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The Screenwriter's Collection

Saturday July 21st, 2018 at noon

Illustration precedes description

 

 

 

126

Heinrich Nauen (1880-1941) German

PARK AM MORGEN, 1918-1922, etching, signed in pencil, plate 12 ½ x 9 ¼”, published by Die Schaffenden, with their blind stamp lower left, full margins.

Small pale discoloration, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

127

Hermann Naumann (b. 1930) German

UNTITLED, 1972, oil painting on canvas, signed and dated lower right, 21 ¾ x 13 ¾”, framed. Provenance: Villa Grisebach Auktionen.

Hairline cracking throughout, small ding left edge, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

128

Claes Oldenburg (b. 1929) American

CHICAGO SHOW (A.57), 1969, color offset poster, signed in pencil, numbered 7/100, published by Richard Feigen, sheet 38 x 25”, framed with glass.

Mild cockling, otherwise in apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

129

Parisian Street Art Posters (1960’s) (three)

MAI REVOLUTION, 1968, three color screenprint posters, one signed ARZA in design, sheets 24 ½ x 17 ½”, all framed with glass. From the May 1968 student protest in Paris. They were posted throughout streets in demonstration during a time of political unrest. A Fiftieth anniversary exhibition was held in May 2018 at LAZinc, Gallery in London. (3)

All in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

130

Jules Pascin (1885-1930) French

WOMEN IN GREEN DRESS, ink and watercolor on paper, signed lower right, artist’s atelier stamp lower right, sight 7 ¼ x 5 ½”, framed with glass.

Some minor discoloration, fold line upper left corner, crease line lower right corner, otherwise in apparently good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

131

Amado Pena (b. 1943) Arizona (two)

NAVAJO; SON EL PUEBLO, two color screenprints, each signed and titled in pencil, numbered, numbered 40/65 & V/VII (5/7), both with blind stamps lower left and lower right, sheets 22 x 30” & 26 x 34”. (2)

Both with some small soft handling creases and some fingerprints or smudges in margins, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

132

AR Penck (1939-2017) German

KOMPOSITION MIT ROTEM AKT, 1979, aquatint etching, signed and dated in pencil, inscribed R. T. 2/3 lower left, plate 12 ¾ x 19 ¼”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

133

Tom Perkinson (b. 1940) New Mexico

A STUDY OF APPLES, 1987, acrylic painting on canvas, signed and dated lower right, 21 x 28”, signed and titled on frame verso.

In good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

134

Tom Perkinson (b. 1940) New Mexico (two)

CHILDREN AT PLAY; OLD CHURCH, two, each a color pastel and watercolor on paper, signed lower right, titled on frame verso, 8 x 8 ½”, Legendwood Sedona Arizona frame with glass. (2)

Both in apparently good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

135

Tom Perkinson (b. 1940) New Mexico

SPRING JOURNEY, acrylic painting on canvas, signed lower right, titled on verso, 16 x 12”, Legendwood Sedona Arizona frame.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

136

Tom Perkinson (b. 1940) New Mexico

ELEGANT WOMAN WITH UMBRELLA, oil painting on canvas, signed lower right, 30 x 25”, framed.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

137

Robert Wakeham Pilot (1898-1967) Canadian

ON THE NORTH RIVER NEAR PIEDMONT, oil painting on panel, signed lower right, 12 ¾ x 17”, framed. Provenance: Continental Art Galleries, Montreal.

Light surface soiling, otherwise in good studio condition.

Auction Estimate $2000/4000

Starting Bid $1000

 

 

138

Arthur Luiz Piza (1928-2017) Brazil (three)

UNTITLED, three aquatint etchings, each signed in pencil, numbered 84/99, 51/99 & EE, images 10 x 11”, 10 ¼ x 9 ¼” & 17 x 11 ¾”, all framed with glass. (3)

All with scattered foxing, otherwise all in apparently good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

139

Dana Pond (1881-1962) Massachusetts

BEFORE THE OPERA, 1912, oil painting on canvas, signed and dated lower left, 30 x 24”, framed. Provenance: Adamson-Duvannes Gallery, Los Angeles.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

140

Astrid Preston (b. 1945) Californian

NOTATIONS #140, 1989-90, color pastel and graphite on paper, signed and dated and titled lower right, 15 x 22 ¼”, framed.

In apparently good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

141

Joseph Douglas Purcell (1927-2015) Canadian

ROAD TO RIVERPORT, NOVA SCOTIA, oil painting on Masonite, signed lower right, 12 x 16”, framed.

Minor surface soiling, otherwise in good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

142

Robert Rauschenberg (1925-2008) American

HORSE FEATHERS #13 Series, 1972, lithograph, screenprint, pochoir and embossing, signed and dated in pencil, numbered 48/64, printed and published by Gemini G. E. L. with their blind stamp lower right, sheet 24 x 17 ½”.

Thin glue strip on verso adhering it to mat, discoloration and speckles throughout.

Auction Estimate $200/400

Starting Bid $100

 

 

143

Jack Reid (1925-2009) Canadian

GONE TO FLORIDA (Cawthra Road & Eglinton Avenue East, Mississauga, Ontario) inscribed on frame verso, watercolor on paper, signed lower right, 18 ½ x 23 ½”, framed with glass.

In apparently good studio condition.

Auction Estimate $100/200

Starting Bid $50

 

 

144

Curtis Ripley (b. 1949) California/ Texas (three)

#25; #34, #22, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, each signed and dated on the verso, #22 with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

#34 signature smudges, #22 with small tideline stain on verso, otherwise all in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

145

Curtis Ripley (b. 1949) California/ Texas (three)

#36; #14; #27, three acrylic paintings on paper, each signed and dated and titled lower sheet edge, one signed and dated on the verso, two with collage, 30 ¼ x 22”. Purchased from William Turner Gallery Santa Monica. (3)

All in good studio condition.

Auction Estimate $600/900

Starting Bid $300

 

 

146

Larry Rivers (1923-2002) New York

SEATED WOMAN, 1976, color screenprint, signed and dated and inscribed P/P in pencil, sheet 29 x 30 ¼”. P/P is usually the designation for printer’s or publisher’s proof.

Small skin marks at entire perimeter verso with associated hinge remnants, retains slight curl from being rolled, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

147

Manuel Robbe (1872-1936) French

LA TOILETTE, 1906, color aquatint, initialed in pencil, plate 4 ¾ x 3 ½”, full margins, framed with glass.

Smudges in margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

148

Norman Rockwell (1894-1978) American

MUGGLETON STAGECOACH, color lithograph, signed in pencil, numbered 68/200, printed and published by Eleanor Ettinger, image 20 x ½ x 16”, full margins, framed with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

149

James Rosenquist (1933-2017) New York

STAR LADDER (G.136), 1978, color etching, signed and dated and titled in pencil, numbered 26/78, published by Multiples Inc., printed at Flatstone Studio, with their blind stamp lower right, plate 17 ¾ x 36”, full margins, framed.

In apparently good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

150

Reuven Rubin (1893-1974) Israeli

MUSICIANS, color offset lithograph, signed in pencil, numbered 50/200, image 29 ½ x 23 ¼”, full margins, framed. Provenance: Michael Hittleman Gallery Los Angeles.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

Use the following links to view lot numbers 1-180

 

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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