cracks and creases, colors attenuated, otherwise both in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

124

Marcel Mouly (1918-2008) French & Thomas Kinkade (1958-2012) American (two)

Marcel Mouly L’ESCALE, 2004, color lithograph, signed in pencil, numbered 214/300, image 22 ½ x 28 ½”, full margins; Thomas Kinkade THE END OF A PERFECT DAY III, color print on canvas with hand-highlighting by skilled artisan with supervision by Kinkade, initialed by artisan and numbered lower right, 24 ½ x 36”, with studio stamp on verso; Both framed. (2)

Mouly with a few soft handling creases in margins, Kinkade with faint stretcher bar impressions, minor surface soiling and speckles on verso, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

125

Michal Na’Aman (b. 1951) Israeli

TREE OF LIFE, GOLDEN SHOWER, 1994, oil painting on canvas, signed and dated on verso, 9 ¾ x 11 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

126

Heinrich Nauen (1880-1941) German

PARK AM MORGEN, 1918-1922, etching, signed in pencil, plate 12 ½ x 9 ¼”, published by Die Schaffenden, with their blind stamp lower left, full margins.

Small pale discoloration, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

127

Hermann Naumann (b. 1930) German

UNTITLED, 1972, oil painting on canvas, signed and dated lower right, 21 ¾ x 13 ¾”, framed. Provenance: Villa Grisebach Auktionen.

Hairline cracking throughout, small ding left edge, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

128

Claes Oldenburg (b. 1929) American

CHICAGO SHOW (A.57), 1969, color offset poster, signed in pencil, numbered 7/100, published by Richard Feigen, sheet 38 x 25”, framed with glass.

Mild cockling, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

129

Parisian Street Art Posters (1960’s) (three)

MAI REVOLUTION, 1968, three color screenprint posters, one signed ARZA in design, sheets 24 ½ x 17 ½”, all framed with glass. From the May 1968 student protest in Paris. They were posted throughout streets in demonstration during a time of political unrest. A Fiftieth anniversary exhibition was held in May 2018 at LAZinc, Gallery in London. (3)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Jules Pascin (1885-1930) French

WOMEN IN GREEN DRESS, ink and watercolor on paper, signed lower right, artist’s atelier stamp lower right, sight 7 ¼ x 5 ½”, framed with glass.

Some minor discoloration, fold line upper left corner, crease line lower right corner, otherwise in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

131

Amado Pena (b. 1943) Arizona (two)

NAVAJO; SON EL PUEBLO, two color screenprints, each signed and titled in pencil, numbered, numbered 40/65 & V/VII (5/7), both with blind stamps lower left and lower right, sheets 22 x 30” & 26 x 34”. (2)

Both with some small soft handling creases and some fingerprints or smudges in margins, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

132

AR Penck (1939-2017) German

KOMPOSITION MIT ROTEM AKT, 1979, aquatint etching, signed and dated in pencil, inscribed R. T. 2/3 lower left, plate 12 ¾ x 19 ¼”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

133

Tom Perkinson (b. 1940) New Mexico

A STUDY OF APPLES, 1987, acrylic painting on canvas, signed and dated lower right, 21 x 28”, signed and titled on frame verso.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

134

Tom Perkinson (b. 1940) New Mexico (two)

CHILDREN AT PLAY; OLD CHURCH, two, each a color pastel and watercolor on paper, signed lower right, titled on frame verso, 8 x 8 ½”, Legendwood Sedona Arizona frame with glass. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

135

Tom Perkinson (b. 1940) New Mexico

SPRING JOURNEY, acrylic painting on canvas, signed lower right, titled on verso, 16 x 12”, Legendwood Sedona Arizona frame.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Tom Perkinson (b. 1940) New Mexico

ELEGANT WOMAN WITH UMBRELLA, oil painting on canvas, signed lower right, 30 x 25”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Robert Wakeham Pilot (1898-1967) Canadian

ON THE NORTH RIVER NEAR PIEDMONT, oil painting on panel, signed lower right, 12 ¾ x 17”, framed. Provenance: Continental Art Galleries, Montreal.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

138

Arthur Luiz Piza (1928-2017) Brazil (three)

UNTITLED, three aquatint etchings, each signed in pencil, numbered 84/99, 51/99 & EE, images 10 x 11”, 10 ¼ x 9 ¼” & 17 x 11 ¾”, all framed with glass. (3)

All with scattered foxing, otherwise all in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

139

Dana Pond (1881-1962) Massachusetts

BEFORE THE OPERA, 1912, oil painting on canvas, signed and dated lower left, 30 x 24”, framed. Provenance: Adamson-Duvannes Gallery, Los Angeles.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

140

Astrid Preston (b. 1945) Californian

NOTATIONS #140, 1989-90, color pastel and graphite on paper, signed and dated and titled lower right, 15 x 22 ¼”, framed.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Joseph Douglas Purcell (1927-2015) Canadian

ROAD TO RIVERPORT, NOVA SCOTIA, oil painting on Masonite, signed lower right, 12 x 16”, framed.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

142

Robert Rauschenberg (1925-2008) American

HORSE FEATHERS #13 Series, 1972, lithograph, screenprint, pochoir and embossing, signed and dated in pencil, numbered 48/64, printed and published by Gemini G. E. L. with their blind stamp lower right, sheet 24 x 17 ½”.

Thin glue strip on verso adhering it to mat, discoloration and speckles throughout.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Jack Reid (1925-2009) Canadian

GONE TO FLORIDA (Cawthra Road & Eglinton Avenue East, Mississauga, Ontario) inscribed on frame verso, watercolor on paper, signed lower right, 18 ½ x 23 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Curtis Ripley (b. 1949) California/ Texas (three)

#25; #34, #22, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, each signed and dated on the verso, #22 with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

#34 signature smudges, #22 with small tideline stain on verso, otherwise all in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

145

Curtis Ripley (b. 1949) California/ Texas (three)

#36; #14; #27, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, one signed and dated on the verso, two with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

All in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

146

Larry Rivers (1923-2002) New York

SEATED WOMAN, 1976, color screenprint, signed and dated and inscribed P/P in pencil, sheet 29 x 30 ¼”. P/P is usually the designation for printer’s or publisher’s proof.

Small skin marks at entire perimeter verso with associated hinge remnants, retains slight curl from being rolled, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

147

Manuel Robbe (1872-1936) French

LA TOILETTE, 1906, color aquatint, initialed in pencil, plate 4 ¾ x 3 ½”, full margins, framed with glass.

Smudges in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

148

Norman Rockwell (1894-1978) American

MUGGLETON STAGECOACH, color lithograph, signed in pencil, numbered 68/200, printed and published by Eleanor Ettinger, image 20 x ½ x 16”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

James Rosenquist (1933-2017) New York

STAR LADDER (G.136), 1978, color etching, signed and dated and titled in pencil, numbered 26/78, published by Multiples Inc., printed at Flatstone Studio, with their blind stamp lower right, plate 17 ¾ x 36”, full margins, framed.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

150

Reuven Rubin (1893-1974) Israeli

MUSICIANS, color offset lithograph, signed in pencil, numbered 50/200, image 29 ½ x 23 ¼”, full margins, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Reuven Rubin (1893-1974) Israeli

FLOWERS, color offset lithograph, signed in pencil, numbered 187/200, image 15 ½ x 12 ¾”, full margins, framed with glass. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

152

Louis Schanker (1903-1981) American

STUDY IN GREEN AND BLACK, 1941, color woodcut, signed and titled in pencil, published by WPA Art Project, NYC, plate 10 x 14”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

153

Richard Serra (b. 1939) California

VIDEY AFANGER #X (G.1519), 1991, aquatint, signed and dated in pencil, numbered 55/75, printed by Gemini G. E. L. with the artist’s and their blind stamps lower right, image 4 ½ x 6”, sheet 11 x 12”, framed.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

154

David Siqueiros (1896-1974) Mexican

MOUNTAIN DANCER from the Mexican Suite, 1968, color lithograph, signed in pencil, numbered 168/300, printed by Mourlot, image 21 x 16”, full margins, framed.

Pale discoloration, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

155

David Siqueiros (1896-1974) Mexican

JESUSTO WILL BE A SAINT, from the Mountain Suite, 1969, color lithograph, signed in pencil, numbered 199/250, printed by Mourlot, Touchstone Publishers, image 21 x 15 ¾”, full margins, framed.

Mild toning, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

156

David Siqueiros (1896-1974) Mexican

MUERTE AL INVASOR, 1946, lithograph, signed in pencil and inscribed E/E and dated 1946, image 29 ½ x 23”, full margins, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

157

John Sloan (1871-1951) American

MAN, WIFE & CHILD, 1905, etching, signed in pencil, inscribed from an edition of 100, plate 5 x 6 ¾”, full margins, framed with glass.

Foxing and toning, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

158

Steve Sorman (b. 1948) American

WHERE IN YOU ARE OUTSIDE OF WHICH, 1986, color lithograph with collage and possibly some handwork on thin Japan paper, signed and dated in pencil, numbered 33/65, sheet 23 ½ x 36”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

159

Isaac Soyer (1902-1981) Russian/ New York

SEATED GIRL, color lithograph, signed and titled in pencil, numbered 40/150, sight 22 x 16”, framed with glass.

Pale toning at perimeter at mat, otherwise apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

160

Frank Stella (b. 1936) New York

ITATA from V Series (A.23), 1968, color lithograph, signed and dated in pencil, numbered 100/100, printed and published by Gemini G. E. L. with their blind stamp, sheet 16 ¼ x 22 ¼”, framed with glass.

Mild cockling, mounted with ATG tape at some perimeter spots, otherwise in apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

161

Sterling Silver: Reed & Barton Flatware (seventy-nine pieces)

FRANCIS I patterns, service for twelve, seventy-nine pieces including twelve dinner knives with stainless steel blades, dinner forks, salad forks, butter knives with stainless steel blades, tea spoons and soup spoons; One large pierced cold-meat fork, one cocktail fork, two pie cake servers one with sterling silver handle and blade the other with sterling handle and stainless steel blade, one cream ladle, and two serving spoons, each stamped, with in felt-lined wooden case (worn). (79 pieces)

In good used condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

162

Shmuel Tepler (1918-1998) Israel

URBAN LANDSCAPE, 1981, oil painting on canvas, signed lower left, signed and dated on verso, 23 ¾ x 28 ¾”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

Some drying cracks, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

163

Theo Tobiasse (1927-2012) French

AVEC MES MAINS D’EXIL, color lithograph on Japan paper, signed in pencil, numbered 18/175, sheet 22 ½ x 30 ½”, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Theo Tobiasse (1927-2012) French

LA DIVA, color lithograph, signed in pencil, numbered 73/250, sight 35 x 23”, framed

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Robert Toll (20th Century) Californian

AVOIDABLE LOSS, 1994, painted and welded steel sculpture, signed and dated on base, 36 x 10 x 12”, on rotating pedestal.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

166

Robert Toll (20th Century) Californian

THROUGH THE FIRE, 1995, welded steel sculpture, purportedly signed and dated 10/95 (not found), overall 50 x 27 x 29”.

With natural outdoor weathered patina, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

167

William Topham (1888-1966) Canadian

NIGHT LANDSCAPE, oil painting on panel, signed lower right, 6 ½ x 8 ½”, framed.

Some surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

168

Ken Treister (20th Century) American

BOATS AND BAY PORTUGAL, 1966, oil painting on canvas, signed and dated lower left, 18 x 20”, framed. Provenance: Mirell Gallery, Miami, dated 1966.

Surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

169

Charles Turzak (1899-1985) American

DANCERS, 1939, wood engraving, signed and titled in pencil, numbered 59/100, image 10 x 6 ¾”, full margins, framed with glass.

A few discoloration spots, two hinges on verso faintly visible on recto, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

170

Charles Turzak (1899-1985) American & Leo Meissner (1895-1977) American (two)

Charles Turzak CONFRONTATION, woodblock print, signed on block lower left, image 8 x 6 ¾”, sheet 12 ½ x 9”; Together with Leo Meissner SAHUARO: ARIZONA, wood engraving, signed and title in pencil, numbered 49/60, image 7 ¾ x 9 ½”, sheet 13 x 14 ¼”. (2)

The first with some discoloration and foxing, the second with some discoloration spots, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

Israhel Van Meckenem (b. 1445-1503/17) German

DAS UNGLEICHE PAARNACH, etching, from an edition after 1470, initialed in plate lower right, 5 x 4 ¼” attached to larger sheet.

Some tape stains from verso visible on recto, tear upper right corner, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

172

Jacques Villon (1875-1963) French

PORTRAIT OF A MAN, etching with beveled plate, signed in pencil, numbered XV/XX (15/20), plate 6 x 4 ½”, sheet 15 x 11”, framed with glass.

Minor discoloration at sheet edges, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

173

Jacques Villon (1875-1963) French

PAPIERS, 1962, Henri Deschamps color lithograph, signed lower right, numbered 142/195 in pencil, image 14 ½ x 17 ¾”, full margins, framed with glass.

Some discoloration, pale stains in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

174

Abraham Walkowitz (1878-1965) Russian/ American

NEW YORK IMPROVISATION, 1910, watercolor on paper, signed lower right, sheet 9 ¾ x 6”, framed with glass. Provenance: ACA Heritage Gallery Inc. NYC; Martin Diamond Inc, NYC.

Possibly toned or discolored, repair upper left corner and lower left sheet edge, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

175

Nick Walker (b. 1969) British

UNTITLED from the Vandal Series, color screenprint, signed in pencil, numbered 133/300, image 13 ½ x 35 ½”, full margins, unidentified blind stamp lower left, framed.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

176

Yocheved Weinfield (b. 1947) Israeli

SEWN FACES, 1974, set of five gelatin silver prints, each signed and dated and numbered 6/10, sheets 9 ¾ x 7 ¼”, all in one frame.

Some visible oxidation at certain angles in raking light, otherwise all in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

177

H. Wright (mid-20th Century) African American

UNTITLED, circa 1955, oil painting on canvas, signed lower right, 42 ¾ x 29 ½”, framed. Exhibited: Legion of Honor Fine Arts Museum, San Francisco, August 1958.

Hairline cracks, minor surface soiling, repair patches visible on verso, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

178

Jean-Pierre Yvaral (1934-2002) French

PYRAMID, color screenprint, signed in pencil, numbered 198/225, image 19 x 19”, full margins, framed.

Pale toning in margins at mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

179

Ossip Zadkine (1890-1967) New York

MESSATERS DU JOUR, Jean Pons color lithograph on Arches block letter watermark paper, signed in pencil, numbered 51/200, image 22 ½ x 18”, sheet 29 ¾ x 22 ½”, published L’ OEuvre Gravee, framed.

Small white line crease and printer’s crease center right, some creases and soft handling creases and small discoloration spots in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

180

Zivko Zic (1924-2015) Croatian/ America

CALDWELL STREET, oil painting on canvas board, signed lower right, 12 x 16”, framed.

In apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

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