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American & European Collections

Auction Saturday February 22nd, 2020 @ noon

 

Illustration precedes description

 

 

 

151

Anne Rothenstein (b. 1949) England

SEATED WOMEN WITH GLOVES, 1998, oil painting on canvas, initialed lower left, 18 x 14”, frame 24 ¼ x 20 ½”. Provenance: England & Co., London.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

152

Arthur Secunda (b. 1927) California

THE FRAMER FRAMED (Jerry Solomon), 1977, collaged paper and photograph, signed and dated and titled and dedicated in pen, 21 x 26”, frame 23 ¼ x 28 ¼”.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Everett Shinn (1876-1953) Pennsylvania/ New York

THE RESCUE, 1947, watercolor on paper, signed and dated lower right, 19 ¼ x 24 ¾”, frame 26 x 32”. A hardbound catalog of Shinn’s work is currently available from Questroyal Fine Art New York.

Some perimeter brown paper tape remnants recto and verso, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

 

154

Anna Silver (20th Century) Michigan/ California

Painted and glazed ceramic double handled green vessel, 10 ¾ x 19 ¾ x 13”. “Silver Splendor”, a career retrospective of the artist was on display at the American Museum of Ceramic Art March 9th to August 25th, 2019.

A couple of tiny touch-ups on gold rim, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

155

Regine Renchen Simenon (1900-1985) Belgium/ Arizona & Michel G. Gilbert (1914-1973) French/ New York (two)

Regine Renchen Simenon STILL LIFE, oil painting on paper mounted to canvas, signed and inscribed along lower edge, 12 x 19”, frame 18 ½ x 25 ¼”; Michel G. Gilbert STILL LIFE WITH FLOWERS, 1948, oil painting on canvas board, signed and dated lower right, 16 x 12”, frame 23 x 19 x 3”. Provenance: Antal Fine Art, Los Angeles. (2)

Both with some light surface soiling, Otherwise both in good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

156

Dunnieghe Slawson (20th/ 21st Century) California

UNTITLED, sculpture made of bees wax, gauze, plaster and pearl-type beads on base, a signature not found, 13 ¾ x 11 x 11”, with Plexiglas presentation stand, overall 56 x 14 ½ x 14 ½”, along with a signed note of appreciate from the artist.

Small natural separation where mounted to post, a few scuffs on base, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

157

Herbert Luther Smith (1809-1869) British

UNTITLED, watercolor and color pencil on paper or card, signed and dated lower right, oval 16 x 13 ¼”, frame 28 x 25”.

A few small speckles, otherwise apparently in good studio condition

Auction Estimate $400/800

Starting Bid $200

 

 

 

158

Steiner (20th Century)

UNTITLED, three colored glass elements attached to a ½” thick clear glass panel mounted to wood and metal rod base, signed on panel lower right, overall 61 x 18 x 14”. Proceeds to benefit the Canine Adoption & Rescue League Ventura.

One of the glass elements with unobtrusive chip on tip, lacking Formica siding on base, otherwise in apparently good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

159

Alec Stern (1904-1994) California & another (three)

Alec Stern CAMPANILI UC BERKELEY, 1947; STRIKE AT SUTTER’S FORT; two etchings, each signed in pencil, plates 13 x 8 ½” & 8 ¾ x 12 ¾”, both with full margins, frames 19 x 14” & 15 x 19”, both with glass; Artist Unidentified CASTLE VIEW, etching, signed and titled and numbered 7/50 in pencil, plate 11 ¾ x 9 ¼”, sheet unevenly trimmed to 14 ¼ x 11 ¼”. (3)

Sterns with some toning; Unidentified artist with edges unevenly trimmed, some speckling, toning in margins; Otherwise all in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

160

Inez Storer (b. 1933) California

ENVELOPE SERIES HOUR, 1977, mixed media with collage and graphite on paper, signed and dated and titled in pencil, sheet 30 x 22 ¼”, frame 33 ¼ x 30 ½”.

A few soft creases upper and lower right corners, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

161

S. K. Tackmier (20th Century) Portland Oregon

UNTITLED, mixed media collage with feather, photographs, newspaper and string on recto and sheet music on verso, a signature not found, with artist’s label on verso, overall 30 ½ x 26”, with artist’s selected frame? 33 ½ x 29” with glass.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

162

P. R. Taggart, Thomas Fortune Chino & Steve Wilden (three)

P. R. Taggart THE OLD FARM, watercolor on paper, signed lower right, sight 13 ¼ x 20 ¼”, frame 23 ¾ x 37” with glass; Thomas Fortune Chino (1914-2006) FARMLAND, 1938, gouache on paper, signed and dated lower right, sight 14 ¼ x 18 ¼”, frame 19 ¼ x 24” with glass; Steve Wilden FISHING CABINS, MONTEREY, watercolor on paper, signed lower right, sight 13 ¾ x 19 ¾”, frame 22 ½ x 28” with glass. Provenance: Antal Fine Art, Los Angeles. (3)

Taggart with some pale discoloration upper left corner; Wilden with some toning; Otherwise all in apparently good studio condition.

Auction Estimate $200/300

Starting Bid $100

 

 

 

163

Betty Turnbull (1924-2010) Laguna Beach

WOMAN WEARING A FLOWERED HAT, watercolor on paper, signed lower right, 24 x 18”, frame 32 ¼ x 26 ¼” with glass.

Small tear center right sheet edge, otherwise in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Various Artists (20th Century) (four)

LANDSCAPES, four watercolors on paper or card, signed Amos Hardy, B. Carlisle, P. Buckens Jr., M. Gahley, all framed with glass from 9 ½ x 22” & 17 x 20”. (4)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

Various Artists (20th Century) (six)

Artist Unidentified TWO PEASANT WOMEN, oil painting on paper, signed lower right, sight 19 ½ x 27 ½”, frame 29 ¼ x 37 ½”; Artist Unidentified CIRCUS SCENE, 1966, ink drawing on paper or card, signed or inscribed and dated lower left, sight 8 x 11 ½”, frame 14 ½ x 18” with glass; Artist Unidentified HUNTERS & MUSICIANS, 1968, two wood engravings, each signed in pencil, one dated and inscribed, one stamped 20/50, both frames 17 x 13” with glass; Artist Unidentified COUPLE, lithograph, signed and inscribed in pencil, image 21 x 15”, full margins, frame 30 ½ x 23 ½” with glass; Potter ALONE & FREE, oil painting on board, signed lower right, sight 15 ½ x 19 ½”, frame 23 ½ x 27” with glass. (6)

The first with moderate flaking throughout with loss; the third and forth with a few white blemishes; Potter with faint scuffs near mat; otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

166

after Rene Vincent (1879-1936) French

PORTO-RAMOS PINTO, color poster, signed in the design, image 18 ½ x 13 ¼”, sheet 20 x 14 ¾”, linen-backed 22 x 16 ½”, in handsome gold leaf frame 31 ½ x 26 ½”.

Faint scuffs and hairline scratches, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

167

after Andy Warhol

MARILYN, color print, handsome gold leaf finger-jointed frame 38 x 38”.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

168

June Wayne (1918-2011) Californian

THE SHELF, 1967, lithograph, signed and dated and titled in pencil, numbered 11/25, printed and published by Tamarind with blind stamps, sheet 24 x 18 ½”.

Two small glassine hinges on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

169

June Wayne (1918-2011) Californian

LEMMINGS NIGHTS (T.2238), 1968, color lithograph, signed and dated and titled in pencil and inscribed Hill Impression, aside from the numbered edition of 20, printed and published by Tamarind with blind stamps, sheet 21 ¾ x 28”. Note: Mr. & Mrs. James Hill of Glendale, CA were personal friends and benefactors of June Wayne. She often printed impressions just for them and inscribed them as “Hill Impression”.

Three small glassine hinges on verso, otherwise in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

170

June Wayne (1918-2011) Californian

PROMENADE, 1958, etching, signed and dated and titled in pencil, numbered 2/12, with blind stamp lower left, image 11 ½ x 9”, sheet 18 ½ x 15”.

Two small glassine hinges on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

171

June Wayne (1918-2011) Californian

PLUS CA CHANGE (T.2197), 1968, lithograph, signed and dated and titled in pencil and inscribed Hill Impression, aside from the numbered edition of 20, printed and published by Tamarind with blind stamps, sheet 23 x 29 ¼”. Note: Mr. & Mrs. James Hill of Glendale, CA were personal friends and benefactors of June Wayne. She often printed impressions just for them and inscribed them as “Hill Impression”.

Three small glassine hinges on verso, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

172

Robert Wood (1926-1999) California

DESERT VISTA, oil painting on canvas, signed lower right, signed and with artist’s stamp and copyright and thumb print on verso, 18 x 24”, frame 26 x 32”.

Light surface soiling, pale staining on verso, otherwise in good studio condition.

Auction Estimate $500/1500

Starting Bid $250

 

 

 

173

Albert Young (20th Century) American

UNTITLED, metal and glass sculpture with copper wire, a signature not found, overall 52 x 18 x 11” approximate weight 162 lbs. Proceeds to benefit the Canine Adoption & Rescue League Ventura.

Some scuffs and small scrapes, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

Use the following links to view lot numbers 1-173

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