Clark's Fine Art Gallery & Auctioneers Inc.

Contact    Consignments    Past Sales    Catalog    Index    Bids    Special

 

Auction Saturday August 24th @ Noon

American and European Art Collection

   

 

 

1

Theodor Alphons (1860-1897) Austrian

VENICE CANAL, 1895, watercolor on paper, signed and dated lower left, sight 17 ½ x 2 ¼”, frame 26 ¾ x 31 ½”.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

2

John Altoon (1925-1969) California/ Armenian

UNTITLED RED CIRCLE BALL from About Women Series, circa 1967, color lithograph, signed in pencil, numbered 17/100, printed by Gemini G. E. L. with blind stamp upper left, sheet 19 x 19”, framed 20 ½ x 20 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

3

John Altoon (1925-1969) California/ Armenian

ABOUT WOMEN Series, circa 1967, color lithograph, signed in pencil, numbered 90/100, printed by Gemini G. E. L. with blind stamp lower right, sheet 19 x 38”, frame 21 ¾ x 39 ¾” with glass.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

4

Vahan Amadouni (1933-1998) Armenian

UNTITLED RED, 1989, oil painting and resin on illustration board, 30 x 40”, signed and dated lower right. Provenance: acquired directly from artist.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

5

Vahan Amadouni (1933-1998) Armenian

UNTITLED BLACK & BEIGE, 1989, oil painting and resin on illustration board, 30 x 40”, signed and dated on the verso. Provenance: acquired directly from artist.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

6

Augustin Francois Archiguille (1932-2017) French

ABSTRACT FOND GRIS, oil painting on canvas, signed lower right, 36 ¼ x 29”. Provenance: Oise Encheres, Chantilly, France.

A few hairline scratches, otherwise in good studio condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

7

Portfolio: Chuck Arnoldi, Laddie John Dill & Peter Alexander (six)

THREE AMERICAN ARTISTS, 1982, portfolio of six etchings (five in color), each signed in pencil and numbered CP Imp 2/5, printed and published by Centrum Press, with blind stamps, various sheets from 22 ½ x 26” to 15 x 17 ¼”, in original portfolio case 24 x 27 x 1”.

In overall good condition.

Auction Estimate $1200/1800

Starting Bid $600

 

 

 

8

Artist Unidentified (19th/20th Century)

VIEW OF CITY ACROSS THE WATER, watercolor on paper, signed (N or M)eidler Robert lower left, sight 5 ¾ x 9”, frame 15 x 18”.

Colors probably attenuated, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

9

Artist Unidentified (19th/20th Century)

MELON SLICE ON A PLATTER, oil painting on board, signed D’Olajos? lower right, 13 x 19”, frame 18 x 24”.

Drying craquelure, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

10

Artist Unidentified (20th Century)

ABSTRACT BIRD FIGURES, oil painting on canvas, inscribed E. Reyes on verso, signed lower left (does not appear to be signed Reyes), overall 31 ¼ x 25” with slat frame.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

11

Gabor Bandi (20th Century) Hungarian

THREE DANCING FIGURES, watercolor and color pencil on paper, initialed lower right, sight 18 ½ x 11 ¾”, frame 26 ¼ x 19 ½” with none-glare glass. Provenance: Forras Galeria Kft. Budapest.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

12

Gabor Bandi (20th Century) Hungarian

YELLOW BUILDING WITH ARCHWAY, 1984, color pencil and pastel, signed and dated lower right, sight 11 ¼ x 19 ¼”, frame 21 x 28 ½”. Provenance: Forras Galeria Kft. Budapest.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

13

Will Barnet (1911-2012) American

SUMMER IDYLL, 1976, color screenprint, signed and titled and numbered 44/300 in pencil, image 30 x 38”, full margins, frame 40 x 49”.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

14

Laszlo Barta (1902-1961) Hungarian

MARINA, circa 1929, oil painting on canvas, signed lower right, 31 ¾ x 25 ½”, frame 37 ½ x 31 ½”.

Professionally relined, in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

Arpad Bartoczi (1882-1938) Hungarian

WOMAN WITH YELLOW BLOUSE AND RED SCARF, 1931, oil painting on panel, signed & dated upper left, 29 x 23 ½”, frame 36 x 30 ¼”.

Professionally cleaned but retains some ingrained soiling and minor drying cracks, otherwise in good aged condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

16

Rudolf Ber (1924-2004) Hungarian

FIGURES IN FRONT OF ABSTRACT MURAL, oil painting on board, signed lower right, 23 ½ x 31 ½”, frame 28 ½ x 36”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

Rudolf Ber (1924-2004) Hungarian

STREET MARKET, oil painting on canvas on board, signed lower right, 38 x 30 ½”, frame 41 ½ x 34 x 2”.

A few small chips and some larger filled in areas, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

18

Antal Berkes (1874-1938) Hungarian

PORTRAIT OF GIRL, 1910, oil painting on board, signed and dated lower right, 14 x 10”, frame 19 ½ x 16”.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

19

Antal Berkes (1874-1938) Hungarian

EUROPEAN STREET SCENE, oil painting on canvas, signed and dated lower right, 23 ½ x 31 ½”, frame 28 x 36”.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

20

Rene Berthet (b. 1941) French

VISAGE, cast bronze sculpture with green patina, signed and stamped E.A. (artist’s proof) on verso, 7 ¼’ tall including stone base.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Sandor Botos (1921-1997) Hungarian

SEATED COUPLE 1972, oil painting on canvas, signed and dated lower right, 39 ½ x 51 ½”, frame 42 ½ x 54 ½”. Provenance: Mucsarnok Gallery, Budapest.

Some hairline cracks, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

22

Sandor Botos (1921-1997) Hungarian

GEOMETRIC INTERIOR, 1972, oil painting on canvas, signed and dated lower right, partial Vallalat label on verso, 35 ½ x 47 ½” frame 38 ½ x 50 ¼”.

Some small chips, hairline cracks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

23

Regis Bouvier De Cachard (b. 1929) French/ California

PANIER DE FLEURS, 1967, oil painting with impasto on canvas, signed and dated lower right, titled on verso, 40 ¼ x 30 ¼”, frame 49 x 38 ¾”.

Tiny chip upper right corner, impasto loss on leaves in flowers center left, scratch center left edge, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

24

Regis Bouvier De Cachard (b. 1929) French/ California

PORTRAIT, 1967, oil painting with string and fabric on canvas, signed and dated lower center left, 40 x 30”, frame 47 x 37”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

25

Charles Bragg (1931-2017) Californian

THE HEBREW KING, oil painting on canvas board, signed lower right, 14 x 10”, liner only no molding 17 x 13”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

26

Alfred De Breanski Sr. (1852-1928) Scottish

LANDSCAPE, oil painting on canvas, signed lower right, title tag and old auction marks on verso, 17 x 30”, frame 29 x 42 x 3 ½”.

Craquelure, some old ingrained soiling, some hazing, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

27

Gustave De Breanski (1856-1898) British

HARBOR SCENE, circa 1895, oil painting on canvas, signed lower right, 16 x 24”, frame 20 ½ x 18 ½”.

Professionally relined and waxed, in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

28

Brossek (20th Century) European

STILL LIFE WITH FRUIT AND GOLD TRIM BLUE CUP, 1932, oil painting on canvas, signed & dated “Brossek M 1932” lower left, 15 ½ x 20”, frame 21 x 25 x 2 ½”.

Stretcher bar impressions, drying craquelure throughout, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Sandor Buzna (1868-1945) Hungarian

GIRL IN PINK DRESS AT DRAPES, 1906, oil painting on canvas over board, signed and dated lower left, 20 ¼ x 9 ¼”, frame 27 ½ x 17”.

In good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

30

Byzantine Icon (pre 20th Century?)

MADONNA & CHILD, polychrome painted and gilded wood panel, export label on verso, 17 ¼ x 14 x 1”.

Small losses and wear, some uneven surface settling from internal insect damage mainly lower right, verso riddled with holes and losses, treated for insects and coated, otherwise in aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

Dennis Carney (b. 1960) New Mexico

PINWHEEL, four-part painted metal wall sculpture, each signed, each 24 x 24 x 1 ½”, overall 48 x 48 x 1 ½”. Provenance: Phoenix Art Group Inc.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

32

Marc Chagall (1887-1985) Russian/ French

FOUR SEASONS (CS.p.62; H.727; M.727), 1974, color lithograph poster with complimentary signature, printed by Mourlot and published by First National Bank Chicago, edition of 5000 with text, image 35 ½ x 23 ½”, sheet 37 x 25 1/4", frame 46 ½ x 34 ½”/

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

33

after Marc Chagall (1887-1985) Russian/ French

SONG OF SONGS (CS.p.142), 1975, Sorlier color lithograph with Chagall complimentary signature, printed by Mourlot, published by the Biblical Message Museum, sight 29 ¼ x 19 ¾”, frame 39 x 29” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

34

Ioan Chisu (b. 1939) Romanian

FRUCTIERA SI PORUMBEL, 1969, oil painting with sand on Masonite, signed and dated lower right, 48 ¾ x 50”, frame 57 x 58”. Provenance: Edenhurst Gallery, Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

35

Paul Colin (1892-1986) French

TRANSATLANTIQUE, 1937, color lithograph poster, signed on the stone lower right, published by Editions Transatlantique, sight 38 ½ x 23 ¾”, frame 43 x 28”.

Arc crease upper left, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

36

Sophie Combres (1960-2006) French

UNTITLED, acrylic painted ceramic vessel, a signature not found, 30” tall, 14 ½” diameter.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

37

Contemporary Haitian Artist Cisco Telesfort (20th Century)

CARIBBEAN WOMEN, 2005, oil painting on panel, signed and dated lower right, 12 ½ x 12 ½”, nice frame 17 ½ x 17 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

38

Horatio Henry Couldrey (1832-1918) United Kingdom (two)

KITTENS & DOGS, 1871, a pair of oil paintings on canvas, each signed and dated lower right, each 9 ½ x 12 ½”, frames 15 ½ x 18 ½”. (2) Provenance: SOGA Auction Slovakia lots 208 & 209.

Both with craquelure throughout and some chipping, surface appears fragile, darkened from age. Restoration recommend before packing and shipping.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

39

Olivia De Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Francis De Erdelyi (Erdely) (1904-1959) California

FLAMINCO GUITAR, charcoal drawing on paper, signed lower right, sight 32 ½ x 24”, frame 45 x 35 ¼” with glass. Provenance: Lane Gallery, Westwood Village, LA.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Francis De Erdelyi (Erdely) (1904-1959) California

WATER CARRIER, charcoal drawing on paper, signed lower right, sight 29 ½ x 19 ½”, frame 40 ½ x 28 ½” with glass. Provenance: Lane Gallery, Westwood Village, LA.

Some soft handling creases and mild cockling, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Jean De Luz (19th/20th Century) European

VISITEZ LE PORTUGAL, color lithograph poster, signed on the stone lower right, published by Andre Hirsch Paris, printed by Jules Simon Paris, sight 38 ¾ x 24 ¼”, frame 42 ½ x 28”.

Minor printing flaws, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

43

Decorative African Art (two)

MALE & FEMALE, two carved wood statues, 64 ½” & 63 ¾” tall. (2)

Minor wear, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

44

Decorative Brass Parrot

PARROT, polished brass sculpture mounted to painted wood base, overall 38 ¾ x 8 x 13”.

Some cracks in wood base, some minor tarnish to bird, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

Decorative Tiffany Clock (1980’s)

Swiss-made mantle clock, mat and polished brass finish, with barometer & thermometer, Tiffany & Co. Hallmark, 7 ¼ x 6 ¼ x 3 ½”, battery operated.

Wear to finish, otherwise in good used condition.

Auction Estimate $100/150

Starting Bid $50

 

 

 

46

Chester “Chet” Engle (1918-1994) California

LET THE SPIRIT BROOD, oil painting on Masonite, signed lower right, 30 x 24”, frame 37 x 31 ¼”.

Small area of drying cracking in skirt, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

47

Chester “Chet” Engle (1918-1994) California (two)

AEROPLANES, two acrylic paintings on board, each signed, images 12 x 11” & 11 x 14”, frames 20 ¾ x 19 ¾” & 20 ¾ x 23 ¾”, no glass. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Willi Eplinius (1884-1966) Germany

SEASCAPE WITH SAILBOATS, oil painting on canvas, signed lower left, 28 x 39 ½”, frame 35 x 47”.

Surface soiling, drying craquelure mainly in ocean area, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

49

Erte (1892-1990) Russian/ French

THREE GRACES (E.147), 1987, cold-painted cast bronze sculpture, signed, numbered 364/375, published by Fine Art Acquisition, overall 16 x 12 ½ x 8”.

Center figure lacking tassel, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

50

Erte (1892-1990) Russian/ French

LE MASQUE (L.93), 1986, cold-painted cast bronze sculpture, signed, numbered 336/375, published by Fine Art Acquisition, overall 18 ½ x 7 ½ x 4”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

51

Erte (1892-1990) Russian/ French

JOIE DE VIVRE (E.174), 1990, cold-painted cast bronze sculpture, signed, numbered 367/375, published by Chalk & Vermilion & Seven Arts, overall 23 ½ x 10 ½ x 8 ¼”.

Top of green dress yellowed from sunlight, small surface chip on left arm near cuff, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

52

Erte (1892-1990) Russian/ French

LA TOSCA (E.176), 1989, cold-painted cast bronze sculpture, signed, numbered 389/500, published by Seven Arts London, overall 19 ¾ x 8 ½ x 7”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

53

European Artist Unidentified (19th/20th Century)

THREE FEMALE NUDES ON THE BEACH, oil painting on canvas, signed “CB Paris” lower left, 26 ½ x 21 ½”, frame 34 ½ x 29 x 3 ½”

Professionally re-lined, in good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

54

European Artist Unidentified (19th/20th Century)

BEACHED BOATS, oil painting on canvas, signed lower right, 25 x 30 ¼”, carved wood frame 35 ¼ x 30 ¼”.

Some professional repair visible on verso, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

55

European Artist Unidentified (early to mid-20th Century)

VAL D’AOSTA (Italy), 1935, oil painting on canvas, initialed and dated and titled lower right, 23 ½ x 17 ½”, frame 28 ½ x 22 ½”.

Re-lined, some old craquelure, in good restored condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

56

European Artist Unidentified (20th Century)

VENICE CANAL, watercolor on Neusiedl watermarked paper, signed lower right, 23 ¾ x 16 ¾”, frame 29 ½ x 23”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

57

Carine Fabian (20th Century)

UNTITLED, welded steel sculpture, a signature not found, 37 ¾ x 26 x 9”.

With some rust and oxidation, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

58

Farideh Golbahar (b. 1942) Israeli

ABOUT LANDSCAPE, oil painting on two sheets of paper, signed lower left, overall 25 ¼ x 15”, frame 31 ½ x 21”. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

59

Farideh Golbahar (b. 1942) Israeli

JERUSALEM, enamel painting on paper, signed lower right, 19 ¾ x 27 ½”, frame 22 ½ x 30 ¼”. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

60

after Pierre Le Faguays aka Fayral (1892-1962) French

LANCEUR DE JAVELOT, circa 1925, cast bronze sculpture with green patina and detachable lance, signed, 14 ¾ x 21 ½ x 5”.

Some minor wear and surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

61

afer Fayral aka Pierre Le Faguays (1892-1962) French

LYSIS, cast bronze sculpture with golden brown patina and marble base, signed, height 16”.

In good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

62

L. Ferrer (b. 1928) Spain

WOMAN IN ORANGE DRESS, oil painting on board, signed lower center left, 28 x 22”, frame 35 ¾ x 29 ¾”.

Some scuffs and stray paint marks, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

63

L. Ferrer (b. 1928) Spain (two)

PORTRAIT OF YOUNG WOMAN, oil painting on board, signed lower right, 14 x 11”, frame 22 ½ x 13 ½”; WOMAN WITH GREEN EYES, oil painting on board, signed lower center left, sight 21 ¼ x 14 ½”, frame 26 x 19”. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

64

Charles Fouqueray (1869-1956) French

JOURNEE DE L’ ARMEE D’ AFRIQUE ET DES TROUPES COLONIALES, 1917, color lithograph poster with touches of gum Arabic or watercolor, signature and date on the stone lower right, sight 46 ¼ x 30 ½”, handsome frame 55 x 39”.

Some colors attenuated, probably toned, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

65

Alma Gasslander (1892-1989?) Indiana

FACTORY SCENE, oil painting on canvas board, signed lower right, two 1940s exhibition labels on verso, 20 x 16”, frame 26 ½ x 22 ½”.

Some discoloration on verso, otherwise in good old studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

66

Louis Guadio (19th/20th Century) European

VENISE A BRUXELLES, 1895, color lithograph poster, signed on the stone lower right, with center folds as issued, printed by J. L. Goffart, Brussels, image 59 x 37 ½”, full margins, frame 65 x 43 ¼”.

White lines at creases and crinkles, some small tears at sheets edges in the margins, otherwise in apparently good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

67

Ginovannella (aka Joan Marsh) 20th Century

CHURCH IN SNOW, oil painting on canvas, signed lower right, 20 x 24”, frame 25 x 29”.

Minor surface soiling, some discoloration spots on verso, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

68

Fernand Gottlob (1873-1935) French

LES PECHEURS DE ST. JEAN, 1906, color lithograph poster, signature and date on the stone lower right, sight 33 x 25”, frame 45 x 37” with glass.

Colors attenuated, speckling, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

69

Robert Graham (1938-2008) California

RECLINING NUDE, 1995, lithograph, signed and dated and inscribed C. M in pencil, printed by Angeles Press with blind stamp lower left, sheet 10 ¾ x 14 ¾”, frame 15 ½ x 19 ¾”.

Soft hinge impressions, otherwise in apparently good condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

70

Rock N’ Roll Artists collaboration by the Big Five: Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, Wes Wilson; Together with Robert Gotsch (four)

ARTIST’S RIGHTS TODAY, ART, 1986-87, the set of three color screenprints, each signed in pencil by the Big Five: Victor Moscoso, Rick Griffin, Alton Kelley, Wes Wilson & Stanley Mouse, images 23 x 17 ½” with full margins, all in one frame 33 ½ x 68”,; Together with Robert Gotsch HOOKER’S MASQUERADE BALL, 1978, color lithograph poster, signed and dated in stone lower left, overall 29 ¼ x 20” including frame. (4)

Artist’s Rights prints in apparently good condition, frame molding broken lower center; Gotsch with tideline stain lower sheet edge, otherwise both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

71

Joseph Gunther 1830-    ) German

THE RHINE FALLS NEAR SCHAFFHAUSEN, 1886, oil painting on canvas, signed and dated lower left, 9 ½ x 12 ½”, frame 16 ½ x 19 ½ x 2 ½”.

Probably re-line, in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

72

Jozsef Guti (b. 1946) Hungarian

KORSOPAR, 1996, oil painting on panel, signed and dated lower right, inscribed on verso, sight 39 x 27”, frame 44 x 32 ½” with glass.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

73

Keith Haring (1958-1990) New York

INFLATABLE BABY, 1985, plastic inflatable, 22 x 29 x 12”, retains air, with original printed white cardboard box, originally purchased at Haring Store.

Surface soiling, box has wear, otherwise good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

74

Keith Haring (1958-1990) New York

LUNA LUNA: A POETIC EXTRAVAGANZA, 1986, printed 3-D cut-out pop-up, signature and date printed on cover, published by Luna Luna Freizeitanlagen GmbH, 1986, closed 12 x 12” opened 9 x 24 x 12”.

Cover with minor wear and surface scuffs, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

75

Lipot Herman (1884-1972) Hungarian

SEASIDE PATH WITH TREES, oil painting on canvas, signed lower right, 39 x 30”, frame 47 x 37 ½ x 2 ½”.

Possibly professionally re-lined, in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

76

Lipot Herman (1884-1972) Hungarian (two)

ALLEGORICAL SCENES, two graphite and color crayon drawings on paper, both appear to be signed lower right, one with artist’s estate stamp lower right, sights 9 ¼ x 12” & 7 ½ x 10 ½”, frames 15 x 18”. (2)

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

77

Henry Salem Hubbell (1870-1949) American

MOTHER & CHILD, oil painting on canvas, signed lower left and inscribed “apres W. Bouguereau” lower left, 32 ½ x 22”, framed 36 ¾ x 27”. Note: Hubbell was a student of Bouguereau.

Relined, small chip lower center, dimple at child’s toe, some in-painting lower area, otherwise in apparently good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

78

Hungarian Artist Unidentified (mid-20th Century)

TOWNSCAPE, oil painting on board, signed lower right, with the Magyar Nemzeti Galeria rubber stamp (of significance) and Handelsmann Arnold Budapest label on verso, 19 ¼ x 23 ½”, frame 22 ½ x 26 ½”.

Some minor surface soiling, some discoloration on verso, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

79

Hungarian Artist Unidentified (mid-20th Century)

STILL LIFE WITH PEARS, oil painting on board, illegibly signed lower left, with the Magyar Nemzeti Galeria rubber stamp (of significance) on verso, 19 ¾ x 23 ¾”, with an ill-fitting frame, 28 ½ x 33”.

Two small chips lower center, some edge wear from frame, glue skinning on verso from previously being attached to foamcore, redium size repair patch visible on verso, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

80

Robert Indiana (1928-2018) American

THE BRIDGE (S.132) from the New York New York portfolio, 1983, color screenprint, signed in pencil, numbered 20/250, image 35 ½ x 25”, full margins, frame 40 ¾ x 29”.

Discoloration stains in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

81

Jozsef Ircsik (1932-1986) Hungarian

ANGULAR HOUSES, oil painting on board, signed lower right, 23 ¼ x 26”, frame 27 ¼ x 30”.

A few small nicks and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

82

Tibor Jankay (1899-1995) Hungarian American

MAN & WOMAN WITH RED HEADSCARF, oil painting on board, signed lower right, 23 ½ x 19”, frame 31 x 27” with glass.

Nick upper right, minor edge wear, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

83

R. H. Johnson (20th Century) American

UNTITLED, 1965, oil painting on canvas, signed and dated lower right, 30 x 40”, frame 31 ½ x 41 ½”.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

84

after Wassily Kandinsky (1866-1944) Russian

UNTITLED, color lithograph, with Artist’s Rights Society blind stamp lower left and another blind stamp lower right, numbered 26/399, image 18 ¼ x 20 ¼”, full margins, frame 30 x 22” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

85

after Wassily Kandinsky (1866-1944) Russian

UNTITLED, color lithograph, with Artist’s Rights Society blind stamp lower left and another blind stamp lower right, numbered 40/399, image 22 x 20”, full margins, frame 34 x 32 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

86

after Wassily Kandinsky (1866-1944) Russian

UNTITLED, color lithograph, with Artist’s Rights Society blind stamp lower left and another blind stamp lower right, numbered 253/399, image 18 ¼ x 20 ¼”, full margins, frame 30 ¼ x 32” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

87

Jeno Karpathy (1871-1950) Hungarian

RED BLOSSOM TREE BY CAPRI COASTLINE, oil painting on canvas, signed lower left, 23 ½ x 31 ½”, frame 28 x 36”.

Probably re-line, in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

88

Alex Katz (b. 1927) New York

BICYCLE RIDER (M.130) from the New York New York portfolio, 1982, color lithograph, signed in pencil, numbered 20/250, published by New York Graphic Arts Society, Connecticut, sheet 22 x 30”, frame 29 x 36 ¾”.

Colors faded, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

89

Claude Kent (20th Century) California

UNTITLED, wood construction with inset glass, a signature not found, overall 32 ¾ x 22 x 5-7” depending on installation.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

90

Claude Kent (20th Century) California

UNTITLED, 1978, acrylic painting on paper, signed and dated lower right, image 23 x 21”, sheet 29 ½ x 25 ½”, frame 33 ½ x 29 ½ with glass. Provenance: acquired directly from the artist by the current owner.

Natural cockling, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

91

Claude Kent (20th Century), Bob Haas & Stephen Moore (20th Century) (three)

Claude Kent UNTITLED, acrylic painting on paper, a signature not found (possibly on verso), overall 15 ½ x 20 ½” with frame; Bob Haas UNTITLED, acrylic painting on paper, a signature not found (possibly on verso), 4 ½ x 15 ½”, frame 12 x 22”; Stephen Moore UNTITLED, 1972, mixed media glass and wood construction, signed and dated on verso, 15 ¼ x 15 ¼ x 2 ¼”. (3)

Moore with minor edge wear, otherwise all in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

92

Ronald Kitaj (1932-2007) American

PERFORMING ARTS CENTER from the New York New York portfolio, 1983, color screenprint, signed in pencil, numbered 86/250, image 27 ½ x 20 ¼”, full margins, frame 38 x 30” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

93

KPM porcelain

GENERAL DARLING, painted porcelain plaque, 6 ¼ x 9 ¼”, stamped and titled on verso, frame 12 ¼ x 15 ¼”.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

94

Anatole Krasynyansky (b. 1920) Russian California

MUSICIANS, color giclee print on canvas with ink marker drawings in the four corners, signed lower left, numbered 33/50 and inventory number 0021 84314 on verso, 32 ¾ x 26 ¾”, frame 41 ¼ x 35 ¼”.

Surface scuff lower left, some hairlines cracks, some line impressions on verso visible on recto, some stretcher bar impressions, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

95

Lance Letscher (b. 1962) Texas

BROWN SHOES, 2005, mixed media collage on Masonite, signed?, 22 x 16 ¼”, frame 32 ½ x 26 ½”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

after Max Le Verrier (1891-1973) French

WOMAN WITH BALL, cast bronze sculpture with green patina and stone ball and marble base, signed, overall 12 ½” tall.

Discoloration and wear to patina, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

97

Charles Levier (1920-2004) French

FLEURS AU POND ROSE, oil painting on canvas, signed lower right, titled on verso, 40 x 30”, frame 52 x 42”.

Surface soiling, hairline cracks, feather cracks recto from writing on verso, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

98

Charles Levier (1920-2004) French

WOMEN IN RED, oil painting on canvas, signed lower right, 48 x 20”, frame 55 ½ x 27 ½”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

99

Charles Levier (1920-2004) French

TWO WOMEN, oil painting on board, signed lower right, 30 x 15”, frame 39 ½ x 24 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

100

Charles Levier (1920-2004) French

STILL LIFE WITH CHERRIES AND JUG, oil painting on board, signed lower left, 20 x 30”, frame 26 ½ x 36 ½”.

Small unobtrusive flaw lower left corner, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

101

Charles Levier (1920-2004) French

STILL LIFE WITH BLUE PITCHER, oil painting on board, signed lower right, 14 x 11”, frame 21 ½ x 18 ½”.

Some surface soiling, small nick upper left, small scrape and small accretion lower left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

102

Charles Levier (1920-2004) French (two)

UNTITLED ABSTRACTS, two, each an oil painting on board, signed lower right, 14 x 11” & 14 x 11”, frame 21 ¾ x 18 ¾” & 22 x 19”. (2)

One with small losses from artist’s incisions, otherwise both good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Charles Levier (1920-2004) French & Melatti (two)

Charles Levier STILL LIFE, oil painting on canvas, signed lower right, 24 x 30”; Together with Melatti STILL LIFE, oil painting on canvas; signed upper right, 24 x 30”. (2)

Levier with hairline scratch at center, Melatti with small unobtrusive tear center right, otherwise both in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

104

after Kazimir Malevich (1878-1935) Russian

UNTITLED, color lithograph, with Nakhamkin blind stamp lower left and another blind stamp lower right, numbered 205/300, image 25 x 20 ¼”, full margins, frame 41 ¼ x 34 ¼”.

Mild cockling and creases in the margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

105

Heather Marcus (b. 1939) American

UNTITLED, painted and riveted metal wall sculpture, 55 x 64 x 16 ½”.

Some minor paint chips, overall dust accumulation, otherwise in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

106

Samuel Marx (1885-1964) American

STILL LIFE IN A BLUE VASE, oil painting on paper or board, signed and dedicated lower right, 40 x 30 ½”, frame 51 x 41” with glass. Provenance: Mervyn and Kitty LeRoy; Literature: ULTRAMODERN SAMUEL MARX/ Architect Designer Art Collector, painting featured on page 185 in Mervyn Leroy’s Bel Air home; ARCHITECTURAL DIGEST, April 1994, painting featured on page 227, article and photographs of Mervyn Leroy’s Bel Air home.

Flaking and some craquelure, otherwise in apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

107

Roberto Matta (1911-2002) Chilean

HOM’MERE III: TRANCHETRE (F.209), 1977, color aquatint etching, signed in pencil, numbered 60/100, printed and published by Georges Visat, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

Extremely pale toning in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

108

Roberto Matta (1911-2002) Chilean

HOM’MERE III: L’ERGOFRAGE (TITIANIC) (F.207), 1977, color aquatint etching, signed in pencil, numbered 60/100, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

Toning in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

109

Peter Max (b. 1937) German/ American

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

110

Peter Max (b. 1937) German/ American

STANDING FIGURE, 1974, acrylic painting on canvas, signed and dated upper left, 29 ½ x 22 ½”, frame 32 ¾ x 24 ¾”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

111

Peter Max (b. 1937) German/ American

PROFILE IN GREEN, 1984, oil painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 20 x 16”, frame 26 ¼ x 22 ¼”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney for the artist, bequeathed to Paul and Mani Baker.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

112

Peter Max (b. 1937) German/ American

FIGURE & PROFILE, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, dedicated in blue pencil lower center, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 28 ¼ x 37 ¼” with glass.

Colors attenuated, discoloration upper sheet edge probably from hinges on verso, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

113

Peter Max (b. 1937) German/ American

FIGURE IN BLUE ROBE WITH VASE,1980, color lithograph, signed and dated and inscribed artist’s proof in pencil, Peter Max New York blind stamp lower left, image 18 ¼ x 23 ¼” frame 28 ¼ x 33 ¼” with glass.

Colors attenuated, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

114

Peter Max (b. 1937) German/ American

MAN WITH UMBRELLA, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 28 ¼ x 37 ¼” with glass.

Colors attenuated, otherwise in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

115

Peter Max (b. 1937) German/ American

RECLINING FIGURE, 1983, color lithograph, signed and dated and inscribed artist’s proof in pencil, dedicated in blue pencil, Peter Max Atelier blind stamp lower left, sight 20 ½ x 29 ½”, frame 27 ¾ x 36 ¾” with glass.

Colors extremely attenuated, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

116

McDonald (20th Century)

BOUQUET ON BALCONY TABLE, acrylic painting on paper or board, signed lower right, sight 20 x 24”, frame 29 ½ x 33”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

117

McDonald (20th Century)

OCEAN VIEW, acrylic painting on paper or board, signed lower right, sight 27 x 27”, frame 36 x 36”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

118

Mendij (20th Century) European California

SELF PORTRAIT, 1971, oil painting on canvas, signed and dated lower right, 52 x 48”, frame 54 x 50”.

In good studio condition

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

119

Mid-Century Modern Artist Unidentified (two)

STILL LIFE; LANDSCAPE, two, each an oil painting on board, each signed Pala**** lower left, 21 x 18” & 18 x 24”, frames 31 x 26” & 24 ¾ x 30 ¾”. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

120

George Miyasaki (1935-2013) Hawaiian/ Californian

TRAMPAS MESA, 1982, color lithograph, signed and dated in pencil, numbered 32/50, printed and published by Tamarind Press, sheet 26 ¾ x 21”, frame 35 ½ x 29 ¾” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Albert Mohr (1918-2001) New York/ France

THE BATHERS, oil painting on canvas, signed lower left, 30 x 24”, frame 35 ½ x 29 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

122

C. Pal Molnar (1894-1981) Hungarian

LANDSCAPE, oil painting on Masonite, initialed lower right, 11 ¾ x 15 ½”, frame 16 ½ x 20 ½”.

Some minor surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

attributed to Adolphe Monticelli (1824-1886) French

LADIES WITH PARASOLS, oil painting on board, 17 ¾ x 23 ½”, frame 25 x 31”.

Minor discoloration on verso, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

124

Michael Olodort (b. 1942) & Robert Glover (20th Century) (two)

Michael Olodort TAP DANCING HANGER, 1970, color pastel on paper, titled and dated lower right, possibly signed on verso, 19 x 19”, frame 23 ¾ x 23 ¾” with glass. Provenance: Pasadena Art Museum; Robert Glover INTERCEPTOR, gouache on illustration board, signed and inscribed with another title on verso, overall 19 ¼ x 19 ¼” including frame, provenance: Janus Gallery, Los Angeles. (2)

The first with mild cockling and slightly touching the glass, the second with minor buckling; otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

125

Yoko Ono (b. 1933) Japanese/ American & other gallery ephemera (twenty-five)

A collection of exhibition announcements from 1977-2002, including original art and photographs, purported to be from the international art critic Anthony Haden-Guest, including Yoko Ono's card and key contained in a screenprinted plastic bag 7 x 4” from Blood Objects Drawings from Franklin Summer 1995; other artists include Ron Galella, Marcia Grostein, Michael Nafzigar, Marcia Resnick, and an assemblage/ construction Marlboro Box dedicated to Anthony on his 72nd Birthday, sizes from 4 x 3 ½ to 12 x 9 ½”, in a collector’s black portfolio box with surface losses from tape removal throughout, 2 ½ x 10 ¼ x 13 ½”. (25)

Overall in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

126

Janos Orosz (b. 1932) Hungarian

SEATED NUDE WITH RED OUTLINE, 1963, oil painting on Masonite, signed and dated lower right, 31 ¼ x 21 ¼”, frame.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

127

Shirley Pettibone (1936-2011) California

WATER PATTERN CONVICT LAKE SAND BANK TUOLUMNE RIVER, 1987, watercolor on paper, signed and dated lower right, image 4 ¼ x 6 ¼”, full margins, frame 10 ¼ x 12 ¼”. Provenance: Tortue Gallery, Sant Monica.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

128

Bozse Poli (early to mid-20th Century) European

TWO YOUNG GIRLS, color pastel on canvas, signed upper right, 16 ½ x 18 ½”, frame 21 x 23 x 2 ½” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

129

Horia Popp (b. 1940) Romanian California

UNTITLED, 1980, oil painting on canvas, initialed lower right and inscribed on verso, 40 x 23”. Probably from B. Lewin Gallery Palm Springs.

Surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Dan Rizzie (b. 1951) Texas/ New York

THE BOLIVAR (for JVH), 1990, acrylic painting and wood construction on board, signed and dated and titled on verso, 60 x 40”, frame 69 ½ x 49”. Provenance: Eugene Binder Gallery, Dallas.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

131

Betye Saar (b. 1926) Californian

UNTITLED, 1977, mixed media with collage on hand-made paper, signed and dated lower right, 16 ½ x 16”, double glass frame 21 x 21”. Provenance: Acquired directly from artist by present owner.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

132

Betye Saar (b. 1926) Californian

MYSTIC SKY WITH SELF-PORTRAIT, watercolor on paper, signed, dated, titled and dedicated on verso, 7 x 8 ½”, frame 11 ½ x 13 ¼”. Provenance: Acquired directly from artist by present owner.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

133

Muslim Saleh (b. 1927) Indonesian (five)

SCENES OF SOUTHEAST ASIA, circa 1969, five color pastels and watercolors on paper, each signed, average size 15 x 22”. (5)

A few with some small edge tears, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

134

Rolph Scarlett (1889-1984) Canadian/ American

UNIVERSAL EYE, circa 1946, acrylic, watercolor, gouache, pastel & color pencil on paper, signed lower left, 11 x 14”, frame 19 x 23”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

135

Hugo Scheiber (1873-1950) Hungarian

DANCER, gouache on paper, signed lower left, 21 x 18 ½”, frame 27 x 24” with glass.

Cracks and creases, some mild flaking, paper discoloration from age, otherwise in apparently good aged condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

136

Hugo Scheiber (1873-1950) Hungarian

STYLIZED WOMAN SMOKING, color pastel on paper, signed lower right, overall 31 x 22” including frame with glass.

Minor cockling, a few small creases, otherwise in apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

137

Hugo Scheiber (1873-1950) Hungarian

MAN WITH CAP, gouache on paper or board, signed lower right, sight 24 ½ x 17 ¾”, frame 33 x 26 ¼” with none-glare glass.

Tiny holes upper left and upper right corners and at center right sheet edge, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

138

Luis Serrano (b. 1951) American

EL SONIDO MUDO DE LAS COSAS IDAS, 1989-90, acrylic painting on wood panel, signed and dated and titled on verso, 20 ¾ x 18 ¾”, frame 22 ¼ x 20 ¼”. Provenance: Saxon Lee Gallery, Los Angeles.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

139

Luis Serrano (b. 1951) American

STILL LIFE, oil painting on paper with collage, signed Luis center right, 15 x 17 ¾”, frame 21 x 24”.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Peter Shire (b. 1947) Californian

EASTER ISLAND STATUE, 2001-2003, fabricated metal sculpture, signed and dated on verso, 42 ½ x 8 x 8”. One of only 6 commissioned in total.

In good studio condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

141

Dorothy Sklar (1906-1996) California

PORTRAIT OF BOY, oil painting on canvas, signed lower left, 36 x 28”, frame 37 ¾ x 30”.

In good aged studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

142

Richard (Charles Richard) Smith (1931-2016) British

UNTITLED, 1983, color lithograph with mixed media, signed and dated lower right, sight 29 x 21 ¾”, frame 42 ½ x 35”.

Creases and crinkles throughout, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

143

Tassuduque (Tassaduq) Sohail (b. 1930-2017) Pakistan

FANTASY SCENE, 1994, acrylic painting and mixed media on paper, signed and dated lower right, 23 ¼ x 18”, matted 29 ½ x 23 ½”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

144

Frederick Sommer (1905-1999) Arizona

UNTITLED, 1950, gouache on paper, signed and dated on verso, 12 x 18 ½”.

Crease upper left corner, soft handling creases upper right and upper left corners, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

145

Antoni Tapies (1923-2012) Spanish

CREU DEFORMADA, color etching with aquatint and carborundum gravure, signed in pencil, numbered 57/75, printed and published by Poligrafia, image 13 x 23”, sheet 22 x 28 ½”, frame 23 ½ x 30”.

Soft creases and pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

146

attributed to Gerald Thurston (b. 1914) American

1950’s dining room chandelier, brass setting with three removable Fresnell lenses in brass tube chambers, overall 24” tall with 20” diameter.

Oxidation and rust, small ding at rim of lamp, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

Erno Toth (b. 1949) Hungarian

BICYCLIST AND BUTTERFLY CATCHER WITH GOAT, 2001 oil painting on wood panel, signed and dated lower right, 26 x 38”, frame 29 x 41”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

148

Giulio Enrico Trois (1882-1940) Italy

FOUR STORY BUILDING VIEW FROM WATER, oil painting on board, signed lower right, 11 x 15 ½”, frame 18 ½ x 23”.

Surface appears to have been cleaning but has ingrained surface soiling, otherwise in apparently good aged condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

149

James Twitty (1916-1994) American

CALVADOS, 1969, acrylic painting on canvas, signed lower right, titled and dated on artist’s label on verso, overall 36 ¾ x 36 ¾” including slat frame.

Tiny filled in abrasion upper right, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Martin Varo (b. 1943) Hungarian California

FEMALE TORSO, cast bronze sculpture with golden brown patina, initialed at arm end, numbered 4/50, overall 8 ¼” with marble base.

One tiny nick, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Victor Vasarely (1908-1997) Hungarian

TETTYE, color screenprint, signed in pencil, numbered 211/250, with the Vasarely Center NY blind stamp lower left, image 25 ¾ x 26”, full margins, frame 39 x 38”.

Some toning and discoloration in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

152

Veloy Vigil (1931-1997) New Mexico

FIGURES & TEEPEES, color pastel and airbrush on paper, signed lower right, 15 x 21 ¼”, frame 24 ½ x 30 ½” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

153

Miriam Wosk (1947-2010) California

UNTITLED, gouache on paper, signed lower right, 30 x 22 ¾”, frame 32 ¾ x 25 ¾” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

154

Yamin Young (b. 1959) Chinese

ASIAN SHADOWS, color screenprint, signed in pencil, numbered 158/275, sheet 34 x 34”.

Soft impressions visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

155

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed in pencil, numbered 169/375, image 58 x 29 ½”, sheet 63 ½ x 35”.

Hairline cracks, has been stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

  

Use the following links to view lot numbers 1-155

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

Home    Results    Index    Addendum