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Paul Coady, Yale Udoff, & Gaby Stuart estates

 Saturday December 1st, 2018 at noon

Illustration precedes description

 

 

 

26

Ceramics by: Emma Luna (2), Kena Hodge, & Barbara Phillips (2), all (20th Century) American (five)

Emma Luna WASHCLOTH; SINGLE WHITE (sock), two ceramic sculptures, both signed, 3 ½ 6 x 7” & 4 x 6 x 3 ½”, Provenance: John Natsoulas Gallery, Davis, California; Kena Hodge BOWL, porcelain with clear glaze, signed underneath, Provenance: Dawn Moline Fine Art, Gold River, California, with illustrated invitation. Barbara Phillips UNTITLED (Cats), a pair of painted Raku ceramic sculptures, each signed and inscribed “Gumps” (S.F. dept. store), each 19 x 8”. All from the collection of Gaby Stuart. (5)

Luna Washcloth with dust accumulation, Hodge with inconspicuous chip at rim, otherwise both in apparently good condition; Phillips with repaired at one hip and some scuffs and scrapes, otherwise in good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

27

Ann Chamberlain (1951-2008) American

PING PONG, 2001, oil painting on canvas, signed lower right, signed and titled on verso stretcher bar, 18 x 18”, framed. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

28

Ann Chamberlain (1951-2008) American

NUDE AND INVISIBLE MAN, 1995, oil painting on canvas, signed lower right, signed and dated and titled on verso, 6 x 8”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

29

Ann Chamberlain (1951-2008) American

LIGHT, 1999, oil painting and mixed media on wood, signed lower right, signed and dated and titled on verso, 5 Ό x 4”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery, Santa Monica.

Small loss upper right corner, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

30

Cheong Soo Pieng (1917-1983) Chinese

BALINESE WOMEN WITH DEER, 1975, oil painting on canvas, signed in Chinese upper right, signed and dated on verso, 33 Ό x 33 Ό”, framed. Provenance: acquired directly from the artist by the Tao Family in Singapore.

Some minor hairline cracks, a few minor surface scuffs, otherwise in good condition.

Auction Estimate $200,000/400,000

Starting Bid $150,000

 

 

31

James Crabb (b. 1947) California, Arik Brauer (b. 1929) Austrian (two)

James Crabb BLU/BERRY PIE, 1973, oil painting on canvas, signed and dated and titled on verso, 11 Ύ x 11 Ύ”, framed; Arik Brauer MAN WITH BIRD AND ROSE, color aquatint etching, signed in pencil, numbered VIII/X (8/10), plate 8 Ό x 10 Ό”, full margins, framed with glass. Both from the collection of Yale Udoff. (2)

Crabb with minor edge wear otherwise in good studio condition; Brauer with pale discoloration and speckles in margins, otherwise in apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

32

Michael Crespo (1947-2010) Louisiana

THE ORACLE, 2005, watercolor on paper, signed lower center, 40 x 26”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good apparently studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

33

Jose Luis Cuevas (1934-2017) Mexican

WANTED from Crime, 1968, color lithograph, signed in red pencil, proof aside from the edition of 100, sheet 22 x 30”, framed with glass. From the collection of Yale Udoff.

In apparently good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

34

John De Heras (20th/ 21st Century) Californian (two)

BLOOD ON THE MORTAR OF CELESTIAL LIFE; NIERIKA SERIES, circa 1990, two acrylic and mixed media paintings on canvas over panel, 10 x 8” & 8 x 10”, one framed. From the collection of Gaby Stuart. Provenance: FIG (First Independent Gallery), Bergamot Station, Santa Monica. (2)

Both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

35

Jim DeFrance b. 1940) California

LARUS, 1988, acrylic painting on birch and aluminum, signed and dated and titled on verso, 40 x 36”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

36

Laddie John Dill (b. 1943) Californian

UNTITLED, acrylic and mixed media painting on canvas, 28 x 20”. From the collection of Paul J. Coady.

Some minor surface soiling, a few scuffs, a few small nicks and edge chips, otherwise in good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

37

Otto Dix (1891-1965) German, Balthus (1908-2001) Polish/ French (two)

Otto Dix OTTO FREUNDLICH, 1923, lithograph, signed and dated in pencil lower right, image 15 x 10 ½”, full margins; Balthus LE MANGEUR DE CIGARETTES, color lithograph, signed in design, numbered 73/200 in pencil, with GG blind stamp lower left, sheet 22 x 15”, both framed with glass. Both from the collection of Yale Udoff. (2)

Both with some pale discoloration in the margins otherwise in apparently good condition.

Auction Estimate $500/700

Starting bid $250

 

 

 

38

Patrick Dullanty (1927-2004) California

PORT OF SACRAMENTO II, 1975, oil painting on panel, signed on verso?, 5 ½ x 9 ½”, unidentified gallery label on verso for $5000, framed. From the collection of Gaby Stuart. Provenance: John Natsoulas Gallery, Davis, California.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

39

Brad Durham (b. 1952) American

FOUR SEASONS, 1996, the set of four color lithographs, each signed and dated and numbered 32/50 in pencil, printed by Cirrus with blind stamp lower left, images 16 Ό x 14”, sheets 24 ½ x 20 ½”, nicely framed with glass. (4)

All in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

40

Beth Edwards (20th/ 21st Century) Memphis

MEADOW II, oil painting on canvas, signed on stretcher bar, 18 x 19”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

41

Beth Edwards (20th/ 21st Century) Memphis

ORCHARD I, oil painting on canvas, signed on stretcher bar, 18 x 19”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

42

Beth Edwards (20th/ 21st Century) Memphis

HAPPY COW, 2008, oil painting on canvas, signed and titled on stretcher bar, 22 x 25”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

43

Beth Edwards (20th/ 21st Century) Memphis

BLISS, oil painting on canvas, signed on stretcher bar, 22 x 24”, framed. Provenance: remnant of David Lusk Gallery, Memphis, Tennessee label on verso.

In good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

 

44

Beth Edwards (20th/ 21st Century) Memphis

HAPPY V (mouse), oil painting on canvas, signed on stretcher bar, 12 x 12”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

45

Kosso Eloul (1920-1995) Israeli

UNTITLED, stone sculpture, signed, 5 ½ x 4 x 3 Ό”. From the collection of Gaby Stuart.

Some edge wear and discoloration, otherwise in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

46

Erte (1892-1990) Russian/ French

MADAM BUTTERFLY (E.54), 1989, embossed color screenprint with hot foil stamping on black paper, signed and numbered 205/300 in white pencil, published by Chalk & Vermilion Fine Arts, printed by Chromacomp, sight 23 x 37 Ό”, framed.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

47

Erte (1892-1990) Russian/ French

ROSES DE NUIT E.51), 1989, embossed color screenprint with hot foil stamping on black paper, signed and numbered 82/300 in white pencil, published by Chalk & Vermilion Fine Arts, printed by Chromacomp, sight 34 ½ x 24 ½”, framed.

In good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

48

Erte (1892-1990) Russian/ French (ten)

NUMBERS 0-9 (L.172-181), 1980, the complete portfolio of ten embossed color screenprints, each signed in pencil and numbered AP 18/39 (artist’s proof), published by Circle Fine Art with blind stamp lower left, printed by Chicago Serigraphic Workshop & Cooke-Burger Embossing Inc., sheets 22 ½ x 17 Ό”, six unframed, # 5, 6, 8, 9 framed, with portfolio box and text pages. (10)

Six unframed in good condition, framed prints with mild cockling with #6 most apparent, otherwise four framed prints in apparently good condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

49

Erte (1892-1990) Russian/ French

LA FEMME A LA PANTHERE (L.87), 1980, cold-painted cast bronze sculpture, signed, numbered 97/250, published by RKP International overall 15 x 13 x 6 Ό”.

A small portion of leash chain replaced, otherwise in good condition

Auction Estimate $1500/2500

Starting bid $750

 

 

 

50

Erte (1892-1990) Russian/ French

LA COQUETTE (L.104), 1985, cold-painted cast bronze sculpture, signed, numbered 274/375, published by Fine Arts Acquisitions, overall 19 x 8 x 8”.

In good condition

Auction Estimate $1500/2500

Starting bid $750

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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