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The Charles Baron Collection

July 24th, 2021, 12pm

 

Illustration precedes description

 

 

 

126

Paul Emile Pissarro (1884-1972) French

RIVER BRIDGE, color pastel on paper, signed lower left, 8 ½ x 11 ½”, hand-made custom frame 24 x 27 x 2 Ό” with Plexiglas.

Soft diagonal crease upper left, otherwise in apparently good studio condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

127

Ken Price (1935-2012) California

DOUBLE FROG-CUP, 1968, color lithograph, signed and dated and titled numbered 2/20 in pencil on verso, printed at Tamarind, sheet 22 x 16 ½”.

Discoloration and toning, mild cockling, otherwise in good condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

128

after Maurice Radiguet (1866-1941) French & after Adolphe Willette (1857-1926) French (two)

LE RIRE #103 1896 & #117 1897, two lithograph magazine covers, both signed on the stone, sights 12 x 8 ½”, one with additional pages from magazine in pouch on verso of frame, both in hand-made custom frames 18 ½ x 15” with glass. (2)

Both with toning from age, otherwise both in apparently good condition.

Auction Estimate $50/100

Starting Bid $25

 

 

 

129

Ramirez (20th Century)

EUROPEAN CANAL, oil painting on panel, signed lower left, 16 x 12”, frame 27 x 23 x 3 ½”, weight 17 lbs.

In good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

130

Rembrandt Harmensz van Rijn (1606-1669) Dutch

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 Ύ”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

In apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

131

Rembrandt Harmensz van Rijn (1606-1669) Dutch

THE DEATH OF THE VIRGIN (B.99), 1659, etching on wove paper, probably a Armand Durand edition, image 15 ½ x 12 Ό”, full margins, hand-made custom frame 32 x 28” with glass.

Pale discoloration in the margins, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

132

Pierre-Auguste Renoir (1841-1919) French

SUR LA PLAGE, A BERNEVAL (S.5), circa 1892, etching from a later edition, signed in the plate, image 4 ½ x 3”, full margins, hand-made custom frame 21 ½ x 17 ½ x 2 Ύ” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

133

Pierre-Auguste Renoir (1841-1919) French

LE CHAPEAU EPINGLE le Plange (S.8), circa 1894, 2nd state, etching from a later edition, signed in the plate, image 4 ½ x 3”, full margins, hand-made custom frame 20 ½ x 15 ½ x 3” with glass.

In apparently good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

134

Pierre-Auguste Renoir (1841-1919) French

BERTHE MORISOT (S.4), circa 1892, etching from a later edition, signed in the plate, plate 4 Ό x 3 ½”, full margins, hand-made custom frame 17 x 15 ½ x 2” with glass.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

135

Chucho Reyes aka Jesus Reyes Ferreira (1882-1977)

HORSE AND RIDER WITH FIGURE ON THE GROUND, gouache on thin paper, signed upper right, 29 Ύ x 19 ½”, hand-made custom frame 42 x 32” with Plexiglas.

Crinkles and creases, some discoloration spots along upper sheet edge, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

136

Chucho Reyes aka Jesus Reyes Ferreira (1882-1977)

HORSE AND FALLING RIDER, gouache on thin paper, a signature not found, 29 Ό x 19 Ό”, hand-made custom frame 42 x 32” with Plexiglas.

Crinkles and creases, some discoloration spots lower left, some minor perimeter losses, otherwise in good studio condition.

Auction Estimate $800/1200

Starting Bid $400

 

 

 

137

Lisa Rinzler (b. 1956) New Jersey (two)

TWO SAINTS, digital print with hand-colored boarded, inscribed on recto and signed in pencil on verso, sheet 7 Ό x 8 Ύ”; MAN WITH BIBLE, digital print with hand-colored boarded inscribed on recto and signed in pen on verso, sheet 7 Ό x 12”.  (2)

Both in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

138

Lisa Rinzler (b. 1956) New Jersey

ATTIC WITH SHEETS from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 40 x 48”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

139

Lisa Rinzler (b. 1956) New Jersey

SUITCASE from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right, from the edition of 5, with hanging holes, 52 x 60”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Lisa Rinzler (b. 1956) New Jersey

TRAVEL BAG from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 36 x 42”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

141

Lisa Rinzler (b. 1956) New Jersey

MARKER 73 from The Grass is Green, 2002, printed chromogenic film on glass, signed lower right verso, from the edition of 5, with hanging holes, 40 x 32”.

Small losses of film at edges and hanging holes, otherwise in good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

142

Robert Rosenberg (1951-2006) Israel

PATHWAY BETWEEN BUILDINGS, oil painting on board, signed in Hebrew lower right, 12 x 8”, hand-made custom frame 19 x 16 x 2 ½”.

Artwork in good studio condition, frame with hairline corner cracks.

Auction Estimate $100/200

Starting Bid $50

 

 

 

143

Russian Posters (early 20th Century) (two)

NEGRO OPERETTA; REVOLUTION, two vintage Russian posters, framed with glass 21 Ό x 15 Ό”. (2)

The first with red faded resulting in brown skin turning green; The second probably faded as well; Otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

144

Russian Printmakers (five)

VARIOUS, one etching and four lithographs, each signed in pencil, sizes range from 16 ½ x 19 ½” to 6 Ύ x 10 Ό” including frames with glass (same style frames), three with Russian tags on verso. (5)

Two with small tideline stains in margins, etching with discoloration and speckles, mainly upper left, others with some toning, otherwise all in apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

145

Susan Santiago (20th Century) Mexico American

SEATED NUDE WOMAN, 1980, etching, signed and dated and inscribed artist’s proof in pencil, plate 10 x 7”, full margins, hand-made custom frame 22 ½ x 19” with Plexiglas.

In apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

146

Senufo African Art

DOUBLE-FACE MASK, Ivory Certificate of Authenticityst, carved wood, 18 x 9 x 3”. Provenance: Patti African Art, West Hollywood, CA; African Collection from a Beverly Hills Art Historian and Museum donor.

In good aged condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

147

Jack Sonenberg(b. 1925) American

DIMENSIONS No. 32, 1968, embossed color aquatint etching with string collage, signed and dated and titled and numbered 196/210 in pencil, sheet 30 x 22 ½”.

Minor discoloration and soiling, a few soft handling creases, string left a pale ghost line where it had been previously positioned, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

148

Bert Stern (1929-2013) New York

MARILYN MONROE TRIP Avant Garde magazine cover, color screenprint, inscribed Bert Stern 1962 Avant Garde Collectors Proof in pencil lower left, sheet 10 ½ x 10 ½”, hand-made custom frame 22 ½ x 22” with some repairable damage.

Soft handling creases lower left, otherwise in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

149

Robert Stivers (b. 1957) California

NUDE AFTER INGRES from Series 7, 2002, gelatin silver print, signed and dated and inscribed on verso, 18 Ύ x 22 ½”.

Soft handling creases and edge wear, perimeter line impression probably from previous framing, otherwise in good condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

150

Robert Stivers (b. 1957) California (four)

TREE IN THE CITY NUDE WOMAN; THE BEDROOM; SWIRL, four silver gelatin prints, the first signed and dated 03’ and inscribed ‘Unique Print’ on verso, the second inscribed on verso, sheets 20 x 16”. (4)

All with edge wear and associated small losses; the first and fourth have some mild cockling; Fourth with some kinks and creases upper sheet edge; Otherwise all in good condition.

Auction Estimate $200/400

Starting Bid $100

 

Use the following links to view lot numbers 1-172

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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