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Paul Coady, Yale Udoff, & Gaby Stuart estates

 Saturday December 1st, 2018 at noon

Illustration precedes description

 

 

 

151

Kenny Scharf (b. 1958) California/ New York

UNTITLED, 2012, acrylic painting on wood panel, signed and dated lower center, 48 x 84”.

Some scuffs and scrapes and nicks and chips, otherwise in good production condition.

Auction Estimate $5000/10,000

Starting bid $2500

 

 

 

152

Steve Schauer (b. 1952) American (six)

DINNER WITH DAD, 1998, the set of six hand-painted Color Me Mine ceramic plates, each signed and dated and numbered 2/10 on verso, each 10 ½” diameter. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery. (6)

Each in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

153

Rocky Schenck (b. 1955) Texas

ENDLESS, 2004, toned gelatin silver print, signed and titled and numbered 1/8 lower right, 30 x 44”, framed with glass. Provenance: Paul Kopeikin Gallery.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

154

Henry Schile & Company Publisher (19th Century) American

SMITH RESCUED BY POCAHONTAS, 1870, hand-colored lithograph after Edward Henry Corbould, image 17 Ύ x 24 ½”, with full black margins, period frame with glass. From the collection of Gaby Stuart.

Speckles and small spots, tears in upper margin, mainly visible with light, otherwise in apparently good aged condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

155

Steve Schmidt (b. 1964) Californian

131 LIPSTICK, 1998, mixed media with polymer and cigarette paper on canvas, signed and dated and titled on verso, 7 Ό x 7 Ό”. From the collection of Gaby Stuart. Provenance: Patricia Correia Gallery.

Small loss lower left corner, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

156

Steve Schmidt (b. 1964) Californian

ALL, 2002, acrylic on wood, signed and dated and titled on verso, 4 x 4”. From the collection of Gaby Stuart.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

157

No Lot

 

 

  

158

Mary Sims (1940-2004) Memphis

FRED WITH BOW, circa 1980, acrylic painting on canvas, a signature not found, 42 x 48”, framed. Provenance: David Lusk Gallery, Memphis, Tennessee.

Some surface scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

159

Yong Sin (20th/ 21st Century) (2), Long-Bin Chen (b. 1964) Taiwan (three)

Yong Sin BEING AND NOTHINGNESS - CONVERSATION V, 1998; BEING AND NOTHINGNESS - HAPPY DAYS III, 1996, two acrylic painting on color photographs, the first signed and dated and titled on frame verso, sights 5 Ύ x 7 Ύ” & 4 ½ x 6 ½”, both in photo frames with glass. Provenance: Remba Gallery, Los Angeles; Long-Bin Chen HAND, 2000, cut paper book sculpture, signed and dated, 2 ½ x 8 x 5”, Provenance: Robert Berman Gallery, Santa Monica. All from the collection of Gaby Stuart. (3)

All in apparently good studio condition.

Auction Estimate $300/600

Starting bid $150

 

 

 

160

Jared Small (b. 1980) American

STUDIES UNTITLED GRAY (Horse), 2011, oil painting on Masonite, signed on verso, 12 x 12”. Provenance: David Lusk Gallery, Memphis, Tennessee.

Some wear in corner, mild surface soiling, a few surface scuffs, otherwise in good studio condition.

Auction Estimate $400/800

Starting bid $200

 

 

161

No Lot

 

 

162

Don Sorenson (1948-1985) California

UNTITLED, 1976, acrylic painting on canvas, signed and dated on the verso, 60 x 96”. From the collection of Paul J. Coady.

In good studio condition.

Auction Estimate $2000/4000

Starting bid $1000

 

 

 

163

Jack Stuck (b. 1923) American (two)

BATHERS; UNTITLED, 1963, two color etchings, each signed in pencil, numbered 4/12 & 2/12”, images 8 x 9 ½” & 5 x 5 ½”, both with full margins, both framed, one with glass. From the collection of Gaby Stuart. (2)

Both with pale discoloration in margins, otherwise both in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

164

Jack Stuppin (b. 1933) American

MARSH ROAD AND ESTERO, 1996, oil painting on canvas, signed and dated and titled on verso, 6 x 20”, framed. From the collection of Gaby Stuart. Provenance: Herbert Palmer Gallery, Los Angeles.

In apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

165

John Swanger (b. 1956) Pennsylvania

LEAD PAINTING #4, 1997, lead, epoxy and oil painting on canvas, signed and dated and titled and artist’s stamped on verso, 24 x 22 ½”. From the collection of Gaby Stuart. Provenance: Kiyo Higashi Gallery, Los Angeles.

A few small scuffs, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

166

Francis Tansey (b. 1959) Dublin, Ireland

SUBJECTIVE COLOR HARMONY, 1992, oil painting on canvas, signed and titled and dated on verso, 24 x 24”, framed. Exhibited at Solomon Gallery, Dublin.

A few light surface scuffs, otherwise good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

167

Ann Thornycroft (b. 1944) Californian

JAGAT, 1987, oil painting on canvas, signed and dated and titled on verso, 36 x 60”, framed. From the collection of Paul J. Coady.

Hairline cracks in thick white areas, natural drying cracks, otherwise in good studio condition.

Auction Estimate $1000/2000

Starting bid $500

 

 

 

168

Tracy, Hana Capova, & Michelle Rollman (three)

Tracy (20th/ 21st Century) American, MONSTER (toy bird), 2007, oil painting on canvas, signed and dated and titled and inscribed 03 on verso, 8 x 8”; Hana Capova (b. 1956) Czech Republic, THE CAT FROM PHODOS, 1998, color etching, signed and dated in pencil, numbered 8/20, plate 8 ½ x 6 Ό”, sheet 18 Ύ x 12 Ύ”; Michelle Rollman (b. 1967) American, WEASEL, 1997, graphite drawing on paper, 1 5/8 x 1 5/8”, provenance: Gallery Paule Anglim, San Francisco; All framed. All from the collection of Gaby Stuart. (3)

Rollman with pale toning from mat coming through to recto except where there are hinges on verso, otherwise all in apparently good studio condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

169

Jeffrey Valance (b. 1955) Californian

REPTILE #5, 1980, enamel on board with decals, possibly signed on verso, 12 ½ x 19”, framed. From the collection of Yale Udoff. Provenance: Rosamund Felson Gallery, Los Angeles.

Mounted to mat board, otherwise in good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

170

Matthias Van Arkel (b. 1967) Sweden

UNTITLED, mixed media with collage and synthetic rubber on Masonite, signed lower right, 26 x 21 ½”, framed.

In apparently good studio condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

171

Rik Van Bentum (1936-1994) Dutch

CLEOPATRA & CAESAR, 1991, acrylic painting and mixed media on paper, signed and dated lower right, 22 x 28”, framed with glass. From the collection of Gaby Stuart.

In apparently good studio condition.

Auction Estimate $500/1000

Starting bid $250

 

 

 

172

Beth Van Hoesen (1926-2010) California

RAG DOLL, 1995, color etching, signed and titled in pencil, numbered 13/25, image 10 x 7 Ό”, full margins, framed. From the collection of Gaby Stuart.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

173

Peter Voulkos (1924-2002) Californian

THE OAKLAND MUSEUM, 1969, plastic and metal relief, signature in design, from the edition of 500, size 27 ½ x 20”. From the collection of Gaby Stuart.

Losses on thin side panel, stains and oxidation on metal background, some surface soiling, otherwise in good condition.

Auction Estimate $200/400

Starting bid $100

 

 

 

174

Catherine Warren (b. 1946) Oregon

ST. AUNT MARIE, acrylic painting on canvas, signed on verso?, 48 x 60”. Provenance: Jan Turner Gallery, Los Angeles.

Surface soiling, smudges, faint stretcher bar impressions, otherwise in apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

175

Daniel Wheeler (b. 1961) American

QUADRUPED, 2002, wood, steel and Formica mixed media sculpture, 36 x 19 Ό x 24 ½”. From the collection of Gaby Stuart. Provenance: Hunsaker/ Schlesinger Gallery, Santa Monica.

Birch wood appendage appears to be sun bleached or dried-out for lack of polishing or oiling, otherwise in good studio condition.

Auction Estimate $400/800

Starting bid $200

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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