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Auction Saturday July 27th @ Noon

Film Producer Arnold Kopelson Art Collection

Illustration precedes description

  

 

 

126

Jerzy Panek (1918-2001) Poland

CHORAGIEW V, 1962-69, woodcut on thin paper, signed and titled and inscribed artist’ proof in pencil, sheet 27 x 21 ½”.

Some soft creases and soft handling creases, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

127

Jerzy Panek (1918-2001) Poland

PASTUCH NA KONIU I, 1961, woodcut on thin paper, signed and titled and inscribed artist’ proof in pencil, sheet 21 x 27 ½”.

Some soft creases and soft handling creases, hinge remnants on top corners verso, otherwise in good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

128

Jerzy Panek (1918-2001) Poland

SIUDA BABA, 1958, woodcut on thin paper, signed and titled in pencil, image 18 x 11”, full margins, frame 28 ½ x 21 ¼” with glass.

Some soft creases and soft handling creases, otherwise in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

129

Bob Peak (1927-1992) Colorado

WOMAN WITH SILVERY SHAWL AND PURPLE SKY, oil painting on canvas, signed lower center right, 52 x 34”. Provenance: Maser Galleries, Pittsburgh.

A few faint scuffs, otherwise in good studio condition.

Auction Estimate $4000/8000

Starting Bid $2000

 

 

 

130

Bob Peak (1927-1992) Colorado

EMERALD LIGHT, airbrush painting with gouache and color pastel and on illustration board mounted to foamcore, signed lower right, 48 x 36”. Provenance: Maser Galleries, Pittsburgh.

Crinkles lower right corner, scratch upper right top edge, otherwise in good studio condition.

Auction Estimate $3000/6000

Starting Bid $1500

 

 

 

131

Bob Peak (1927-1992) Colorado

EMERALD LIGHT, study for painting, a graphite drawing on two sheets of adjoining paper, with hand-written notations in graphite and additional notation and signature in purple upper left, sight 36 x 23”, matted and encased in acetate, overall 42 ½ x 29 ½”. Provenance: Maser Galleries, Pittsburgh.

Speckling mainly in lower half, creases and folds, small tear, appears to have small tape stains on verso becoming visible on recto, otherwise in good studio production condition.

Auction Estimate $1000/3000

Starting Bid $500

 

 

 

132

Jan Rauchwerger (b. 1942) Israel (two)

RED NUDE, 2010, oil painting on canvas, signed and dated upper right, 11 ¾ x 10”, frame 16 ¼ x 14 ¼ x 2 ¾”; GEFEN, color aquatint etching, signed in pencil, numbered 1/5 AP (artist’s proof), image 9 ¼ x 9 ½”, sheet 17 ¾ x 17 ¾”, frame 20 ¼ x 20 ¼”. Provenance: Michael Hittleman Gallery Los Angeles. (2)

The first in good studio condition, the second in apparently good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

133

David Reeb (b. 1952) Israeli

CAMEL, 2005, color screenprint on aluminum, signed and dated and signed AP (artist’ proof) lower right, purported to be a variant from an unrealized edition, 31 ¾ x 21”. Provenance: Michael Hittleman Gallery Los Angeles.

Some small scuffs and scratches, otherwise in good condition.

Auction Estimate $400/800

Starting Bid $200

 

 

 

134

Ellie Riley (20th Century) California

WIND PILLOW,1998, steel wall sculpture with brushed finish and high polish, signed and dated and titled and inscribed 1/19 M-98-036 in marker on verso, 23 ½ x 29 ¼ x 1 ½”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

135

Ellie Riley (20th Century) California

DEEP WATER BLUE IV, 2004, acrylic painting on canvas, signed and dated and titled on verso, 48 x 36”.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

 

136

Ellie Riley (20th Century) California

TACTILE VISIONS, PASSION, 2005, acrylic painting on canvas with raised metal overlay, signed and dated and titled on verso, 60 ½ x 48 ½ x 3 ½”.

In good studio condition.

Auction Estimate $400/800

Starting Bid $200

 

137

NO LOT

 

  

 

138

Alan Ross (20th Century) Californian

NUDE & ROCKS, 1978, gelatin silver print mounted to card, signed in pencil on card lower right, artist’s stamp and date and title on verso, image 9 ¾ x 13 ½”, frame 16 ¼ x 20 ¼”. Note: Alan Ross also printed photographs for Ansel Adams.

In apparently good condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

139

Boris Schatz (1866-1932) Russian (seven)

Sterling silver plaques, all with Hebrew inscriptions, range in size from 2 x 4” to 2 ¾ x 1 ¾”, frames 9 ¼ x 11 ¼” to 10 x 9” with glass. Provenance: Michael Hittleman Gallery Los Angeles. (7)

Some with tarnishing, otherwise all in apparently good condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

140

Wladimir Schepansky (1895-1985) Canadian

EUROPEAN STREET SCENE, oil painting on canvas, signed lower right, 28 x 23”, frame 34 ½ x 29 ½”. From the private collection of Academy Award winning producer Arnold Kopelson of Beverly Hills.

Minor surface soiling, frame chipped, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

141

David Schneuer (1905-1988) Israeli (two)

CHEZ SOLANGES; NIGHT, two color screenprints, each signed in pencil, numbered 113/250 & 286/300, image 12 ¼ x 10 ¾” & 11 x 9”, both with full margins, the first framed 22 ½ x 19”. Provenance: Michael Hittleman Gallery Los Angeles. (2)

Both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

142

Rudolf Schwarzkogler (1940-1969) Austrian

WRAPPED HEAD WITH ROPES & CORDS, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, image 13 ½ x 13 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

143

Rudolf Schwarzkogler (1940-1969) Austrian

WRAPPED HAND HOLDING BIRD, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, image 11 ½ x 15 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

144

Rudolf Schwarzkogler (1940-1969) Austrian

WRAPPED MAN WITH STETHOSCOPE, 1965, gelatin silver print mounted to card 25 ½ x 19 ½”, image 11 ½ x 15 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso of card, from the edition of 10 Roman Numerals, (numbered 2/10 on the portfolio’s tirage), aside from the numbered edition of 40 Arabic, Published by Galerie Krinzinger in 1982, with copy of tirage information from the portfolio. Edith Adam was the artist’s partner and is a managing partner of the artist’s estate.

Very mild wave in card, otherwise in good condition.

Auction Estimate $1000/2000

Starting Bid $500

 

 

 

145

Sculptor Unidentified (Perli Pelzig?)

RABBI, steel sculpture, purported to be by Perli Pelzig, a signature not found, 17 ¼ x 7 x 8”.

Natural rust and oxidation patina, otherwise in good studio condition.

Auction Estimate $200/400

Starting Bid $100

 

 

 

146

Shalom of Safed (1895-1980) Israeli (two)

JUDGEMENT OF SOLOMON; MOSES DECLARING THE FEAST, two color lithographs, each signed in pencil, numbered 479/500 & 218/500, images 16 ½ x 11 ½” & 11 ½ x 16 ½”, both with full margins, first framed with glass 26 ½ x 20 ½”, the later 19 ¼ x 24”. Provenance: Michael Hittleman Gallery Los Angeles. (2)

Moses appears to be toned, otherwise both in apparently good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

147

Victor Shrem (b. 1944) Israeli (two)

JERUSALEM STAR; TWELVE TRIBES, two color giclees on canvas board, each signed and numbered 1/79 in marker, each overall 32 ¼ x 26” framed. (2)

Both in good condition.

Auction Estimate $100/200

Starting Bid $50

 

 

 

148

Raymond Sipos (b. 1938) American

SEASCAPE, 1965, oil painting on canvas, signed and dated lower right, 18 ½ x 30”, frame 27 ¼ x 39 ¼”.

Surface soiling probably from tobacco smoke, otherwise in good studio condition.

Auction Estimate $100/300

Starting Bid $50

 

 

 

149

Iiyayev Slava (b. 1970) Israeli

RAIN ON THE BOULEVARD, acrylic painting on canvas, signed lower right, 35 ¼ x 35 ¼”, frame 36 ¾ x 36 ¾”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $500/1000

Starting Bid $250

 

 

 

150

Iiyayev Slava (b. 1970) Israeli

FAMILY IN THE PARK, acrylic painting on canvas, signed lower left, 35 x 18”. Provenance: Michael Hittleman Gallery Los Angeles.

In good studio condition.

Auction Estimate $300/600

Starting Bid $150

 

 

Use the following links to view lot numbers 1-169

1-25  26-50  51-75  76-100  101-125  126-150  151-175  176-200

201-225  226-250  251-275  276-300  301-325  326-350  351-375  376-400

401-425  426-450  451-475  476-500

 

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