Clark's Fine Art Gallery & Auctioneers Inc.

Contact    Consignments    Past Sales    Catalog    Index    Bids    Special

 

Auction Saturday June 29th @ Noon

 

CODA Gallery named "Best Gallery in California" American Art Awards

Exclusive Inventory Reduction Event part II and part III of the Moskowitz Estates

Illustration precedes description

 

 

 

1

Ansel Adams (1902-1984) Californian

OLD FAITHFUL, gelatin silver print mounted to card, signed in pencil on card lower right, image 13 ½ x 10”, frame 20 ¼ x 16 ¼”.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

2

Ansel Adams (1902-1984) Californian

BLACK WATER, gelatin silver print mounted to cream colored card, signed in pen on card lower right, image 13 x 10 ½”, frame 20 ¼ x 16 ¼”.

Minor cockling, four small tape hinges on recto, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

3

Ansel Adams Studio (1902-1984) Californian

YOSEMITE, VERNON FALL, gelatin silver print mounted to card, printed by Alan Ross from Ansel Adams’ original negative under his supervision, stamped on verso of card, image 9 ½ x 6 ¼”, card 16 ½ x 13 ½”.

Card with dimple lower left and some scuffs on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

4

African Chiwara & others (four)

Chiwara carved wood top of head piece 27 ½” tall; A carved wood scepter with human and lizard design 15 ¾” long; A three-link wood carving with figure in center overall 26 ½” tall; A two-faced carved and painted wood object 29 ½” tall. (4)

All in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

5

African Masks (three)

Two carved wood masks with white clay and paint, 14 ½” & 12” tall; A carved and painted helmet wood mask with seashells, beads and fabric, 12” tall. (3)

All in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

6

African Mask

Painted and encrusted wood mask with bead, feathers and rope, overall 32 ½” tall.

In good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

7

African Mask

Yellow Face with Bearded Toad, carved and painted wood Helmet mask, 18 x 10 x 14”.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

8

African Masks: Marka Mali Bambara & Sango (three)

Marka Mali Bambara, two carved wood masks with metal overlay, 18 ½” & 15 ¾” tall; A Sango Reliquary of wood, leather, metal and rope, overall 12 x 6 ½ x 2”. (3)

One Mali with some losses of metal, otherwise all in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

9

African Statues (ten)

Six carved wood figures and two figural lids, some painted and decorated, sizes from 15 ½” to 8 ½” tall; Together with two carved wood spoons, 13 ¼” & 8 ¼” long. (10)

All in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

10

African Stool & Figure (two)

STOOL, carved wood, 16” tall, 9 ¾” diameter; FEMALE FIGURE, carved and painted wood statue, overall 20 ¾” including base. (2)

Both with some losses.

Auction Estimate $200/400

Starting Bid $100

 

 

 

11

Reza Afrookhteh (b. 1957) California

CUBIST FLOWERS, oil painting on linen, signed lower right, 30 x 24”, frame 39 ¾ x 31 ¾”.

In good studio condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

12

Anni Albers (1899-1994) American

TRIADIC SERIES D, 1969, color screenprint, signed and dated in pencil, numbered D 52/60, image 17 x 14 ¾”, Plexiglas frame 24 ¼ x 22 ¼”.

Mild cockling, small amount of bug debris in frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

13

Brad Aldridge (b. 1965) Utah

THE SOLACE OF EVENING, 2001, oil painting on board, signed lower right, signed and dated and titled on verso, 30 x 36”, frame 36 x 42”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

Small nicks lower right, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

14

Brad Aldridge (b. 1965) Utah

TOGETHER AT TWILIGHT VERMONT, 2000, oil painting on board, signed lower right, signed and dated and titled on verso, 20 ½ x 20 ½, frame 28 x 28 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

15

Brad Aldridge (b. 1965) Utah (three)

TWO TREES AT NIGHT, 1996, oil painting on board, signed lower left, signed and dated and titled on back of frame, sight 6 ½ x 4 ½”, frame 12 ¾ x 11”;THE GROVE AT DAWN, 2003, oil painting on board, signed lower right, signed and dated and titled on verso, 8 x 10”, frame 14 x 16”; KOOSHAREM AT DAWN, 1992, oil painting on board, signed lower right, signed and dated and titled on back of frame, sight 2 ¾ x 5 ½”, frame 8 ½ x 11 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (3)

All in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

16

Don Allan (b. 1927) Utah (two)

BREAD CHEESE WINE AND GRAPES, 2001, oil painting on board, signed and dated lower left, 9 x 12”, frame 14 ½ x 17 ½”; VEGETABLE BASKET, 1994, oil painting on board, signed lower right, 8 x 10”, frame 13 x 15”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

17

Don Allan (b. 1927) Utah (two)

CHEESE, GRAPES AND WINE, 1999, oil painting on board, signed and dated lower right, 12 x 16”, frame 16 x 20”; TOMATOES AND SQUASH, 1994, oil painting on board, signed lower right, 11 x 14”, frame 15 ¼ x 18 ¼”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Don Allan (b. 1927) Utah (two)

RASPBERRIES IN BRASS BOWL, 2000, oil painting on board, signed and dated lower right, 11 x 14”, frame 16 x 19”; BLUEBERRIES IN CROCK, 1998, oil painting on board, signed and dated lower left, 8 x 10”, frame 12 ½ x 14 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (2)

The first with a knot crack in the wood frame, otherwise both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

19

Shawn Athari (20th Century) Californian

CHAIR #6, 2004, hand-crafted glass and painted fabricated metal chair with cushion seat, signed and dated on glass, overall 50 x 24 x 16 ½”.

In good studio condition.

Auction Estimate $500/800

Starting bid $250

 

 

 

20

Basket Collection: Southeast Asian, Philippine & African Baskets (20th Century) (eleven)

Collection of woven baskets, including four lidded baskets, an African graduated wedding basket and five others, sizes range from 10 ½” to 2” tall excluding handles, with various diameters. From the collection of Selma & Herbert Moskowitz. (11)

One with break in handle reattached with tape, otherwise in overall in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Irit Batsry (b. 1957) Israeli/ American

BLOW UP, 2006, digital Lambda print on Fujiflex mounted to Plexiglas, purportedly from the edition of 5, size 35 x 120”. Proceeds to Benefit UCLA Health.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

22

Irit Batsry (b. 1957) Israeli/ American

GATE, 2006, digital Lambda print on Fujiflex mounted to Plexiglas, purportedly from the edition of 5, size 48 x 63”. Proceeds to Benefit UCLA Health.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

23

Herbert Bayer (1900-1985) Austria American (two)

UNTITLED, two color screenprints, each signed in pencil and numbered 13/85, images 17 ½ x 17 ½”, with full margins, frames 20 ½ x 20 ½” with glass. (2)

Both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

24

Robert Bracketti (b.1952) Montana

ABSTRACT #28, three panel mixed media triptych on board, center panel initialed lower left, first and third panels initialed on frame verso, panels 36 x 12”, 36 x 24” & 36 x 18”, frames 42 ¼ x 18”, 42 ¼ x 30” & 42 ¼ x 24”, overall 42 ¼ x 72”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $400/$800

Starting Bid $200

 

 

 

25

NO LOT

 

In good studio condition.

Auction Estimate $00/00

Starting Bid $00

 

 

 

26

Doug Braithwaite (b. 1964) Utah

NOISE IN THE ATTIC, 2001, oil painting on board, signed lower left, signed and dated and titled on verso, 18 x 20”, with liner 21 ½ x 23 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

27

Doug Braithwaite (b. 1964) Utah

THE ROAD TO ENLIGHTENMENT, 2000, oil painting on board, signed lower left, signed and dated and titled on verso, 20 x 22”, frame 23 ½ x 25 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Doug Braithwaite (b. 1964) Utah (two)

THREAT OF RAIN, oil painting on canvas, initialed lower left, 5 ¼ x 7”; HITCHING POST, oil painting on canvas, initialed lower right, 5 x 7”; Both frames 12 x 13 ½” with glass. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (2)

Both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

29

Doug Braithwaite (b. 1964) Utah (two)

SOUTH FACE, oil painting on canvas, initialed lower right, 5 x 7”; MAINTENANCE SHOP, oil painting on canvas, initialed lower left, 5 x 7”; Both frames 12 x 13 ¾” with glass. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request. (2)

Both in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

30

George Kennedy Brandriff (1890-1936) California

HOVER DAM CONSTRUCTION ARIZONA, 1933, oil painting on canvas over board, signed by Mrs. Brandriff and dated and titled on verso, 14 x 18”, frame 21 ½ x 25 ¾”.

Scratch upper right corner, otherwise in good condition.

Auction Estimate $500/15000

Starting Bid $250

 

 

 

31

William Theophilus Brown (1919-2012) San Francisco & Dan Allison (b. 1953) Texas (two)

William Theophilus Brown PENCILS IN BOX, 1983, lithograph, signed in pencil, numbered 24/100, printed and published by Editions Press San Francisco, with blind stamp lower right and rubber stamp on verso, image 6 x 8 ½”, sheet 8 ½ x 11”; Together with Dan Allison ROSES DEL FUEGO, color aquatint collaged on to wove paper, signed and titled and numbered 44/65 in pencil on the wove paper, image 7 ¾ x 11 ½”, sheet 15 x 17”. (2)

Allison with pale toning in margins, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

32

Lydia Buzio (1948-2014) New York/ Uruguay

UNTITLED, 1984, painted ceramic, signed and dated underneath, 12” tall, 13” diameter, retains old auction sticker underneath, probably Butterfields.

In good studio condition

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

33

Alexander Calder (1898-1976) American

THE FLYING COLORS COLLECTION, 1975, color lithograph, initials and date on the stone, with blind stamp lower right, sight 18 x 24”, frame 25 ½ x 31 ½” with glass.

Some toning in margins at mat, a few soft handling creases visible at certain angles in raking light, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

34

Leonetto Cappiello (1875-1942) Italian

VEUVE AMIOT, CREMANT DU ROI, 1922, color poster, signed and dated on the plate, published by Les Nouvelles Affiches Cappiello, image 60 x 44”, frame 67 ½ x 51 ¾”, probably mounted to linen.

Some colors may be attenuated, some discoloration in margins, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

35

Martha Casanave (b. 1945) American & Another (two)

Martha Casanave ANSEL ADAMS AT PIANO, 1978, gelatin silver print mounted to card, signed and dated in pencil on card lower right, image 9 ¾ x 13 ¼”, frame 16 ¼ x 20 ¼”; Together with Photographer Unidentified, VIEW OF A BRIDGE, selenium toned print mounted to card, inscribed “Gallery #3 selenium toned” in pencil on the card, image 6 x 7 ¾”, card 11 x 14”, matted. (2)

Casanave with a tiny nick at the lower image edge, Bridge image with perimeter impression from the mat and a few small creases, some minor skinning on the card, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Marc Chagall & Joan Miro (books with lithographs) (2)

Marc Chagall LITHOGRAPHS IV, 1969-1973, Sorlier, hardbound catalog raisonne with color lithograph frontispiece 12 ½ x 9 ½” and dust jacket, published by Crown Publishers, Inc, text in English, 13 x 10 x 1”; Joan Miro INDELIBLE MIRO, 1972, Taillandier, hardbound book with two color lithographs, each 13 ¾ x 10 ¼”, Tudor publishing for Societe Internationale De’Art XXe Siecle Paris, text in English, 14 ¼ x 10 ½ x 1”. (2)

Chagall dust jacket with a few small tears and wear, small discoloration at base of the spine; Miro dust jacket with tears and toning and wear and some scotch tape strips, soiling at page edges otherwise both in good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

37

Cheong Soo Pieng (1917-1983) Chinese

BALINESE WOMEN WITH DEER, 1975, oil painting on canvas, signed in Chinese upper right, signed and dated on verso, 33 ¼ x 33 ¼”, frame 38 x 38”. Provenance: acquired directly from the artist by the Tao Family in Singapore. This work has been submitted for inclusion in the forthcoming catalog raisonne of the artist’s work.

Some minor hairline cracks, a few minor surface scuffs, otherwise in good condition.

Auction Estimate $100,000/200,000

Starting Bid $75,000

 

 

 

38

Czeslaw Pius Ciapalo (b. 1942) Poland

AMERICAN MINIATURE CON VARIANTIONE, COMPUTER SERIE B BLACK-GREEN #5, 1988, oil painting on six conjoined canvases, signed and dated and titled on verso, 28 ½ x 57 ½”.

Light surface soiling, soft impressions, hairline cracks, stretcher bar impressions, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Sophie Combres (1960-2006) French

UNTITLED, acrylic painted ceramic vessel, a signature not found, 30” tall, 14 ½” diameter.

In apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

40

Xavier Cugat (1900-1990) Cuban

NUN ON THE BEACH WITH CHILDREN, 1970, oil painting on canvas board, signed lower right, signed and dated and inscribed “this is an original of mine” on verso, 15 x 30”, frame 17 x 32”.

A few light surface scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Le Thiet Cuong (b. 1962) Vietnamese

THE GAME, 1999, pigment painting on fabric, signed and dated lower center left, sight 18 ¾ x 28”, frame 27 ½ x 37” with glass.

Some micro drying craquelure mainly in red window, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

42

Salvador Dali (1904-1989) Spain

THE DENTIST (F.80-4 B), 1979/80, color lithograph, signed in pencil, numbered I 198/350, image 22 x 18”, full margins, frame 35 x 28” with glass.

Colors faded, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

43

Ulla Darni (20th/21st Century) New York/ Denmark

VIENNA BOWL, reverse hand painted glass dome chandelier with metal support, a signature not found, limited edition, diameter 24”, height 30-32”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

44

NO LOT

 

 

Auction Estimate $00/00

Starting Bid $00

 

 

 

45

Charles Daubigny (1817-1878) French

LE SATYR, 1850, etching, plate signed lower left, image 5 ¾ x 4”, full margins, frame 18 ¾ x 15 ¾” with glass. Provenance: Jeanne Frank NYC.

Some discoloration and speckling, otherwise in apparently good condition.

Auction Estimate $80/120

Starting Bid $40

 

 

 

46

Dora De Larios (1933-2018) Californian

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil and inscribed artist’s proof for Mickey aside from the numbered edition of 100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

Soft handling creases mainly visible on verso, a few small accretions on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

48

Jane De Decker (b. 1961) Colorado

NUDE, 1995, cast bronze sculpture with dark green patina, signed and dated and numbered 4/21, size 13 ½ x 22 ½ x 11”.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

49

Jane De Decker (b. 1961) Colorado

MOTHER WITH CHILD, cast bronze sculpture, signed and numbered 10/31, overall 18 x 10 x 7” including marble base.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

50

Jim Dine (b. 1935) American

RIMBAUD WOUNDED IN BRUSSELS, 1973, etching in blue, signed and dated in pencil, numbered 30/30, image 5 ¾ x 4”, sheet 29 ½ x 21 ½”, frame 32 ½ x 24 ½”.

Some discoloration spots, soft handling creases, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

51

Jim Dine (b. 1935) American

RIMBAUD THE COFFEE EXPORTER, 1973, etching in brown, signed and dated in pencil, numbered 23/25, image 5 ½ x 3 ½”, sheet 26 x 19 ½”, frame 28 ½ x 22 ½”. Provenance: Leslie Sacks Fine Art; Laura Carpenter Fine Art.

Speckling and small spots, soft handling creases, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

52

Hans Dreier (1886-1966) German California (two)

VERGESSENE RUINS, circa 1958, pair of ink and wash drawings on paper, both signed, one dated, both dedicated, images 15 x 18” & 14 ½ x 18 ¼”, frames 23 ¼ x 26 ½” with glass. Hans Dreier was an Art Director who was nominated 23 times and won four Oscars including one for Sunset Boulevard. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

53

Jules Engel (1915-2003) Californian

SPACES, 1953, oil painting on canvas, 36 x 44 ½”, frame 37 ½ x 46 ½”. Provenance: Paul Kantor Gallery; Previously from the David Bright Collection.

Some professional restoration to lower edge, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

54

Erte (1892-1990) Russian/ French

HELEN OF TROY (E.130), 1988, cold-painted cast bronze sculpture, signed, numbered 373/375, published by Chalk & Vermilion & Seven Arts, overall 21 ¼ x 8 ¼ x 8 ¼”.

Some tarnishing on chains and on backside of headdress, some uneven coloring on legs, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

55

Erte (1892-1990) Russian/ French

ARABIAN NIGHTS (E.169), 1990, cold-painted cast bronze sculpture, signed, numbered 331/375, published by Chalk & Vermilion & Seven Arts, overall 23 x 10 x 6”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

56

Erte (1892-1990) Russian/ French

TANAGRA (E.129), 1988, cold-painted cast bronze sculpture, signed, numbered 12/500, published by Seven Arts LTD London, overall 21 x 10 x 8”.

A few small blemishes on finish, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

57

Erte (1892-1990) Russian/ French

BACCHANTE (E.114), 1988, cold-painted cast bronze sculpture, signed, numbered 311/375, published by Chalk & Vermilion & Seven Arts, overall 21 ¼ x 6 x 6”.

A few small scrapes on the grapes, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

58

Erte (1892-1990) Russian/ French

BYZANTINE (E.170), 1987, cold-painted cast bronze sculpture, signed, numbered 323/375, published by Chalk & Vermilion & Seven Arts, overall 20 x 9 ½ x 3 ½”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

59

Erte (1892-1990) Russian/ French

THE SLAVE (E.145), 1988, cold-painted cast bronze sculpture, signed, numbered 19/375, published by Chalk & Vermilion & Seven Arts, overall 18 ½ x 12 ¼ x 6 ¾”.

A few small scuffs and scrape on left leg, accretion and small scrape on left arm, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

60

Erte (1892-1990) Russian/ French

KISS OF FIRE (L.38), 1988, cold-painted cast bronze sculpture, signed, numbered 293/300, published by Fine Arts Acquisition, overall 21 x 10 ¼ x 5”.

In good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

61

Erte (1892-1990) Russian/ French

SUMMER BREEZE (E.183), 1987, cold-painted cast bronze sculpture, signed, numbered 117/375, published by Chalk & Vermilion & Seven Arts, overall 23 ½ x 11 ½ x 6”.

A few minor imperfections visible upon close inspection, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

62

Erte (1892-1990) Russian/ French

L’AMOUR (L.113), 1985, cold-painted cast bronze sculpture, signed, numbered 103/375, published by Fine Arts Acquisition, overall 21 ¼ x 8 x 7 ¾”.

A few minor imperfections visible upon close inspection, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

63

Erte (1892-1990) Russian/ French

DAYDREAMS (E.168), 1985, cold-painted cast bronze sculpture, signed, numbered 39/375, published by Chalk & Vermilion & Seven Arts, overall 14 x 18 ¼ x 6”.

Tiny rub spot on her derriere, otherwise in good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

64

Erte (1892-1990) Russian/ French

LA SOMPTUEUSE (L.139), 1986, embossed color screenprint, signed in pencil, numbered 77/300, printed by Coriander Studio, London, image 20 ¼ x 14 ¾”, full margins, frame 30 ¾ x 24 ½” with glass.

Small dimple upper right margin from screw-eye dent on verso of frame, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

65

Ethnic Art (three)

PROCESSION OF WARRIORS, gouache on incised parchment, overall 16 x 20 ¼”; RELIGIOUS PROCESSION, gouache on parchment, 7 ¼ x 10 ¼”; LOVERS, gouache on card, 10 x 7”. (3)

Religious procession with small repaired hole lower center, otherwise all in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

66

Ethnic Items (five)

Ethic carved wood sword with a more elaborately carved wood handle, 38 ¼” long; Judaica MENORAH, brass adjustable Torah stand, overall 9 ½ x 14 ¼ x 9 ½”; Indian Stuffed Rajasthan Animals HORSE, ELEPHANT, CAMEL, three large cloth folk art figures with metallic thread, embroidery and mirrors, 11 ½ x 10 x 4 ½”, 11 ¼ x 12 x 6 ½”; 11 ¾ x 4 ¾ x 13”. All from the collection of Selma & Herbert Moskowitz. (5)

Rajasthan items with dust accumulation and some fading, otherwise all in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

67

Henry E. Gilpin (1922-2001) California

HIGHWAY ONE, gelatin silver print mounted to card, signed in pencil on card lower right, image 15 ½ x 19 ½”, frame 24 ¼ x 28 ¼”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

68

Henry E. Gilpin (1922-2001) California

MT. MCKINLEY, NORTHEAST CORNER OF WONDER LAKE 4:30AM, gelatin silver print mounted to card, signed in pencil on the card lower right, image 15 ¼ x 19 ½”, frame 24 ½ x 8 ½”.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

69

Good (20th Century) (four)

NUDES, 1969, four lithographs, each signed and dated and numbered 5/200 in pencil, each Plexiglas frame 18 ¾ x 25 ½”. (4)

A few small speckles, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

70

R. C. Gorman (1931-2005) Native American

KAY-BAH, 1991, color lithograph, signed in pencil and inscribed publisher’s proof, sheet 19 x 25”, frame 30 x 36 ½”. Proceeds to Benefit UCLA Health.

In apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

71

R. C. Gorman (1931-2005) Native American

WOMEN IN SILENCE 1981, painted and glazed ceramic plaque, artist’s and publisher’s stamps on verso, titled and numbered 24/100 in ink on verso (dissipated), 15 ¾ x 13 ¾”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

72

Larry Gray (20th Century) American

UNTITLED, watercolor and pastel on paper, signed in pencil and dated March 30th 1979 lower right, sheet 29 ½ x 41 ½”, frame 32 x 43 ¾” with glass.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

73

Hard Edge Artists: Brian Rice (b. 1936) & Artists Unidentified (2) (three)

Brian Rice SECTOR 3, 1968, color screenprint, signed and dated in pencil, numbered 193/200, image 10 ¾ x 10 ¾”, sheet 13 x 13”; Artists Unidentified UNTITLED, two color screenprints, each signed in pencil, one dated 1965 and numbered 22/60, the other numbered 35/60; both published by Galeria Del Deposito with blind stamp lower right; The first in a discardable frame, the latter two in Plexiglas frames 24 ¼ x 20 & 27 ¼ x 19 ¼”, both with full margins. (3)

Rice with pale discoloration; Red & Blue with hinges in upper and lower corners on verso starting to show on recto, otherwise all in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

74

Jeffrey Hein (b. 1974) Utah

MOWAVA, oil painting on board, signed lower right, 21 x 50”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

A few light scratches upper right, some minor edge wear, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

75

Henrietta (20th Century) American

STILL LIFE, oil painting on board, signed Henrietta lower right, 12 x 28”, frame 13 x 29”, possibly the work of Henriette Berk?

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

76

Pamela Holeman (20th Century) American

THE POPPY GARDEN, 1992, acrylic painting on canvas, signed lower left in silver marker, signed and dated and titled on verso, 36 x 42”, frame 38 ½ x 44 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

77

Holmesgaard & Danish Modern Glass (five)

Holmesgaard glass vase 8 ¾” tall hallmarked and dated 1961 underneath; Four colored glass vases 21” to 10” tall. From the collection of Selma & Herbert Moskowitz. (5)

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

78

Jack Hooper (b. 1928) Californian (twenty-four)

A collection of sixteen paintings and drawings on paper, some signed and dated 1961 to 1964, nine approximately 19 ½ x 24”, seven approximately 14 x 12” to 8 ½ x 5 ¾”; Together with eight tiny ink drawings on paper, each approximately 3 x 3 ½”. Provenance: acquired directly, from the collection of Selma & Herbert Moskowitz. (24)

All in overall good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

79

Indonesian & Asian Puppets (19th–20th Century) (ten)

A three-dimensional puppet with painted wood head with goat hair and cloth dress 30” tall; A painted wood puppet head 11 ½” tall including metal stand; Two Asian hand-puppets each approximately 13” tall with wood heads and fabric costumes; Three card Shadow puppets 40” & 30” tall & 24” high with metal stand; Three wood Shadow puppets from 22 ½” to 19”, one missing an arm. From the collection of Selma & Herbert Moskowitz. (10)

All with some degree of deterioration, all in aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

80

Norman Ives (1923-1978) American (two)

BA-2, 1970, color screenprint, signed and dated in pencil, numbered 73/100, image 12 x 12”, full margins, discardable Plexiglas frame 18 ¼ x 18 ¼”; L-C, 1969, color screenprint, signed and dated in pencil, numbered 5/50, image 16 x 16”, full margins, Plexiglas frame 22 ¼ x 22 ¼”; Both with Yves Sillman blind stamps in corner. (2)

Both in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

81

Japanese Prints (three)

WARRIOR; SCRIBE; ACTOR, three color woodblock prints, with character stamps, sights average 14 x 9”, two frames 21 ½ x 15 ½” & 20 x 14 ¾”, both with glass. All from the collection of Selma & Herbert Moskowitz. (3)

Colors faded, the first two with some small wormholes, otherwise all in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

82

Antonin Kaspar (b. 1954) Czech Republic (five)

UNTITLED, 1990, five cast paper reliefs, each signed and dated lower right, each sheet 26 x 18 ½”, frames 26 ¾ x 19”. From the collection of Selma & Herbert Moskowitz. (5)

All in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

83

Antonin Kaspar (b. 1954) Czech Republic (three)

UNTITLED TRIANGLES, 1990, three cast paper reliefs with color pencil drawing, each signed and dated lower right, sheets 26 x 18 ½”, frames 27 ¾ x 20”. From the collection of Selma & Herbert Moskowitz. (3)

All in apparently good studio condition, one frame broken.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

84

Victor Keppler (1904-1987) New York & Ogden Nash

WHITTLING JOE, 17 x 14 ½” silver gelatin print by Victor Keppler and a hand-written poem by Ogden Nash, both in one frame, signed by both on poem and dated 7/24/42 lower right, frame 27 ½ x 23 ½” with glass.

Poem ink attenuated otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

85

Mark Kostabi (b. 1960) California New York

SERVICE (RED PEDESTAL), 1993, acrylic painting on canvas, signed and dated lower left, signed and dated and titled on verso, 24 x 16”, frame 25 x 17”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

86

Mark Kostabi (b. 1960) California New York

UPHEAVAL, 1988, color screenprint, signed and dated and numbered TP (trial proof) 7/35 in blue ink, sight 29 ½ x 29 ½”, frame 40 ¼ x 40 ¼”.

Much of the blue ink is flaked off, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

87

Steven Larson (b. 1977) Utah

IN CASE YOU LEFT YOUR HEART IN SAN FRANCISCO II, 2005, oil painting on canvas, signed lower right, signed and dated on verso, 37 x 17 x 2”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

Hairline cracks mainly near upper edge, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

88

Steven Larson (b. 1977) Utah

RAIN AGAIN, oil painting on canvas, signed lower right, 27 x 17 ¼”, frame 28 ½ x 18 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

89

Rico Lebrun (1900-1964) California

DRAWING FOR DANTE’S INFERNO, 1963, book with four loose-leaf lithographs each signed on the stone, from the edition of 2000 published by Kanthos Press, lithographs 17 x 12 ¾”, book 17 ½ x 13”.

Lacking slipcover, otherwise in good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

90

Fanch LeDan (b. 1949) Californian

ROOM WITH PICASSO & ERTE, oil painting on canvas, signed lower right, 20 x 28”, very nice frame 26 ½ x 36 ½”.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

91

Charles Levier (1920-2003) French/ American

STILL LIFE WITH FIGS, oil painting on canvas, signed lower right, 11 x 24”, discardable frame 19 ½ x 31 ½”. From the collection of designer Dean Reynolds

Surface soiling, canvas over-stretched on right side verso by artist?, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Charles Levier (1920-2003) French/ American

STILL LIFE WITH RED VASE, oil painting on board, signed lower left, signed in alias name lower right and painted over, 30 x 15 ¼”, frame 37 ½ x 23”. From the collection of designer Dean Reynolds.

Scrape upper left in background, surface soiling and scuffs, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

93

Charles Levier (1920-2003) French/ American

GREEN WOMAN, oil painting on canvas, signed lower right, 22 x 15”. From the collection of designer Dean Reynolds.

Surface soiling, light impact dents in background center right, otherwise in good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

94

Roy Lichtenstein (1923-1997) New York (2) & Georg Karl Pfahler (1926-2002) German (three)

Roy Lichtenstein AS I OPEN FIRE (C.App.5), two of three offset color lithographs, published by Stedelijk Museum Amsterdam, sheets 25 x 20 ¾”; Together with Georg Karl Pfahler GEOMETRIC, color screenprint, signed in pencil and numbered 91/110 on verso, published by London Arts with blind stamp lower left, sheet 27 ½ x 27 ½”. (3)

Lichtenstein, one with mild toning and one with moderate toning, Pfahler with a small patch of accretions upper center, soft creases and soft handling creases, glue remnants from old tape hinges on verso, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

95

Donald Lipski (b. 1947) Chicago (two)

#41 SEPTEMBER 24th, 1975; found-objects, assemblage collage, dated lower center in pencil, signed and dated and inscribed on verso; UNTITLED (One of the Found Objects), photograph; sheets 20 x 16 & 16 x 20”; both frames 23 x 19 x 2” with glass. (2)

The assemblage with skinning on verso; photograph mounted to card and mounted to backboard; both with minor water damage to frames apparently not effecting artwork, otherwise both in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

96

Issac Maimon (b. 1951) Israel

TWO WOMEN AT CAFÉ, oil painting on canvas, signed lower right, Certificates of Authenticity on back, 35 ½ x 47 ¼”, frame 49 ½ x 60 ½ x 2 ¼”.

In good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

97

Marisol Escobar (1930-2016) Venezuelan

RAINBOW HEARTS, 1969, color lithograph, signed in pencil, numbered 17/50, image 10 ¼ x 9”, full margins, frame 21 ½ x 19” with glass.

With some light discoloration, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

98

Philippe Mohlitz (b. 1941) French

PLANCHE OU JE ME SUIS PERDU, 1972, etching, signed in pencil and inscribed EA (Epreuve d’artiste, artist’s proof in French), from the edition of 60, plate 7 ¾ x 5 ¾”, full margins, frame 17 ½ x 14 ¾”.

Toning, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

99

Delilah Montoya (b. 1955) Texas

MIGRANT CAMPSITE, IRONWOOD, ARIZONA, 2008. Archival digital photogenic print mounted to Centrex?, numbered 1/2, overall 18 x 77”. Proceeds to Benefit UCLA Health.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

100

Selma Moskowitz (1928-2018) Californian

JULY 64, acrylic painting on canvas, signed and dated lower left, 69 ½ x 76 ½”. Provenance: the artist’s estate.

Possibly some pale staining lower left, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

101

Arnold Newman (1918-2006) New York

PICASSO, gelatin silver print, artist’s stamp and inscribed Picasso #2255 in pencil on verso, sheet 10 x 8” including tiny margins, frame 20 ¼ x 16 ¼”.

Some oxidation, some discoloration at the perimeter, some mild cockling, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

102

Oceanic Figural Carving

THREE HEADED figural wood carving, with clay and pigment and seashell eyes, 38” tall, 11 ½” wide. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

103

Oceanic Marker Plank

Carved wood, 60” tall, 14 ½” wide, 3” deep. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

104

Oceanic New Guinea Yam Masks, Ethnic Masks & Object (six)

BIRD MASKS, three woven reed masks, 15 x 11 x 7”, 6 x 5 ½ x 10 ¾” & 5 ½ x 10 ¾ x 2 ½”; A carved wood mask with paint remnants 10 x 9 ¼ x 3”; A small painted soft-wood mask 4 ¼” tall; A wood utensil or part 4 ¾” long. All from the collection of Selma & Herbert Moskowitz. (6)

All in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

105

Oceanic New Guinea Sepik Mask

A large ceremonial hood mask of woven reed with pigment and clay and hair fashioned from painted grass, 21 ¾ x 12 ½ x 18”, overall 37” tall with metal stand. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

106

Claes Oldenburg (b. 1929) New York

GEOMETRIC MOUSE, SCALE C, 1971, cardboard cut-out sculpture, produced by Gemini G. E. L., with instruction book, on display overall size 13 x 16 ½ x 19 ½”, with original discardable shipping case.

Toning, discoloration, rust stains on mouse from metal chain, base with some silverfish damage, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

107

Ted Orland (20th/21st Century) American

SCENES OF WONDER & CURIOSITY IN CALIFORNIA: ANSEL ADAMS, IMOGEN CUNNINGHAM & JERRY UELSMANN, 1969, gelatin silver print mounted to card, signed in pen on card lower right, signed in ink and stamped on verso, image 6 ½ x 5”, sheet 12 x 10”.

Some minor skinning on the card, some discoloration on verso, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

108

Erika Osborne (b. 1978) Utah/Colorado

STREAMLINE IV, 2002, oil painting on canvas, signed lower center, signed and dated and titled on verso, 36 x 36”, frame 38 x 38 x 3”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

109

Zachary Oxman (b. 1968) Pennsylvania

WEDDING MENORAH, multi-piece bronze with dark patina on oval designed granite base, signed and numbered 13/100, overall 14 x 22 x 14”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

110

Pacific Northwest Coast or Inuit Art

TOTEMIC STAFF, elaborately carved wood, 66 x 2 ¼ x 2 ½”. From the collection of Selma & Herbert Moskowitz.

Some wear, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

111

Pacific Northwest Coast or Inuit Art

EAGLE TOTEM, carved and painted wood, 23 ¼ x 29 ½ x 6”. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

112

Jerzy Panek (1918-2001) Poland

OBLEKANI I, 1958, woodcut on thin paper, signed and titled in pencil, sheet 19 ½ x 27 ¾”.

Some soft creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

113

Jerzy Panek (1918-2001) Poland

AUTOPOTRET W KAPELUSZU III, 1960, woodcut on thin paper, signed and titled in pencil, sheet 27 ½ x 20 ¼”.

Some soft creases and soft handling creases, tiny hinge remnants top corners verso, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

114

Jerzy Panek (1918-2001) Poland

DON KICHOT I (Don Quixote), 1958, woodcut on thin paper, signed and titled in pencil, sheet 27 ½ x 20 ¾”.

Some soft creases and soft handling creases, tiny hinge remnants top corners verso, small tear lower left, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

115

Jerzy Panek (1918-2001) Poland

SIWY KON, 1959, woodcut on thin paper, signed and titled in pencil, sheet 27 x 21”.

Some soft creases and soft handling creases, tiny hinge remnants top corners verso, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

116

Jerzy Panek (1918-2001) Poland

PORTRET KOCHANKI, 1959, woodcut on thin paper, signed and titled in pencil, sheet 27 ½ x 20 ½”.

Some soft creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

117

Jerzy Panek (1918-2001) Poland

SIUDA BABA, 1958, woodcut on thin paper, signed and titled in pencil, sheet 27 ½ x 19 ¾”.

Some soft creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

118

Tom Perkinson (b. 1940) New Mexico

LONE INDIAN, 1981, acrylic painting on paper or board, signed and dated lower right, 29 ½ x 18”, frame 33 x 22”.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

119

Tom Perkinson (b. 1940) New Mexico

SUN DAY, 1978, color pastel drawing on paper or board, signed and dated lower right, sight 20 x 18”, frame 27 ¼ x 25 ¼” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

120

Tom Perkinson (b. 1940) New Mexico

SQUAW, 1978, watercolor on paper or board, signed and dated lower right, sight 19 x 14”, discardable frame 27 ¼ x 22 ¼ with glass.

Faint discoloration at mat, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

121

Tom Perkinson (b. 1940) New Mexico

AHOTE, 1981, color pastel drawing on paper or board, signed and dated lower right, sight 15 ½ x 11 ½”, frame 24 x 20” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

122

Ancient or Aged Pottery

Large grey/brown painted ceramic vessel with incised fern and pinwheel pattern, 8 ¾” tall, 11 ½” diameter. From the collection of Selma & Herbert Moskowitz.

Deterioration to finish on top side, otherwise good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

Pottery Collection: Sasha Makovkin, Wildenhain/ Pond Farm, Gustavsberg, Ceramicists Unidentified & Mexican Ceramic (eight)

Sasha Makovkin brown glazed ceramic cylinder vase signed and dated 1964 underneath 8 ¼” tall & 5” diameter; Ceramicists Unidentified (three) one or more purported to be from Wildenhain Pond Farm includes a green cylinder vase inscribed 1991.10.2 underneath 9” tall, A grey/white bowl with stylized “A” or “R” inscribed underneath 4 ½” tall & 7” diameter, A gourd-shaped vase with stylized grape and leaf pattern 10 ¾” tall & 5 ½” diameter; Gustavsberg vase by Grazia, painted porcelain vase with silver overlay hallmarked and signed underneath 5 ¼” tall; Ceramicists Unidentified two miniature semi painted and glazed finger bowls 1 ¾” & 3” diameter possibly of some age; Mexican Ceramic DOG painted and glazed ceramic 6 ¾ x 12 ½ x 3 ½”. From the collection of Selma & Herbert Moskowitz. (8)

Gustavsberg with some wear to silver rim finish, otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

124

Pre-Columbian: Cocle Panamanian Pottery

PLATE WITH SCROLL MOTIF, painted ceramic, 1 ¾” tall, 9” diameter, estimated for auction by Sotheby’s in 1997 for $600-900. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

125

Pre-Columbian: Colima Pottery

A painted ceramic pot with figures in arches, 5” tall, 6 ½” diameter, estimated for auction by Sotheby’s in 1997 for $700-1200. From the collection of Selma & Herbert Moskowitz.

T-shaped crack at base with near breakage, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

126

Pre-Columbian: Colima Pottery

A tapered five-legged painted and incised ceramic bowl, 5” tall, 11 ¼” diameter, estimated for auction by Sotheby’s in 1997 for $1000-1500. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

127

Pre-Columbian: Costa Rican Pottery (two)

TOAD WHISTLE, painted ceramic, 2 ½ x 4 ¼ x 5 ½”, estimated for auction by Sotheby’s in 1997 for $400-500; A painted ceramic bowl, 2 5/8” tall, 6 ¼” diameter. Both from the collection of Selma & Herbert Moskowitz. (2)

Both in good aged condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

128

Pre-Columbian or Ethnic Pottery

A painted ceramic vessel with bird motif, 8” tall, 8” diameter. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

129

Pre-Columbian: Peruvian Nazca Pottery

CYLINDER VASE WITH TROPHY HEADS, painted ceramic vessel, 4” tall, 4 ½” diameter, estimated for auction by Sotheby’s in 1997 for $500-800. From the collection of Selma & Herbert Moskowitz.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Pre-Columbian: Peruvian Chimu Pottery (1100-1470)

BIRD, blackware ceramic, 10 x 12 x 7”. From the collection of Selma & Herbert Moskowitz.

Beak probably re-attached, maybe professionally, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

131

Pre-Columbian: Veraguas Panamanian Pottery (two)

A ceramic bowl with swirl-designed painted interior, 3” tall, 7” diameter estimated for auction by Sotheby’s in 1997 for $500-700; A painted ceramic bowl with painted interior, 3 ½” tall, 8” diameter. Both from the collection of Selma & Herbert Moskowitz. (2)

Both in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

132

Pre-Columbian: Veraguas Panamanian Pottery

PEDESTAL PLATE, painted ceramic, 6” tall, bowl 9” diameter, estimated for auction by Sotheby’s in 1997 for $600-900. From the collection of Selma & Herbert Moskowitz.

Pedestal reconstructed, with glue stains and lacking some small pieces, otherwise in good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

133

Susan Rankaitis (b. 1949) American

LAX DIFFUSION, 1981, manipulated color photograph, 23 ¾ x 19 ½”, titled signed and dated on the verso, frame 29 ½ x 25 ¾”.

Colors may be attenuated, some oxidation, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

134

Susan Rankaitis (b. 1949) American

ASCENDING STAR, manipulated color photograph with collage, 21 ½ x 19”, signed on verso?, frame 29 x 26”.

Colors may be attenuated, some oxidation, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

135

Douglas Ricks (1954-2004) Utah/Idaho

HARVEST, 1992, oil painting on canvas, signed and dated lower left, signed and titled on verso, 30 x 24”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

Small perimeter chips otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

136

Douglas Ricks (1954-2004) Utah/Idaho

THE RAVEN IN THE MOON, 1992, oil painting on canvas, signed and dated lower left, 24 x 30”, frame 32 x 38 ¼”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

137

Ellie Riley (20th Century) California

FLEDGLING II, powder coated metal wall sculpture with omni-directional mount, signed and titled on verso, overall 28 x 38 x 8”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

138

Ellie Riley (20th Century) California

STEEL RAINBOWS (Green), 2002, powder coated metal sculpture, signed and dated and titled, 15 ¼ x 23 x 9”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

139

Ellie Riley (20th Century) California

TACTILE VISIONS MAGENTA, 2005, acrylic painting on canvas with raised metal overlay, signed and dated and titled on verso, overall 53 ½ x 59 ½ x 2 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

140

Joel Rosenthal & Charles (Chuck) Henderson (two)

Joel Rosenthal MARINES RAISING THE FLAG AT IWO JIMA, gelatin silver print, from a later printing, signed and dedicated in marker, image 8 x 6 ¾”, sheet 9 7/8 x 8”, frame 16 ½ x 14 ½”; Charles (Chuck) Henderson STATUE OF LIBERTY, gelatin silver print, signed in pencil on mat, sight 9 ¾ x 13 ¾”, frame 16 ¼ x 20 ¼”. (2)

Both in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Sarena Rosenfeld (b. 1940) California

SELF-PORTRAIT, 1986, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 36 x 24”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

142

Sarena Rosenfeld (b. 1940) California

RED NUDE WITH THE BLUES, 1998, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Rudolf Schwarzkogler (1940-1969) Austrian

HEAD AND HAND, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

144

Rudolf Schwarzkogler (1940-1969) Austrian

TABLE OBJECTS, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

145

Rudolf Schwarzkogler (1940-1969) Austrian

MAN WITH HANDS BEHIND BACK, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

146

Norman Seeff (b. 1939) South African American

FURRY LEWIS, MEMPHIS, TENNESSEE, gelatin silver print, artist’s red signature stamp lower right, image 13 ¼ x 19 ¼”, Plexiglas frame 16 ¼ x 20 ¼”.

Mild cockling and pale discoloration in margins, some debris inside frame, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

147

Kawachi Seiko (b. 1948) Japan (four)

FLYING Series, 1985, four color woodcuts, each signed and dated and titled in pencil, all inscribed PP (printer’s proof) aside from the edition of 35 & 8, each 65 ½ x 37 ¾” including Plexiglas box frames. Illustrated in Modern Japanese Prints 1912-1989, Lawrence Smith, plates 135-138. Proceeds to Benefit UCLA Health. (4)

All in apparently good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

148

John Sexton (b. 1953) Californian

WHITE BRANCH, MERCED RIVER, YOSEMITE VALLEY, CALIFORNIA, 1974, gelatin silver print mounted to card, signed and dated in pencil on card, image 10 ¼ x 13”, frame 16 ¼ x 20 ¼”.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

149

Rufino Tamayo (1899-1991) Mexican

LA NEGRESSE from the Mujer Series (P.109), 1969, color lithograph, signed in pencil, numbered 93/150, image 27 x 21”, full margins, frame 40 x 33 ¼”.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

150

Antoni Tapies (1923-2012) Spanish

PERFIL, 1995, color aquatint, signed in pencil, numbered 10/30, sheet 22 ¼ x 30”, frame 28 ½ x 36”.

A few soft handling creases in margins, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

151

Edmund Teske (1911-1996) California (four)

SHENNIE, 1970; IN THE GARDEN AT MURRAY DRIVE, 1962; UNTITLED NUDES; UNTITLED PORTRAIT OF MAN, four gelatin silver prints mounted to card, each signed in colored pencil on cards, images 9 1/8 x 5 7/8”, 4 ½ x 6 ½”, 9 ¾ x 7” & 6 ¾ x 10 ½”, overall sizes 20 ¼ x 13”, 19 7/8 x 13”, 14 x 7 ½” & 20 x 13”. (4)

Shennie with discoloration scuffs on card, otherwise all in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

152

Ethnic Textiles (seven)

A collection of dyed and woven textiles includes: two Native American blankets 39 ½ x 30” & 18 x 38”; Four Middle Eastern saddle bags, 31 ½ x 14 ½” to 18 x 15”; a Persian rug 32 ½ x 25”. (7)

In various used conditions.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Thai Southeast Asian Art

GATE DOORS, two elaborately carved wood doors, each approximately 70 x 18 ½ x 4”.

Left door some loss upper left side, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

154

Ann Thornycroft (b. 1944) Californian (two)

UNTITLED, color mono-print with additional handwork. Probably signed on verso, 30 x 22 ¼”, frame 28 ½ x 36 ¼” with glass; UNTITLED, 1990, color lithograph, signed and dated numbered 4/5, image 28 x 20”, full margins, frame 36 ½ x 28 ½”. Proceeds to Benefit UCLA Health. (2)

The second slipped in frame, otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

155

Tribal Mask

DEITY, a large carved and painted wood mask with pigment, clay and rope, overall 54 ½ x 11 x 9 ½”. From the collection of Selma & Herbert Moskowitz.

Top right horn broken off, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

156

Tribal Mask Fragment

Carved wood mask with paint remnants on partial headdress, 14 x 7 ½ x 11”, overall 21” tall with stand. From the collection of Selma & Herbert Moskowitz.

Appears aged.

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

James Twitty (1911-1994) American

ADIRONDACKS, 1969, acrylic painting on canvas, signed lower right, titled and dated on artist’s label on verso, overall 48 ¾ x 48 ¾” including slat frame. From the collection of designer Dean Reynolds.

Surface soiling and dimple impressions, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

158

Jerry Norman Uelsmann (b. 1934) American

SMALL WOODS WHERE I MET MYSELF (final version), 1967, gelatin silver print, initialed and dated and titled in pencil on mat, sight 10 ½ x 13 ½”, frame 16 ¼ x 20 ¼”.

A few small handling creases visible at certain angles in raking light, otherwise in apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

159

Jerry Norman Uelsmann (b. 1934) American

MOON AND BOAT, 1982, gelatin silver print, initialed and dated in pencil on mat lower right, sight 13 ½ x 10 ½”, frame 20 ¼ x 16 ¼”.

In apparently good condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

160

Victor Vasarely (1906-1997) Hungarian

UNTITLED, screenprint, signed in pencil, numbered 127/290, Editions Domberger Stuttgart blind stamp lower left, image 22 ½ x 22 ¼”, full margins, frame 27 ½ x 27 ½” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

Kent Wallis (b. 1945) Utah

COLOR AROUND THE ARCHWAY, oil painting on canvas, signed lower center, 30 x 24”, frame 38 ½ x 32 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

162

Kent Wallis (b. 1945) Utah

AUTUMN COVERED BRIDGE, oil painting on canvas, signed lower left, 24 x 30”, frame 35 x 41 x 3 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

163

James Abbot McNeill Whistler (1834-1903) American

BILLINGSGATE (G.51, K.47), 1859, etching, signed and dated in the plate lower right, plate 6 x 9”, sheet 10 x 14 ¼”, frame 15 ¾ x 19 ¾” with glass.

A few foxing spots, pale sun staining from previous framing, some soft handling creases, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Emmi Whitehorse (b. 1957) Native American New Mexico

LIGHT ON WATER, 2001, color lithograph with pochoir, artist’s mark in red lower right, inscribed edition of 120 in pencil lower left, signed and dated in pencil on verso, printed by Shark’s Ink., sheet 30 x 22 ¼”. From the collection of Selma & Herbert Moskowitz.

Soft diagonal crease lower left, otherwise good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

165

Terry Winters (b. 1949) New York

ALBUM NO. 1, 1988, etching and aquatint, signed in pencil, numbered 39/50, published by Irene Kurtz Editions New York, printed by Aldo Chrommelynck with blind stamp lower right, image 28 x 22 ½”, sheet 35 ½ x 28”.

Some very pale toning in the margins, otherwise in good condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

166

Stanislaw Wojtowicz (1899-1969) Poland (eight)

VARIOUS, 1957-1962, eight woodcuts, each signed, dated, numbered, titled and inscribed in pencil in the margin, various editions, sheets from 30 x 20” to 12 x 19 ¾”, one frame 37 ½ x 27” with glass. (8)

Framed piece not inspected out of frame, all with some soft handling creases and other minor issues, otherwise all in good or apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

167

Paul Wunderlich (1927-2010) Germany

SONGS OF SONGS, 1970, color lithograph, signed in pencil, numbered VII/XXX (17/30) Roman numeral, published by Aquarius Press, image 23 ½ x 17 ½”, full margins, frame 31 ½ x 25 ½” with glass.

Faint discoloration in margins, small tear and tape stains in lower margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

168

Chris Young (b. 1962) Utah

OCTOBER SKY, TUSCANY, color digital archival print, signed and numbered 10/250 lower right and on verso, 24 x 36” frame 32 ½ x 44 ½”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

169

Chris Young (b. 1962) Utah

SANT’ ANNA TUSCANY, color digital archival print, signed and inscribed AP lower right, signed and titled and inscribed AP (artist’s proof) on verso, 18 x 12”, frame 28 x 22 x 3”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

170

Chris Young (b. 1962) Utah

TUSCANY PLOWED FIELDS, color digital archival print, signed and numbered 11/250 lower right and on verso, 20 x 36”, frame 30 x 46 x 3”. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity available from the gallery upon request.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

Francisco Zuniga (1912-1998) Costa Rican

TWO SEATED WOMEN, 1981, watercolor and pastel on paper, signed and dated lower left, 22 7/8 x 35”, frame 32 x 42 ½”. Provenance: Special thanks to Mr. Ariel Zuniga for verifying the authenticity of this work to be included in the forthcoming volume V catalog raisonne.

Some soft handling creases, otherwise in good studio condition

Auction Estimate $10,000/20,000

Starting Bid $5000

 

Use the following links to view lot numbers 1-171

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

Home    Results    Index    Addendum