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19th & 20th Century, Modern & Contemporary Art & Sculpture

Auction Saturday May 2nd, 2020 @ noon

1

Norma Auer Adams (b. 1939) California

UNTITLED, watercolor on paper, signed lower right, sight 20 ½ x 28 ½”, frame 30 ½ x 38 Ό”.

Staple marks visible lower sheet edge under mat, otherwise in apparently good studio condition.

Auction Estimate $100/200

Starting Bid $10

 

 

 

2

Carlos Almaraz (1941-1989) California

GROWING CITY, 1988, color screenprint, signed and dated in white pencil, proof aside from the numbered edition 100, sheet 33 x 48 Ό”, frame 39 x 54” with non-glare Plexiglas.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

3

attributed C. Hjalmar Amundsen (1911-2001) New York

SAILING, oil painting on canvas on wood board, signed J. Williams lower right, 24 x 31”, frame 30 x 37”. Note: Artist signed using several aliases.

Surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

4

Antique Painting Artist Unidentified

HARVEST SCENE, oil painting on canvas, a signature not found, frame 28 x 34”.

Canvas is brittle with losses upper left and lower left edges, some evidence of repair, craquelure, ingrained surface soiling.

Auction Estimate $200/400

Starting Bid $100

 

 

 

5

Charles P. Appel (1857-1928) New Jersey New York

LANDSCAPE AT SUNSET, 1920, oil painting on canvas, signed and dated lower left, 12 x 16”, frame 17 ½ x 21 ½”.

Ingrained surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

6

Sol Aquino (20th Century) California

ART CONSUMERS, 1989, color screenprint, signed in pencil, numbered 1/6 PP (printer’s or publisher’s proof) aside from the numbered edition of 90, sheet 39 Ύ x 33 Ύ”, frame 47 x 41” with non-glare Plexiglas.

Insect debris upper left, small touched-up line in black area lower left, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

7

Art Deco Style sculpture

DANCER, molded fiberglass relief, emblem lower right and Collection 85 emblem on side, 36 ½ x 48 x 3”.

Small drill hole lower right corner, some edge wear and cracks and small losses on sides, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

8

Artist Unidentified (18th/ 19th Century)

WINTER SCENE, oil painting on canvas, 20 ½ x 30”, frame 25 x 35”.

Hairline craquelure, lacquer yellowed with nicotine film, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

9

Artist Unidentified (19th Century) Corot?

LANDSCAPE, oil painting on canvas, appears to be signed Corot lower left, inscribed on verso ‘property of…….’, with name and Los Angeles address, 12 x 18”, frame 19 ½ x 25 ½ x 3 ½”.

Old surface soiling, otherwise in good aged condition.

Auction Estimate $500/2000

Starting Bid $250

 

 

 

10

Artist Unidentified (19th/ 20th Century)

DOCK SCENE, oil painting on burlap, illegibly signed lower right, 20 x 26 ½”, frame 24 x 30 Ό”.

Moderate surface soiling, craquelure, drying cracks, some edge loss, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

11

Artist Unidentified (20th Century)

COUPLE, linocut, signed in pencil, numbered 40/80, image 26 x 40”, full margins, discardable frame 36 ½ x 51” with Plexiglas.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

12

Artist Unidentified (20th/21st Century) American

TARGET THE TV, 1999, acrylic painting on plywood construction, signed and dated on verso, overall 49 Ύ x 49 Ύ x 2 ½”.

Signature blotted out on verso, recto with surface soiling, small scuffs, scrapes, nicks and dings, otherwise in good rental condition from Modern Props.

Auction Estimate $400/800

Starting Bid $200

 

 

 

13

Aubusson Tapestry

MAN WITH DOG AND BIRDS, wool tapestry, Aubusson mark lower left and another mark lower right (possibly artist’s?), 50 x 28” with metal brackets at top and bottom.

Faded, needs cleaning, a few small worn thin spots in margins, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

14

after John James Audubon (1785-1851) American

LEPUS GLACIALIS, LEACH, POLAR HARE, plate XXXII No. 7, color lithograph with hand-coloring, printed by J. T. Bowen, Philadelphia 1844, sight 19 Ύ x 25 Ύ”, frame 28 x 33” with glass.

Crinkled and mottled tear at upper center, tiny nick lower center, pale discoloration left margin at mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

John Barber (1898-1965) American

MEXICAN RODEO, oil painting on Masonite, signed lower left, 12 x 15”, frame 15 Ύ x 20 Ύ”. Provenance: The Vincent Price Collection.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

16

John Joseph Barker of Bath (1824-1904) British RA

WOODLAND PATH WITH YOUNG GIRL AT FENCE, oil painting on canvas, signed lower left, retains partial gallery label on verso, 30 Ό x 25 Ό”, frame 37 x 31 ½ x 2 ½”.

Hairline cracks and craquelure, lacquer partially yellowed, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

J. Barker (19th Century) British

INTERIOR CONVERSATION, oil painting on canvas, signed lower left, London stamp on verso, 18 x 24”, frame 24 x 30”.

Surface soiling, craquelure throughout, some nicks and chips, a ½” round paint chip in window area, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Jack Barnett (b. 1944) Texas

NUDE STUDIES, 1997, graphite drawing on cream colored paper, signed and dated lower left, sight 13 x 19”, frame 20 x 26” with glass.

Some pale discoloration spots, a small dimple and a couple specks upper right, smudges, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

19

Franz Becker-Tempelburg (1876-    ) Austrian

STILL LIFE WITH FLOWERS, oil painting on canvas, signed upper right, 29 ½ x 23 ½”, frame 34 ½ x 28 ½”.

Canvas semi-slack, drying cracks, surface soiling, small repair lower left visible on verso, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

20

Camille Bellanger (1853-1923) French

UN BOUT DE CAUSETTE, 1899, oil painting on canvas, signed and dated lower right, 35 Ύ x 46”, frame 50 Ό x 60 Ό x 5”. Provenance: Galerie Michael, Beverly Hills.

In good condition.

Auction Estimate $10,000/15,000

Starting Bid $5000

 

 

 

21

Tom Bennett (b. 1928) California

DANCER, 1977, cast bronze sculpture with patina, signed and dated and numbered 13/24, with round marble base, overall 10 ½ x 10 x 6”. Note: from the Bennett Studio, this is the artist’s first dancer figure.

Small chip on marble base, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

22

Barbara Beretich (1936-2018) Claremont CA (two)

JONAS SALK & UNIDENTIFIED WOMAN, 1976, pair of round bronze plaques, Jonas signed and dated, diameters 15” & 13 ½”, weight approximately 25 pounds. (2)

Both in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

23

Harold Betts (1881-1951) Illinois Michigan

FATHER AND CHILD STROLLING, watercolor and gouache on paper or card, signed lower left, sight 10 Ό x 6 ½”, frame 16 ½ x 12 ½” with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

24

Harry Blitzstein (b. 1941) California

SHY GUY, acrylic painting on canvas, signed and dated lower right, signed and dated and titled on verso, 28 x 23 ½”, frame 33 ½ x 29 ½”.

Faint stretcher bar impressions, dimple from with verso upper left, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Bernardus Johannes Blommers (1845-1914) Dutch

DEPARTURE OF THE FISHERMAN, oil painting on canvas, signed lower right, 23 x 33 Ύ”, frame 30 x 38 ½”.

Professionally re-lined, still retains faint stretcher bar impressions and some hairline craquelure, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

26

Jeff Blum (20th/ 21st Century) New York (two)

INTEGRITY, 2000, color monoprint, signed and dated and inscribed in pencil, numbered 1/1, sheet 7 Ύ x 8, frame 17 x 17 Ό” with glass; TOLERANCE, woodblock print, signed and inscribed in pencil, sheet 8 ½ x 5 ½”, frame 17 Ό x 14 Ό” with glass. (2)

Both in good apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

27

Jeff Blum (20th/ 21st Century) New York

BLUE DOG AS KING, 2000, color monoprint, signed and dated in pencil, numbered 1/1, sheet 30 Ό x 20 ½”, frame 40 x 30” with glass.

In good apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Istivan Boldizsar (1897-1984) Hungarian

A SUMMER VIEW, 1938, oil painting on canvas, signed and dated lower left, 38 Ό x 28 Ό”, frame 45 ½ x 35 ½”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

29

Lucien Boucher Air France Travel Poster circa 1948

ANTILLES-AMERIQUE CENTRALE, color lithograph poster, sight 37 x 22 Ό”, frame 46 x 31” with glass.

Dry-mounted to board and sealed in mat, probably trimmed, otherwise in good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

30

Augustus Jules Bouvier (1825-1881) French British

REVERIE, watercolor and gouache and color pencil on thin card, signed lower left, sight 14 ½ x 12”, frame 32 x 29 x 3” with glass.

Some minor edge wear, old mounting glue film on verso, a few tiny professional touch ups, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

31

Vintage Boxing Poster

WILLSONS’ LEICESTER, British Boxing, color lithograph poster, image 28 ½ x 38 ½”, sheet 30 x 40”, frame 39 ½ x 49” with Plexiglass.

Dry-mounted to foam-core, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

32

Alfred De Breanski Jr. (1877-1957) United Kingdom

OCTOBER MORNING, oil painting on canvas, with Winsor Newtons stamp on verso, signed lower right and on verso, retains Butterfield Butterfield & Dunning lot tag on verso, 18 x 24”, frame 25 Ό x 31 ½ x 2 ½”.

Surface soiling, lacquer yellowed, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

33

Hermina Bruck (1865-1944) Hungarian

WOMAN WITH JAR, oil painting on canvas, signed lower left, with circular stamp on verso, 15 ½ x 8”, frame 21 x 14 x 3”.

Non-professionally filled-in losses near the lower edge, craquelure, stretcher bar impressions, speckling on verso, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

34

Jody Bryan (20th Century) American

THE ISTHMUS, 1964, watercolor on paper, signed and dated and titled lower right, sight 16 Ό x 25 Ύ”, frame 25 x 34 ½” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

35

after Bernard Buffet (1928-1999) French

STILL LIFE WITH FLOWERS ON ORANGE BACKGROUND, color lithograph, signed in pencil, numbered 52/300, published by Guy Spitzer with blind stamp lower right, image 10 Ύ x 8 Ό”, full margins, frame 19 Ύ x 17” with Plexiglas.

Pale toning and discoloration, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Byzantine Style Icon

SAINT, oil painting on convex wood panel, 16 Ύ x 17”.

Losses throughout.

Auction Estimate $100/200

Starting Bid $50

 

 

 

37

Alexander Calder (1898-1976) American

BOOMERANG, 1974, color lithograph, from the edition signed on stone lower right, published by Transworld Art, sight 43 ½ x 29 ½”, discardable frame 55 x 41” with non-glare Plexiglas.

Toning, mainly at mat, soft handling creases, silver fish damage mainly lower left unprinted area, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

38

Jean Calogero (1922-2001) Italian

CHILD WITH MASKS, oil painting on canvas, signed lower left, 9 ½ x 7 ½”, frame 16 x 14 x 3”.

Surface soiling, otherwise in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

39

Walter Cheever (1880-1951) California Massachusetts

SANTA BARBARA FISHERMAN, oil painting on canvas, signed lower left, re-lined, 24 Ό x 30 Ό”, frame 33 ½ x 39 ½ x 3”.

Hairline cracks, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

40

Vintage Chinese Advertising Posters (two)

MOTHER AND CHILDREN; SEATED BEAUTIES, two color posters, 30 ½ x 21” & 30 Ύ x 20”, both with metal tabs on top and bottom sheet edges, frames 36 Ύ x 26” with non-glare Plexiglas. (2)

Both with some minor crinkles, speckling, light staining and other minor condition issues, both dry mounted to foamcore, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

41

Vintage Circus Poster

CLOWN, color lithograph poster, fold lines as issued, framed 56 x 44” with non-glare Plexiglas.

Possibly dry-mounted, some insect debris inside frame, some white spots lower right, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Gabriel Cohen (1933-2017) Israel France

JERUSALEM, THE CITY OF DAVID, Superlac (enamel) painting on paper, signed and dated lower right, 22 ½ x 35”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

43

Gabriel Cohen (1933-2017) Israel France

HANAUCA HABAIT, 1987, oil painting on paper, signed and dated and titled lower right, 27 ½ x 39 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

A few hinges on verso from previous framing, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

44

Contemporary Artist Unidentified

UNTITLED, acrylic painting on canvas, a signature not found, 58 Ό x 37 Ό”, with Marc Salazar framing card on verso, frame 60 x 39”. Oral Provenance: Nestle Corporation.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

45

Contemporary Artists signed: “2H”; “J”; RHL (three)

2H EVANESCENT, acrylic painting on wood panel, signed lower right, 9 x 12”, frame 11 x 14 x 1 ½”; “J” UNTITLED, 2007, oil painting on canvas, signed and dated, 10 x 10”, framed 11 Ύ x 11 Ύ x 2”; RHL HARLEQUIN, 2011, oil painting and resin on canvas, signed and dated lower right, 10 x 8”. (3)

J with soft impression upper right corner, scrape lower center edge, RHL canvas slightly slack; Otherwise all in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

46

Andrew Cotton (20th/ 21st Century) British American (two)

IMAGES ON BRICK WALLS, two mixed media paintings on wood panels, each signed on verso, each 24 x 24”. (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

47

after Salvador Dali (1904-1989) Spanish

BATTLE AROUND A DANDELION, 1988, dyed and woven tapestry with fabric lining, signature in the design, with Jacquard Woven Tapestry label on verso, numbered 459/600, published by Demart Pro Arte, with Salvador Dali Registration and VHS tape, 41 Ύ x 53 Ύ”. Provenance: Brana Fine Art, Pacific Palisades (Bruce Hochman), CA; Albert Fields.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

48

Innocenzo Daraio (1903-1993) California Italy

SENORITA, oil painting on canvas covered board, signed lower right, 24 Ό x 18 Ό”, frame 32 ½ x 26 Ό”.

Surface soiling, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

49

Julian Oliver Davidson (1853-1894) New York

NAVAL BATTLE SCENES, two gouaches on board, each signed lower left, sights 7 x 11 ½”, frames 13 ½ x 17 ½” with glass. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

50

Olivia de Berardinis (b. 1948) Californian

BETTY PAGE MERMAID, color lithograph on silk coated paper, signed in pencil, from a numbered edition 450, sheet 38 x 26”, published by Robert Bane, with his and artist’s blind stamps lower right and left.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

51

Decorative Art: Coat of Arms

DOMINE DIRIGE NOS (Lord Guide Us), motto of London, reverse painting on glass, 26 Ύ x 21 Ύ”, frame 29 ½ x 24 Ό”.

In apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

52

Elizabeth Dekker-Duart (20th Century) California

TWO BOOT, 1990, acrylic painting on canvas, artist’s label on verso, 48 x 24”.

A few scuffs, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

53

Richard Duardo (1952-2014) California

STANDING NUDE WOMAN, color screenprint, signed in pencil, numbered 7/15, printed by Aztlan with blind stamp lower left, sheet 50 x 38 Ό”, discardable frame 54 x 42” with Plexiglas.

Soft handling creases, a little schmutz here and there, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

54

Richard Duardo (1952-2014) California

JAMES BROWN, color screenprint, signed in pencil, numbered 34/80, printed by Aztlan with blind stamp lower right, sight 35 Ύ x 48 Ύ”, frame 40 ½ x 53 ½” with non-glare Plexiglas.

Two handling creases on neck with associated white hairline cracks, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

55

Marianne Eigenheer (b. 1945) Swiss

UNTITLED, 1987, tempera on paper, signed and dated lower right, 39 Ό x 29 Ό”, frame 40 x 29 Ύ”. Provenance: Holly Solomon Gallery NYC.

Cockling and soft handling creases, otherwise in apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

56

Frantisek Emler (1912-1992) Czechoslovakian

VILLAGE SCENE, circa 1938, oil painting on Masonite, signed lower right and lower left, 14 x 38 Ύ”, frame 16 x 41”.

Some of the lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

57

Erte (1892-1990) Russian

FIRST DRESS from the Twenties Remembered Again (L.115), 1978, color screenprint, signed in pencil, numbered 283/300, published by Circle Fine Art, printed by Chicago Serigraphic Workshop with blind stamps lower left and lower right, image 18 x 15”, full margins, frame 35 Ύ x 31 Ύ”.

A few soft handling creases, faint speckles mainly in left margin, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

58

Kenneth L. Euans (1884-1966) California

RURAL SCENE, 1956, oil painting on Masonite, signed lower right, 20 x 24”, frame 26 Ύ x 30 ½ x 2 Ύ”.

Surface soiling, some of the lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

59

European Artist Unidentified (20th Century) (two)

SHIPWRECK; STORM, each a watercolor and pastel on paper, the first titled on verso, both inscribed with multi-language poetry? on back of frames, sheets 17 x 24 Ό”, frames 24 ½ x 31 Ύ” with Plexiglas. (2)

The first with a crease lower left corner, tear lower left sheet edge with associated yellowed scotch tape on verso, small nicks and scrapes, staining on verso; The second with tears at upper left and upper right corners, a couple of soft horizontal creases; Otherwise both in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

60

Pericle Fazzini (1913-1987) Italian (four)

SANDY (Sanford Roth), 1954, four ink drawings on paper, each signed and dated lower right or left, sheets 17 x 12 ½”. Provenance: Christies, Roma, sale No. 2257, Nov. 22nd. 1993, lot 16. (4)

All with some minor age discoloration, one with small tideline stain upper right, one with brown water stains and possibly mold stain along upper sheet edge, otherwise all in good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

61

Max Fernekes (1905-1984) American

MAN ON RURAL STREET, 1944, watercolor and pastel on paper or board, signed and dated lower left, 14 x 15”, discardable frame 17 x 18” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

62

Folk Art (20th Century)

WHALE AND SHIPS, oil painting on wood plank, 14 ½ x 28”, frame 20 ½ x 34 x 2 Ό”.

Surface soiling, a few scuffs, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

63

Herbert Wilson Foster (fl. 1881-1917) British

HOME FROM THE HARVEST FIELD, 1886, oil painting on canvas, signed lower left, 27 x 38”, frame 36 x 47 Ό x 5”. Provenance: Galerie Michael, Beverly Hills. Sold at Bonhams UK 2014 for $6461.

Professionally re-lined, in good aged condition.

Auction Estimate $5000/8000

Starting Bid $2500

 

 

 

64

Jas Fraser (20th Century) New York

CUTTER SHIP, oil painting on canvas, signed lower left, 18 Ό x 28 Ό”, frame 23 x 33”.

Surface soiling, vertical hairline cracks throughout, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

65

French Naοve Art (19th/20th Century)

ABRIL 25 DE, 1918, oil painting on metal, 10 x 14 Ό”, frame 13 x 17”.

Two holes top center for hanging, a few nicks, some wear, surface soiling, rust, otherwise in aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

66

Diane Gamboa (b. 1957) California & 1980’s Artists Collection (nine)

Diane Gamboa FACE, 1984, color screenprint, signed in pencil, numbered 75/78, Self Help Graphics stamp on verso, sheet 39 Ύ x 28”;  Peter Tovar MIND’S EYE I, 1996, lithograph, signed and dated in pencil, numbered 5/26, with Self Help Graphics blind stamp lower left image 7 Ό x 37 Ό”, sheet reduced to 11 x 40 ½”; Skooter UNTITLED, color screenprint, signed in pencil, numbered 17/100, Aztlan blind stamp lower left and artist’s (?) blind stamp lower right, sheet 31 Ύ x 23”’; Kinsey EXTINGUISH, 1997, color screenprint, signed in pencil and numbered 27/100 and AP (artist’s proof), sheet 24 x 18”; Rex Ed*** KULTURE DELUXE MAKING POP CULTURE GO BOOM, color screenprint, signed and numbered 1-100 in pencil, sheet reduced to 23 x 13 ½”; Artist Unidentified ACE, 1982, color screenprint, signed and dated and numbered 3/30 in pencil, sheet 22 x 30 Ό”; Artist Unidentified (possibly Angel) TWO FIGURES, color screenprint, signed in pencil, numbered 15/25, image 22 ½ x 17 ½”, sheet 28 ½ x 22 ½”; Artist Unidentified FACE WITH CREATURES, color screenprint, sheet 35 x 28 ½”, frame 39 x 33” with non-glare Plexiglass; Artist Unidentified GEOMETRIC BLOND, color screenprint with hand-painting, signed in pencil and inscribed AP/MP, frame 51 x 36” with non-glare Plexiglas. (9)

Gamboa with several crescent handling creases with white line cracks; Tovar with some pale staining lower right corner; Skooter with a few soft handling creases, mainly visible on verso; Kinsey with a few scuffs; Kulture Deluxe with pale toning, scuffs and scrapes with some minor surface loss; Artist unidentified Ace with a small scuff lower right corner and a few soft handling creases lower right corner; Artist Unidentified Two Figures with some sun toning from previous framing, crease upper left margin, soft handling creases; Geometrid Blond with soft handling creases and a couple creases with associated white line cracks; Otherwise all in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

67

Oswald Garside R.O.A., R.I. (1879-1942) United Kingdom

WATERFRONT FLATS, watercolor and gouache on card, signed lower right, 23 x 18”, frame 30 x 25” with glass.

Some edge wear showing, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

68

Edwin Allsaints Gates (1875-1950) Michigan

CLIPPER SHIPS, color pastel on paper or board, signed lower left, overall 21 x 41” including frame with glass.

Some of the pastel remnants on glass, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

69

Andrew Gaylard (b. 1944) New York (two)

TIME, 1988; CAKE DAY, 1988, each a gouache and mixed media on paper, signed and dated, images 18 ½ x 13 ½” & 18 Ύ x 12 ½”; frames 29 x 37”. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

70

Selden Connor Gile (1877-1947) California

LANDSCAPE, oil painting on canvas, inscribed Selden Gile in pencil on verso, appears to be old auction chalk marks or inventory marks and inscribed Selden Gile on back of frame, 17 Ό x 21 Ό”, frame 22 ½ x 27 x 2”

Light surface soiling, otherwise in good studio condition.

Auction Estimate $10,000/20,000

Starting Bid $5000

 

 

 

71

Sylvia Glass (20th Century) California

UNTITLED, gouache and mixed media on paper, signed lower right, 36 Ό x 36 Ό” including frame.

In apparently good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

72

Goddard (20th Century)

SOLDIERS ON HORSEBACK, watercolor and gouache on board, signed lower right, sight 14 x 38”, frame 21 x 45”.

Light surface soiling, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

73

David Lance Goines (b. 1945) American (three)

FAUST, 1977; METROPOLIS, 1981; PETER M. LORRE, 1982, three color lithographs, each signed and dated in pencil, from editions of 300, sheets average 24 x 18”. (3)

All with faint cockling and some discoloration, otherwise good condition.

Auction Estimate $150/250

Starting Bid $75

 

 

 

74

David Lance Goines (b. 1945) American (four)

MORROW, 1976; CARDUCCI & HERMAN LANDSCAPE, 1981; DOMUS, 1984; GOINGS EXHIBITION POSTER; four color lithographs, the first with hot foil stamping, each signed and dated in pencil, two numbered 81/300 and one numbered 118/300, sheets from 24 x 18” to 24 x 12 Ύ”. (4)

The first with a few scuffs in the margins; The third with toning and faint discoloration; The fourth with some toning, cockling and water staining, otherwise in good condition.

Auction Estimate $150/250

Starting Bid $75

 

 

 

75

Joe Goode (b. 1937) California (five)

FLOATING CARDS, 1969, five color lithographs, each signed and dated in pencil and inscribed VIII Roman Numeral, aside from the numbered edition 98, printed by Mourlot Paris, sheets 22 x 29 Ύ”. (5)

Soft handling creases and some small creases, otherwise in good condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

76

Anthony Green (b. 1939) British

MARGOT IN HER GREEN HOUSE, 1965, oil painting on Masonite, 72 x 30”, frame 74 x 37”. Provenance: Rowan Gallery London with stamps on verso.

A few small chips, some lacquer discoloration in sky area, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

77

John Van Hamersveld (b. 1941) American (4) attributed to (1) (five)

FACE, 1981; DESIGN SUPPORT, 1980; DESK TOP, 1982; DRAFTING TABLE, four, each a color screenprint, signed in pencil, the first numbered P/P, second 36/400, sheets average 40 x 30”; Together with attributed to John Van Hamersveld RED SOFA, color screenprint, sheet 28 Ύ x 23 Ύ”. (5)

Overall soft creases and scuffs; The first with toning extreme sheet edge and some discoloration; the second with some toning and discoloration, two edge kinks; The fourth with some cockling; The fifth with some toning from previous framing and some discoloration along left side; Otherwise all in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

78

Herman Hansen (1854-1924) Alameda, California

THE OLD OVERLAND, etching, inscribed in pencil “etching by H. W. Hansen, printed by Armin Hansen, his son” lower right and titled lower left, plate 7 Ύ x 9 Ύ”, full margins, frame 16 x 18” with glass.

Pale toning in margins at mat, otherwise in apparently good condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

79

Lloyd Harting (1901-1974) California

WINTER CITY SCENE, gouache on Whatman card, signed lower right, image 9 Ύ x 14 ½”, card 14 x 19”, with key line registration marks for publication, frame 16 Ό x 20 ½” with glass.

Image in good condition, old glue in margins with some running over into image lower right, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

80

Horatio Renteria Rocha (1912-1972) Mexican

NINA CON FRUTA, oil painting on canvas, signed lower right, 23 Ύ x 18”, frame 29 ½ x 24”.

A small professional repair lower left with associated patch on verso, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

81

Carl Hummel (1821-1907) German

TREES, watercolor on paper, signed lower right and inscribed 8/8 66, sight 21 ½ x 16”, frame 31 ½ x 25 ½” with glass.

Toning and discoloration, white line repair at center left edge, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

82

Impressionist Style Artist Unidentified

VIEW FROM VERANDA, oil painting on uneven board, 16 x 20”, frame 21 x 25”.

Surface soiling, edge wear, pale tideline stain bottom edge on verso, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

83

Impressionist Style Artist Unidentified

STUDIO, oil painting on canvas, inscription on back of stretcher bar, 21 ½ x 21 Ύ”, frame 27 x 27”.

1 Ό” tear upper right, surface soiling, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

84

Italian School (19th Century)

HERCULES IN BATTLE, probably late Grand Tour era, carved serpentine sculpture, 22 x 16 x 8 ½”, weight approximately 50 pounds.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

85

Ludvig Jacobsen (1890-1957) Denmark

PLAZA DEL GRANDE, TOLEDO, oil painting on canvas, signed lower right, 16 Ύ x 21 Ύ”, frame 24 x 29 x 3”.

Surface soiling, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

86

Ludvig Jacobsen (1890-1957) Denmark

CHILDREN PLAYING IN THE STREET, oil painting on canvas, signed lower right, 14 x 17 ½”, frame 18 x 20 ½”.

Small unobtrusive chip upper left, otherwise in good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

87

Ynez Johnston (b. 1920) California

BRIDGE OF THE SARACENS, 1953, color woodblock print, signed in pencil, numbered 11/35, image 18 x 26”, full margins, frame 28 x 36 ½” with glass. Provenance: Paul Kantor Gallery, with label on back.

Crinkles and creases, some toning in margins, ghosting on the glass, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

88

Jean Jourdain (20th Century) French

FRENCH BOUQUET, oil painting on canvas, signed lower left, signed and titled on verso, 24 x 20”, frame 32 ½ x 28 ½ x 2 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

89

Geza Kende (1889-1952) Hungarian California

CALENDULAS IN BLUE VASE, oil painting on canvas, signed lower right, 30 x 25”, frame 35 Ό x 30”.

Surface soiling, drying craquelure, small chips, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

90

Kukula (aka Nataly Kukula Abramovitch) (b. 1980) Israeli

ROSELLITA’S WEAKNESS, acrylic painting on wood panel, signed lower left, sight 9 Ό x 7 Ό”, frame 16 ½ x 14 Ό”.

Pink frame with chips and small losses, otherwise in good studio condition.

Auction Estimate $400/600

Starting Bid $200

 

 

 

91

Harry Lachman (1886-1975) Illinois Californian

LE MARCHE MORET, oil painting on canvas, signed lower right, 22 x 18”, frame 29 x 26”. Provenance: Dalzell Hatfield Galleries, Ambassador Hotel Los Angeles.

Light surface soiling, a few hairline cracks, otherwise in good aged condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

92

Louise LeBourgeois (20th/ 21st) American

THE FIELD, 1994, oil painting on wood, signed and dated on verso, 5 Ό x 7”.

In good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

93

Alois Lecoque (1891-1981) Czech American

VIEW OF SACRE COEUR, oil painting on board, signed lower center, 24 x 20”, frame 34 x 30 x 3”.

Some surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

94

Alois Lecoque (1891-1981) Czech American

DRY DOCK, oil painting board, signed lower right, 16 x 20”, frame 23 ½ x 27 ½”.

Light surface soiling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

95

William Leighton Leitch (1804-1883) Scottish

EVENING IN THE CAMPAGNA, watercolor on paper or card, signed lower right, insignia lower right, sight 11 x 16”, old labels on verso, discardable frame 23 x 30” with glass.

In apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

96

Jesus Leuus (b. 1948) Mexican

FAMILIA, 1977, oil painting with sand on Masonite, signed and dated lower right, signed on verso, 15 Ύ x 11 Ύ”, frame 21 ½ x 17 ½”.

Small scuff upper center visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

97

Charles Levier (1920-2003) French

LA TABLE BLANCHE, 1965, oil painting on canvas, signed lower right, signed and titled on verso, 40 x 30”, frame 51 x 41 x 4”; Provenance: The original 1965 exhibition catalog from the Martin Lowitz Gallery, Los Angeles, illustrated, with a copy of the 1965 invitation to the exhibition.

In good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

98

Antonio Lopez (1943-1987) Puerto Rico California

STYLISH WOMAN WITH HAT, 1986, color screenprint, signed in pencil, numbered 105/150, image 42 x 32”, full margins, discardable frame 53 x 42 ½” with non-glare Plexiglas.

Small discoloration lower left margin, appears to be some water staining lower left mat, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

99

Crispin V. Lopez (1903-1985) Filipino

STILL LIFE WITH APPLES, 1966, oil painting on canvas, signed and dated lower right, 12 x 16”, frame 20 ½ x 25”.

Surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

100

Mancini (20th Century)

FEMALE NUDE WITH RED HAT, acrylic painting on Masonite, signed lower left, 20 x 16”, frame 27 ½ x 23 ½”.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

101

Manner of Eduardo Manet

AFTERNOON OUTING, etching on chain laid paper with watermark, image off-center of plate 9 Ό x 12 ½”, sheet reduced to 14 x 18”, frame 16 x 20” with glass.

Foxing, some discoloration, crinkles and creases, otherwise in apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

102

Antique Map (18th Century)

IMPERII MAGNI MOGOLIS SIVE INDICI PADSCHACH, hand-colored double-page atlas engraving, engraved by Albrecht Carl Seutter, sheet 19 ½ x 22 ½”.

Discoloration, mainly on verso, two old hinges upper left and right and a strip of black paper on the lower sheet edge verso, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

103

Antique Map (18th Century)

DOMINIUM VENETUM, 1729, hand-colored double page atlas engraving, engraved by G. Mattheus Seutter Jr., image 19 ½ x 22 Ύ”, sheet 21 x 23 Ύ”.

Dry-mounted to matboard, some age discoloration in margins, with some edge tears and wear before mounting, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

104

Peter Max (b. 1937) German American

ANGEL WITH SUN, acrylic painting over color print, signed lower center, sight 9 ½ x 7 ½”, frame 23 ½ x 21 ½”.

In apparently good condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

105

Peter Max (b. 1937) German American

BLUSHING BEAUTY, 2006, acrylic painting over color print, signed lower center, sight 9 ½ x 7 ½”, frame 23 ½ x 21 ½”.

In apparently good condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

106

Peter Max (b. 1937) German American

HEART ON BLENDS, acrylic painting over color print, signed lower center, sight 9 ½ x 7 ½”, frame 23 ½ x 21 ½”.

In apparently good condition.

Auction Estimate $500/800

Starting Bid $250

 

 

 

107

Samuel Harkness McCrea (1867-1941) Connecticut California

THE ROAD TO STANFORD, 1913, oil painting on canvas, signed and dated lower right, signed and titled on verso, with the 26th Annual 1913 exhibition label on back of frame, 20 x 24”, frame 27 ½ x 31 ½”.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

108

Mexican Wrestlers (20th Century) (two)

EL MISTERIOSO; REY MISTERIOS JR, two screenprints on fabric wrestling capes, both semi-discardable frames 31 x 25” with Plexiglas. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

109

Mid-20th Century Artist Unidentified

UNTITLED, oil painting on canvas, signed lower right, possibly the work of Sam Fischer, 25 x 21” including frame.

Ingrained surface soiling, lacquer yellowed, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

110

Mid-20th Century Artist Unidentified

PITCHER WITH FRUIT, 1966, oil painting on canvas, signed and dated lower right, 15 x 21 Ύ”, Art Services frame 22 x 28”.

Lacquer yellowed, surface soiling, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

111

Mark Mothersbaugh (b. 1950) American (two)

WE SHOW YOU HOW A-Z; MADE IN JAPAN, two color screenprints, each signed in pencil and inscribed PP (printer’s proof), the first inscribed to Ricardo De Aztlana (Richard Duardo?), sheets 30 x 44”. (2)

Both with tideline stains lower left and right corners and right sheet edge, toning and soiling at sheet edges; Japan with mold and cockling lower right corner; Otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

112

Muche (19th/ 20th Century)

FEMMES SUR LA PLAGE, oil painting on panel, signed lower right, 5 Ό x 7 ½”, frame 14 x 16 ½ x 3”.

Ingrained surface soiling, otherwise in apparently good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

113

Neapolitan School (19th Century) (two)

VARIOUS, 1861-1878, twelve gouaches on paper, six in each frame, each 2 Ύ x 3 Ύ”, frames 10 ½ x 18” with glass. (2)

One with some water staining, one with small scrape, two with hairline scratches, otherwise all good aged condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

114

Victor Nehlig (1830-1909) New York France

FRENCH SOLDIERS AND ARISTOCRATS, 1861, oil painting on canvas, signed and dated lower right, 10 Ό x 8 Ό”, Jerry Solomon frame 16 x 14”.

Professionally re-lined, previous craquelure still visible, a few nicks near edges, surface soiling or lacquer yellowed, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

115

Leonardo Nierman (b. 1932) Mexican

UNTITLED, 1961, oil painting on Masonite, signed and dated lower left, 31 ½ x 23 ½”, original frame in discardable condition 39 ½ x 31 ½”.

Slight edge wear, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

116

Robert Noble (1857-1917) Scottish

VIEW OF A CITADEL, oil painting on board, signed lower left, with Edinburgh framers label and old auction chalk marks on back of frame, approximately 11 x 14”, frame 18 x 21 x 3” with glass.

Some old surface soiling, otherwise in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

117

Denis Paul Noyer (b. 1940) French (four)

VARIOUS, four color lithographs, each signed in pencil and inscribed EA (epreuve d’artiste/artist’s proof), aside from the numbered editions, all with blind stamps lower left, sheets 21 ½ x 30”. (4)

Some smudges and pale toning and light soiling, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

118

Pablo O’Higgins (1904-1983) American Mexico

MATRIMONIO CAMPSEINO, 1954, hand-colored lithograph, signed in pencil and inscribed P/T, sight 14 x 16”, frame 19 Ύ x 25 Ύ” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

119

George Wallace Olson (1876-1938) Californian

LANDSCAPE, oil painting on canvas over Masonite, signed lower left, 15 Ύ x 20”, frame 22 ½ x 26 ½ x 2 Ό”.

Light surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

120

Arturo Pacheco Altamirano (1903-1978) Chilean

HARBOR SCENE, oil painting on canvas over board, signed lower left, 23 x 28”, frame 27 ½ x 32 ½”.

Surface soiling, small chips upper left, thin scrape lower center, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

121

Pietro Antonio Pazzi (1701-1776) Italian (two)

SEASHELLS, plates T. 73 & T. 92, two hand-colored engravings after drawings by Giuseppe Menabuoni, images 13 Ύ x 9”, full margins, both with Gallery of Graphic Artists, NYC labels on back, frames 25 ½ x 20” with glass. (2)

Both with some discoloration and speckles, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

122

Carlos Raul Perez (b. 1953) California

VALETS, 1990, lithograph, signed and dated and inscribed BAT (bon a tier/ fit to print) in pencil, Angeles Press blind stamp lower left, sheet 29 Ό x 40 Ό”, frame 37 x 48” with Plexiglas.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

Louis Justin Maurice Perry (1856 -  ) French

PORTRAIT OF A BEAUTY, oil painting on canvas, signed upper left, 18 x 15”, antique frame 28 x 25 x 4”, frame with losses and glass. Purchased John Morans 2010 for $1725.

A tiny dimple from verso with associated loss on recto in upper left background, small puncture from verso with associated losses on recto upper right background, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

124

Martin Erich Philipp (MEPH) (1887-1978) German

FOUR TOUCANS, color woodblock print, signed in pencil lower right, sight 13 x 17 Ύ”, frame 23 x 28” with glass.

In apparently aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

125

Ferdinand II Piloty (Ferdinand Jr Piloty) (1828-1895) German

TWO YOUNG GIRLS BY WELL, oil painting on canvas, signed lower right, 26 ½ x 21 Ύ”, frame 39 x 34 ½ x 4”. This was a popular subject of the artist.

Canvas slack, surface soiling, craquelure, some lacquer yellowing, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

126

Alexis Podchernikoff (1886-1933) Russian Federation California

LANDSCAPE (most likely Santa Barbara), 1928, oil painting on Masonite, signed and dated lower left, 25 x 20”, frame 29 ½ x 24 ½”.

In good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

127

Thorwald Probst (1886-1948) California

THE MERRY MARIGOLD, oil painting on canvas mounted to board, signed lower right, 20 x 24”, frame 30 x 34 x 2 ½”. Provenance: artist’s label on verso.

Moderate surface soiling, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

128

Thorwald Probst (1886-1948) California

TIED UP, oil painting on artist’s board, signed lower left, artist’s label on verso, 16 x 20”, frame 25 x 29”.

Ingrained surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

129

Alexandre Renoir (b. 1974) Canada French

RENOIR’S LATER YEARS, 2010, oil painting on canvas, signed lower right, 40 x 30”, frame 49 Ύ x 39 Ύ”. Provenance: Galerie Michael, Beverly Hills.

A few inconspicuous hairline cracks, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

130

John Hubbard Rich (1876-1954) Massachusetts California

BOWL OF FRUIT AND FLOWERS, watercolor on paper, signed upper right, retains Bakersfield Art Association label on back of frame, sight 19 x 19”, discardable frame 29 ½ x 29” with glass.

In apparently good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

131

after David Roberts RA (1796-1864) British

VIEW FROM UNDER THE PORTICO OF THE TEMPLE OF DENDERA from View of the Holy Land, hand-colored lithograph with traces of gum Arabic, sight 19 x 13 Ό”, frame 26 ½ x 20 Ύ” with glass.

Apparently slightly toned, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

132

Ed Ruscha (b. 1937) California & Jim Ganzer (20th Century American

BRAVE MEN RUN IN MY FAMILY, 1983, two etchings on one sheet, one color, signed in pencil by both artists and dated by Ruscha, numbered 31/40, Abury Press blind stamps lower right and another blind stamp lower left, sheet overall 22 ½ x 29 Ύ”, frame 25 x 32 ½” with glass.

In apparently good condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

133

Vintage Russian Poster (20th Century)

LENIN & THE WORKING CLASS, 1957, color poster, sheet 22 ½ x 40 Ό”, linen backing 24 ½ x 42”.

Crinkles and creases with some associated white lines, some restoration, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Vintage Russian Poster (20th Century)

MOTORCYCLES, CHILDREN & CARS, 1957, color poster, sheet 22 x 34”, linen backing 24 x 36”.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

135

Vintage Russian Posters (20th Century) (two)

MAN STUDYING, 1958, color poster, sheet 32 Ό x 22 Ό”, linen backing 34 Ό x 24 Ό”; HANDS HOLDING BOMB, 1976, color poster, sheet 33 ½ x 22 Ύ”. (2)

The first with some attenuated, possibly some previous water damage lower sheet edge; The second with some toning and colors attenuated; Otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Vintage Russian Posters (20th Century) (two)

DOCTOR AND BABY; WOMAN AND CHILD, 1958, two color posters, first sheet 33 x 22 ½”, linen backing 35 Ό x 24 ½”, the second sheet 31 ½ x 22”, linen backing 33 ½ x 24”. (2)

The first with some pale discoloration, some minor restoration, previous edge wear; The second with large repaired tear lower center right; Both with some previous minor condition issues prior to backing; Otherwise both in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Vintage Russian Photographs (early 20th Century)

ACTORS & PERFORMERS, six silver gelatin prints in one frame, each inscribed in ink, each 5 Ό x 3 ½”, discardable frame with broken glass 15 x 19”.

Some creases, crinkles and edge wear, otherwise all in apparently good aged condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

138

Lionel Salmon (1884-1945) Washington

MOUNT RAINER, oil painting on Schelin Art Board, signed lower left, 18 x 24”, frame 23 ½ x 29 ½”.

Light surface soiling, some lacquer yellowed, stray blue paint scuffs, otherwise in good aged condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

139

Sculptor Unidentified (20th Century)

FIGURE, cast bronze sculpture with green patina, 14 ½ x 7 x 5”, resting on a Plexiglas base 2 x 8 Ό x 5”, weight approximately 25 pounds, overall height with base 16 ½”.

Sculpture in good condition, separate Plexiglas base with scuffs and scratches and tiny nicks, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

140

Sculptor Unidentified (20th Century)

SEATED FIGURE WITH RAISED HAND AND LEG, cast bronze sculpture with green patina, possibly the work of Barbara Beretich, 10 ½ x 7 x 4 ½” resting on a Plexiglas base 1 ½ x 9 ½” 8 ½, weight approximately 16 pounds, overall height with base 12”.

Sculpture in good condition, separate Plexiglas base with scuffs and scratches and tiny nicks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

141

Sculptor Unidentified (20th Century)

VEIN, 1987, fabricated bronze sculpture with high polish and green patina, signed GLS and titled and numbered 3/12 near base, size 40 ½ x 39 x 20”, weight approximately 125.

Some scuffs, surface soiling, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

142

Gary Shepard (b. 1951) New England

STONE WALL (RURAL STREET SCENE), watercolor on paper or board, signed lower left, sight 22 ½ x 33”, frame 31 ½ x 42 ½” with glass.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

143

Frederick Karl Smith (1868-1955) California

READING, oil painting on canvas mounted to Masonite, signed lower left, 24 x 20”, frame 29 ½ x 25 ½”.

Drying cracks, some hazing, surface soiling, surface loss to the letter “F” in signature, apparently some nail holes filled in along the right side, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

144

RJ Smith (20th Century) (four)

BIG-BOOB WOMEN, four graphite drawings with blue line pencil on paper, each signed, frames 30 x 25 ½” with non-glare Plexiglas. (4)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

145

Tassuduque (Tassaduq) Sohail (b. 1930-2017) Pakistan

FANTASY SCENE, 1994, acrylic painting and mixed media on paper, signed and dated lower right, 23 Ό x 18”, matted 29 ½ x 23 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Amy Sol (21st Century) Korean American

CHARM LANTERN, acrylic painting on wood panel, signed lower right, 11 Ό x 13 Ό”, frame 13 x 15 x 2 Ό”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

147

Ernest George W. Souster (1882-1953) British (three)

GREEK RUINS, three watercolors on paper, each signed, sights average 13 ½ x 19 ½”, all framed, two frames 21 ½ x 27 ½”, one frame 23 x 30 ½”; All framed with glass. (3)

Pale discoloration at mat, otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

148

Ernest George W. Souster (1882-1953) British (four)

ABBEYS, four watercolors on paper, each signed, sights three average 19 Ό x 13 ½”, one 13 ½ x 19 Ύ”, three frames approximately 27 ½ x 21 ½”, one 21 ½ x 27 ½”; All framed with glass. (4)

Two with pale discoloration at mat, otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

149

Theophile Steinlen (1859-1923) Swiss French

JOURNEE DES REGIONS LIBEREES, 1919, color lithograph poter, signature and dated on the stone lower left, with folds as issued, sight 46 ½ x 31 ½” frame 58 ½ x 43 ½” with Plexiglas.

Toned, small losses, colors probably attenuated or diminished from toning, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Steuben Glass

REEF FISH WITH BLUE TOPAZ EYES, art glass, inscribed Steuben underneath, 4 x 7 ½ x 2”.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

151

Steuben Glass by Catherine De Sousa

MONKEY, art glass, inscribed Steuben underneath, 6 ½ x 3 Ό x 3 Ό”.

Scratch underneath, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

152

Steuben Glass by Paul Schultz

WALRUS, art glass with sterling silver tusks, inscribed Steuben underneath, 4 x 7 ½ x 4”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

153

Max Thalmann (1890-1944/5) German

TWO WOMEN BATHING, color pastel with watercolor on paper or card, signed lower right, sight 9 Ό x 8”, frame 15 Ύ x 14 ½” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

154

Henry Grinnell Thomson (1850-1937) Connecticut

WHEATEN TERRIER IN FIELD, oil painting on canvas, signed lower left, 20 x 16”, frame 24 ½ x 21”.

Hairline cracks, surface soiling, stray lacquer line, nail holes in four corners, pale tideline stain bottom edge on verso, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

155

Wil Timpe (b. 1920) California

CALIFORNIA COAST SCENE, 1958, oil painting on canvas, signed and dated lower left, 19 x 22 ½”, frame 23 ½ x 27”.

Drying craquelure in foreground bush and center tall tree, surface soiling, otherwise in good aged condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

156

Pieter Van Der Westhuizen (1931-2008) South African

TWO WOMEN, watercolor and color pastel on artist’s incised paper, signed and dated and stamped lower right, sight 18 x 19 Ό”, frame 29 x 29” with glass.

In apparently good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

 

157

Vasa Velizar Mihich (b. 1933) Yugoslavia California

BLOCK WITH DIAGONAL, color and clear acrylic sculpture, signed, 5 x 5 x 1 ½”.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

158

Vasa Velizar Mihich (b. 1933) Yugoslavia California

SPHERE, color and clear acrylic sculpture, signed, 3 ½” diameter, with ring stand.

In good studio condition.

Auction Estimate $300/500

Starting Bid $150

 

 

 

159

Vasa Velizar Mihich (b. 1933) Yugoslavia California

HEXAGONAL COLUMN, color and clear acrylic sculpture, signed, 12 Ό x 2 x 2 ½”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

160

Vasa Velizar Mihich (b. 1933) Yugoslavia California (six)

CUBES, color and clear acrylic sculpture, each signed, 2 Ό”. (6)

Some minor studio imperfections, otherwise all in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

161

John Laurie Wallace (1864-1953) Nebraska

NEBRASKA LANDSCAPE, oil painting on panel, signed lower right, 14 x 18”, frame 21 ½ x 25 ½ x 2”.

Some surface soiling and edge wear, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

162

Herbert William Weekes (1841-1914) British

THE LEADER OF THE COMMONS, oil painting on panel, signed lower left, 11 ½ x 8”, frame 22 ½ x 18 ½ x 4 Ύ”, weight 15 pounds. Provenance: Galerie Michael, Beverly Hills; Sold at Bonhams 4/21/2010 for $5800 lot 102.

Corners with wear, small loss upper left corner, otherwise in good aged condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

163

Henry Otto Wix (1866-1922) German California

LANDSCAPE WITH COWS, watercolor on paper, signed lower left, sight 10 x 14”, carved wood frame 19 ½ x 23 ½” with glass.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

164

Robert Wyland (b. 1956) California Hawaii

INNOCENT AGE, 1991, cast bronze sculpture with color patina, signed and numbered AP 1/50 (artist’s proof), also signed and dedicated on base, 29 ½ x 26 x 20” including marble base, 71 pounds, with a signed book of the artist. Provenance: Wyland Galleries.

Some dust accumulation, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

165

Robert Wyland (b. 1956) California Hawaii

MANATEES, 1990, cast bronze sculpture with color patina, signed and dated and numbered AP 3/50 (artist’s proof), 16 ½ x 8 x 7” including marble base, 15 pounds, with a signed book of the artist. Provenance: Wyland.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

166

Robert Wyland (b. 1956) California Hawaii

HAWAII, 1987-88, triptych in three frames, offset color lithograph with original watercolor remarque, signed in pencil lower right panel, signed and dated in pencil lower center panel beneath watercolor remarque, numbered printer’s proof 14/45 lower left panel, signed and titled on center panel frame verso, overall 28 ½ x 81” including Koa wood frames, with a book of the artist. Provenance: Wyland & Livingston Galleries.

In apparently good condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

167

Robert Wyland (b. 1956) California Hawaii

MANATEE CIRCLE OF LIFE, 1992, cast bronze sculpture with color patina, signed and numbered AP 1/50 (artist’s proof), 23 Ό” diameter, 5” deep, 31 pounds, with a signed book of the artist. Provenance: Wyland Galleries.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

168

Robert Wyland (b. 1956) California Hawaii

GREAT WHITE (Sharks), 1987, color offset lithograph with original watercolor remarque, signed and titled in pencil and numbered in 61/450, signed and dated under remarque, image 27 ½ x 20 ½”, full margins, frame 44 ½ x 35 ½”. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $300/600

Starting Bid $150

 

 

 

169

Robert Wyland (b. 1956) California Hawaii

CHILDREN OF THE SEA, 1983, color offset lithograph with original watercolor remarque, signed and numbered 204/300 in gold marker, signed in pencil under the remarque, image 30 x 22 ½”, full margins, Koa wood frame 47 x 39 ½” with glass. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $300/600

Starting Bid $150

 

 

 

170

Robert Wyland (b. 1956) California Hawaii

INNOCENT AGE, 1992, color offset lithograph with original watercolor remarque, signed in pencil and numbered A/P 1/95 (artist’s proof), image diameter 18”, frame diameter 34”. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

Robert Wyland (b. 1956) California Hawaii

SHARK REEF, high finish color offset lithograph, signed in pencil, numbered 441/750, image 24 x 16”, full margins, frame 33 x 25”. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $100/200

Starting Bid $50

 

 

 

172

Robert Wyland (b. 1956) & Roy Tabora (b. 1956) Hawaii

OCEAN TRILOGY, 1993, triptych in one frame, color offset lithograph with original watercolor remarque by Wyland, signed in pencil and numbered P/P 1/95, overall 42 ½ x 87 ½” including Koa wood frame, with a book of the artist. Provenance: Wyland Galleries.

Possible some color attenuation, otherwise in apparently good condition

Auction Estimate $500/1000

Starting Bid $250

 

 

 

173

Robert Wyland (b. 1956) & Roy Tabora (b. 1956) Hawaii

MOONLIT DOLPHINS, 1992, offset color lithograph with two original watercolor remarques, signed in pencil by both artists and numbered A/P 1/95 (artist’s proof), image 21 x 15”, full margins, Koa wood frame 37 ½ x 30 ½”. Provenance: Wyland Galleries.

In apparently good condition

Auction Estimate $300/600

Starting Bid $150

 

 

 

174

Harry Wysocki (b. 1926) American

SEA NYMPH, 1970, vaccu-form plastic multiple, signed on artist’s label on verso, from a limited edition, with original frame 48 x 24 Ύ” x 3”.

Some scratches and scuffs, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

175

Eric Zenner (b. 1966) American (two)

INDUSTRIAL WORKERS, 1999, color lithograph, signed and dated in pencil, numbered 35/80, image 25 x 25”, full margins, frame 33 ½ x 33” with Plexiglas; MOTHER & CHILD, 1999, color giclee, signed and dated in pencil, numbered 16/80, image 21 x 15 ½”, full margins, frame 31 ½ x 23 ½” with Plexiglas. (2)

Both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

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