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19th & 20th Century Paintings, Prints, Sculpture & Photography

January 26th, 2019  Auction

 

 

 

1

Alfred Aberdam (1894-1963) Ukrainian/ French

UNTITLED, 1958, oil painting on canvas, signed and dated lower right, signed and dated on verso, 23 x 18”, framed.

Surface soiling, drying craquelure, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

2

African Art

TRIBE, hardwood carving with three removeable clubs, signed R. Musyoka at base, 17 ½” tall.

In good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

3

Yaacov Agam (b. 1928) Israeli

TROIS MOVEMENT #1, Agamograph, lenticular plastic with laminated color screenprint, signed in ink, numbered 94/99, image 13 x 15 ¼”, overall 14 ½ x 16 ¼”, in early style frame.

Slightly toned, colors and signature with some attenuation, moderate scratch left center, surface soiling and other small blemishes, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

4

Artist Unidentified (19th/ 20th Century)

ELDER AND YOUNG GIRL, oil painting on canvas, 24 x 18 ½”, framed.

Some hairline cracks and craquelure, otherwise in good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

5

Artist Unidentified (20th Century)

THREE SEATED WOMEN, gouache on board or paper, signed lower left, sight 15 ½ x 21”, framed with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

6

Artist Unidentified (20th Century)

STILL LIFE, oil painting on canvas, signed lower left, 30 x 21”, framed.

Vertical hairline crack along the left side, some craquelure, relined, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

7

Artist Unidentified (20th Century)

WU WU YUME, oil painting on canvas, inscribed on verso, 36 x 36 ½”, framed.

A few minor surface scuffs, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

8

Artist Unidentified (20th Century)

ABSTRACT LANDSCAPE, oil painting on canvas, signed lower right, 23 x 26”, framed.

Surface soiling, hairline and spiral cracks with some minor associated chips, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

9

Artists Unidentified (20th Century) (two)

SEATED GIRL WITH BALL, brushed acrylic on paper, signed lower left, sight 21 x 16”; WOMAN WITH FAN, watercolor and ink drawing on paper, signed L. Harris lower right, sight 9 ¾ x 7 ½”; Both framed with glass. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

10

Roya Azim (b. 1964) Iran American (three)

UNTITLED, three acrylic paintings with mixed media and collage on paper, each signed in pencil lower right, sheets 23 ¾ x 16”, all framed with glass. Provenance: Graphique Du Jour. (3)

All in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

11

Emile Baes (1879-1953/54) Belgium

STANDING NUDE, oil painting on canvas, signed upper right, 51 ¼ x 35 ½”, framed.

Stretcher bar impressions, black lite reveals om minimal touch-up and some professional restoration, otherwise in good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

12

Micha Bar-Am (b. 1930) Israeli

PORTFOLIO, 1981, portfolio of ten gelatin silver prints, each signed and numbered 68/300 in pen, sheets 20 x 16”, each with slip-jackets, with portfolio case and colophon page. Provenance: Michael Hittleman Gallery Los Angeles.

Sheets with slight curve at long sides from being stored, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

13

Hermann Behmer, John Carl Podrebarac & Artist Unidentified (three)

Hermann Behmer (1831-1915) Germany, BALLERINA, watercolor on paper, signed lower right, sight 14 ¼” x 7 ½”; John Carl Podrebarac (1938-2006) California, BACKSIDE NUDE ON GREEN TOWEL, oil painting on canvas, signed lower left, 16 x 12”; Artist Unidentified (20th Century), SEATED GIRL, oil painting on board 14 x 11”; All framed, one with glass. (3)

Behmer with a few unobtrusive scrapes, the mat stained, Podrebarac with hairline cracks with associated small chips, Artist unidentified with age related surface soiling, otherwise all in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

14

Paul Berthon (1872-1909) French

QUEEN WILHELMINA, color lithograph, stone-signed upper left, image 15 ¼ x 14”, full margins, framed with glass.

Some toning and colors attenuated, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

15

Aharone Bezalel (1926-2012) Israel

HORSE & RIDER, 1984, cast bronze sculpture in two parts, signed and dated and numbered 43/100, overall 9 ¼ x 6 ½ x 4” including base.

Small blemish spot, otherwise in good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

16

Oscar Bluemner (1867-1938) German/ American

CANAL GARNETT MOUNTAIN, ST. PATERSON, NEW JERSEY, 1920, oil painting on paper, initialed lower right and inscribed in pencil in the margins, titled and dated on verso, image 3 ¼ x 4 ¾”, framed with glass. Bonham’s lot label on frame verso.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

17

Beniamino Bufano (1898-1970) Californian

CAT, color lithograph, signed in ink and inscribed artist’s proof in pencil, image 13 ¾ x 20”, full margins, framed with glass.

Signature attenuated, a few soft handling creases and some pale discoloration in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

18

Amelie Burdin (1834-    ) French

WHARF AT NIGHT, oil painting on board, signed lower right, 17 x 25 ¾”, framed.

Minor surface soiling, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

19

George Elbert Burr (1859-1939) American

LANDSCAPE, oil painting canvas board, signed lower right, 8 x 12”, framed.

In good aged condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

20

Alberto Burri (1915-1995) Italian (two)

PILOT THEATER, color lithograph poster, complimentary signature in pencil lower right, sheet 19 ¾ x 11 ¼”. Burri did theater and set designs and this poster for the Pilot Theater where his wife was a dancer and choreographer; Together with an exhibition poster from the Lodi Art Gallery, Pasadena, 14 x 8 ½”. (2)

Some pale discoloration and a few soft handling creases, otherwise both in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

21

Cape Dorset: Egevadluq Ragee (1920-1983) Nunavut, Canada

THE DAY’S CATCH, 1980, stone-cut print with stencil, signed and dated and titled in pencil, character mark lower right, numbered 13/50, blind stamp lower right, sheet 18 x 24”, framed.

Soft creases and soft handling creases, mainly at perimeter, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

22

Cape Dorset: Inuit carving

MAN WITH SEAL AND DOG, 1973, carved black stone sculpture, dated and numerically inscribed and with Canadian Eskimo Art label underneath, 14 ¾” tall.

Small loss at rear right base, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

23

Cape Dorset: Kananginak Pootoogook (1935-2010) Nunavut, Canada

FAMILY OF WOLVES, 1983, stone-cut print, signed and dated and titled in pencil, character mark upper left, numbered 5/50, blind stamp lower right, sheet 24 x 34”, framed.

Creases and crinkles at perimeter, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

24

Cape Dorset: Kananginak Pootoogook (1935-2010) Nunavut, Canada

TUMBLING WALRUS, 2003, stone-cut print with stencil, signed and dated and titled in pencil, character mark upper right, numbered 36/50, sheet 18 x 24”, framed.

Soft creases and soft handling creases, some discoloration at hinge upper right corner, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

25

Cape Dorset: Kenojuak Ashevak (1927-2013) Nunavut Territory, Canada

THE SUN’S RETURN, 1993, stone-cut print with stencil, signed and dated and titled in pencil, character mark lower right, numbered 94/100, sheet 24 ½ x 30”, framed.

Small discoloration spot lower left corner, soft handling creases lower right corner, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

26

Cape Dorset: Lucy Quinnuayuak (1925-1982) Nunavut, Canada

STRUTTING FALCON, 1983, stone-cut print, signed and dated and titled in pencil, character mark lower left, numbered 3/50, blind stamp lower right, sheet 21 ½ x 24 ½”, framed.

Paper toned with some scattered speckles, upper margin hinges on verso slightly visible on recto, otherwise in apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

27

Cape Dorset: Mayoreak Ashoona (b. 1946) Nunavut, Canada

WALRUS FAMILY, 1986, stone-cut print with stencil, signed and dated and titled in pencil, character mark upper left, numbered 46/50, blind stamp lower right, sheet 24 ½ x 26”, framed.

Some soft handling creases, upper margin hinges on verso slightly visible on recto, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

28

Cape Dorset: Mialia Jaw (1934-2006) Nunavut Territory, Canada

PENSIVE OWLS, 2004, stone-cut print with stencil, signed, dated and titled in pencil, painted character mark lower left image, numbered 28/50, image 18 x 27 ½”, sheet 25 ½ x 32”, framed.

Soft creases and a few soft handling creases, a few tiny discoloration spots, upper margin hinges on verso slightly visible on recto, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Cape Dorset: Oshoochiak Pudlat (1906-) Nunavut, Canada

THE DANGER OF EGG GATHERING, 1984, color lithograph, signed and dated and titled in pencil, character mark lower left, numbered 15/50, blinds stamps lower left, sheet 22 x 30”, framed.

Soft creases and a few soft handling creases, a few tiny discoloration spots, hinges impressions on verso slightly visible on recto, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

30

Cape Dorset: Pitseolak Ashoona (c.1907-1983) Nunavut, Canada

ANGRY OWL, 1980, stone-cut print with stencil, signed and dated and titled in pencil, character mark lower right, numbered 4/50, blind stamp lower right, sheet 20 x 25 ½”, framed.

Soft and handling creases, a few speckles, small hinge stains upper corners, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

31

Cape Dorset: Pitseolak Ashoona (c.1907-1983) Nunavut, Canada

STEPPING STONES, 1983, stone-cut print with stencil, signed and dated and titled in pencil, character mark lower and upper right, numbered 5/50, blind stamp lower right, sheet 18 ½ x 27”, framed.

Paper possibly discolored, hinge impressions upper margins, soft handling creases and a few discoloration spots, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

32

Rene Carcan (1925-1993) French

LANDSCAPE WITH SUNRISE, color aquatint etching, signed in pencil, numbered 62/95, image 23 ½ x 19 ¼”, full margins, framed.

Toning in margins at mat, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

33

Max Albert Carlier (1872-1938) Belgium

PINK ROSES, oil painting on canvas, signed lower right, 23 ½ x 15 ¾”, framed.

Hairline craquelure, drying cracks, faint stretcher bar impressions, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

34

Max Albert Carlier (1872-1938) Belgium

PINK ROSES, oil painting on canvas, signed lower right, 15 ¾ x 23 ½”, framed.

Hairline craquelure, drying cracks, faint stretcher bar impressions, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

35

Claude Catulle (b. 1929) French (two)

LADY No. 6 for Charleston Lady McBeth Theatre; MATHILDE No. 8 for The Masked Ball, Costume Designs, two gouache and pastel and ink drawings with fabric swatches, both signed and inscribed, sights 15 ½ x 10 ½” & 18 ½ x 13”, both beautifully framed. (2)

Minor crinkles and cockling, otherwise both in apparently good production condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

36

Claude Catulle (b. 1929) French (two)

LA BAROUNE; CHEMISE JAPON CORSET; Costume Designs, two gouache and pastel and ink drawings with fabric swatches, both signed and inscribed, sights 19 x 14 ¼” & 14 ½ x 9”, both beautifully framed. (2)

A few soft creases and minor cockling, otherwise both in apparently good production condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

37

Marc Chagall (1887-1985) Russian/ French

THE BAY OF ANGELS (M.350; S.pg 38), 1962, color lithograph poster, sight 37 ½ x 23”, edition of 5000, published and commissioned by the French Tourist Office, printed by Mourlot Paris, framed with glass.

Colors attenuated, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

38

Marc Chagall (1887-1985) Russian/ French

THE FOUR SEASONS (M.727; H.727), 1974, color lithograph poster, 37 x 25”, edition of 5000, published for Place Nationale De La Ville De Chicago, framed with glass.

Colors are slightly attenuated, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Jules Cheret (1836-1933) French (two)

LES MAITRES DE L’AFFICHE series, two color lithographs, each with signatures in design, both with blind stamps lower right, both printed by Chaix Paris, images 12 ½ x 9”, full margins, framed. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Edouard Chimot (1880-1959) French (two)

DEUX AMIES, two aquatint etchings, one color and one a black and white state with additional dry-point etching on right side, both signed in pencil, the color numbered 6/150 and the other Roman numeral VII (7), plates 11 ½ x 8” & 11 ¾ x 10”, both with full margins, both framed. (2)

Color with pale discoloration spots in margins and some staining on lower mat, the black and white with some pale discoloration in margins, otherwise both apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

41

Jose Luis Cuevas (1934-2017) Mexican

WANTED from Crime, 1968, color lithograph, signed in red pencil, proof aside from the edition of 100, sheet 22 x 30”, framed with glass. From the collection of Yale Udoff.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

42

Rinaldo Cuneo (1877-1939) Californian

HOUSE VIEWED THROUGH TREES, oil painting on canvas, signed lower right, 12 x 10”, framed. Provenance: Butterfields & Butterfields Auctions (now Bonhams), San Francisco 12/09/1999.

Some hairline cracks, discoloration on verso, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

43

Paul Dieuseul (1952-2006) Haiti

UNTITLED, 1986, oil painting on canvas, signed and dated lower right, 47 ¾ x 41”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

44

Jacqueline Dreager (20th Century) Californian

BOY WITH A BIRD, collaged with ink and graphite drawing with white paint and pastel on paper, signed lower right, 24 ½ x 20 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

45

after Raoul Dufy (1877-1953) French

LE PADDOCK AU DEAUVILLE, 1964, Charles Sorlier color lithograph poster, published by Musee Nationale d’Arte Moderne, 24 x 39”, framed with glass (crack lower right corner).

Colors are slightly attenuated, small visible printer’s crease in red building, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

46

Erte (1892-1990) Russian/ French

HER SECRET ADMIRER (E.123), 1990, cold-painted cast bronze sculpture, signed, numbered 155/375, published by Chalk & Vermilion and Seven Arts, overall 21 x 15 x 2 ½”.

Surface wear at top hat, two truncated bead strands on left side, otherwise in good condition.

Auction Estimate $1500/2500

Starting bid $750

 

 

 

47

Erte (1892-1990) Russian/ French

STRANDED (E.133), 1988, cold-painted cast bronze sculpture, signed, numbered 93/375, published by Chalk & Vermilion and Seven Arts, overall 20 x 10 ½ x 9”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

48

Erte (1892-1990) Russian/ French

RIGOLETTO, (E.161), 1988, cold-painted cast bronze sculpture, signed, numbered 99/375, published by Chalk & Vermilion and Seven Arts, overall 19 ½ x 18 ¼ x 5 ½”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

49

Erte (1892-1990) Russian/ French

TWILIGHT (E.162), 1986, cold-painted cast bronze sculpture, signed, numbered AP (artist’s proof) 4/37, published by Fine Arts Acquisitions, overall 20 ½ x 6 x 10 ½”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

50

Erte (1892-1990) Russian/ French

ROSE DANCER (E.177), 1988, cold-painted cast bronze sculpture, signed, numbered 359/375, published by Chalk & Vermilion and Seven Arts, overall 25 ½ x 7 ½ x 7”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

51

Erte (1892-1990) Russian/ French

ZOBEIDE (E.190), 1990, cold-painted cast bronze sculpture, signed, numbered 34/375, published by Chalk & Vermilion and Seven Arts, overall 21 ¼ x 9 ½ x 7”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

52

Erte (1892-1990) Russian/ French

EMERALD NIGHT (E.34), 1988, cold-painted cast bronze sculpture, signed, numbered XXXIX/XL Roman Numerals (39/40), published by Seven Arts London, overall 21 ½ x 11 ½ x 6”.

Small touch-up on back of skirt, otherwise in good condition

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

53

Erte (1892-1990) Russian/ French

FAUBOURG ST. HONORE (E.181), 1990, cold-painted cast bronze sculpture, signed, numbered 183/375, published by Chalk & Vermilion and Seven Arts, overall 20 ¾ x 12 x 8 ½”.

Hairline surface scrape and small surface nicks on back of cape, otherwise in good condition

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

54

Erte (1892-1990) Russian/ French

WEDDING (L.119), 1986, cold-painted cast bronze sculpture, signed, numbered AP (artist’s proof) 31/37, published by Fine Arts Acquisition, overall 16 ½ x 14 ½ x 5 ¼”.

In good condition

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

55

Erte (1892-1990) Russian/ French

THE GLOBE (L.145), 1984, cold-painted cast bronze sculpture, signed, numbered 244/350, published by Fine Arts Acquisition, overall 17 ½ x 6 x 7 ½”.

In good condition

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

56

Vincent Farrell (1928-2008) Californian

STILL LIFE, 1999, oil painting on canvas, signed upper right, 24 x 24”, framed. Provenance: Art Resource Group, Irvine.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

57

Jean Michel Folon (1934-2005) Belgian

BLUE MAN, color screenprint on foil stock paper, signed and numbered 18/50, image 31 ½ x 23 ½”, sheet 33 ½ x 25 ½”, matted.

Printer’s and soft handling creases, speckling on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

58

Donald Hamilton Fraser R.A. (1929-2009) British

BOAT AT LANDING STAGE, oil painting on paper, signed lower left, possibly signed and titled on back of frame, unidentified gallery tag on verso, sight 23 x 18”, framed with glass.

In apparently good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

59

Furniture: French Provincial Chairs (four)

The set of four wood chairs with cane seats and backs, two armchairs 22 ¼” wide, two side-chairs 20 ½” wide, all 37” tall. (4)

A few tiny chips in the finishes, one side chair with some breaks in cane back, otherwise all in good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

60

Furniture: Plexiglas stands (two)

A pair of bent Lucite stands, each 30 x 18 x 18”. (2)

In good used condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

61

Furniture: Plexiglas stand

A bent Lucite stand, 30 x 18 x 18”.

In good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

62

Furniture: Plexiglas stand

A large rectangular Lucite stand, 30 x 20 x 20”.

In good used condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

63

Julian Grau Santos (b. 1937) Spain

CAMPOS DE MADRID, oil painting on canvas, signed lower right, signed and titled and with Vincente Viera stamp on verso, 25 ¾ x 32”, framed. Provenance: Sala Pares Barcelona.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

64

Cliff F. Harmon (1923-2018) California/ New Mexico

EARTH FORMS #231, gouache on paper, signed lower left and titled lower right in pencil, sight 8 ½ x 14 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

65

Edna Hibel (1917-2014) Boston

PORTRAIT OF A GIRL, oil painting on silk over panel, signed lower right, 13 x 11”, framed.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

66

Edna Hibel (1917-2014) Boston (three)

PORTUGESE FISHERMAN, oil painting on Masonite, signed lower right, 7 ¼ x 5 ½”; Together with SINGLE NUDE; SINGLE VASE, two color lithographs, each signed in pencil, the first inscribed artist’s proof, second inscribed IV 8/20 Ed.250, sights 12 x 8” & 16 ½ x 9 ¼”, both framed with glass and with Everett Oehlschlaeger Galleries, Chicago label. (3).

Painting in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

67

Al Hirschfeld (1903-2003) American

ZERO MOSTEL AND BURGESS MEREDITH in WAITING FOR GODOT, 1982, color lithograph, signed in pencil and inscribed AP (artist’s proof) XVII/XXX, with the ES blind stamp lower right, sheet 15 x 20 ¼”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

68

Al Hirschfeld (1903-2003) American

TALLULAH BANKHEAD, etching, signed in pencil and inscribed AP (artist’s proof) VII/XV, sheet 22 x 25 ¼”.

A few soft handling creases, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

69

Al Hirschfeld (1903-2003) American

HUMPHREY BOGART AND LAUREN BACALL in TO HAVE AND HAVE NOT, 1988, etching, signed in pencil, numbered 115/200, with the ES blind stamp lower right, sheet 20 ¼ x 15”.

A few soft handling creases lower right margin, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

70

Al Hirschfeld (1903-2003) American

CAROL CHANNING in LORELEI, 1994, etching, signed in pencil, numbered VI/XXV, with the ES blind stamp lower right, sheet 18 x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

71

Al Hirschfeld (1903-2003) American

CLINT EASTWOOD in RAWHIDE, 1996, etching, signed in pencil, numbered VIII/XXV, with the ES blind stamp lower right, sheet 19 x 15”.

In good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

72

Al Hirschfeld (1903-2003) American

DUKE ELLINGTON KEYBOARD ELEGANCE, 1991, etching, signed in pencil, numbered 36/150, sheet 16 x 15”.

A few soft handling creases lower left, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

73

Al Hirschfeld (1903-2003) American (five)

MUSUME, 1976; SUKERUKO, 1987; HANJO, 1976; SHIBARAKI, 1976; RENJISHI, 1976, all from the Kabuki Theater Series, five color lithographs, each signed in pencil, three from numbered editions 275 and two artist’s proofs, sheets average 30 x 22”. (5)

A few soft handling creases, the three with white backgrounds with some pale discoloration at sheet edges, otherwise all in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

74

Joseph Horlor (1809-1887) British, (previously sold as John Constable)

COTTAGE BY THE SEA, oil painting on canvas, 20 ¼ x 30”, framed, with Constable placard on recto and partial gallery label on verso naming it a Constable. With a letter from Charles Credaroli of Sotheby Parke Bernet Los Angeles dated March 24th, 1982, attesting to Horlor authorship and estimating it for $800/1200 at their next auction.

Light impact dent from verso with associated hairline cracks upper left, some surface scratches and scruffs and craquelure, some visible restoration, lacquer yellowed, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

75

Joichi Hoshi (1913-1979) Japan

RED TREE ON GOLD BACKGROUND, 1973, color woodblock print, signed in pencil, numbered 78/88, image 13 ¾ x 34”, full margins, framed with glass. Provenance: Art Gallery Kaigado, Hotel Okura Arcade, Japan.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

76

Hudson Valley Artist (19th /20th Century)

CLAVERACK MEADOWS, oil painting on canvas, 29 ¾ x 25 ¾”, partial gallery label on verso, framed.

Relined, craquelure and stretcher bar impressions, minor surface soiling, otherwise in good aged condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

77

Louis Icart (1888-1950) French

FINLANDE (H.484), 1940, color etching, signed in pencil, copyright and date upper left, plate 14 x 21”, full margins, framed with glass.

Small and soft handling creases, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

78

Impressionist style artist unidentified

VIEW OF THE COUNTRYSIDE, color lithograph, signed in pencil, numbered HC 1/20 (Hors Commerce), image 23 x 29”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

79

Israeli Artists (1970’s)

JERUSALEM PORTFOLIO, 1977, portfolio of five color screenprints, includes Moshe Kupferman, Menashe Kadishman, Liliane Klapische, Michael Gross & Schwebel, each signed in pencil, numbered 178/200, sheets 19 ½ x 25 ½”, with portfolio case and colophon page. Provenance: Michael Hittleman Gallery Los Angeles.

All in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

80

Luigi Kasimir (1881-1862) Austrian/American, Josef Eidenberger (1899-1991) Austrian & others (five)

Luigi Kasimir MELK MONASTERY, color aquatint etching, estate-signed in pencil, plate 9 ¾ x 9 ¼”, full margins; Josef Eidenberger HAMBURG HARBOR, color aquatint etching, signed in pencil, plate 11 ½ x 10”, full margins; Together with FRUIT, color lithograph, and FLOWERS, two color etchings, average sight 10 ½ x 8 ½”; all framed with glass. (5)

Eidenberger with a few speckles, Flowers & Fruit with some discoloration at mat, more so in the Flowers, otherwise all in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

81

Constantine Kluge (1912-2003) Russian/ French

LE CHATEAU DE ERMONOVILLE, 1968, oil painting on canvas, signed lower right, 32 x 39 ½”, framed. Provenance: Wally Findlay Galleries, Chicago, inventory #24975.

In apparently good studio condition with a bright recently cleaned surface.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

82

Otto Kuhler (1894-1977) German

LADIES IN WAITING (locomotives), 1924, etching, signed in pencil lower right and inscribed LTD.ED. 50 prts DEL.ET. IMP lower left, plate 13 ¼ x 16 ½”, full margins, framed with glass. Provenance: Kennedy Galleries, Inc. New York.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

83

Otto Kuhler (1894-1977) German

CARGO CARRIERS, circa 1925, etching, signed in pencil, plate 10 ¾ x 13 ½”, full margins, framed with glass. Provenance: Kennedy Galleries, Inc. New York.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

84

Otto Kuhler (1894-1977) German

THE CABLE THAT HOLD IT ALL (George Washington bridge), 1928, etching, signed in pencil lower right and inscribed LTD.ED. DEL. ET IMP lower left, plate 13 x 9 ¼”, full margins, framed with glass. Provenance: Kennedy Galleries, Inc. New York.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

85

Otto Kuhler (1894-1977) German

GEORGE WESTINGHOUSE BRIDGE, circa 1934, etching, signed in pencil lower right and inscribed LTD.ED. DEL. ET, IMP lower left, plate 7 x 9 ¼”, full margins, framed with glass. Provenance: Kennedy Galleries, Inc. New York.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

86

Lalique & Baccarat Crystal (two)

Two mid-century ashtrays, both hallmarked, Lalique 7 ¾” long, Baccarat 7 ¼” long. (2)

Baccarat with small chip at top tip and a fleabite at base corner, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

87

Howard Lamar (b. 1950) California (four)

VARIOUS, 1998-2002, four watercolors with acrylic painting on paper, all signed and dated, two sheets 30 x 22 ½” & two sheets 22 ½ x 15”. (4)

All in good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

88

Helen Lambertson (early to mid 20th Century) American

WOMAN WITH DEER, watercolor with ink and graphite on paper, signed lower right, sight 19 ¾ x 16”, beautifully framed.

Some small silverfish damage mainly on right side and in left sky area, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

89

attributed to: Sir Edwin Henry Landseer (1802-1873) British

FARM ANIMALS, oil painting on canvas, 14 ½ x 19 ¾”, with two circular wax seals on stretcher bar verso, framed. From the collection of Herbert B. Turner, architect and artist. With the hardbound book The Art and Architecture of Herbert B. Turner, A Creative Odyssey, by Michael Gosney.

Re-lined, some drying craquelure mainly in upper center, lacquer is yellowed, some old ingrained soiling, perimeter wear and small edge losses from framing, otherwise in good aged condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

90

Irina Sung Lee (20th Century)

EXTERIOR IN RED, 1978, oil painting on canvas, signed and dated lower left, 40 x 32”, framed.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

91

Walt Lee (1888-1980) California

LANDSCAPE, oil painting on board, signed lower right, 16 x 20”, framed.

Surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

92

Frank Licsko (b. 1946) Hungarian/ Canadian

EARTH MOTHER (Woman by the Lake), 1984, oil painting on two stacked canvases, signed and dated lower right, overall 24 x 32”.

Minor wear at perimeter of canvases, drying craquelure lower center of rear canvas, otherwise in good condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

93

Alexander Lopakin (1922-1996) & Nikolai Kotov (1889-1968) Russian (two)

Alexander Lopakin FACTORY INTERIOR, circa 1955, oil painting on thick card stock, signed and dated on verso, 11 ½ x 16 ¼”, framed; Together with Nikolai Kotov THE PLANT, 1936, oil painting on panel, inscribed and dated on verso in pencil with additional stamp and inscriptions, 6 ¼ x 9”, framed. (2)

Lopakin mounted to mat board with window opening for signature and date, some minor lifting in center; Kotov with some surface soiling, two dimples upper edge, otherwise both in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

94

Lynn Lupetti (b. 1938) American

MEDITATION, oil painting on canvas, signed lower right, 36 ½ x 18”, label on back of frame. Inventory number R-21838 on verso.

A few tiny hairline cracks, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

95

Joella Jean Mahoney (b. 1933) Arizona/ Illinois & Janice Dolores Lovoos (1903-2007) California/ Iowa (two)

Joella Jean Mahoney SUNSET, 1981. watercolor on paper, signed lower right and dedicated on back of frame, sight 27 ¾ x 21 ½”; Janice Dolores Lovoos STILL LIFE, watercolor on paper, signed lower right, sight 17 ½ x 13 ½”; Both framed with glass. (2)

Lovoos with some cockling, otherwise both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

96

Marie Mahy-Bossu (1880-) Belgium

TWO GIRLS READING A BOOK, oil painting on canvas, signed lower left, 39 ½ x 31 ¾”, framed.

In good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

97

Les Maitres De L’Affiche series (three)

GRUN; DUDLEY HARDY; HOHENSTEIN, three color lithographs, all with signatures in design and blind stamp lower right, all printed by Chaix Paris, images 12 ¼ x 8 ½”, 13 x 6 ¾” & 13 x 6 ¼”, full margins, all framed with Martin Lawrence Gallery labels on back. (3)

All in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

98

Jennifer Marks (20th Century) American

TROPICAL SCENE, original silk batik painting, signed lower right, 34 x 52 ¼”.

Pale spotting lower right, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

99

Reginald Marsh (1898-1954) New York

TRAINS, 1930, etching, signed in pencil and inscribed #9, plate 8 x 12”, full margins, framed with glass.

With some toning in the margins at mat, some discoloration speckles upper right image, tideline stain on mat lower right, otherwise in apparently good condition

Auction Estimate $500/800

Starting Bid $250

 

 

100

George McNeil (1909-1995) American

INTRUDER, 1982, oil painting on paper artist mount to panel, signed and dated lower right, signed and dated and titled on verso of panel, 28 x 22”, framed. Provenance: Salander-O’Reilly Galleries, New York.

In good studio condition.

Auction Estimate $2000/3000

Starting Bid $1000

 

 

 

101

No Lot

 

 

 

 

 

 

 

102

Gladys Medina (b. 1943) Venezuela

SUITE 1967, 1990, mixed media painting on canvas, signed and dated and titled on verso, 51 x 77”.

Some slack in canvas, some hairline cracks, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

103

Gladys Medina (b. 1943) Venezuela

UNTITLED, 1996, mixed media painting on two panels of stitched canvas, signed and dated on each panel verso, overall 75 x 37 ½”.

Hairline craquelure, mainly in blue, some unobtrusive loss upper left blue triangle, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

104

Gladys Medina (b. 1943) Venezuela

SARI SARI NAMA XXX, 1988, mixed media painting on canvas, signed and dated lower left, dated and titled on verso, 61 x 53 ½”.

A few tiny scrapes, slightly slack, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

105

Alphonse Mucha (1860-1939) Czechoslovakian

SALON DES CENT, color lithograph, plate 202 from Les Maitres De L’Affiche, signature in the design, blind stamp lower right, printed by Chaix Paris, image 11 ½ x 7 ¾”, full margins, framed.

Some discoloration, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

106

Alphonse Mucha (1860-1939) Czechoslovakian

JOB, color lithograph, plate 94 from Les Maitres De L’Affiche, signature in the design, blind stamp lower right, printed by Chaix Paris, image 10 ½ x 8”, full margins, framed.

Colors slightly attenuated, some toning and discoloration, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

107

Alphonse Mucha (1860-1939) Czechoslovakian

ZDENKA CERNY, 1913, color lithograph, signed and dated on stone lower left, image 40 x 40 ¾”, full margins, linen backed, framed.

Some original creases visible at certain angels or in raking light, colors attenuated, otherwise in good condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

108

Alphonse Mucha (1860-1939) Czechoslovakian

LA DAME AUX CAMELIAS, 1898, color lithograph, plate 144 from Les Maitres De L’Affiche, signature in the design, blind stamp lower right, printed by Chaix Paris, image 12 ¾ x 4 ½”, full margins, framed. Provenance: Galerie Michael Beverly Hills.

Some toning in margins, mainly at mat, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

109

Yves Edgard Muller D’escars (1876-1958) France

ODELISK, oil painting on canvas, signed lower left, 86 ¾ x 51 ¼”, framed.

Some edge wear from framing, otherwise in apparently good condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

110

Leonardo Nierman (b. 1932) Mexican

SHIPWRECK (Night), circa 1990, acrylic painting on Masonite, signed lower left, 23 ½ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

111

Leonardo Nierman (b. 1932) Mexican

SHIPWRECK, acrylic painting on Masonite, signed lower right, 23 ½ x 31 ½”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

In good studio condition.

Auction Estimate $1500/2500

Starting Bid $750

 

 

 

112

Leonardo Nierman (b. 1932) Mexican

CIUDAD DE CRISTAL (Crystal City), 2001, acrylic painting on Masonite, signed lower right, 95 x 44”, framed; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen signed and dated 1997 on the frontise page, text in Spanish, and a soft-bound catalog. Provenance: La Kae Galleries, acquired directly from artist.

Small scuff line at center, some tiny nick at edges, otherwise in good studio condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

113

Leonardo Nierman (b. 1932) Mexican

FLIGHT, color lithograph, signed in pencil, numbered 223/300, image 23 x 31”, full margins, framed with glass.

Some pale toning, otherwise in apparently good condition

Auction Estimate $200/400

Starting Bid $100

 

 

 

114

Leonardo Nierman (b. 1932) Mexican

UNTITLED, color lithograph, signed in pencil, numbered 120/300, image 12 x 16”, full margins, framed with glass.

Minor toning, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

115

David Palmer (20th/ 21st Century) California

SCALE, 2010, acrylic painting and ink on wood, signed and dated and titled on verso, 48 x 60”.

In good studio condition.

Auction Estimate $1000/1500

Starting Bid $500

 

 

 

116

David Palmer (20th/ 21st Century) California

THINK TANK, 2005, oil painting on canvas over wood panel, signed and dated and titled on verso, 30 x 40”.

In good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

117

Tom Perkinson (b. 1940) New Mexico

INDIAN ENCAMPMENT, 1983, acrylic painting on Masonite, signed and dated lower right, 30 x 24”, framed.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

118

Tom Perkinson (b. 1940) New Mexico

WINTER’S DUSK, 1986, color pastel and watercolor, signed and dated lower right, 30 x 20”, signed and titled on frame verso.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

119

Tom Perkinson (b. 1940) New Mexico

SIOUX CAMP AT NIGHT, 1982, color pastel with watercolor, signed and dated lower right, 20 ½ x 29”, signed and titled on frame verso, framed with glass.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

120

Tom Perkinson (b. 1940) New Mexico

RED HILL,1979, color pastel with watercolor, signed and dated lower right, 19 ½ x 29 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

121

Tom Perkinson (b. 1940) New Mexico

RABBIT HUNT, 1986, color pastel with acrylic painting, signed and dated lower right, 29 ½ x 19 ½”, signed and titled on frame verso.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

122

Aurelio Pescina (1938-1990) Mexico

GATHERING, oil painting on canvas, signed lower right, 23 ¾ x 19 ¾”, framed.

Some minor surface scuffs, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

123

Louis Peyrat (1911-2001) French

PARIS MONTMARTRE, RUE DU CHEVALIER DE LA BARRE, oil painting on canvas, signed lower right, titled and inscribed on verso, 24 x 30”, framed. Provenance: Wally Findlay Gallery, inventory #S81035.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

124

Louis Peyrat (1911-2001) French

PARIS MONTMARTRE, MOULIN ROUGE, oil painting on canvas, signed lower right, titled and inscribed on verso, 24 x 30”, framed. Provenance: Wally Findlay Gallery, inventory #S81041.

Small rear impact semi-tear more visible from verso than recto, with miniscule associated paint loss, otherwise in good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

125

Louis Peyrat (1911-2001) French

PARIS MONTMARTRE, RUE LEPIC, oil painting on canvas, signed lower right, titled and inscribed on verso, 24 x 30”, framed. Provenance: Wally Findlay Gallery, inventory #S81033

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

126

Photographer unknown (20th Century)

WATERFALL, color photograph mounted to Plexiglas, 36 x 54”.

Faint scuff lower left, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

127

No Lot

 

 

 

 

 

 

 

128

after Pablo Picasso (1881-1973) Spanish

PORTRAIT OF A WOMAN, color woven tapestry, signature in the design lower right, overall 70 ½ x 47 ½”.

Discoloration spots on verso, some minor separation in backing on verso, otherwise in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

129

after Pablo Picasso (1881-1973) Spanish

COTE D’AZUR (C.), 1962, Henri Dechamps color lithograph poster, 38 ½ x 26”, framed with glass.

Colors are slightly attenuated, tideline stains lower corners, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Hugues Claude Pissarro (b. 1935) French

LA FERME DES GUILLAUME ET GEO BATIMENTS, color pastel on paper, signed lower right, signed and titled on verso, 14 ½ x 20”. Purchased from Clement Cohen Fine Art Los Angeles. Special thanks to Mr. David Stern from Stern Pissarro Gallery London, who verified the authenticity of this work. He will gladly supply the purchaser with a certificate for a small administrative cost.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

131

Hugues Claude Pissarro (b. 1935) French

LE TROTTOIR DES FLEURISTES, color pastel on paper, signed lower right, titled on verso, 14 ½ x 20”. Purchased from Clement Cohen Fine Art Los Angeles. Special thanks to Mr. David Stern from Stern Pissarro Gallery London, who verified the authenticity of this work. He will gladly supply the purchaser with a certificate for a small administrative cost.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

132

Hugues Claude Pissarro (b. 1935) French

JULIEN DANS SON CHAMPS, color pastel on paper, signed lower right, titled on verso, 14 ¼ x 9 ¾”. Purchased from Clement Cohen Fine Art Los Angeles. Special thanks to Mr. David Stern from Stern Pissarro Gallery London, who verified the authenticity of this work. He will gladly supply the purchaser with a certificate for a small administrative cost.

With two paper hinge remnants on verso, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

133

Ludovic Rodo Pissarro (1878-1952) French

HOUILLES, 1912, watercolor on paper, paperbacked then mounted to card, signed and dated lower right, watercolor 8 ¼ x 14 ¾”, paper-backing 9 x 15 ½”, card size 11 ¼ x 17 ¼”.

Original watercolor center fold visible upon close inspection, some discoloration at upper sheet edge of the watercolor and on the upper and lower sheet edges of the paper backing, card with old adhesive strip residue on verso, otherwise in good aged condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

134

Paul Emile Pissarro (1884-1972) French (two)

DANS LE BOIS, charcoal drawing on paper, signed lower center, titled on verso, 10 ½ x 9 ¼”; TOWNSCAPE, wood engraving on chain laid paper, signed in pencil lower right and inscribed epreuve no. 5 (proof No. 5) lower left, image 4 x 6 ¼”, sheet 6 x 9 ¼”. Purchased from Clement Cohen Fine Art Los Angeles. (2)

The first with some discoloration at upper and lower sheet edge, the second with some pale discoloration speckles, otherwise both in good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

135

No Lot

 

 

 

 

 

 

 

136

Henri Privat-Livemont (1861-1936) French

FOUR THINGS WOMEN DO, color lithograph, four images on one sheet of paper, signed on the stone lower left, overall image 6 ½ x 11 ½”, with some text in full margins, framed with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

John Ramm (1879-1948) California

CHINATOWN, SAN FRANCISCO, 1924, watercolor on paper, signed and dated lower right, 11 ¾ x 9”, framed with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

Michi Raphael (20th Century) American

AFTER THE DANCE, 1974, polished cast bronze sculpture, signed and dated and numbered 6/8 and with foundry stamp under left foot, 23 ½” tall with marble base.

Slightly tarnished, loose on base, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

139

Ellie Riley (20th Century) California

LYRICAL EXPRESSIONS I, 1994, brushed steel sculpture with marble base, with artist’s engraved signature and numbered 1-9 on placard, overall 24 ½ x 37 x 30 ½” including 2” marble base. Note: weight approximately 200+ pounds.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Ellie Riley (20th Century) California

YELLOW, multi-directional powder coated metal wall sculpture, overall 52 x 30 x 8”, with easily attached installation bracket.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

141

Ellie Riley (20th Century) California

BLUE AND CHROME, multi-directional powder coated and polished metal wall sculpture, overall 41 x 59 x 8 ½”, with easily attached installation bracket.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

142

Ellie Riley (20th Century) California

PEACH, powder coated metal wall sculpture, overall 38 ½ x 32 x 16”, with easily attached installation bracket.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

143

Ellie Riley (20th Century) California

CONFETTI, 2000, acrylic painting on canvas, signed and dated and titled on label on verso, 74 ¼ x 49”, can be hung in any direction.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

144

Ellie Riley (20th Century) California

DEEP BLUE WATER, 2004, acrylic painting on canvas, signed and dated and titled on verso, 48 x 36”, can be hung in any direction.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

145

Ellie Riley (20th Century) California

PEACH BLOSSOM I, 2004, acrylic painting on canvas, signed and dated and titled on verso, 48 x 36”, can be hung in any direction.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

146

Charles Rising (1859-1920) New York (two)

RURAL BUILDINGS, 1909 & 1910, two graphite drawings on paper, each initialed and dated lower right, 9 x 5 ¾” & 7 ½ x 9 ½”, both framed with glass. (2)

Both in apparently good aged studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

Egide Rombaux (1865-1942) French

EGLANTINE, cast bronze sculpture, signed and titled, 22 ½” tall, foundry H. Luppens & Cie Bronzes d'art Bruxelleson, 4” marble base., overall 26 ½”.

A few tiny blemishes, otherwise in apparently good condition.

Auction Estimate $1500/2500

Starting bid $750

 

 

 

148

Raphael Sanchez (20th Century) Latin American

CAFETERY Y PECES, 1992, acrylic painting on canvas, signed and dated and titled on verso, 46 ¾ x 36”.

Surface soiling, small impact with some surface paint loss left center edge, a few hairline cracks, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

149

Henry Schouten (1859/67-1927) Belgium/ Indonesia

TWO ROOSTERS, 1881, oil painting on canvas, signed and dated lower right, 31 x 43 ½”, 1992 auction tag and Marie Murphy Fine Art label on frame verso.

Hairline craquelure, some perimeter wear from framing, faint stretcher bar impressions, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

150

Rudolf Schwarzkogler (1940-1969) Austrian

UNTITLED (Mummy with Chicken), 1965, gelatin silver print 11 ¾ x 15 ½”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

151

Rudolf Schwarzkogler (1940-1969) Austrian

UNTITLED (Reclining Mummy with Razor Blades and Wire), 1965, gelatin silver print 15 ½ x 11 ¾”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

152

Rudolf Schwarzkogler (1940-1969) Austrian

UNTITLED (Blindfolded Nude Man), 1965, gelatin silver print 15 ½ x 11 ¾”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

153

Rudolf Schwarzkogler (1940-1969) Austrian

UNTITLED (Man & Woman), 1965, gelatin silver print 13 ½ x 13 ½”, mounted to card 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

In good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

154

Pierre Spalaikovitch (b. 1946) French

GENESIS, 1995, portfolio of six color aquatint etchings, each signed in pencil, published by PBS Masterworks, with blind stamps, sheets 19 x 14”, in original folder.

Some with faint fingerprints or smudges in the margins, otherwise all in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

155

Theophile Steinlen (1859-1923) Swiss (three)

SONG SHEETS, three color lithographs, all signed on the stone, sheets 10 ¾ x 6 ¾”, all framed with glass. (3)

One toned and with two dog-eared corners, one with tear lower center in text, third with pale toning, otherwise all in apparently good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

156

Donna Summer (1948-2012) American

BLONDE WOMAN WITH RED SCARF, watercolor on paper, signed lower right, 9 ½ x 7”, beautifully framed.

In apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

157

Donna Summer (1948-2012) American

STILL LIFE WITH FLOWER AND SALT & PEPPER SHAKERS, watercolor on paper, signed center right, 9 ¾ x 7”, beautifully framed.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

158

Igor Talwinski (1907-1983) Polish/ French

NUDE WITH RED BOW, oil painting on canvas, signed lower left, 21 ½ x 18”, framed.

Some hairline cracks and some drying craquelure, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

159

Igor Talwinski (1907-1983) Polish/ French

NUDE WITH GREEN BOW, oil painting on canvas, signed lower left, 21 ½ x 18”, framed.

Hairline cracks mainly in upper left area, some minor paint losses lower right, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

160

Miguel Angel Tejera (1939-2008) Uruguay

MOTHER AND CHILD, oil painting on canvas, signed and dated 94? upper left, 29 x 23 ¾”, Biba Montura de Cuadros label on verso, framed.

In apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

161

Theo Tobiasse (1927-2012) Israel (eighteen)

DIASPORA SUITE, 1968, the suite of eighteen color lithographs, each signed in pencil and numbered CIV/CXXV Roman Numerals (94/125), four boarder-to-boarder sheets 26 ½ x 20” each, fourteen images 23 ¾ x 18” each with full margins, all framed with glass, one cracked. (18)

Varying discoloration in the margins at mat, otherwise all in apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

162

Henri Toulouse-Lautrec (18064-1901) French

THE SIMPSON CHAINE (A.189; D.360), 1896, color lithograph, plate 238 from Les Maitres De L’Affiche, signature and date in design, blind stamp lower right, printed by Chaix Paris, sight 8 ¾ x 12 ½”, full margins, framed.

In apparently good condition.

Auction Estimate $1000/1500

Starting bid $500

 

 

 

163

Henri Toulouse-Lautrec (18064-1901) French

DIVAN JAPONAIS, 1892-93 (A.8; D.341), color lithograph from Les Maitres De L’Affiche, signature in design lower right, blind stamp lower right, printed by Chaix Paris, image 10 ½ x 7 ¾”, framed.

In apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

164

Dolf van Roy (1858-1943) Belgium

FLOWERS AND TEA, oil painting on canvas, signed upper right, 19 ¾ x 28 ¼”, framed.

Some hairlines cracks, lacquer appears to be yellowed in some areas, otherwise in good condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

165

Joseph Vayreda Canadell (1932-2001) Spain

CADAQUES, oil painting on canvas, signed lower right, signed and titled on verso, 18 ¼ x 21 ¾”, framed.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

166

Henri Vos (1883-) Belgium

TWO ARTISTS ON THE DUNE, 1909, oil painting on canvas, signed lower right, 14 ½ x 17”, framed.

In good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

167

Emile Wegelin (1875-1962) French

TOWN SCENE, gouache on board, signed lower left, 13 x 18”, beautifully framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

168

Emile Wegelin (1875-1962) French

RIVER SCENE, gouache on board, signed lower left, 13 x 18”, beautifully framed.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

169

Emile Wegelin (1875-1962) French

LANDSCAPE, oil painting on board, signed lower right, artist’s stamps on verso, 10 ½ x 16”, beautifully framed.

In good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

170

Michael Wilkinson (20th/ 21st Century) American

NEW DAWN, 1986, cast acrylic sculpture, initialed and dated and numbered 74/300 lower left backside, 19 x 7 ½ x 7 ½”.

Some discoloration from smoke, a few scrapes and rub spots, some very minor internal cracking, otherwise in apparently good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

171

Yoshitoshi (2) & Utagawa Toyokuni I (1769-1825) Japanese (2) (four)

Yoshitoshi POET & GOJO BRIDGE from 100 Faces of the Moon, 1890’s, two color woodblock prints, with stamps and seals, images 13 x 8 ¾”, full margins; Utagawa Toyokuni I KABUKI ACTORS; two color woodblock prints, both with character stamps, sheets 12 ¼ x 5 ¼”; all framed. (4)

Gojo with tideline stains and discoloration in lower margins, Toyokuni with some discoloration and colors attenuated one more than the other, otherwise all in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

172

Yamin Young (b. 1959) Chinese

ASIAN SHADOWS, color screenprint, signed in pencil, numbered 158/275, sheet 34 x 34”.

Soft impressions visible at certain angles in raking light, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

173

Yamin Young (b. 1959) Chinese

WINGS, color screenprint with gold highlight on Japan paper, signed in pencil, numbered 168/375, image 58 x 29 ½”, sheet 63 ½ x 35”.

A few hairline cracks from being stored rolled, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

174

Yamin Young (b. 1959) Chinese

CHERRY BLOSSOM, triptych, color screenprint on three sheets, signed in pencil, numbered 90/275, sheets 33 ¼ x 17”, overall 33 ¼ x 51”.

All in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

175

Francisco Zuniga (1912-1998) Costa Rican

MUJER CON REBOZO SENTADA (Z.510), 1966, cast bronze sculpture with green patina, signed and dated, Roman numeral II/III (2/3), 12 ½” high, with additional 1 ½” wood base. Provenance: Margo Levin Gallery Los Angeles. Special thanks to Mr. Ariel Zuniga for verifying the authenticity of this work.

In good condition.

Auction Estimate $8000/12,000

Starting bid $4000

 

 

 

176

Francisco Zuniga (1912-1998) Costa Rican

TWO SEATED WOMEN, 1981, watercolor and pastel on paper, signed and dated lower left, 22 7/8 x 35”, framed. Provenance: Special thanks to Mr. Ariel Zuniga for verifying the authenticity of this work to be included in the forthcoming volume V catalog raisonne.

Some soft handling creases, otherwise in good studio condition

Auction Estimate $10,000/20,000

Starting Bid $5000

 

 

 

177

Francisco Zuniga (1912-1998) Costa Rican

MUJERES CON NINO EN LA PUERTA (B.37), 1977, color lithograph, signed in pencil, numbered IX/XXX (9/30), printed by Kryon, published by Brewster, sheet 31 ½ x 23 ½”, framed with glass.

In apparently good condition.

Auction Estimate $700/900

Starting Bid $350

 

 

 

 

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